User:Maxkazemzadeh/sandbox

Max Kazemzadeh is an American-born new media artist, computer programmer, and hardware specialist that creates interactive interfaces that explore human interaction and intent via gesture.

Biography
Born in 1972, Kazemzadeh holds a BFA in Drawing and Painting from The University of North Texas, College of Visual Arts + Design and an MFA in Design and Technology from Parsons School of Design. Kazemzadeh is presently an Associate Professor and Program Director of Art & Media Design within the Art, Communication & Theater Department at Gallaudet University in Washington, DC, and is a Ph.D. candidate within the Planetary Collegium at the University of Plymouth (UK), under the Supervision of Roy Ascott, Victoria Vesna, and Mike Phillips. Kazemzadeh uses a syncretic approach to investigate connections between art, technology, and consciousness within his research, experiments and interactive installations. His work over the last ten years focused on how constructed, semi-conscious interfaces influence human perception and interaction. Directly connected to elements within machine perception and recognition, his work feeds naturally into his research, which investigates the significance and value of errors in perception and identification as essential contributions to creativity and innovative thought.

China:
Kazemzadeh has taught three-week summer workshops annually since 2003 at the Central Academy of Fine Art as an invited guest lecturer by artist Feng Mengbo, during which time he exhibited in a number of gallery spaces within Beijing's famed 798 Art District (exhibiting "is.us (Interactive Spatial Ultrasonic Symphony)" in 2005, and "Spin.flick" in 2006, Songzhuang Art Colony (exhibiting "Wisihing Well" in 2010), and in the CAFA Art Museum (exhibiting "Max is a Pushover" in 2009, and "Beirithms" in 2016 (Beirithms was created in collaboration with artist Reza Safavi). In 2006, Kazemzadeh was also one of the ten artists selected to exhibit in the annual Microwave New Media Arts Festival in Hong Kong with the second showing of "Spin.flick" (2006).

Medialab-Prado, Madrid, Spain:
After being introduced by artist Zachary Lieberman to Medialab-Prado Directors, Marcos and Laura, in 2005, at Ars Electronica, Kazemzadeh has also worked closely as an artist, collaborator, and technical assistant/mentor with the Medialab-Prado institute with the AVLab, Interactivos and Visualizar events almost annually and sometimes twice annually since 2006 in Madrid, Spain, Mexico City, Mexico (2008), and Dublin, Ireland (2012). Kazemzadeh was selected as an artist in Mexico City for his work "i.m.pshovr" (2008). Kazemzadeh was one of the first artists in 2016 to be selected for the new one month Artist Residencies at the Medialab-Prado, where he created the work "Madritmos" (2016). Link to Madritmos documentation.

Working with the Medialab-Prado led to projects with RefarmTheCity.org and Hernani Diaz such as the "Refarm App: How to Grow Friends and Food" (2011) project at Visualizar '11, which followed with a collaboration called "(in)Comfort-mismo" (2010), which was public art project and interactive installation with "Caldo de Cultivo," exhibited in the Tarragona bus station, as well as a few projects at LABoral Centro de Arte y Creación Industrial (Art and Industrial Creation Centre) in Gijón, Spain, such as a Refarmthecity.org project at the Summer Lab for Digital Artists & Creators in 2011 which was followed by a short residency to develop educational hardware devices for children to learn urban farming. In 2012, Kazemzadeh represented the group at the Open Hardware Summit with the Mojitos Farm booth.

CPNAS & DASERs:
Kazemzadeh has serves as a volunteer consultant for the Cultural Programs of the National Academy of the Sciences (CPNAS) and their DC Art Science Evening Rendesvous (DASER) events since they began in February 2011, and served as an invited presenter during the April 21, 2011 DASER and then served as the guest facilitator on the May 21, 2012 DASER event discussing the role of curator along with co-curator and artist Jonah Brucker-Cohen and four artists from the Experimental Media Exhibition at Artisphere they curated in Rosslyn, VA. Kazemzadeh titled "The D.O.L.L. Show (DOLL: DIWO, OPNSRC, LMFAO, LHOOQ)" which discussed hacking from both a technical and cultural perspective.

ISEA: International Symposium for Electronic Art (2014) in Dubai
Kazemzadeh exhibited a work he collaborated on with artist Reza Safavi called "Dabarithms: Palm Wish" (2014) which exhibited at the ISEA 2014 in Dubai.

Birdsong Diamond: Mimic:
Kazemzadeh has also collaborated with Victoria Vesna on the "Birdsong Diamond: Mimic" (2015, 2016) Project exhibited with Harvestworks NYC in Fort Jay on Governors Island as part of the NYEAF New York Electronic Arts Festival (2015), and then again in 2016 in an exhibition at the Harvestworks House Gallery, which included a networked performance of "Birdsong Diamond: Mimic" with NYC, California and upstate New York.

Gallaudet: Finding A Line:
Most recently Kazemzadeh, with support from Gallaudet University, collaborated with the Garth Ross, Kennedy Center for Performing Arts' Vice President for Community Outreach, Ben Ashworth in the Sculpture Department at George Mason University, Dave Mutarelli of Lifetime Decks, and the DC Pavilion, to relocate a wooden skateboard bowl originally built for a two week art, skateboarding and music event September 2015, at the Kennedy Center, called "Finding A Line," to Gallaudet University property in Washington, DC, in order to serve a new ART course co-taught with Chemistry and Physics Professor Dr. Dave Snyder, called "Skateboarding, Tracking & Data Visualization" that teaches both hardware and software in order to visualize the data transmitted realtime from the physical forces that occur as someone skateboards through the bowl. Funding for hardware and materials in this course are being provided by a NASA Space Grant. The skateboarding-bowl/outdoor-classroom has now been renamed "CRATERs: Collaborative Research-space for Art Technology Engineering, Robotics, via Skateboarding"

Works
Kazemzadeh's work explores human interaction via the context of virtual and real interfaces. Some of Kazemzadeh's works appeared in the form of a performance, and others as site-specific interactive installations in odd locations. Kazemzadeh has exhibited in galleries, museums, at institutes, in festivals, in warehouses in China, in cave-lakes in Greece, and skateboarding bowls.

Some of Kazemzadeh's most recent works include a collaborative series of projects that has been influenced by the French Situationists, who would develop a list of rules to follow in order to re-experience their home, Paris, from new perspectives and with a new and different rhythm. What originated with a collaboration between Safavi and Victor Diaz Baralles exhibiting in Egypt at the Di-Egy Festival in 2013, with "Egyrithms" (2013), evolved into the sequence of projects that explored how automated algorithms using a cell phone app that is connected realtime to a gallery exhibition space could reveal the rhythms of each new city in ways appropriate to that city. "Dabarithms" (2014) was the project that was designed and exhibited in Dubai, UAE, at the ISEA '14 Dubai, "Beirithms: (2014-2016) in Beijing, China, exhibiting at the Beijing Central Academy of Fine Art (CAFA), and "Madritmos" (2016) in Madrid, Spain exhibiting at Medialab-Prado.

Projects:

 * Madritmos (2016)
 * Beirithms (2014-2016) (collaboration with Reza Safavi)
 * Dabarithms: Palm Wish (2014) (collaboration with Reza Safavi)
 * Birdsong Diamond: East/West Coast Mimic (2016) (collaboration with Dr. Victoria Vesna, Dr. Charles Taylor, Dr. Joel Ong)
 * Birdsong Diamond: Mimic (Times Square) (2015) (collaboration with Dr. Victoria Vesna, Dr. Charles Taylor, Dr. Joel Ong, John Brumley)
 * Birdsong Diamond: Mimic (Governors Island) (2015) (collaboration with Dr. Victoria Vesna, Dr. Charles Taylor, Dr. Joel Ong, John Brumley)
 * Poseidon's Pull (2013 in Pullman, WA) Poseidon's Pull (2013 in Washington, DC) (collaboration with Reza Safavi, Foundland, Joe Hicks, Haytham Nawar, Adnan Naseem, Stavros Didakis, Mark Kazemzadeh, Manoutch Kazemzadeh, Cavon Ahangarzadeh, Jay Beck)
 * Gestures of Change (2013)
 * Jabbersquawkey: (2013)
 * The Other Side of the Tracks (2012, 2013)
 * Jabbertalkey: The Automated Celeb Gossip Generator (2012)
 * Conscious Containers (2012)
 * Reliving the Myth of Melissani (2012) (collaboration with Reza Safavi, Victor Diaz Berrales, Haytham Nawar, Wilifrido Terrazas, Carles Gutierrez, Rita Blaik, and Adnan Naseem Khan)
 * EcoLab (2011) (collaboration with Refarmthecity.org)
 * Wishing Well (2012)
 * Open Source Eating App (Refarm App) How to Grow Friends & Food (2011) (collaboration with Tian Li, Diego Paonessa, Refarmthecity.org - Hernani Dias,
 * isparkleblackmold (2011)
 * Plantenkere (2011)
 * i.m.pshovr (2011) (collaboration with Edgar Zu and Mauro Herrera)
 * Animorigami (2011)
 * Max is a Pushover (2010) (in collaboration with Dr. Ian Parberry)
 * 360 Score (2008) (collaboration with Philippe Chatelain, Alvaro Castinelli, Carles Guiterrez, Guillermo Casado, and Enrique Tomas)
 * Antisocialbots (2007)
 * Spin.flick (2006)
 * Sun.Dial (2006)
 * Express and Local (2006) (collaboration with VJ Anomolee (Matthew Brookes & Toybox aka. John Snyder)
 * Processing Gesture (2006)
 * Controlling the Wild West (2006)
 * Scouring for Prey (2006)
 * is.us (2006)
 * Content/Context (2005)
 * Passage (2006)
 * Target Audience (2006)
 * L/R I/O (2005)
 * Feud (2004)
 * A Seesaw & A Scoreboard (2000)

Publications:
"Postnational technollaboration within the postbiotanical village (an Apophenoetic Prophecy)" (Published: Technoetic Arts: A Journal of Speculative Research. Volume 11 Issue 3. December 13)

"Apophenoetics: Virtual pattern recognition, the origins of creativity and augmenting the evolution of self" (Published: Technoetic Arts: A Journal of Speculative Research. Volume 10 Issue 1. May 2012)

"From Walls To Walkways, From Facts To Fields: Apophenia, DIWOD, Open Src Everything, The Post Nomadic Community & Syncretic Methods For Exploring Consciousness" (Published: CR12 PRESENCE IN THE FIELD OF MIND. Art, Identity and Transformation Technology)

[http://teks.no/?page_id=137 "Visibly Invisible: Spukhafte Fernwirkung, Mechano-Moist & (the) Enlightenment." Making Reality Really Real. editors: Roy Ascott, Gangvik, Jahrmann. TEKS Publishing, Trondheim, Norway, November, 2010 ISBN: 978-82-998211-2-4]

[http://www.ingentaconnect.com/content/intellect/ta/2010/00000008/00000002/art00008?crawler=true "Psychic systems and metaphysical machines: experiencing behavioural prediction with neural networks" Publisher: Intellect. Technoetic Arts, Volume 8, Number 2, November 2010, pp. 189-198(10)]

"Challenges and Opportunities in the Design of Game Programming Classes for a Traditional Computer Science Curriculum" (2010) by Ian Parberry, Max Kazemzadeh, Timothy Roden, Jeremy R. Nunn, Joseph Scheinberg, Erik Carson, Jason Cole

"The art and science of game programming" by Ian Parberry, Timothy Roden, Max Kazemzadeh (Proceeding: SIGCSE '06 Proceedings of the 37th SIGCSE Technical Symposium on Computer Science Education. Pages 510-514 ACM New York, NY, USA. 2006.

[http://www.art-lies.org/article.php?id=1350&issue=50&s=1 ArtLies Magazine. Issue 50. "Karina Nimmerfall: Second Unit NYC: Southside on Lamar" by Max Kazemzadeh]

[http://www.art-lies.org/article.php?id=1342&issue=50&s=1 ArtLies Magazine. Issue 50. "Mappings: Persian American Series. Max Kazemzadeh" by Anjali Gupta]

[http://www.art-lies.org/article.php?id=1312&issue=49&s=1 ArtLies Magazine. Issue 49. "Karyn Olivier: Time to Go Home. Dunn and Brown Contemporary" by Max Kazemzadeh]

[http://www.art-lies.org/article.php?id=1284&issue=48&s=1 ArtLies Magazine. Issue 48. "Trenton Doyle Hancock: St. Sesom and the Cult of Color: Dunn and Brown Contemporary" by Max Kazemzadeh]

"Who's Who In Research: Visual Arts" Publisher: Intellect Books (e-book)

"No Kings Collective Brings subMERGE Flash Gallery to H Street NE" East City Art Online Exhibition Review

[http://www.ingentaconnect.com/contentone/intellect/ta/2012/00000010/F0020002/art00021 "The social properties of media arts in an open source era" by Yuan, Xiaoying Juliette. Publisher: Intellect. Technoetic Arts, Volume 10, Numbers 2-3, December 2012, pp. 297-300(4)]

[http://www.austinchronicle.com/arts/2004-06-25/217521/ The Austin Chronicle. "Target Audience, Loaded Images. Denton artist Max Kazemzadeh addresses his Persian heritage and images of violence in the media in a tight little show titled 'Curious Comforts' at Studio 107" by Rachel Koper, Fri., June 25, 2004]

Texas Observer "Rodin was a Hacker" by Julie Ardery

[https://www.wpadc.org/news/experimental-media-2012-doll Washington Projects for the Arts Review. "Experimental Media 2012: D.O.L.L." by Liz Georges]

Exhibitions
For a list of exhibitions, see Max Kazemzadeh's personal website

''2016. Medialab-Prado, "Madritmos: Siesta," Madrid, Spain. 07/01/16-09/30/16 (Solo exhibition)''

''2016. CAFA Digital Media Building, "Beirithms," Beijing, China. 06/15/16-7/15/16 (Solo exhibition of collaborative project)''

2015. Governors Island, New York Electronic Art Festival (NYEAF), “Birdsong Diamond Project”, in collaboration with Dr. Victoria Vesna, Dr. Charles Taylor, John Brumley, Joel Ong, New York NY, 06/15 (Group Exhibition of collaborative project)

2015. Times Square, New York Electronic Art Festival (NYEAF), “Birdsong Diamond Project”, in collaboration with Dr. Victoria Vesna, Dr. Charles Taylor, John Brumley, Joel Ong, New York NY, 06/15 (Solo exhibition of collaborative project)

2015. Linda Weintraub’s Home, New York Electronic Art Festival (NYEAF), “Birdsong Diamond Project”, in collaboration with Dr. Victoria Vesna, Dr. Charles Taylor, John Brumley, Joel Ong, Rhinebeck, NY, 06/15 (Solo performance of collaborative project)

''2014. American University Dubai, ISEA2014: 20th International Symposium for Electronic Art, “Dabarhithms: Palm Wish: Chasing Fairies,” Dubai, EAU. 10/30-11/08 (permanent installation) (Group Exhibition of collaborative project)''

''2013. Ionian Center for Art & Culture, Poseidon’s Pull, Kefalonia, Greece. 08/28/13-09/18/13 (Solo exhibition of collaborative project)''

''2013. Linda Jordon Gallery, Fall Show, Washington, DC. 10/20/13-11/20/13 (Group exhibition)''

''2013. Washington State University (Pullman) Museum of Art, Group Exhibition, Pullman, Washington. 08/19/13-09/19/13 (Group exhibition)''

2013. MalMaison Restaurant/Bar/Club, No Kings & iStrategyLabs Sponsored Event: “The Socio-Political Social Networking Social” Exhibited “JabberSquawkey: The Automated Political Gossip Perpetuator” Georgetown, Washington, DC, 02/22/13 (Solo performance)

''2013. MCentral Festival at 700 H Street NE: (Inaugural Weekend), “Americana X Trains” Exhibition: Exhibited “The Other Side of the Tracks” face recognition projection project with the No Kings Collective inaugural ball weekend,Washington, DC. 01/18-01/21 (Group exhibition)''

2012. Ionian Art Center, “Lake Melissani & the Sensory Syrynx: Re-living the Myth of Melissani,” Kefalonia, Greece, 08/12 (Solo exhibition of collaborative project)

''2012. Submerge Art Fair DC, “Everybody’s Gotta Eat...Everybody Can” Exhibition (Nine Day Flash Art Happening) with the No Kings Collective with DC Week at 700 H Street NE, Exhibited “Antisocialbots (2007)” and “Jabbertalkey (2012)”. Washington, DC. 11/10/12- 11/18/12 (Group exhibition)''

''2012. Corporation for National & Community Service, “Diversity,” Washington, DC. 10/01/12- 11/01/12 (Group exhibition)''

''2012. Linda Jordan Gallery in the Washburn Arts Center at Gallaudet University, Faculty Exhibition, Washington, DC. 09/16/12-10/16/12 (Group exhibition)''

''2012. The Science Gallery at Trinity College, Interactivos? ’12 Exhibition, Dublin, Ireland, 07/12-08/12 (Group exhibition)''

2011. Laboral Center for Art & Technology, Artist Residency with Hernani Dias to develop three Refarm Kids custom hardware boards using AVR Tiny, 11/11

2011. Tarragona Bus Station, Bus Station Residency Project Exhibition sponsored by Caldo Cultivo, Tarragona, Spain, 07/11-08/11 (Solo exhibition of collaborative project)

''2011. Songzhuan Art Museum. “New Age: New Media” Beijing New Media Arts Exhibition 2011 -06/18/11-08/30/11 (Solo exhibition)''

2011. Laboral Center for Art & Technology, Summer Love Lab Exhibition: Ecolab Project, Gijon, Spain, 08/11-10/11 (Group exhibition)

2011. Medialab-Prado, “Visualizar ’11,” Madrid, Spain, 06/11 (Group exhibition)

''2011. Linda Jordan Gallery in the Washburn Arts Center at Gallaudet University, Faculty Exhibition, Washington, DC. 03/01-04/01 (Group exhibition)''

2009. Renmin University of China – “Oppressionism,” Beijing, China, 08/05/09 – 11/01/09 (Solo exhibition)

''2009. The Dallas Museum of Art - Center for Creative Connections (C3), “Gesture Response,” Dallas, TX. 07/10/09 – 11/10/09 (Group exhibition)''

''2009. Central Academy of Fine Art Museum, “this.Ability,” Beijing, China. 07/10/09 – 08/01/09 (Group exhibition)''

2009. CentralTrak Gallery, “Phonography,” Dallas, TX, 06/01/09 – 07/01/09 (Group exhibition)

2008. ArtSpace 111, “Digital Divide,” Ft Worth, TX, 12/06/08 - 01/06/09 (Group exhibition)

2008. University of Texas at Dallas Gallery, “ON_Game,” Dallas, TX, 10/24/08 - 11/26/08 (Group exhibition)

2008. Weil Gallery, Texas A&M University-Corpus Christi, “Cataclysm and Creativity: Art in an Age of Uncertainty”, Corpus Christi, Texas, 09/08 - 10/08 (Group exhibition)

2008. Medialab-Prado, “Interactivos 08: Technologies of Laughter,” Mexico City, Mexico, 08/1/08 - 09/30/08 (Group exhibition)

2008. Medialab-Prado, “Interactivos 08: Vision Play,” Madrid, Spain, 06/14/08 – 07/14/2008 (Group exhibition of collaborative project)

2008. The University of Texas as Dallas Artist Residency Gallery, “ech_o,” Dallas, TX, 06/14/08 - 08/01/08 (Group exhibition)

2008. UNT Ft. Worth ArtSpace, “Highlights from the College of Visual Arts & Design,” Ft. Worth, TX, 03/01/08 – 04/01/08 (Group exhibition)

2008. Greater Denton Arts Council Gallery, “ultra, extra, arts, mix,” Denton, TX, 02/08 (Group exhibition)

2008. Texas A&M University-Commerce Gallery, “Dimensions Vary,” Commerce, Texas, 02/08 (Group exhibition)

2007. Brookhaven College Art Studio Gallery, “Express & Local,” Dallas, TX, 03/06/07 - 04/12/07 (Solo exhibition of collaborative project)

2007. Collin County Community College Art Gallery, “Express & Local,” McKinney, TX, 01/16/07 - 02/10/07 (Solo exhibition of collaborative project)

2007. Macedonia Museum of Contemporary Art, “Cataclysm and Creativity: Art in an Age of Uncertainty”, Skopje, Macedonia, 10/07 - 11/07 (Group exhibition)

2007. Make Magazine’s “Maker Faire,” Exhibition/Workshop of Texas Artists working with Electronic and Extended Media, Austin, Texas, 10/20/07 – 10/22/07 (Group exhibition)

2006. Beijing Cubic Contemporary Art Center, Beijing, China, 06/01/06 - 07/15/06 (Solo exhibition)

2006. Richland College Art Gallery, Dallas, TX, 03/24 - 05/12/06 (Solo exhibition)

2006. UNT SoVA Gallery, Denton, TX, Faculty Exhibition [Performed “Express & Local” at the opening], (Local) 11/29/07 – 02/03/2007 (Solo Performance)

2006. Glasstire Benefit Auction, Houston, TX, (Regional) Opens 11/15/2006 (Group exhibition)

2006. Medialab Madrid, Madrid, Spain, “Express & Local” Performance at the AV [Audio-Visual Synthesis Lab], (International) 11/18/2006 (Solo Performance)

2006. Microwave Festival 2006, Hong Kong, China, (International) 11/03/06 thru 12/23/2006 (Group exhibition)

2006. Texas Sculpture Symposium, Junction, TX, (Regional), 11/1/06 - 11/4/2006 (Group exhibition)

2006. Fotofest ’06, Houston, TX, “Native Sons – Talent in Texas,” (Regional) 10/12/06 thru 11/19/2006 (Group exhibition)

2006. The Reina Sofia Museum of Art, Madrid, Spain, (Part of Artechmedia ’06, International Symposium/Exhibition), 10/06 (Group exhibition)

2006. The Arlington Museum of Art, Arlington, TX, “Platform” (International/Traveling) – 07/15/06 thru 09/15/2006 (Group exhibition)

2006. Central Academy of Fine Art Gallery, Beijing, China (International), 07/06 - 08/06 (Solo exhibition)

2006. Gerald Peters Gallery New York, New York, NY (National), 07/01/06 - 07/31/06 (Group exhibition)

2006. Indiana University Art Museum - SOFA Gallery, Bloomington, IN, “Robotic and Emergent Systems RES-Art Exhibition,” (National) – 06/06 (Group exhibition)

2006. 3rd Beijing International New Media Exhibition/Symposium, Beijing, China, (International), 06/10/06 - 06/20/06 (Group exhibition)

2006. IDMAa IDEAs Exhibition/Conference, Hiestand Galleries at Miami University, Oxford, Ohio, "Human Systems, Digital Bodies" (National), 04/01/16 - 04/10/06 (Group exhibition)

2006. The Arlington Museum of Art, Arlington, TX, “Arlington Museum Art Auction,” (National) 04/06 (Group exhibition)

2006. The Dallas Center for Contemporary Art, Dallas, TX, “Wish Art Auction,” (National) Preview: 03/04/06 - 03/11/06, Auction: 03/11/06 (Group exhibition)

2006. Bath House Cultural Center, Dallas, TX, “DRIVER,” (Regional) 01/14/06 - 02/04/06 (Group exhibition)

2005. Blue Star: Three Walls Gallery, San Antonio, TX, 10/07/05 - 10/28/05 (Solo exhibition)

2005. Studio 107, Austin, TX, “Holiday Punch” - 12/3/05 - 12/31/2005 (National) (Solo Exhibition)

2005. The Dallas Center for Contemporary Art, Dallas, TX, “Moving Pictures” (National), 11/4/05 - 12/23/05 (Group exhibition)

2005. South Shore Art Center, Cohasset, MA, “In the Game” (National) 10/28/05 - 12/31/05 (Group exhibition)

2005. Los Angeles Center for Digital Art (LACDA), Los Angeles, CA, “Snap to Grid” (International) 09/08 - 10/01/05 (Group exhibition)

2005. The 2nd International San Francisco Biennial, San Francisco, CA, (International), [Received Best in Show Cash Award], 07/26 - 08/18/05 (Group exhibition)

2005. 2nd Beijing International New Media Arts Exhibition and Symposium (In The Line of Flight 2005: The Millenium Dialogue), Beijing, China, (International), 06/21/05 - 07/30/05 (Group exhibition)

2005. Beijing Cubic Contemporary Art Center, Beijing, China, “Luna, Electronic Language” (International), 06/18/05 - 07/30/05 (Group exhibition)

2005. The Center for Fine Art Photography (The Fort Collins Museum of Contemporary Art), Fort Collins, Co., “Intimate Flora” (National), 05/06/05 - 06/18/05 (Group exhibition)

2005. Limner Gallery, Phoenicia, NY, "Digital Art Extravaganza" (International), 05/05/05 - 05/29/05 (Group exhibition)

2005. Caladan Gallery, Beverly, MA, “Contemporary Icons” (National), 05/01/05 - 05/31/05 (Group exhibition)

2005. South Shore Art Center, Cohasset, MA, “Tech Art II” and part of the Boston CyberArts Festival (National), [Received the “Award of Merit” Cash Prize], 04/15/05 - 05/29/05 (Group exhibition)

2005. LA Center for Digital Art (LACDA), Los Angeles, CA, “Top 40” (International), 03/10/05 - 04/02/05 (Group exhibition)

2005. El Centro College Art Gallery, Dallas, TX, “Fresh Space” (Regional), 02/06/05 - 03/04/05 (Group exhibition)

2004. El Centro College Art Gallery, El Centro College, Dallas, TX, “(Regional Exhibition) Pano Art Invitational and Auction” – 09/27/04 -10/24/04 (Group exhibition)

2004. 500X Gallery, Dallas, TX – “Open Show” – 04/25/04 – 05/25/04 (Group exhibition)

2004. 500X Gallery, Dallas, TX – “Expo 2004 (Regional Juried Exhibition)” – Honorable Mention Award – 03/01/04 – 04/01/04 (Group exhibition)