User:Mcgz88 english

Universidad Autónoma de Madrid’s Aula de teatro, also called atUAM, is an activity from the Cultural Activities Center of the Vice-chancellorship of the Universidad Autónoma de Madrid.

Its aim is to provide students from this University with a space and some time for them to express and communicate themselves on the stage.

Its main purpose consist of creating theatrical shows that correspond (with its aesthetic and subjects) to the cultural and artistic reality of the community it belongs to, contributing to its development and active interrelation with the setting surrounding it.

History and plays

 * 2001: Las noticias se pierden, based on B. Brecht's poem Children's Crusade, theatre art coordinated and directed by Jorge Amich and Miranfú Theatre Club.


 * 2002: Lpa, based on Jean Giono's The Man Who Planted Trees, theatre art coordinated and directed by Jorge Amich.


 * 2003: La orilla, collective contribution, theatre art coordinated and directed by Jorge Amich.
 * e-Macbeth, based on W. Shakespeare's The Tragedy of Macbeth, theatre art coordinated and directed by Jorge Amich and Miranfú Theatre Club.


 * 2004: Paulina y los generales, collective contribution, theatre art coordinated and directed by Jorge Amich.
 * Donde sobra corazón, based on a series of poems by Pablo Neruda, theatre art coordinated and directed by Jorge Amich and Daniel Erice.
 * Guantánamo Planet, collective contribution, theatre art coordinated and directed by Jorge Amich.


 * 2005: Menos noticias, más realidad, collective contribution, theatre art coordinated and directed by Jorge Amich.
 * UrSA, collective contribution, theatre art coordinated and directed by Jorge Amich.
 * 7 razones para volverse invisible, collective contribution based in Italo Calvino's Invisible Cities, theatre art coordinated and directed by Jorge Amich.
 * Mariam quiere volver al mar, collective contribution, theatre art coordinated and directed by Jorge Amich.


 * 2006: No esperes a tener zapatos para echar a andar, collective contribution based on Manuel Rivas' Sahara, theatre art coordinated and directed by Jorge Amich.
 * El agua fresca, collective contribution based on Jean Vigo's biography and works, theatre art coordinated and directed by Jorge Amich.
 * 37 preguntas a mi único amigo que vive al otro lado de la frontera, collective contribution based on a poem by B. Atxaga, theatre art coordinated and directed by Chris Baldwin.


 * 2007: El País de Nomeacuerdo. Vivir después de Chernóbil, collective contribution based on Svetlana Alevievich's Voices From Chernobyl. Chronicle Of The Future, theatre art coordinated and directed by Jorge Amich.
 * Marea Negra/Marea Blanca, collective contribution based on stories by Manuel rivas and volunteers' real testimonies about the disaster caused in Spain by an oil tanker called Prestige, theatre art coordinated and directed by La Barraca (Bologna-Italy).


 * 2008: 1 Catástrofe, collective contribution based on Svetlana Alevievich's Voices From Chernobyl. Chronicle Of The Future, theatre art coordinated and directed by Jorge Amich.
 * Cantar del amor y la muerte, collective contribution based on John Huston's A Walk with Love and Death, theatre art coordinated and directed by Jorge Amich.
 * El traje nuevo del Emperador, collective contribution based on a tale by Hans Christian Andersen, theatre art coordinated by Jorge Amich and Germán Bernardo and directed by Daniel Erice.


 * 2009: Peter el Rojo, el mono que se convirtió en hombre, collective contribution based on Franz Kafka's A Report to an Academy, theatre art coordinated and directed by Jorge Amich.

Awards

 * 2002: Nominated to Best Staging Award in the VII Amateur Theatre Festival of Rivas-Vaciamadrid (Spain), thanks to the play Las noticias se pierden


 * 1999: Special Mention Award for Best Staging in the II University Theatre Contest organized by the autonomous community of Madrid (Spain), thanks to the play El día menos pensado


 * 1998: First Prize in the I University Theatre Contest organized by the autonomous community of Madrid (Spain), thanks to the play Los días móviles


 * 1990: First Prize in the VI Amateur Theatre Contest organized by the by the autonomous community of Madrid (Spain), thanks to the play Volpone o el Zorro

A Trip through the Senses
How would it be a world without the sense of sight? Have you ever considered it? No, it would not be a grey, colourless life. Taste, Touch, Smell and Hearing would accompany you through their special journey, a journey where Sight is left behind. She has always been the most valued sense. Why? Can't we "see", perhaps, what we lose when we look an object without touching it, smelling it, listening to it and tasting it? Think about all the new feelings you can discover with your eyes covered! Do not be afraid, get ready to get on the most passionate, carnal, fascinating and heartfelt journey you have ever experienced.