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Annika Ström
is a Swedish artist born 9th of November 1964 in Helsingborg. She is currently living in London & Hove in UK.

She works mainly with film, performance and text works. Her work addresses subjective states of crisis and insecurity in songs, videos and text pieces displaying self-reflective phrases like Excuse me I am sorry, Everything in this show can be used against me, I am a better artist than I deserve. In her films Ström draws upon details of everyday life and seemingly insignificant experiences usually accompanied by her own low-fi synth-pop soundtracks. She often works with members of her family which creates emotive and intimate situations. Her films often explores the subjects of failure, loss and disappearance. Her textworks consist of phrases, normally no more than a few words, transcribed onto sheets of paper or, onto a wall. Her videos, songs and textworks are structured around the poetic transfiguration of the ordinary.

Studies in Copenhagen
Ström studied at Royal Danish Academy of Fine Arts Copenhagen, 91-97. During her second year [1993], she moved to Berlin and commuted to school. She remained in Berlin until she moved to UK 2005.

First Performance work
Ström's first performance took place in 1995 with Anna Ström & Annika Ström at the Rupert Goldsworthy gallery space in Prenzlauerberg in Berlin. Her mother Anna was invited to work in the gallery, making portraits of her daughter over three days, which her mother then sold. Anna had not made a drawing for 43 years. Since the appearance of Anna Ström in her very first public work, Anna Ström has appeared in many of her films. In Collector (5 min 98) Anna shows her collection of Annika's early art school nude studies, as if they were old masterpieces. In 2008 Anna Ström developed severe Alzheimers which Ström depicted in I can hardly recognize myself (12 min 08), and the super8 films; Crystal Brain (1 min 10) and Sunshine Head (1 min 10).

Film and Soundtrack
In 1995 Ström did her first long-form video, Windowpillow- a Berlin habit (13 min 95/97), about the East Berliner practice of leaning out of their windows, while resting their arms on pillows. The work included both film and pillows and was first shown at Saga Basement, an artist's run space. Having just graduated, this film contributed to her having her first solo show at Casey Kaplan gallery in New York 1997. From 1995 Ström began to do her own film soundtracks. Using only a simple keyboard she scored for, Summer 96, The Artist Live, The Artist musical, Ten New Love Songs, Six Songs For A Time Like This and 16 Minutes. In many of these films she acts out different characters, best known perhaps is Swedish Traveller (3 min 95) and performing the art songs in Artist Musical (13 min 96). Ström has made over 35 films. In 2013 she directed the short film “The Swede” (13 min 13) featuring Gunnel Lindblom and Carina Westling.

Performing the Soundtrack
With these films she began to perform her soundtracks live and as the songs were short so were the concerts, and many missed the concerts, this resulted in the film The Missed Concert (4:30 min 04). The Missed Concert is part of what the artist calls her “Absent Films” including, After Film Trailer (3:30 min 08) and Been in Video (2min 03), exploring the subjects of failure and disappearance. She has published three vinyl records relating to the soundtrack to the films Summer96 (3 min 96), The Artist Live (13 min 97) and Ten New Love Songs (22 min 99).

Performance work
In 2010 she made Ten Embarrassed Men at the London Frieze art fair where ten identically dressed men walked around together at the fair looking embarrassed. A comment to that so few works made by women, are represented at the commercial art fairs. This work gained much press attention worldwide. The work was followed by a series of other performances such as The Upset Man 2010, The Inept Five 2011, and the ongoing work of Seven Women Standing in the Way 2011-, where seven women in their 60s gently block the entrance of an art space, by talking, drinking and being oblivious to other visitor's attempts to enter the space. The performance work Look the other way at Winchester Great Hall and Shanty Clash' were 2013 commissioned by artSouth collaboration.

Text work
Since 2000 Ström has also worked extensively with text phrases, painted on both paper and canvas, of which many are in private and public collections. 2014 the Swedish Art Agency commissioned her to do 10 texts works for the new build extension of LUX, the Humanities Department at Lund University. On the roof of the building a 10 meter long text in metal it will say; "men vänta nu". (Direct English translation is; "but wait now " meaning, “hold on”). The work which is permanent, is completed 28th of August 2014.

Teaching
Ström held a part time professorship at the The Academy of Fine Art Oslo 2009-2010. There she created several workshops with titles such as Mamma or Pappa, ''How to Change the Situation by Statistical Information! ''A workshop about the representation of women artist at public museums. The statistics were then read by Ströms father in the film, Ragnar Ström Reading Statistics in his Garden 2009 (10 min). In the film, Ragnar, a former history teacher is reading statistics relating to his daughter profession in a dry, accusing manner. Another workshop Excuse me, I have to go the rest room, took place in public toilets around Oslo, as spaces for displaying art.

Public Collections
Her work is in international collections such as Moderna Museet, Stockholm. Malmö Art Museum Malmö. Statens Museum for Kunst, Copenhagen. NBK, Neuer Berliner Kunstverein, Berlin. Wiener Secession, Vienna. Museum of Contemporary Art, Belgrade. Migros Museum Zürich. Le CNAP, National Center of Visual Arts, France. CCAC, Centro de Andaluz de Arte Contemporaneo, Seville. Sammlung Verbund, Vienna. Palais de Tokyo, Paris. Göteborgs Konstmuseum, Göteborg, Sweden

Gallery representation
Ström has been worked with numerous commercial galleries. Solo exhibitions were at Casey Kaplan, NY 1997, 1998, 2003, Galleri Charlotte Lund; Stockholm 2002, 2005, 2010, Gerhardsen Gerner, 1999, 2000, 2001, 2003, 2005, 2008, 2010, 2012 Galleri Drantmann, Brussels 2003, Mary Goldman gallery LA 2001, 2004 and Lautom gallery, Oslo 2008.

Monographs
Annika Ström, Secession, Vienna, 1999

Annika Ström. Manuscript song, Galleria Sonia Rosso, Pordenone, 2000

Annika Ström, Texts by Annika Ström, Onestar press, France 2005

Annika Ström,Texts by Annika Ström, Onestar press. 2007

Annika Ström Live! edited & designed by Christophe Boutin/ Onestar press/ Fälth&Hässler 2008

Catalouges on Group exhibitions & Publications
2013 artSOUTH collaborations, edited by Judy Adam

2013 At Work, Museum für Gegenwartskunst Siegen, Siegen DE

2012 Good Life, 53rd October Salon Geodesic Institute Belgrade

2010 Failure, edited by Lisa Le Feuvre, White Chapel publications

2010 Frieze yearbook, Frieze, London

2010 You are scripted! Galerie Senn, Vienna

2010 Vidéothèque éphémère-Faux Amis Jeu de Paume

2010 Welt in der Hand/ World in your Hand, Galerie für Gegenwartskunst, Dresden

2009 Walls on the Street, Belgrade

2009 Trying to cope with things that arent human, David Cunningham projects, San Fransisco

2008 Intimacy, Australien Center for Contemporary Art, Melbourne

2007 Conversas, 6th Mercosul Biennale, Porto Alegre, Brazil

2007 [http://www.whitechapelgallery.org/shop/product/category_id/31/product_id/126 The artist´s joke, ed. by Jennifer Higgie, White Chapel]

Studies in Copenhagen
Ström studied at the Royal Danish Academy of Fine Arts Copenhagen between 1991 and 1997. During her second year, 1993, she moved to Berlin and commuted to school. She remained in Berlin until she moved to the UK in 2005.

First performance work
Ström's first performance took place in 1995 with Anna Ström & Annika Ström at the Rupert Goldsworthy gallery space in Prenzlauerberg in Berlin. Her mother, Anna, was invited to work in the gallery, making portraits of her daughter over three days, which her mother then sold. Anna had not made a drawing for 43 years.

Since the appearance of Anna Ström in her very first public work, Anna Ström has appeared in many of her films. In Collector Anna shows her collection of Annika's early art school nude studies, as if they were old masterpieces. In 2008 Anna Ström developed severe Alzheimers which Ström depicted in I can hardly recognize myself , and the super8 films; Crystal Brain and Sunshine Head.

Film and soundtrack
In 1995 Ström did her first long-form video, Windowpillow- a Berlin habit , about the East Berliner practice of leaning out of their windows, while resting their arms on pillows. The work included both film and pillows and was first shown at Saga Basement, an artist's run space. Having just graduated, this film contributed to her having her first solo show at Casey Kaplan gallery in New York 1997. From 1995 Ström began to do her own film soundtracks. Using only a simple keyboard she scored for, Summer 96, The Artist Live, The Artist musical, Ten New Love Songs, Six Songs For A Time Like This and 16 Minutes. In many of these films she acts out different characters, best known perhaps is Swedish Traveller (3 min 95) and performing the art songs in Artist Musical (13 min 96). Ström has made over 35 films. In 2013 she directed the short film “The Swede” featuring Gunnel Lindblom and Carina Westling.

Performing the soundtrack
With these films Ström began to perform her soundtracks live and as the songs were short so were the concerts, and many missed the concerts, this resulted in the film The Missed Concert. The Missed Concert is part of what Ström calls her “Absent Films” including, After Film Trailer  and Been in Video, exploring the subjects of failure and disappearance. She has published three vinyl records relating to the soundtrack to the films Summer96, The Artist Live and Ten New Love Songs.

Performance work
In 2010 Ström staged at the London Frieze art fair where ten identically dressed men walked around together at the fair looking embarrassed. The caused of the embarassment was the low number of work produced by women artists that are represented at commercial art fairs. This work gained much press attention. The work was followed by a series of other performances such as "The Upset Man" 2010 and "The Inpet Five", '' 2011. Another ongoing performance is the "Seven Women Standing In The Way" where seven women in their 60s gently block the entrance of an art space, by talking, drinking and being oblivious to other visitor's attempts to enter the space. The performance work "Look the other Way" at Winchester Great Hall and Shanty Clash' were commissioned in 2013 by artSouth collaboration.

Text work
Since 2000 Ström has also worked extensively with text phrases, painted on both paper and canvas, of which many are in private and public collections. In 2014 the Swedish Art Agency commissioned her to do 10 texts works for the new build extension of LUX, the Humanities Department at Lund University. On the roof of the building a 10 meter long text in metal it will say; "men vänta nu". (Direct English translation is; "but wait now " meaning, “hold on”). The work which is permanent, is planned for completiom on 28 August 2014.

Teaching
Ström held a part time professorship at the The Academy of Fine Art Oslo 2009-2010. There she created several workshops with titles such as Mamma or Pappa, ''How to Change the Situation by Statistical Information! ''A workshop about the representation of women artist at public museums. The statistics were then read by Ströms father in the film, Ragnar Ström Reading Statistics in his Garden 2009. In the film, Ragnar, a former history teacher is reading statistics relating to his daughter profession in a dry, accusing manner. Another workshop Excuse me, I have to go the rest room, took place in public toilets around Oslo, as spaces for displaying art.

Public collections
Her work is in international collections such as Moderna Museet, Stockholm. Malmö Art Museum Malmö. Statens Museum for Kunst, Copenhagen. NBK, Neuer Berliner Kunstverein, Berlin. Wiener Secession, Vienna. Museum of Contemporary Art, Belgrade. Migros Museum Zürich. Le CNAP, National Center of Visual Arts, France. CCAC, Centro de Andaluz de Arte Contemporaneo, Seville. Sammlung Verbund, Vienna. Palais de Tokyo, Paris. Göteborgs Konstmuseum, Göteborg, Sweden

Gallery representation
Ström has been worked with numerous commercial galleries. Solo exhibitions were at Rupert Goldsworthy, Berlin1995, 1996. Casey Kaplan, NY 1997, 1998, 2003, Galleri Charlotte Lund; Stockholm 2002, 2005, 2010, Gerhardsen Gerner, 1999, 2000, 2001, 2005, 2008, 2012 Galleri Drantmann, Brussels 2003, Mary Goldman gallery LA 2000, 2004 and Lautom gallery, Oslo 2008.

Monographs

 * Annika Ström, Secession, Vienna], 1999
 * Annika Ström. Manuscript song, Galleria Sonia Rosso, Pordenone, 2000
 * Annika Ström, Call for a Demonstration, Onestar press, France 2005
 * Annika Ström,Texts by Annika Ström, Onestar press. 2007
 * Annika Ström Live! edited & designed by Christophe Boutin/Onestar press/Fälth&Hässler 2008

Selected Catalogues on group exhibitions and publications

 * 2013 artSOUTH collaborations, edited by Judy Adam
 * 2013 At Work, Museum für Gegenwartskunst Siegen, Siegen DE
 * 2012 Good Life, 53rd October Salon Geodesic Institute Belgrade
 * 2010 Failure, edited by Lisa Le Feuvre, White Chapel publications
 * 2010 Frieze yearbook, Frieze, London
 * 2010 You are scripted! Galerie Senn, Vienna
 * 2010 Vidéothèque éphémère-Faux Amis Jeu de Paume
 * 2010 Welt in der Hand/ World in your Hand, Galerie für Gegenwartskunst, Dresden
 * 2009 Walls on the Street, Belgrade
 * 2009 Trying to cope with things that aren't human, David Cunningham projects, San Fransisco
 * 2008 Intimacy, Australien Center for Contemporary Art, Melbourne
 * 2007 Conversas, 6th Mercosul Biennale, Porto Alegre, Brazil
 * 2007 The artist´s joke, ed. by Jennifer Higgie, Whitechapel