User:Mehrabik/sandbox

Songs of Innocence Background

William Blake’s, Songs of Innocence, are thirty-one illuminated books that were first printed in 1789. Each poem contains an etched illustration by Blake, combining remarkable poetry with intricate drawings. Songs of Innocence is a lyric anthology that depicts an idyllic world before adulthood, where the spirit of children is still religiously pure. In some of the poems in this work, Blake uses irony and rhetoric to portray the corruption of innocence in youth. Songs of Innocence were later combined with Blake's Songs of Experience, becoming Songs of Innocence and Experience, and were printed combined as well as separately from 1794.

Night

The sun descending in the West,

The evening star does shine;

The birds are silent in their nest,

And I must seek for mine.

The moon, like a flower

In heaven's high bower,

With silent delight,

Sits and smiles on the night.

Farewell, green fields and happy groves,

Where flocks have took delight,

Where lambs have nibbled, silent moves

The feet of angels bright;

Unseen, they pour blessing,

And joy without ceasing,

On each bud and blossom,

And each sleeping bosom.

They look in every thoughtless nest

Where birds are covered warm;

They visit caves of every beast,

To keep them all from harm:

If they see any weeping

That should have been sleeping,

They pour sleep on their head,

And sit down by their bed.

When wolves and tigers howl for prey,

They pitying stand and weep;

Seeking to drive their thirst away,

And keep them from the sheep.

But, if they rush dreadful,

The angels, most heedful,

Receive each mild spirit,

New worlds to inherit.

And there the lion's ruddy eyes

Shall flow with tears of gold:

And pitying the tender cries,

And walking round the fold:

Saying: 'Wrath by His meekness,

And, by His health, sickness,

Is driven away

From our immortal day.

And now beside thee, bleating lamb,

I can lie down and sleep,

Or think on Him who bore thy name,

Graze after thee, and weep.

For, washed in life's river,

My bright mane for ever

Shall shine like the gold,

As I guard o'er the fold.

Summary of Night

Night is a poem that describes two contrasting places: Earth, where nature runs wild, and Heaven, where predation and violence are nonexistent. The first stanza describes a landscape with "the sun descending," when the world is settling quietly into night. Night has a positive connotation in this poem because the moon "sits and smiles on the night," showing how night is silent and peaceful. This is continued in stanza two, where angels tread where lambs had grazed, "pour[ing] blessing." The angels' duties are described in stanza three. Angels "visit caves" and "look in...nest[s]," keeping the animals safe and giving them sleep when the animals are mournful. Although the angels aim to keep all those under their care from harm, "wolves and tigers howl for prey" and threaten to ruin the angels' efforts. When these predators successfully attack their prey, the prey is received by the angels in Heaven, greeted with a better life. In Heaven, the lion is not a predator anymore, but a guardian that is dedicated to serving God. He will lie down with the lamb, "pitying the tender," and worship the Lord

Themes in Night

An interpretation of Blake's Night is offered in D.G. Gillham's book, William Blake, published in 1966. Gillham explains how this poem gives divine beings a clear identity, unlike other poems in Songs of Innocence. The identity and actions of the angles show how all will be cared for after death. Gillham discusses the eternity described in the poem, where the lamb "can lie down and sleep" next to the lion. The eternity described is one in which man and animal will be cared for by a divine being. Gillham also points out how the divine eternity is an extension of the pleasures of the earthly world. He mentions how the lion still guards the lamb in "Heaven," showing that there is still some "unspecified disaster" that has not yet come to pass. . This "new world," is similar to the earthly world and all its virtues. . Zachary Leader offers another interpretation in his book, Reading Blake's Songs. Leader recognizes that the poem does not try to "explain away" any of the suffering that those in the poem endure, suffering that does not sway the faith of the speaker. Leader argues that the poem suggests that earth contains "our angels and heavens," not a divine world. He claims that Blake uses the lion to show that heaven is earthly. The ruddy and crying eyes of the lion depict heaven as "a place of tears," showing that the world need not be transcended to achieve innocence. Leader's view is similar to Gillham's in that it argues Blake is showing that Heaven is more like earth than a different, new world. .

In the book The Problematic Vision of Innocence: A View from Night, Norma Greco argues that the poem is not a "celebration of the..harmony...of Innocence." The speaker does not realize what redemption truly is, and experiences spiritual loss in his misconception of redemption. The apparent earth-like qualities of Heaven shows the misconceptions of Heaven by the speaker. The contrast between the poem and its illustrations show the "spiritual error" of the speaker. The first illustration is a large tree enveloping the words, while the second has five women at the bottom of the plate. This inclusion of people in the second drawing depicts the symbolic shift of the speaker towards a spiritual loss. Night is not celebrating innocence but is showing the ignorant misconceptions of Christian redemption.

Heather Glen's Vision and Disenchantment: Blake's Songs and Wordsworth's Lyrical Ballads argues that Night is an exploration of social anxiety. Society has "mutual reassurances," which provide comfort in wordly things and not Heaven or God. The wolves and tigers that appear at night threaten to disrupt the norms of society and create panic. She also mentions the concept of night being associated with faith. Blake was familiar with this concept, and she believes Blake used it in order to further emphasize the strong faith symbols and themes in the poem. Glen also discusses Night in relation to the other poems included in Blake's Songs of Innocence. She claims that the poem is written with other elements of various poems within Songs of Innocence. The use of these other elements provides a "formal resolution" for the works as a whole.

Edward Larrissy also mentions social anxiety in his book, William Blake. He claims that Night focuses on "illusory comfort," which is closely aligned with the "mutual reassurances" mentioned by Glen. Although society may be comforted with material things, there is no comfort like that of Heaven. Larrissy states that the poem shows how looking for comfort in society, in wordly things, is "enslaving." Having this false sense of comfort leads to an unfulfilled life and a complete loss of innocence. The end of Night shifts its focus to God, showing that true comfort and salvation can only come from the supernatural.

The complexity of Night is addressed in Hazard Adams' William Blake: A Reading of the Shorter Poems. Adams claims that the poem is complex because of the speaker's push to join the natural and supernatural world together. These are two concepts that "to [a] child have never been apart," but for an adult, are much more difficult to join together. The speaker wants to achieve a state of innocence that joins the natural and supernatural, one that is natural for a child, but unnatural of an adult who has lost his innocence. The speaker's frustration creates a tone of melancholy in the poem as he attempts to attain a higher state of innocence.

In Harold Bloom's interpretation of Night, Bloom notes the melancholy tone of the poem Adams also mentioned in his interpretation of the poem. Bloom believes this melancholy is caused by the speaker's awareness of the delicate balance of innocence. The speaker realizes that the harmony of innocence can be easily corrupted. Bloom also acknowledges a "gentle irony" in the poem. In order to attain a higher state of innocence, you must separate the supernatural and the natural. In some literature, a natural state is argued to bring one closer to God or the supernatural. Instead of using nature as a way to grow closer to the supernatural or a higher being, Blake severs the natural and supernatural to show that one cannot be attached to both the natural and supernatural worlds.