User:Melicans/sandbox/Beautiful Day

"Beautiful Day" is a song by the rock band U2. It is the first track from their 2000 album, All That You Can't Leave Behind, and it was released as the album's lead single. It was a commercial success, helping launch the album to multi-platinum status, and is one of U2's biggest hits to date. Like many tracks from All That You Can't Leave Behind, "Beautiful Day" harkens back to the group's past sound. The tone of The Edge's guitar was a subject of debate amongst the band members, as they disagreed on whether he should use a sound similar to that from their early career in the 1980s. Lead vocalist Bono explained that the upbeat track is about losing everything but still finding joy in what you have.

The song received positive reviews, and it became their fourth number-one single in the UK and their first number-one in the Netherlands. The song peaked at number 21 in the United States, the band's highest position since "Discothèque" in 1997. In 2001, the song won three Grammy Awards for Song of the Year, Record of the Year, and Best Rock Performance by a Duo or Group with Vocal. The group has played "Beautiful Day" at every one of their concerts since the song's 2001 live debut on the Elevation Tour.

Writing and recording
"Beautiful Day" was written in several stages, originating from a composition called "Always" (later released as a B-side) that the band created in a small room at Hanover Quay Studio. However, they were initially unimpressed with it, as guitarist The Edge said, "As a straight rock song, it was pretty ho-hum." After lead vocalist Bono came up with the "beautiful day" lyric, the song went in a different direction. The Edge's backing vocals for the chorus were improvised one night with co-producer Daniel Lanois, an addition he called "the key" to the chorus and its new lyrics.

The recording process for the All That You Can't Leave Behind album was one that acknowledged the band's past. They wished to distance themselves from their 1990s experimentation with electronic dance music in favour of a "return to the traditional U2 sound". This approach set the direction for "Beautiful Day". Although the group wished to establish a more stripped-down, conventional sound, one of the song's breakthroughs came after co-producer Brian Eno provided "electronification of the chords with a beat box" and a synthesised string part to the beginning. The Edge believes the contrast between these more electronic qualities of the track and his backing vocals with Lanois benefited the song. The band members also debated about the guitar tone that The Edge was playing with his signature Gibson Explorer; the tone was used in much of their early material up to their 1983 album War, but for All That You Can't Leave Behind, the band wanted a more forward-looking sound. Bono was particularly resistant to the guitar tone The Edge was playing with, but The Edge won out, and his original sound was used. As he explains, "It was because we were coming up with some innovative music that I felt a license to use some signature guitar sounds."

The mixing process proved difficult, lasting two weeks. Several changes were made during this period; Bono added a guitar part that played the song's chord progression to double the bass, an addition that "solidified everything", according to The Edge. The Edge also changed the bass line in the chorus and converted a keyboard idea of Bono's into a guitar part that added a "sour quality" to balance the track's positivity.

Composition
"Beautiful Day" is played at a tempo of 136 beats per minute in a 4/4 time signature. The song opens with a reverberating electric piano playing over a string synthesiser, introducing the chord progression of A–Bm7–D–G–D9–A. This progression continues throughout the verses and chorus, the changes not always one to a bar. After the opening line, "The heart is a bloom", the rhythm enters, comprising repeated eighth notes on bass guitar and a drum machine. In the first verse, Bono's vocals are in the front in the mix and their production is dry. At 0:29, a guitar arpeggio pattern by The Edge first appears, echoing across channels. The verses are relatively quiet until the chorus, when The Edge begins playing the song's guitar riff and Mullen's drums enter. During the chorus, Bono sings in a restrained manner, contrasting with The Edge's "loud, bellowing" background vocals, a sustained cry of "day". 

After the second chorus, a bridge section begins at 1:55, playing the chord progression F♯m–G–D–A, heightening the track's emotion as Bono sings "Touch me / Take me to that other place". The bridge links to the middle eight with a section in which The Edge repeats a modulated two-note phrase on guitar, beginning at 2:08. After seven seconds, the rhythm breaks and the middle eight begins. The chords in this section follow a progression of Em–D–Em–G–D–Em–G–D–A, implying a key of D major. The bass plays a G note beneath the Em chord, implying a chord change does not occur. The lyrics for this section are set in space above Earth and describe the sights that one witnesses, including China, the Grand Canyon, tuna fleets, and Bedouin fires. After the third chorus and a return of the bridge section, the song suddenly ends in a "low-key" fashion; most of the instrumentation stops and a regeneration of a guitar signal drifts back and forth between channels before fading out.

According to Bono, "Beautiful Day" is about "a man who has lost everything, but finds joy in what he still has." In his 2001 book Inside Classic Rock Tracks, Rikki Rooksby described the lyrics as having a "fuzzy" quality and covering an "ambiguous subject area between religion and romance". He found "grace and salvation" in the verses' lyrics and believed that despite not explicitly explaining how to emotionally persevere, the song has "so many suggestive images that it's enough".

In an episode of the Sundance Channel's Iconoclast, R.E.M. vocalist Michael Stipe said, "I love that song. I wish I'd written it, and they know I wish I'd written it. It makes me dance; it makes me angry that I didn't write it."

Reception and legacy
"Beautiful Day" received mostly positive reviews from critics. Olaf Tyaransen of Hot Press called the song "surprisingly straightforward but still infectiously catchy", while the magazine's Peter Murphy said the track broke the band's trend of releasing lead singles that broke new sonic ground but were not the best songs from their respective albums. Murphy called the song a "patented U2 cavalry charge from U23 through The Joshua Tree to Jubilee 2000". The Guardian said the song "strikes an appropriate note of putting the past behind you and getting on with the rest of your life". The review praised the track for its "bustling beat", "contagious chorus and vintage guitar chimes from Edge". Robert Hilburn of the Los Angeles Times called the track proof that the band's music had once again been "graced by the glorious textures of Edge's guitar, and [that] Bono has dropped the masks". Rolling Stone called the song "poised, then pouncing" and said it was one of many from the album that has a "resonance that doesn't fade with repeated listening". The Philadelphia Inquirer was critical of the song, saying it was not "driven by the fire of true believers", but rather by the band's need for a hit, and that it was "a move to solidify a base that may already have slipped away".

David Browne of Entertainment Weekly was very receptive to "Beautiful Day", noting that the chorus "erupts into a euphoric bellow so uplifting" that it was played during a television broadcast of the 2000 Summer Olympics. Browne called the "classic U2 arrangement" of the song "corny", but said, "damn if it isn't effective". He said the song made him reminiscent of the band's glory days in the late 1980s when so much popular music sought to be "sonically and emotionally uplifting". Edna Gundersen of USA Today was enthusiastic about the song, calling it "euphoric" and suggesting it was "breathing fresh air into playlists choking on synthetic pop and seething rap-rock". The Detroit Free Press was critical of the album for being pedestrian but called "Beautiful Day" one of the album's "flashes of triumph", describing it as "a gloriously busy, layered song that recalls Bono's lyrically astute Achtung Baby days". The oft-critical NME published a negative review of the song after its single release that suggested John Lennon's assassin Mark David Chapman should be released from prison to shoot Bono, a statement Hot Press called "poisonous" and "tasteless". The publication was more receptive to the song after the release of All That You Can't Leave Behind, saying the album "eas[es] in with the heat-hazy optimism" of the track.

"Beautiful Day" is the most well-known track on the All That You Can't Leave Behind album, and has been regarded as one of U2's most famous songs. The song reached number one on the singles charts in Australia, Canada, the United Kingdom and Ireland, and also boosted sales of All That You Can't Leave Behind. "Beautiful Day" is included on the compilations The Best of 1990-2000 and U218 Singles. A version of the song known as the Quincy and Sonance Mix appears on U2's EP 7. The song won three Grammy Awards in 2001: Record of the Year, Song of the Year, and Best Rock Performance by a Duo or Group with Vocal. In 2009, in an end-of-decade rankings list, Rolling Stone listed "Beautiful Day" as the ninth-best song and the third-best single of the 2000s.

In 2008, the song was chosen to play over the end titles of the children's film Nim's Island, starring Abigail Breslin, Jodie Foster and Gerard Butler. The song was played at the conclusion of the 2008 Commencement Exercises of Columbia University.

Live performances
Ever since its tour debut at the first date of the Elevation Tour on 24 March 2001 in Miami, "Beautiful Day" has been played at every single full tour concert, as well as a number of promotional appearances and concerts not connected with a tour. On the Elevation Tour, "Beautiful Day" was normally the second song played, though it did open one show and was played late in the setlist at two concerts. During the Vertigo Tour, it has appeared in the first half of the main set. It is featured on the live films Elevation 2001: Live from Boston, U2 Go Home: Live from Slane Castle, and Vertigo 2005: Live From Chicago. The song was also performed on stage to open the Live 8 concerts, with slightly different lyrics that mentioned the different sites that Live 8 concerts took place in, along with "Vertigo" and "One", at Hyde Park in London. It was performed live in New Orleans for Super Bowl XXXVI and for the New Orleans Saints first game in New Orleans since Hurricane Katrina. During the band's five night stand on The Late Show with David Letterman (2 - 6 March 2009) to promote their most recent album No Line on the Horizon, "Beautiful Day" was the only song not from that album to be performed all week.

Music video
The song's video showed the band walking around in Paris' Charles de Gaulle International Airport, with scenes of the band playing on a runway interspliced with large jets taking off and landing overhead. The only airlines to be actually identified are Middle East Airlines, through the taking off and landing of a MEA A310 and an A300, and Air France, through its tail fin. The video is directed by Jonas Åkerlund.

An alternative video for the song, shot in Èze, France, was featured on U2 Exclusive CD!, the bonus DVD from The Best of 1990–2000, and the U218 Videos DVD. A month before the album release, a live version of the song was filmed in Dublin on the rooftop of The Clarence hotel. It is featured on the extra features of the Elevation 2001: Live from Boston DVD (although it is marked on the DVD as "Toronto, Canada").

Cover versions
"Beautiful Day" has been covered by a few artists. Kurt Nilsen won World Idol with his cover in 2004. Lee DeWyze won season 9 of American Idol in 2010 with his cover version. Other artists include Sanctus Real and Axel Rudi Pell.

Lee DeWyze cover
"Beautiful Day" was recorded by American Idol season nine winner Lee DeWyze. It serves as DeWyze's coronation song and was released as a digital single on May 27, 2010.

During a press conference held on May 28, 2010, DeWyze said about the song: "I like that song a lot; it's a really good song (...) Is it something that is necessarily in my genre? No. There were songs on the table, and I went with the one I thought would represent the moment the best."

Charts

 * U2 version


 * Lee DeWyze version