User:Miller Wi/sandbox1

Early Korea protest songs
It is a very natural phenomenon for the public to sing along with the singing during protests and rallies against the power of the song, given its strong community. Anti-Japanese movement of the Japanese occupation of diplomatic ties between the opposition demonstration since the 1960 April Revolution, modern and democratic processes such as in no small number of song is called. For instance, " Haebangga, " or " Haebanga, " which was frequently sung during demonstrations from the April 19 revolution to the early 1970s, " Samiljeol Song, ", and " Progenitor " are popular songs. In addition to the demonstrations the participants perform at rallies and demonstrations, however, they are not always sung in their daily lives. Pop Commercial culture is so popular songs and back in school education was dominant force in the area is relatively small, night school or at the Japanese occupation.The anti-Japanese armed struggle, and union members, and labor union resistance when she sang a song in the daily life in distinction from the song In that regard, a simple demonstration.

Similarly, in the student movement since the mid-1970s, it became more apparent that a culture of resistance was formed in daily life than just demo songs. This phenomenon was created solely based on the voluntary nature of the inmates and not the experts who produced and circulated the songs, and it was considered suitable for the songs to be sung by the reader. It is a term referring to the so-called " student education system, " while the so-called " student movement " has shrunk in number due to the Yushin system and the hyper-constituted emergency measures in October. The students who belonged to the movement sought to create a new, controlled, and commercially-structured version of the music culture was created through the independent music market and broadcasting. Since popular songs were so completely independent from the distribution structure of traditional popular songs, they were free from government-driven mandatory censorship and allowed from the market-required profit-generation structures. It was just a unique singing culture in which the inmates chose, created and survived the song they wanted.

A popular song It was a Korean national culture.