User:Mmm0157/Mavis Pusey

Mavis Iona Pusey (September 17, 1928 – April 20, 2019) was a Jamaican-born American abstract artist. She was a printmaker and painter who was well known for her hard-edge, nonrepresentational images. Pusey drew inspirations from urban construction. She was a leading abstractionist and made works inspired by the constantly changing landscape. 

Biography
Pusey was born on September 17, 1928, in Retreat, Jamaica, Her parents died when she was born. At the age of 9, Pusey learned how to sew and make dresses from her aunt. Her first job was at a clothing factory in Kingston. At 18, Pusey moved to New York to pursue a fashion design degree at Traphagen School of Fashion in New York. After a couple of years of Financial difficulties Pusey left school and worked at a bridal boutique. She then enrolled in Fine art courses at the Art Students League of New York, an institution that worked with her work schedule and allowed her to financially support herself. At this institution Pusey earned a scholarship from the Ford Foundation and was allowed to take courses and study under artists like artists Harry Sternberg and Will Barnet, a painter and printmaker. By studying under Barnet, Pusey was introduced to the world of Modern Art and was pushed to continue her work in painting. After four years of study at the League, when her student visa expired, Pusey moved to England to live with her two brothers in London and continued her education.

Career
In 1968, Pusey moved to Paris and had her first solo exhibition in Galerie Louis Soulanges in Paris, France. She also worked with Brigit Skiöld, a swedish printmaker and modern artist. While living in Paris, Pusey witnessed the 1968 student riots that would inspire many of her works and her most noteworthy print, Paris Mai Juin (1968). Pusey returned to the U.S. and her work was featured in a 1971 major group exhibition titled Contemporary Black Artists in America at the Whitney Museum of American Art. One of the works from the 1971 exhibit, a large-scale painting Dejygea (1970), was among those also included in a 2017 exhibit, Magnetic Fields: Expanding American Abstraction, 1960s to Today, at Kemper Museum of Contemporary Art.

Pusey also became a teacher and taught at may places, including The New School, the Pennsylvania Academy of the Fine Arts, and Rutgers University. In 1988, Pusey moved to Pusey moved to Orange, Virginia and began teaching at Woodberry Forest School, an all-boys boarding school.

Pusey's works are held in the permanent collections of the Cochran Collection in LaGrange, Georgia, the Birmingham Museum of Art in Alabama, the Studio Museum in Harlem and the Museum of Modern Art in New York, and the National Museum of African American History and Culture in Washington, D.C.

Personal Life and Death
in 2011, Pusey was in declining health and was under the gaurdianship of the Orange County Department of Social Services. She died on April 20, 2019 at the age of 90. Pusey is survived by Yvonne Palmer. Her works still live on in numerous collections throughout the United States.

Artistic development and Influences
Pusey drew a lot of her inspiration from the constantly changing landscape of urban construction. A lot of her works were inspired by scenes of urban demolition and construction in the city. She gave her works titles like "Broken Construction at Dusk" and "Demolishment". Pusey had a great interest in design that led to her use of geometric lines and works like, Solitude, a work she created in 1963. She had her first solo exhibition at Gallarie Louis Soulanges in 1968. In 1971, her work, Dejygea (1970), was featured in an exhibition titled Contemporary Black Artists in America at the Whitney Museum of American Art. this same work has been featured in a 2017 exhibit, Magnetic Fields: Expanding American Abstraction, the 1960s to today, at the Kemper Museum of Contemporary Art. It traveled to places like Washington DC's National Museum of Women in the Arts to the Museum of Fine Arts in St. Petersburg, Florida. Pusey says that color sets the "tempo" of her work, while the design is the "backbone" of her work. By 2011, Pusey was in declining health and under the guardianship of the Orange County Department of Social Services. She died on April 20, 2019, in Falmouth, Virginia, at the age of 90.

Collections
Mavis Pusey has works in many different collections in museums across the United States, Including:


 * the Visual Art and the American experience
 * The Inagural art exhibition at the National Museum of African American History and Culture (NMAAHC) in Washington DC
 * Cochlan Collection in Lagrange, Gerogia
 * The Birmingham Museum of Art in Birmingham, Alabama
 * The Studio Museum in Harlem, New York
 * Swope Museum of Art in Terre Haute, IN
 * Tougaloo College in Tougaloo, MS
 * The Sheldon Museum of Art in Lincoln, NE
 * The Museum of Modern Art in Manhattan, New York