User:Mondotta/NOLF sources

""For the soundtrack, I was asked to capture the flavor of the '50s/'60s spy genre, without infringing on any existing copyrights. Believe it or not, at first I was told to limit my use of brass instruments (this directive came to me through the grapevine via the Bond franchise). That is like being asked to produce a blues album without guitars! The powers that be quickly got over the legal paranoia, however. I did have one theme refused because of a subtle P5, m6, M6 melodic progression (made famous by composer John Barry), even though I thought it was the least "Bond-ish" of my themes. Actually, I drew more influence from German composer Peter Thomas, whose film scores have more of the lighthearted feel that we were after. The Barbarella soundtrack was also required listening.""

- Guy Whitmore


 * http://web.archive.org/web/19990829042544/http://www.cdmag.com/Home/home.html?article=/articles/020/001/livesf_e3.html
 * http://web.archive.org/web/20000831053552/http://www.3dactionplanet.com/features/interviews/hubbard/
 * http://web.archive.org/web/20000818050611/http://www.stomped.com/interviews/nolf1.html
 * http://web.archive.org/web/20000818071859/http://www.stomped.com/interviews/nolf2.html
 * http://web.archive.org/web/20001017165900/http://www.stomped.com/interviews/nolf3.html
 * http://www.shacknews.com/onearticle.x/9021
 * http://web.archive.org/web/20001116223200/http://www.voodooextreme.com/article.taf?articleID=128
 * http://web.archive.org/web/20001017235813/http://www.themushroom.com/20q/hall.html