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The Hours, is an original stipple engraving produced by the master of the technique, Francesco Bartolozzi (1725-1815). This work was published on April 4, 1788, at the print shop of Thomas Macklin, No. 30 Fleet Street, London. The print is based upon a painted work by Maria Cosway (1760-1838). The dancing hours, or nymphs of Greek mythology, were a pictorial representation of the poem "Ode on the Spring" by British poet Thomas Gray (1716-1771). The poem begins:

"Lo! where the rosy-bosomed Hours, Fair Venus' train, appear, Disclose the long-expecting flowers, And wake the purple year! The Attic warbler pours her throat, Responsive to the cuckoo's note, The untaught harmony of spring: While, whisp'ring pleasure as they fly, Cool Zephyrs thro' the clear blue sky Their gathered fragrance fling."

Maria Cosway sent a copy of the engraving to Jacques-Louis David (1748-1825), a highly influential French painter, who stated, "on ne peut pas faire une poesie plus ingenieuse et plus naturelle." [English translation: One couldn't make poetry more ingenious and more natural."]

The Stippling Technique
The stippling technique involved the etching, usually on a copper plate, of stipple dots to form an image. The process was tedious; many thousands of these dots were required to form an image of this quality. After the copper plate was etched, it was then used to make a number of prints. This number depended upon how well the plate held up during the printing process, which abraded the plate slightly with each use. The earlier prints, therefore, were of better quality than the later ones. At some point the plate became so abraded that it was no longer usable.

The printing and coloring (hand washing) of each engraving was difficult, and required the hand of an artist. For that reason, many of these old original prints were inked by the master himself.

The amazing stippling on this engraving is so fine that we are able to see the nymphs' nude bodies behind their filmy gowns, and the transparency of their gossamer wings.



The Title








The Credits






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