User:Murgh/Leopoldo Sánchez

Leopoldo Sánchez (born September 1, 1932, Cartagena) is a Spanish comics artist, best known for several collaborations with Antonio Segura, such as the series Hombre.

Biography
Having cousins like the brothers Ortiz, who already dedicated themselves to make comic strips, made that to his 14 years it collaborated, like assistant and apprentice, with the cartagenero Gigarpe. Its first work is “the battle of Clavijo”, published, among other many that would make later, in “Famous Battles”, magazine Paulinas Edition. Also it created jokes for the newspaper the Truth and pages of the series “the Horseman de la Cruz”, who drew Gigarpe for the Magical Publishing house. Its work was fitted, almost exclusively, to the creation in pencil, although also it would pass many works to red. While it attends their studies of Teaching make trips to Valencia to the study that had Leopoldo and Jose Ortiz, Miguel Quesada, Luis Bermejo and Vicente Ramos. Here it learns all the tricks of the office and makes his first work: a booklet of the west of twenty pages. The first collaboration, already mentioned, and other histories, were published in the collection “Athletes” of the Magical Publishing house, as well as pages of humorous tone for the Reseso series, of the same publishing house. While he makes Beautiful Arts, Art works for diverse companies like Bardon agency, who provided material to the British Fleetway and the Scottish Thomson, making comic strips of romantic, warlike subjects, terror, etc. Most of these histories saw the light, in Spain, in the magazine “Black Dossier” of IMDE and in the magazines of the Ferma Publishing house. At this time also collaborates with the Publishing house Aredit de Lyon (France) for which made covers and booklets in solitaire or collaboration with its cousin Leopoldo Ortiz. They were histories of 200 or 300 pages that used to adapt novels police. As of 1971, Leopoldo dedicates itself exclusively to the comic strip, working for all editorials of the moment, except for Bruguera. Lashing collaborates with the magazine, of the Doncel Publishing house, where in the last stage, before his closing, it publishes magnificent a first part of the adaptation of “the Quijote”, that later would be published in album. In 1974, through Toutain agency, it works, next to other many Spanish sketchers, with the American Warren Publishing, in his flying line of terror, during the short boom of Spanish sketchers in the U.S.A. Its meticulous work, pleasant lover of detail and take to him to obtain the Prize Warren to the best illustrator. In 1976 it collaborates in a publication of humor of the time post-Franco called “Eh! ”, directed by Manel Ferrer, in the line of the satire propagated by the Papus. Later it would make, next to Jose Antonio Parrilla and Luis Vila, the “History of Catalonia” in cómic. This work was sold to the Savings bank of Catalonia and it was made up of 3 volumes. Later, it would sell the original ones of this series but, peculiarly, their buyers were not fans of the author but “fans” of the Catalan autonomy. Leopoldo admits that this work was very boring and is possible that outside the reason that, later, he created the Bogey series. Before all it, in 1977, Leopoldo, began to make advertising works, alternating them with cómic and, later, the pictorial exhibitions. Next to Jose Antonio Parrilla, the Royal Family made the series “”, published in the magazine “Ten Minutes”, altered by the own publishing house, since she did not adjust to the measures of the magazine. This motivated that the work was finished reluctantly and of very fast form, in damage of the graphical accomplishment. Bogey was born in 1979, like part of a magazine that had been called “Crack”, that combined other personages of the sort of science fiction. Like so many other projects, the company did not see the light. Previous to the publication of the personage by the house Norm, Leopoldo published an album of the personage who contained the two first histories of the series. In 1982, he takes the reins from the Metropol Publishing house, next to Manfred Sommer, Jose Ortiz, Hispanic Mariano and Paco Baena, publishing the magazines “Metropol”, “Mocambo” and “KO Cómics”. The walking of the publishing house was ephemeral, little more of a year, due to the low sales in a market in crisis where it was almost impossible to live on cómic. The last works made by the author were several episodes of the Daily series “of Sand” for Cimoc, that would continue Bermejo, and other independent histories for the same magazine. After this, tired of the complicated publishing panorama and the existing quarrels in this world of cómic, it lets the comic strip creation to dedicate itself exclusively to the painting.