User:Nite-Sirk/sandbox

By number of sources
Acts described as NWOBHM include Angel Witch, Def Leppard, Diamond Head, Girlschool, Iron Maiden, Raven, Samson, Saxon,  Grim Reaper, Judas Priest, Motörhead, Quartz,  Praying Mantis, Tygers of Pan Tang, Witchfinder General, Witchfynde,  Blitzkrieg, Holocaust, Jaguar, Sweet Savage, Tresprass, Venom and White Spirit.

In alphabetical order
Acts described as NWOBHM include Angel Witch,  Blitzkrieg, Def Leppard, Diamond Head, Girlschool,   Grim Reaper,  Holocaust, Iron Maiden,   Jaguar, Judas Priest, Motörhead,  Praying Mantis,  Quartz,  Raven, Samson, Saxon,   Sweet Savage, Tresprass, Tygers of Pan Tang,  Venom, Witchfinder General, Witchfynde  and White Spirit.

Exhorder's sound
Exhorder sound was a mix of speed metal, doom metal, thrash metal and death metal and even included elements of funk.

John Zorn
John Zorn is a multitalented composer, arranger and saxophonist whose music has often been classed as avant-garde. Yet it is difficult to classify his style, since his works are so wildly eclectic, touching on jazz, hardcore, rock, classical and klezmer, as well as underground styles that include death metal, grindcore and sludge metal, and various aleatoric styles of composition he has dubbed "game pieces" and "file card pieces", both of which afford much leeway to the performer.

Zorn has been indefatigable in the creation of new forms of expression and is unafraid to show the influence of others on him, from the works of Ives, Cage, Anthony Braxton and Derek Bailey, to the film music of Ennio Morricone and cartoon music of Carl Stalling. As a saxophonist, Zorn is a virtuoso and has performed with various groups over the years, including the several he has founded: Naked City, Painkiller and Moonchild Trio. Zorn's works have appeared on more than 400 recordings and he has recorded for a variety of labels, including Elektra/Nonesuch, Avant, Parachute, and his own enterprise Tzadik.

John Zorn was born in Queens, New York, on September 2, 1953. As a child he studied piano, flute and guitar, and attended the United Nations School, where Leonardo Balada instructed him in composition. Zorn soon took up the saxophone and began playing in bands. He had further advanced studies at Webster College, where Oliver Lake was among his teachers. From about 1974 Zorn performed regularly on the Lower East Side of New York while turning out his first important compositions. Baseball (1976), Lacrosse (1976), Golf (1977), Hockey (1978) and others were part of his so-called game pieces.

Zorn's most important early recording was the 1985 The Big Gundown, which featured imaginative arrangements, often radical in nature, of music from Morricone film scores. In about 1990 Zorn founded the aforementioned Naked City group and its first album, Naked City, was released that year with great success. Zorn first began writing film scores in 1986, but was especially active in the genre in the 1990s and first decade of the new century with efforts like The Golden Boat (1990), the underground movie Latin Boys Go to Hell (1997), the documentary Port of Last Resort (1998) and Invitation to a Suicide (2002). Among his later works was the score for the 2008 documentary film Sholem Aleichem.

Example of how to be very specific in sourcing
Narnack Records lists Sasha Grey as a guest artist on the album Repentance,  by Grammy-winning reggae icon Lee "Scratch" Perry,  though Perry himself has denied her involvement.

Frank Zappa
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, record producer and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, orchestral and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band The Mothers of Invention and as a solo artist.

While in his teens, he acquired a taste for percussion-based avant-garde composers such as Edgard Varèse and 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands; he later switched to electric guitar. He was a self-taught composer and performer, and his diverse musical influences led him to create music that was often impossible to categorize. His 1966 debut album with The Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was one of rock, jazz or classical. He wrote the lyrics to all his songs, which—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship.

Zappa was a highly productive and prolific artist and gained widespread critical acclaim. Many of his albums are considered essential in rock and jazz history. He is regarded as one of the most original guitarists and composers of his time. He also remains a major influence on musicians and composers. He had some commercial success, particularly in Europe, and for most of his career was able to work as an independent artist. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995 and received the Grammy Lifetime Achievement Award in 1997.

Zappa was married to Kathryn J. "Kay" Sherman from 1960 to 1964. In 1967, he married Adelaide Gail Sloatman, with whom he remained until his death from prostate cancer in 1993. They had four children: Moon Unit, Dweezil, Ahmet Emuukha Rodan and Diva Thin Muffin Pigeen. Gail Zappa manages the businesses of her late husband under the name the Zappa Family Trust.

Thrash metal in the mid-1980s
The popularity of thrash metal increased in 1984 with the release of Metallica's Ride the Lightning, Anthrax's Fistful of Metal, Overkill's self-titled EP and Slayer's Haunting the Chapel EP. This led to a heavier sounding form of thrash, which was reflected in Exodus's Bonded by Blood and Slayer's Hell Awaits. In 1985, the German band Kreator released their debut album Endless Pain and the Brazilian band Sepultura released their EP Bestial Devastation. Megadeth, which was formed by former Metallica guitarist Dave Mustaine, released their debut album Killing Is My Business... and Business Is Good!, and Anthrax released the critically acclaimed Spreading the Disease in 1985.

A number of high profile thrash albums were released in 1986. Metallica released Master of Puppets. Megadeth released Peace Sells... but Who's Buying?, which proved to be the band's commercial and critical breakthrough and a landmark album which AllMusic cited as "one of the most influential metal albums of its decade, and certainly one of the few truly definitive thrash albums". Slayer, regarded as one of the most sinister thrash metal bands from the early 1980s, released Reign in Blood, an album considered by some to have almost single-handedly inspired the entire death metal genre. Kreator released Pleasure to Kill, which would later be a major influence on the death metal genre.

New Orleans
Throughout the 1990s, many sludge metal bands started in the area. New Orleans' heavy metal bands like Eyehategod, Soilent Green, Crowbar, and Down have incorporated styles such as hardcore punk, doom metal, and southern rock to create an original and heady brew of swampy and aggravated metal that has largely avoided standardization.

Music of Louisiana
Louisiana is known as the most important place for the development of a style of heavy metal: sludge metal. Two of its founding acts, Eyehategod and Crowbar, are from New Orleans, where the genre's most important scene can be found. Other notable sludge metal bands such as Acid Bath, Down, Soilent Green and Choke are based in Louisiana.

Music of New Orleans
New Orleans has an active metal scene which began to take real form in the late 1980s. Bands such as Eyehategod, Down, Exhorder, Crowbar, Soilent Green, Goatwhore, Kingdom of Sorrow, and Superjoint Ritual are either based in the city, or have a majority of their members hailing from the area. Artists such as Mike Williams, Jimmy Bower, Brian Patton, Phil Anselmo, Kirk Windstein, Pepper Keenan, Pat Bruders, and Kyle Thomas are New Orleans residents.

The city is known for the "Louisiana sound", which was pioneered by Exhorder, who was the first band to combine doom metal and up-tempo thrash metal. As a result, New Orleans is often recognized as the place where sludge metal was born. Several of these metal groups share a style which draws inspiration from Black Sabbath, Melvins, hardcore punk as well as Southern rock. There is still variance within the sounds of the scene, however. Eyehategod features very harsh vocals and guitar distortion; Down has a style closer to classic rock; Crowbar's music has mostly slow tempos and a downtuned guitar sound; and Soilent Green has a sound which is closer to grindcore.

It's quite usual for a member of one of these bands to be part of another band from New Orleans or Louisiana. Collaborations by members of a band on another are also fairly common. Jimmy Bower is one of the founding members of Eyehategod, he is also a member of Down, he is a former member of Superjoint Ritual and has worked several times with Crowbar. Pepper Keenan, member of Corrosion of Conformity, is a member of Down and also worked on Eyehategod's album Dopesick. Kirk Windstein is founding member of Crowbar and member of Kingdom of Sorrow and Down. Phil Anselmo is member of Down, former member of Superjoint Ritual as well as various metal acts based in New Orleans; he also has a hardcore punk side project along with Mike Williams of Eyehategod and Hank Williams III named Arson Anthem. Brian Patton is a member of Eyehategod and Soilent Green. L. Ben Falgoust II is the singer of Goatwhore and Soilent Green.

Crunkcore artists
Artists that have been described as crunkcore include Brokencyde, 3OH!3, Millionaires,  Breathe Carolina, Hollywood Undead, I Set My Friends On Fire, and Family Force 5. Also, David Jeffries of Allmusic referred to Kesha as the 'crunkcore queen' when noting her guest spot on the 3OH!3 album, Streets of Gold. She has also been described as 'electro-crunk' and 'crunk-pop'.

Theism
Theism, in the broadest sense, is the belief that at least one deity exists. In a more specific sense, theism is a doctrine concerning the nature of a monotheistic God and God's relationship to the universe. Theism, in this specific sense, conceives of God as personal, present and active in the governance and organization of the world and the universe. As such theism describes the classical conception of God that is found in Christianity, Judaism, Islam and some forms of Hinduism. The use of the word theism to indicate this classical form of monotheism began during the scientific revolution of the seventeenth century in order to distinguish it from the then-emerging deism which contended that God, though transcendent and supreme, did not intervene in the natural world and could be known rationally but not via revelation.

The term theism derives from the Greek theos meaning "god". The term theism was first used by Ralph Cudworth (1617–88). Atheism is rejection of theism in the broadest sense of theism; i.e. the rejection of belief that there is even one deity. Rejection of the narrower sense of theism can take forms such as deism, pantheism, and polytheism. The claim that the existence of any deity is unknown or unknowable is agnosticism. The positive assertion of knowledge, either of the existence of gods or the absence of gods, can also be attributed to some theists and some atheists. Put simply theism and atheism deal with belief, and agnosticism deals with (absence of) rational claims to asserting knowledge.

Atheism
Atheism is, in a broad sense, the rejection of belief in the existence of deities. Atheism is contrasted with theism, which in its most general form is the belief that at least one deity exists.
 * (page 175 in 1967 edition) In a narrower sense, atheism is specifically the position that there are no deities. Most inclusively, atheism is simply the absence of belief that any deities exist.
 * (page 175 in 1967 edition) In a narrower sense, atheism is specifically the position that there are no deities. Most inclusively, atheism is simply the absence of belief that any deities exist.

The term atheism originated from the Greek ἄθεος (atheos), meaning "without god", used as a pejorative term applied to those thought to reject the gods worshipped by the larger society. With the spread of freethought, skeptical inquiry, and subsequent increase in criticism of religion, application of the term narrowed in scope. The first individuals to identify themselves using the word "atheist" lived in the 18th century.

Atheists tend to be skeptical of supernatural claims, citing a lack of empirical evidence for deities. Rationales for not believing in any deity include the problem of evil, the argument from inconsistent revelations, and the argument from nonbelief. Other arguments for atheism range from the philosophical to the social to the historical. Although some atheists have adopted secular philosophies, there is no one ideology or set of behaviors to which all atheists adhere. Many atheists hold that atheism is a more parsimonious worldview than theism, and therefore the burden of proof lies not on the atheist to disprove the existence of God, but on the theist to provide a rationale for theism.

Atheism is accepted within some religious and spiritual belief systems, including Jainism, Buddhism, Hinduism, Neopagan movements such as Wicca, and nontheistic religions. Jainism and some forms of Buddhism do not advocate belief in gods, whereas Hinduism holds atheism to be valid, but difficult to follow spiritually.

Since conceptions of atheism vary, determining how many atheists exist in the world today is difficult. According to one estimate, about 2.3% of the world's population are atheists, while a further 11.9% are nonreligious. According to another, rates of self-reported atheism are among the highest in Western nations, again to varying degrees: United States (4%), Italy (7%), Spain (11%), Great Britain (17%), Germany (20%), and France (32%).

Brutal death metal

 * Brutal death metal is more simplistic, violent, and heavy style of death metal. It features extremely violent subject matter, unintelligible guttural vocals, detuned guitars focused on breakdowns, and blast beat drumming with triggers and tight snares. Brutal death metal is the most extreme sub-genre of death metal. Bands include Devourment, Disgorge, Cryptopsy, Pathology, and Abominable Putridity. Brutal death metal known for its constant slams, or breakdowns, is called slam death metal.

Black/doom

 * Black/doom, also known as blackened doom, is a style that combines black metal and doom metal. Examples of blackened doom bands include Forgotten Tomb, Woods of Ypres, Nortt,  Bethlehem and Katatonia.

Untitled

 * Comecon
 * Megatrends in Brutality
 * Converging Conspiracies
 * Pieter Bruegel the Elder
 * The Tower of Babel
 * Tower of Babel
 * Abhorrence
 * Deathspell Omega
 * Malign

Heavy metal

 * "Heavy metal music". Wikipedia. September 30, 2003.
 * "Wikipedia: Sandbox". Wikipedia. October 18, 2012.
 * "Heavy metal music". Wikipedia. April 4, 2007.

January 2013

 * Archgoat's "Lord of the Void": war metal
 * Magrudergrind's "Bridge Burner": grindcore
 * Cattle Decapitation's "Gristle Licker":  deathgrind
 * Obscura's "Ocean Gateways":  technical death metal
 * Darkthrone's "Leave No Cross Unturned":  speed metal
 * Meshuggah's "Rational Gaze":  experimental metal
 * Decapitated's "Blessed":  technical death metal

Whore of Bethlehem
Whore of the Bethlehem is the first studio album by Finnish black metal band Archgoat, released on September 2006 through Hammer of Hate Records.

Releases

 * CD pressings
 * CD released in 2006 by Hammer of Hate Records.
 * Digipak CD released in 2006 by Hammer of Hate Records, limited 1500 copies:
 * Contains a bonus Video CD (VCD) with two live Archgoat shows:
 * Under the Black Sun, 2006, Helenau, Germany, and
 * Riihimäki, Finland, 1993.


 * Cassette pressings
 * MC released in 2007 by Terratur Possessions, limited 500 copies, the first 100 copies released in a box with patch.
 * MC released in 2008 by InCoffin Productions, limited 333 copies, the first 50 copies in gold cover, the rest copies in silver cover (only available in Thailand).


 * Vinyl pressings
 * Gatefold LP released on August 22, 2007 by Blasphemous Underground Productions with an A2 size poster, limited 1000 copies.
 * Limited edition 12" picture vinyl released by Debemur Morti Productions on July 29, 2011. 12" die-cut with printed inner sleeve. Retouched artwork courtesy of Helgorth of Babalon Graphics. Catalog number: DMP0072.

Bands and albums mentioned in black metal article

 * First wave
 * Venom: sourced
 * Black Metal: sourced
 * Mercyful Fate: good article
 * Death SS: needs additional sources
 * Sodom: needs additional sources
 * Hellhammer: needs additional sources
 * Celtic Frost: sourced
 * Bathory: sourced
 * Bathory: sourced
 * The Return of Darkness and Evil: sourced
 * Under the Sign of the Black Mark: sourced
 * Blood Fire Death: sourced
 * Hammerheart: sourced
 * Destruction: needs additional sources
 * Bulldozer: needs additional sources
 * Kreator: needs a source for Cause of Conflict


 * End of the first wave
 * Sabbat: needs to be rewritten in an encyclopedic tone
 * Morbid Angel: sourced
 * Sarcófago: good article; needs a source for technical death metal
 * I.N.R.I.: sourced
 * not the bands from California and Lousiana ( THIS and THIS ) but the one from Georgia ( REVIEW )
 * Tormentor: sourced
 * Master's Hammer: sourced
 * Ritual: sourced
 * Samael: sourced
 * Worship Him: sourced
 * Grotesque: sourced
 * Treblinka: linked in four articles ( HERE ); available in German ( ARTICLE )
 * Rotting Christ: sourced
 * Root: sourced
 * Blasphemy: sourced
 * Fallen Angel of Doom: sourced
 * Varathron: deleted; linked in three articles ( HERE ); available in Polish ( ARTICLE )
 * Manos: linked in two articles ( HERE ); available in German ( ARTICLE )
 * Marduk: sourced
 * Tiamat: sourced
 * Necromantia: sourced
 * Abruptum: needs additional sources
 * Beherit: needs a source about sound of The Oath of Black Blood
 * Profanatica: may not meet notability; needs additional sources
 * Eminenz: linked in two articles ( HERE ); available in German ( ARTICLE )
 * Marduk: sourced
 * Fuck Me Jesus: unsourced
 * Dissection: sourced
 * Reinkaos: needs additional sources
 * Demoncy: needs to be rewritten in an encyclopedic tone and additional sources
 * Archgoat: sourced
 * Impaled Nazarene: needs additional sources
 * available in Finnish ( ARTICLE )
 * Nifelheim: sourced


 * Second wave
 * Mayhem: sourced
 * Live in Leipzig: needs additional sources
 * De Mysteriis Dom Sathanas: needs a source about its influence
 * Dawn of the Black Hearts: sourced
 * Darkthrone: needs additional sources
 * A Blaze in the Northern Sky: needs a source about first CD pressing
 * Transilvanian Hunger: needs a source about its legacy
 * Thorns: needs additional sources
 * Burzum: needs a source about the uniqueness of their sound
 * Hvis lyset tar oss: sourced
 * Filosofem: sourced
 * Immortal: needs additional sources; its neutrality is disputed
 * Enslaved: needs additional sources
 * Emperor: needs additional sources
 * In the Nightside Eclipse: sourced
 * Satyricon: needs additional sources
 * Carpathian Forest: needs additional sources
 * Gorgoroth: needs a source about their signing to Nuclear Blast
 * Ulver: needs a source about Grellmund's suicide date
 * Hades Almighty: needs a source about Tunsberg's conviction
 * Strid: linked in one article ( HERE ); available in Danish ( ARTICLE )
 * Dimmu Borgir: needs additional sources in Abrahadabra section
 * In Sorte Diaboli: needs sources for Kerrang! and Metal Hammer
 * Borknagar: sourced


 * Second wave outside Norway
 * available in Danish ( ARTICLE )
 * Graveland: needs additional sources
 * Behemoth: sourced
 * Mütiilation: needs additional sources
 * Grand Belial's Key: needs additional citations
 * Judas Iscariot: sourced
 * Cradle of Filth: needs additional sources
 * The Principle of Evil Made Flesh: sourced
 * Absurd: needs additional sources
 * ': available in German ( ARTICLE''' )
 * Ungod: linked in two articles ( HERE ); available in Wikimetal ( ENTRY )
 * ': available in Metal Archives ( REVIEWS''' )
 * Vlad Tepes: may not meet notability; needs additional sources
 * Desaster: sourced
 * ': available in Metal Archives ( ENTRY''' )
 * available in French ( ARTICLE )
 * Black Funeral: sourced
 * Tha-Norr: sourced
 * ': available in Metal Archives ( REVIEW''' )
 * Nagelfar: sourced
 * Lunar Aurora: linked in four articles ( HERE ); available in German ( ARTICLE )
 * ': available in Polish ( ARTICLE''' )
 * Katharsis: sourced
 * ': available in Metal Archives ( ENTRY''' )
 * ': linked in one article ( HERE ); available in Metal Archives ( ENTRY''' )


 * Scenes
 * Early Norwegian black metal scene: sourced
 * Les Légions Noires: sourced

List of black metal albums

 * 1980s
 * Venom — Welcome to Hell (1981)
 * Venom — Black Metal (1982)
 * Mercyful Fate — Melissa (1983)
 * Hellhammer — Apocalyptic Raids (1984)
 * Celtic Frost — Morbid Tales (1984)
 * Mercyful Fate — Don't Break the Oath (1984)
 * Bathory — Bathory (1984)
 * Bathory — The Return of Darkness and Evil (1985)
 * Celtic Frost — To Mega Therion (1985)
 * Bathory — Under the Sign of the Black Mark (1987)
 * Sarcófago — I.N.R.I. (1987)
 * Mayhem — Deathcrush (1987) EP
 * Bathory — Blood Fire Death (1988)
 * Sarcófago — Rotting (1989)


 * 1990s
 * Blasphemy — Fallen Angel of Doom (1990)
 * Samael — Worship Him (1991)
 * Beherit — The Oath of Black Blood (1991)
 * Impaled Nazarene — Tol cormpt norz norz norz (1992)
 * Darkthrone — A Blaze in the Northern Sky (1992)
 * Burzum — Burzum (1992)
 * Immortal — Diabolical Fullmoon Mysticism (1992)
 * Burzum — Aske (1993)
 * Darkthrone — Under a Funeral Moon (1993)
 * Mayhem — Live in Leipzig (1993)
 * Marduk — Those of the Unlight (1993)
 * Immortal — Pure Holocaust (1993)
 * Darkthrone — Transilvanian Hunger (1994)
 * Emperor — In the Nightside Eclipse (1994)
 * Cradle of Filth — The Principle of Evil Made Flesh (1994)
 * Burzum — Hvis lyset tar oss
 * Mayhem — De Mysteriis Dom Sathanas (1994)
 * Enslaved — Frost (1994)
 * Gorgoroth — Pentagram (1994)
 * Darkthrone — Panzerfaust (1995)
 * Dissection — Storm of the Light's Bane (1995)
 * Burzum — Filosofem (1996)
 * Satyricon — Nemesis Divina (1996)
 * Gorgoroth — Antichrist (1996)
 * Marduk — Heaven Shall Burn... When We Are Gathered (1996)
 * Dimmu Borgir — Enthrone Darkness Triumphant (1997)
 * Marduk — Panzer Division Marduk (1999)


 * 2000s
 * Dimmu Borgir — Puritanical Euphoric Misanthropia (2001)
 * Dissection — Reinkaos (2006)

Parabellum
Parabellum were a Colombian extreme metal band from Medellín active in the 1980s. The band was described by Terrorizer magazine as one of the world's first black metal bands, as well as the first extreme metal band from Colombia and one of the very first from all South America. According to writer Emilio Cuesta, Øystein "Euronymous" Aarseth—a musician associated with the early Norwegian black metal scene—has said Parabellum and Medellín's Reencarnación were both influential to his own band Mayhem.

Parabellum were formed in Medellín, Antioquia, in early 1983 by drummer Cipriano Álvarez and guitarist Carlos Mario Pérez. It took the band until 1987 to release their debut single, the two track Sacrilegio, limited to 500 copies. This was followed up with a second EP, Mutación por radiación, in 1988, limited to 600 copies. Sacrilegio was reissued in 1992, again limited to 500 copies, and a bootlegged version surfaced with an added third track ("Guerra, Monopolio, Sexo"). Adam Ganderson of Terrorizer describes their music as "somewhere between hardcore and bizarrely backwards speed metal riffing ... one of those inimitable sounds that can only be generated by accident. Seriously, this is some of the weirdest, most intense music ever to blast from the gutters." The band also makes a brief appearance in Victor Gaviria's film Rodrigo D: No Future.

Blasfemia Records released the Tempus Mortis compilation in 2005, which consists of the band's two EPs, six previously unreleased rehearsal tracks from 1984-1985, and a video track from the 1985 La Batalla de la Bandas festival. According to Zero Tolerance magazine, "the sound that Parabellum created was one of unprecedented nihilism, evil and extremity. [...] They were pioneers and sonic adventurers operating in a world of violence, squalor and geographical isolation."

Members

 * Cipriano Álvarez (drums)
 * John Jairo Gutiérrez (guitar)
 * Ramón Reinaldo Restrepo (vocals)
 * Carlos Mario Pérez ("La Bruja") (guitar)

Discography

 * Sacrilegio (EP, Discos Fuentes, 1987)
 * Mutación por radiación (EP, Sonolux [ es ], 1988)
 * Tempus Mortis (compilation, Blasfemia, 2005)

List of songs

 * "Alarido de Guerra / Mutilación" (Tempus Mortis)
 * "Bruja Maldita" (Mutación por radiación, Tempus Mortis )
 * "Engendro 666" (Sacrilegio, Tempus Mortis )
 * "Guerra, Monopolio, Sexo" (Sacrilegio, Tempus Mortis )
 * "Madre Muerte" (Sacrilegio, Tempus Mortis )
 * "Maleficio" (Tempus Mortis)
 * "Mutación por Radiación" (Mutación por radiación, Tempus Mortis )
 * "Parabellum" (Tempus Mortis)
 * "Parabellum / Tempus Mortis" (Tempus Mortis)
 * "Venera / La Sucia y el Bastardo" (Tempus Mortis)