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Hannah Höch was born Anna Therese Johanne Höch in Gotha, Germany.

In 1912 she began classes at the School of Applied Arts in Berlin under the guidance of glass designer Harold Bergen.[2] She chose the curriculum glass design and graphic arts, rather than fine arts, to please her father.[3] In 1914, at the start of World War I, she left the school and returned home to Gotha to work with the Red Cross.[4] In 1915 she returned to school, entering the graphics class of Emil Orlik at the National Institute of the Museum of Arts and Crafts.[5] Also in 1915, Höch began an influential friendship with Raoul Hausmann, a member of the Berlin Dada movement.[6] Höch's involvement with the Berlin Dadaists began in earnest in 1917. After her schooling, she worked in the handicrafts department for Ullstein Verlag (The Ullstein Press), designing dress and embroidery patterns for Die Dame (The Lady) and Die Praktische Berlinerin (The Practical Berlin Woman). The influence of this early work and training can be seen in her later work involving references to dress patterns and textiles. From 1926 to 1929 she lived and worked in the Netherlands. Höch made many influential friendships over the years, with Kurt Schwitters and Piet Mondrian among others. Höch, along with Hausmann, was one of the first pioneers of the art form that would come to be known as photomontage.