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This is what the "Google Translate's " does with the Zamor's french article. It's seems not be the same as the one published in english. Why does Mr. Rehevkor saids that the translation was done by a translator? - Zamor, born March 8, 1951 in Colombia, is a French painter and sculptor and Colombia, known for its large size and its treatment of male and female subjects with a technique that is neither realistic nor hyperrealism. Inspired Mannerists Italian study of Impossible Figures and Anamorphoses, as well as the technique of Trompe-l'oeil of the Renaissance, he studied and admired in all the museums of Europe, from Stockholm to Rome, via Amsterdam, Zurich, Madrid and Paris he masters with great dexterity in mixing and creating their own unique trend he calls "supraréalisme." As evidenced by "the absurd surrealism elements are evident in my paintings while supraréaliste enters the absurd logic of the gaze, unnoticed." Zamor has lived in Europe since 1974, having long stays in Rome, Florence, Paris, Amsterdam, Zurich, Stockholm and Madrid to develop and humanistic studies and create his artistic style.

Studies [edit] Although determined to be a painter sculptor ZAMOR Guillerm did not want to study Fine Arts Whereas humanistic and literary training better prepare his career as a painter. First he gets his DEUG of Architecture at the Universidad Javeriana in Bogota, Colombia, where he learned thoroughly the principles of descriptive, perspective, drawing, etc.. Then he decided to move towards literary studies. He continues his career with a Masters in Philosophy and Letters with a major in History from the University of Javeriana Bogota1. Then he went to Paris in 1974 where he continued his literary studies and obtained a Master in Literature at the University of Sorbonne, Paris IV2. And an MA in History from the University of Paris Sorbonne IV3 and finally a degree in Art History at the University of Grenoble, France. In 1976, after going through the museums of Europe, he devoted himself to painting and sculpture in Paris. Artistic career [edit]

Exhibitions in France, 1970 [edit] It is in Grenoble, France Bayard Café, which is the meeting place for artists, actors and intellectuals of the city, Zamor will make his first exhibition in 1978. Since its inception, he was noticed by the press with the first interview individuelle4. His very personal style, inspired by topics masculins5 naked, as well as practice a conventional oil is recognized by critics 6 Then follows a series of solo exhibitions: Galerie Madeleine, Grenoble, 19797, Gallery of Modern Art, Orange, France in 1979, where Mr. Ph. Chabro 8 and Baron Olivier of Serres9 write articles very appreciative of this new artist in the newspaper Le Provençal, follows the Museum Gallery in Nernier, France, 1979. In 1980, journalists in the region Rhône-Alpes Zamor choose for it represents the region in the 91st Salon des Independants at the Grand Palais in Paris10. Exhibitions in Venezuela and Colombia [edit] With its success as an artist in France, Zamor trip to Colombia for a vacation in late 1979. Shortly after his arrival, he met the man who would be his model for St. Sebastian. He opened a studio and began painting inspired by this model and by rediscovering that another kind. Instead of three months is a year and a half, giving him the opportunity to present in different places. First in his hometown at the "Casa de la Cultura", Cucuta, Colombia and Venezuela, San Cristobal, JM Oliveros11 Gallery. During a trip to Bogota, State Councilor Gustavo Humberto Rodriguez discovered the work of Zamor and invites him to exhibit at San Carlos Palace, the former Presidential Palace, where he organized an exhibition in January 1981. The exhibition is then claimed by the Museum of Contemporary Art. Colombian National Press discovers a new artiste12. End of 1981, Zamor made the trip back to Paris. He leaves all his large format paintings in the basement of the Museum of Contemporary Art. Exhibitions and Press, 1980 [edit] Back to Colombia, Zamor moved to Paris. For over a year he attended the Louvre, studying systematically and with his training as a historian all the works of the Museum. The city of Grenoble gives a workshop where he settled and says her style by introducing new elements in his paintings and drawings: Anamorphosis and the Trompe-l'oeil. Zamor in 1985 at the Théâtre de Grenoble exposes a single canvas with all the drawings around his sujet13. The art critic and professor of art history in Florence (Italy) and Grenoble (France), Philippe Renard, Zamor invites the Pieve a Elici, Lucca, Italy for him to do an interview that will appear in the magazine "Men of Knowledge" in Paris in 1985 14 and its translation into Greek in the Book Review ΠΟΔΙΟΡΚΙΑ, published in Athens in 198 515. Eolia Gallery, 10 rue de Seine in Paris, and takes notes exclusively in 1986. It organizes several exhibitions Zamor which are commented by the Parisian press: The Journal Œil16 in the newspaper Le Figaro 17, the weekly Le Point18 and the book art critic Gérard Xuriguera Mayer19 editions. It also goes up for auction at the Salle Drouot, Cabinet Catherine Charbonneaux in Paris on 24 April 198820. Exhibitions and travel, 1990s [edit] Zamor travel and working hard, making every place becomes a new source of inspiration. It is the Ardeche in Paris and Grenoble, France, and the edge of the sea in the tropics, in the countryside on the Andes, and in Puerto Rico. Each trip is an opportunity for new exhibitions. In Bogota, Colombia, he exhibited at the Art Gallery of the World Trade Center in 1991 and 199 221 and 22 and exposed to Barranquilla, Colombia in December 199223. It remains live Cartagena, Colombia throughout 1993 and then he went to stay at the top of the Andes from late 1993 to May 1996 when he decided to return to France. At the beginning of 1997 he was invited to present San Juan, Puerto Rico24 and again with Carolina Herrera 200025. Style [edit]

Zamor in 2011. The best way to describe the style of Zamor can be seen through the various comments in the international press throughout his career. In his first exhibition we thought Zamor "... offers us a world at once erotic, fantastic and superbly languid in the swamps of the body where emotions architecturent most eclectic ..." 26 and then on the other side of Ocean was said that the theme of Zamor "... es su ... absolutamente contemporánea forma artística inspirada está en los lineamientos clásicos, y el argumento su pintura, casi helenísticamente, is submerged in the filosofía there in the cultura griega ..." 27. Later, in France, it is claimed by "... the beautiful drawings ... drawings Zamor of such quality that they are hoping that the talent of the author will one day be more widely recognized. "28 and is already approaching its sources of inspiration when it says" ... the art research related to the great age of mannerism. With him, born the modern certainties plastic Rodin named "an art worthy of the name does not follow the past, he continues" 29 and his poetry "... Zamor surprises us with drawings of a musical air singing under his pencil leaving vibrate ... "30 and quality" ... and Sofia Vari Zamor, who themselves are experienced designers ... "31 And it was in Paris where it spends with critical journalists known" ... imaginary Zamor, the Colombian become Grenoble, also excites with her body draped or pediments and if so meticulously designed that has monumentally dizzy ... "32 and" ... Zamor is sure of his ways: he shapes a futuristic imaginary likelihood than the likeness ... "appeared in the anthology book art Xuriguera 33. Zamor later introduces a new element in his painting, Trompe l'oeil, which noted: "... above acrílicos poseen una magia ilusionist lograda from the técnica del" sham "in con una estrecha combinación personajes Desnudos that dan cuenta su Maestría en el dibujo ... "34 almost immediately confirmed in France by Sylvie Perrard:" ... his works are required by the incessant play between dream and reality ... "35 and then a new dimension is found in the paint Zamor in the comment of the Atlantic about his portraits: "A través de sus pinturas, el artista Zamor interpreta el alma, el interior of cada persona ... No se sabe dónde ended the obra y donde comienza el marco ... "36 Public [edit] Zamor, born March 8, 1951 in Colombia, is a French painter and sculptor and Colombia, known for its large size and its treatment of male and female subjects with a technique that is neither realistic nor hyperrealism. Inspired Mannerists Italian study of Impossible Figures and Anamorphoses, as well as the technique of Trompe-l'oeil of the Renaissance, he studied and admired in all the museums of Europe, from Stockholm to Rome, via Amsterdam, Zurich, Madrid and Paris he masters with great dexterity in mixing and creating their own unique trend he calls "supraréalisme." As evidenced by "the absurd surrealism elements are evident in my paintings while supraréaliste enters the absurd logic of the gaze, unnoticed." Zamor has lived in Europe since 1974, having long stays in Rome, Florence, Paris, Amsterdam, Zurich, Stockholm and Madrid to develop and humanistic studies and create his artistic style.

When working with Eolia Gallery in Paris, it was released in the auction at Drouot, Paris, 24 April 1988, in Colombia Corporation "El Minuto de Dios" Eudistes commissioned a Saint John Eudes for Museum of Contemporary Art in Bogotá, the President of Colombia, Belisario Betancur, ask Zamor 1984 The Black Christ, to be part of the Betancur Collection at the Presidential Palace of Nariño Colombie37, in 2011 wrote a Zamor OPEN LETTER to the President of the Republic of Colombia to demand "The Black Christ" 38; Zamor other works are part of public collections as Eve, the "Museum of Memory" in Cucuta, Colombia, as well as several drawings qu'acheta the Aviation Company of Bogotá to Collection Avianca open to the public. Career as a historian [edit]

While studying history Zamor working as Assistant Professor with Professor Manuel Lucena Salmoral 39 and published as a historian in the Revue Universitas Humanísticas the Universidad Javeriana, Bogotá, Colombia, several studies between 1971 and 1974: Elementos decorativos del arte Muisca in los fly huso (50 pages), paleographic Other studies, based on original documents from the sixteenth century, preserved in the National Archives of Colombia: EXISTING Catálogo de documentos en el Archivo Histórico Nacional para el período 1564-1580 ( 80 pages); Ordenanças Doctor Antonio del Señor del Señor Miguel Gonzalez y de Ybarra (20 pages) EXISTING Catálogo de documentos en el Archivo Histórico Nacional para el período 1580-1597 (110 pages); Encomiendas en el Nuevo Reino de Granada durante el período presidencial del Doctor Antonio Gonzalez (1590 - 1597) (100 pages) EXISTING Catálogo de documentos en el Archivo Histórico Nacional para el período 1597-1605 (90 pages); Then he wrote home to his hometown in 1900, El sitio Cucuta, published by the Instituto de Cultura y Bellas Artes in Cucuta (50 pages). Then, at the University of the Sorbonne in Paris, he was appointed by Professor Jacques Lafaye as the lecturer as he made his PhD in History 3 Zamor but abandoned his studies in 1976 to devote himself to painting. Written [edit]

With the advent of the internet, Zamor studying computer to be able to post the entire collection of his works. From 1998 to 2004 he designed and created his website www.zamor.com, and put online in 2004. In 2011 designs and creates another website www.zamor.fr, to the publication of his e-books new books written parallel to his painting career: Firstly, a philosophical essay and biographical writing between 1999 and 2002, the Mendicant souls, (640 pages): Then a philosophical essay on sentient beings and written between 2010 and 2011: Being Sensitive or without target Letters to sentient beings, (285 pages). Then a novel written in 2002 which continues the topic of "Mendicant souls" but in a different literary form: the shade of mango (285 pages).