User:Onetwothreeip/List of compositions by Franz Liszt

{|class="wikitable sortable" style="width: 100%" !width=13%|S. !width=10%|LW !width=24%|Title !width=11%|Forces !width=10%|Key !width=11%|Date !width=21%|Notes


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я1–350
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Original works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я1
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Stage works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * HS 001
 * OHS 01
 * Don Sanche (Le château de l'amour)
 * vv ch orch
 * 1824–25
 * opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished
 * 1824–25
 * opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я2–94
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Choral works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я2–66
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Sacred

 * style="text-align: right"|&#91;INDEX↑&#93;


 * HS 002
 * IHS 04
 * Die Legende von der Heiligen Elisabeth
 * sop alt 3bar 2bass ch org orch
 * 1857–62
 * extracts arr for pf as S.498a, S.693a, for pf4h as S.578; introduction arr for org as S.663a
 * 1857–62
 * extracts arr for pf as S.498a, S.693a, for pf4h as S.578; introduction arr for org as S.663a


 * HS 003
 * IHS 07
 * Christus
 * sop alt ten bar bass ch org orch
 * 1866–72
 * No.6 based on S.25; No.7 based on S.29; No.8 based on S.36, S.261, S.766; Nos.1a, 1b, and 2 arr for pf as S.498c; Nos.4 and 5 arr for pf as S.498b, for pf4h as S.579; No.8 arr for org as S.664i
 * 1866–72
 * No.6 based on S.25; No.7 based on S.29; No.8 based on S.36, S.261, S.766; Nos.1a, 1b, and 2 arr for pf as S.498c; Nos.4 and 5 arr for pf as S.498b, for pf4h as S.579; No.8 arr for org as S.664i


 * HS 004i
 * IHS 08a
 * Cantico di San Francesco
 * bar pf org/harm (+mch)
 * F major
 * 1862
 * arr for bar mch org orch as S.4ii; Alleluja arr for pf as S.182a, for org (+tbn) as S.677
 * arr for bar mch org orch as S.4ii; Alleluja arr for pf as S.182a, for org (+tbn) as S.677


 * HS 004ii
 * IHS 08b
 * Cantico del sol di Francesco d'Assisi
 * bar mch org orch
 * F major
 * 1879–82
 * arr of S.4i; arr for pf as S.499, for org as S.760; Prelude arr for pf as S.498d, for org as S.665
 * arr of S.4i; arr for pf as S.499, for org as S.760; Prelude arr for pf as S.498d, for org as S.665


 * HS 005i
 * IHS 01a
 * Sainte Cécile (Die heilige Cäcilia)
 * mez orch (?)
 * 1845
 * 1st version of S.5ii; lost
 * 1845
 * 1st version of S.5ii; lost


 * HS 005ii
 * IHS 01b
 * Sainte Cécile (Die heilige Cäcilia) (Legende)
 * mez orch (+ch)
 * 1874
 * 2nd version of S.5i; arr for mez hp/pf/harm (+ch) as S.5ii/a
 * 1874
 * 2nd version of S.5i; arr for mez hp/pf/harm (+ch) as S.5ii/a


 * HS 005ii/a
 * IHS 01b
 * Sainte Cécile (Die heilige Cäcilia) (Legende)
 * mez hp/pf/harm (+ch)
 * 1874
 * arr of S.5ii
 * 1874
 * arr of S.5ii


 * HS 006
 * L15
 * Die Glocken des Strassburger Münsters
 * 2vv ch org orch
 * 1874–75
 * oratorio; prelude arr for pf4h as S.580, for pf as S.500, for org (+ch) as S.666, for v org as S.767
 * 1874–75
 * oratorio; prelude arr for pf4h as S.580, for pf as S.500, for org (+ch) as S.666, for v org as S.767


 * HS 007
 * I10
 * Cantantibus organis (Antiphona in festo Santa Caeciliae)
 * alt ch orch
 * G major–G minor
 * 1879
 * arr for alt ch hp/pf harm/org as S.7a
 * arr for alt ch hp/pf harm/org as S.7a


 * HS 007a
 * I10
 * Cantantibus organis (Antiphona in festo Santa Caeciliae)
 * alt ch hp/pf harm/org
 * G major–G minor
 * 1879
 * arr of S.7
 * arr of S.7


 * HS 008i
 * JHS 05a
 * Missa quattuor vocum ad aequales
 * mch org
 * 1846–47
 * 1st version of S.8ii
 * 1846–47
 * 1st version of S.8ii


 * HS 008ii
 * JHS 05b
 * Missa quattuor vocum ad aequales (Szekszárd Mass)
 * mch org
 * 1869
 * 2nd version of S.8i; themes used in S.264
 * 1869
 * 2nd version of S.8i; themes used in S.264


 * HS 009i
 * IHS 02
 * Missa solennis zur Einweihung der Basilika in Gran (Graner Mass)
 * sop alt ten bass ch orch
 * 1855
 * 1st version of S.9ii
 * 1855
 * 1st version of S.9ii


 * HS 009ii (*9)
 * IHS 02
 * Missa solennis zur Einweihung der Basilika in Gran (Graner Mass)
 * sop alt ten bass ch orch
 * 1857–58
 * 2nd version of S.9i; Agnus Dei arr for pf as S.167c
 * 1857–58
 * 2nd version of S.9i; Agnus Dei arr for pf as S.167c


 * HS 010
 * J18
 * Missa Choralis
 * ch org
 * 1859–65
 * 1859–65
 * 1859–65


 * HS 011
 * IHS 09
 * Ungarische Krönungsmesse (Hungarian Coronation Mass)
 * 4vv ch orch
 * 1866–69
 * Nos.5 and 7 arr for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr for org as S.667; No.6 arr for mch pf as S.15a/i, for ch pf as S.15a/ii; No.7 arr for vn orch as S.362
 * 1866–69
 * Nos.5 and 7 arr for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr for org as S.667; No.6 arr for mch pf as S.15a/i, for ch pf as S.15a/ii; No.7 arr for vn orch as S.362


 * HS 012
 * J22
 * Requiem (Messe des morts)
 * 4vv mch org (+br perc)
 * 1867–71
 * includes S.45 as No.6; adapted for org as S.266; No.6 arr for mch org as S.45
 * 1867–71
 * includes S.45 as No.6; adapted for org as S.266; No.6 arr for mch org as S.45


 * HS 013i
 * IHS 03a
 * Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)
 * 4vv ch orch
 * 1855–56
 * 1st version of S.13ii
 * 1855–56
 * 1st version of S.13ii


 * HS 013ii
 * IHS 03b
 * Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)
 * ten ch orch
 * 1859–63
 * 2nd version of S.13i; arr for ten ch org as S.13ii/a
 * 1859–63
 * 2nd version of S.13i; arr for ten ch org as S.13ii/a


 * HS 013ii/a
 * IHS 03b
 * Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)
 * ten ch org
 * 1866
 * arr of S.13ii
 * 1866
 * arr of S.13ii


 * HS 014i
 * IHS 05a
 * Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
 * mch orch (+org)
 * 1860
 * arr for mch org as S.14ii, for mch ww br as S.14i/a, for org as S.667a
 * 1860
 * arr for mch org as S.14ii, for mch ww br as S.14i/a, for org as S.667a


 * HS 014i/a
 * IHS 05a
 * Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
 * mch ww br
 * 1860
 * arr of S.14i; 1st version of S.14ii/a
 * 1860
 * arr of S.14i; 1st version of S.14ii/a


 * HS 014ii
 * IHS 05b
 * Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
 * mch org
 * 1870
 * arr of S.14i; arr for mch ww br as S.14ii/a
 * 1870
 * arr of S.14i; arr for mch ww br as S.14ii/a


 * HS 014ii/a
 * IHS 05b
 * Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
 * mch ww br
 * 1870
 * arr of S.14ii; 2nd version of S.14i/a
 * 1870
 * arr of S.14ii; 2nd version of S.14i/a


 * HS 015i (*15i/a)
 * J10a
 * Psalm 23 (Mein Gott, der ist mein Hirt)
 * sop/ten mch hp/pf org/harm
 * 1859–61?
 * 1st version of S.15i/a, S.15ii, S.15ii/a; arr for ch orch as S.15iii
 * 1859–61?
 * 1st version of S.15i/a, S.15ii, S.15ii/a; arr for ch orch as S.15iii


 * HS 015i/a (*15i/b)
 * KHS 01
 * Psalm 23 (Mein Gott, der ist mein Hirt)
 * sop/ten hp/pf org/harm
 * 1859–62
 * 2nd version of S.15i, S.15ii, S.15ii/a
 * 1859–62
 * 2nd version of S.15i, S.15ii, S.15ii/a


 * HS 015ii (*15ii/a)
 * J10b
 * Psalm 23 (Mein Gott, der ist mein Hirt)
 * sop/ten mch hp/pf
 * 1859–62
 * 3rd version of S.15i, S.15i/a, S.15ii/a
 * 1859–62
 * 3rd version of S.15i, S.15i/a, S.15ii/a


 * HS 015ii/a (*15ii/b)
 * IHS 01b
 * Psalm 23 (Mein Gott, der ist mein Hirt)
 * sop/ten hp/pf
 * 1859–62
 * 4th version of S.15i, S.15i/a, S.15ii
 * 1859–62
 * 4th version of S.15i, S.15i/a, S.15ii


 * HS 015iii (*15bis)
 * S53
 * Psalm 23 (Mein Gott, der ist mein Hirt)
 * ch orch
 * 1862
 * arr of S.15i; lost
 * 1862
 * arr of S.15i; lost


 * HS 015a/i
 * JHS 06
 * Psalm 116 (Laudate Dominum)
 * mch pf
 * 1869–74
 * arr of S.11/6
 * 1869–74
 * arr of S.11/6


 * HS 015a/ii
 * JHS 06
 * Psalm 116 (Laudate Dominum)
 * ch pf
 * 1869–74
 * arr of S.11/6
 * 1869–74
 * arr of S.11/6


 * HS 016i
 * KHS 06
 * Psalm 129 (De profundis)
 * bar mch org
 * 1880–81
 * originally written for S.688; uses themes from S.173/4; 1st version of S.16ii
 * 1880–81
 * originally written for S.688; uses themes from S.173/4; 1st version of S.16ii


 * HS 016ii
 * J45
 * Psalm 129 (De profundis)
 * alt pf/org
 * 1883
 * 2nd version of S.16i
 * 1883
 * 2nd version of S.16i


 * HS 017i
 * KHS 02
 * Psalm 137 (An den Wassern zu Babylon)
 * alt vn hp/pf org/harm
 * 1859
 * 1st version of S.17ii
 * 1859
 * 1st version of S.17ii


 * HS 017ii
 * J11
 * Psalm 137 (An den Wassern zu Babylon)
 * sop fch vn hp/pf org/harm
 * 1859–62
 * 2nd version of S.17i; arr for ch orch as S.17iii
 * 1859–62
 * 2nd version of S.17i; arr for ch orch as S.17iii


 * HS 017iii
 * S54
 * Psalm 137 (An den Wassern zu Babylon)
 * ch orch
 * 1862
 * arr of S.17ii; lost
 * 1862
 * arr of S.17ii; lost


 * HS 018
 * JHS 04
 * (5) Choruses with French texts:
 * ch
 * 1846?
 * 1846?
 * 1846?


 * HS 018/1
 * JHS 04/5
 * Qui m'a donné la naissance
 * Qui m'a donné la naissance
 * Qui m'a donné la naissance


 * ch
 * 1846?
 * incomplete; unpublished
 * incomplete; unpublished


 * HS 018/2
 * JHS 04/1
 * L'Eternel est son nom
 * L'Eternel est son nom
 * L'Eternel est son nom


 * ch
 * 1846?
 * published 1989
 * published 1989


 * HS 018/3
 * JHS 04/2
 * Chantons, chantons l'auteur de la lumière
 * Chantons, chantons l'auteur de la lumière
 * Chantons, chantons l'auteur de la lumière


 * ch
 * 1846?
 * unpublished
 * unpublished


 * HS 018/4
 * JHS 04/3
 * (Allegretto, moderato con grazia)
 * (Allegretto, moderato con grazia)
 * (Allegretto, moderato con grazia)


 * ch
 * A major
 * 1846?
 * incomplete, no text; possibly the same as S.762; unpublished


 * HS 018/5
 * JHS 04/4
 * Combien j'ai douce souvenance
 * Combien j'ai douce souvenance
 * Combien j'ai douce souvenance


 * ch
 * 1846?
 * based on an Auverge folksong; unpublished
 * based on an Auverge folksong; unpublished


 * HS 019i
 * JHS 02/1
 * Hymne de l'enfant à son réveil (O père qu'adore mon père)
 * fch pf/harm (+hp)
 * 1840–44?
 * arr (setting) of S.171c to text by Lamartine; 1st version of S.19ii, S.19iii, S.19iv; lost
 * 1840–44?
 * arr (setting) of S.171c to text by Lamartine; 1st version of S.19ii, S.19iii, S.19iv; lost


 * HS 019ii
 * JHS 02/2
 * Hymne de l'enfant à son réveil (O père qu'adore mon père)
 * ch pf/harm
 * 1860–62?
 * 2nd version of S.19i, S.19iii, S.19iv; text in French and Italian
 * 1860–62?
 * 2nd version of S.19i, S.19iii, S.19iv; text in French and Italian


 * HS 019iii
 * JHS 02/3
 * Hymne de l'enfant à son réveil (O père qu'adore mon père)
 * ch pf/harm
 * 1865
 * 3rd version of S.19i, S.19ii, S.19iv; text in French and Italian
 * 1865
 * 3rd version of S.19i, S.19ii, S.19iv; text in French and Italian


 * HS 019iv
 * JHS 02/4
 * Hymne de l'enfant à son réveil (O père qu'adore mon père)
 * fch pf/harm (+hp)
 * 1874
 * 4th version of S.19i, S.19ii, S.19iii; text in French, German and Hungarian
 * 1874
 * 4th version of S.19i, S.19ii, S.19iii; text in French, German and Hungarian


 * HS 020i
 * JHS 01/1
 * Ave Maria I
 * ch (+org)
 * B♭ major
 * 1842
 * 1st version of S.20ii; arr for pf as S.172a/12, for org as S.667b/i
 * 1st version of S.20ii; arr for pf as S.172a/12, for org as S.667b/i


 * HS 020ii
 * JHS 01/2
 * Ave Maria I
 * ch org
 * A major
 * 1852
 * 2nd version of S.20i; arr for org as S.667b/ii
 * 2nd version of S.20i; arr for org as S.667b/ii


 * HS 021i
 * JHS 03/1
 * Pater noster I
 * mch
 * 1846
 * 1st version of S.21ii; arr for pf as S.172a/6
 * 1846
 * 1st version of S.21ii; arr for pf as S.172a/6


 * HS 021ii
 * JHS 03/2
 * Pater noster I
 * mch
 * 1852
 * 2nd version of S.21i
 * 1852
 * 2nd version of S.21i


 * HS 022
 * J52
 * Pater noster IV
 * ch org
 * C major
 * 1850?
 * 1850?


 * HS 023
 * JHS 08
 * Domine salvum fac regem (Psalm 20)
 * ten mch org
 * 1853
 * 1853
 * 1853


 * HS 024
 * JHS 07
 * Te Deum I
 * mch org
 * 1853?
 * 1853?
 * 1853?


 * HS 025
 * JHS 09
 * Die Seligkeiten (Les béatitudes)
 * bar ch (+org)
 * 1859
 * rev as S.3/6
 * 1859
 * rev as S.3/6


 * HS 026
 * M33
 * Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld)
 * mch (+org)
 * 1858
 * 1858
 * 1858


 * HS 027
 * J12
 * Te Deum II
 * mch org (+br perc)
 * 1867
 * 1867
 * 1867


 * HS 028
 * J13
 * An den heiligen Franziskus von Paula (Gebet)
 * 2ten 2bass mch org/harm (+3 tbn timp)
 * 1860–74?
 * based on S.175/2
 * 1860–74?
 * based on S.175/2


 * HS 029
 * J14
 * Pater noster II (Das Vater unser)
 * ch org
 * A♭ major
 * 1860
 * rev as S.3/7
 * rev as S.3/7


 * HS 030
 * J20
 * Responsorien und Antiphonen (Répons et Antiennes)
 * ch (+org)
 * 1860
 * 1860
 * 1860


 * HS 031i
 * J15a/1
 * Christus ist geboren I (Weihnachtslied I)
 * ch org
 * 1863
 * 1st version of S.31ii
 * 1863
 * 1st version of S.31ii


 * HS 031ii
 * J15a/2
 * Christus ist geboren I (Weihnachtslied I)
 * mch org
 * 1863
 * 2nd version of S.31i
 * 1863
 * 2nd version of S.31i


 * HS 032i
 * J15b/1
 * Christus ist geboren II (Weihnachtslied II)
 * ch org/harm
 * 1863
 * 1st version of S.32ii, S.32iii; arr for pf as S.502
 * 1863
 * 1st version of S.32ii, S.32iii; arr for pf as S.502


 * HS 032ii
 * J15b/2
 * Christus ist geboren II (Weihnachtslied II)
 * mch (+org)
 * 1863
 * 2nd version of S.32i, S.32iii
 * 1863
 * 2nd version of S.32i, S.32iii


 * HS 032iii
 * J15c
 * Christus ist geboren II (Weihnachtslied II)
 * fch
 * 1863
 * 3rd version of S.32i, S.32ii
 * 1863
 * 3rd version of S.32i, S.32ii


 * HS 033i (*33)
 * J16
 * Slavimo slavno, Slaveni!
 * mch org
 * 1863
 * 1st version of S.33ii; arr for pf as S.503, for org as S.668
 * 1863
 * 1st version of S.33ii; arr for pf as S.503, for org as S.668


 * HS 033ii
 * J16
 * Slavimo slavno, Slaveni!
 * mch org
 * 1866
 * 2nd version of S.33i
 * 1866
 * 2nd version of S.33i


 * HS 034i
 * J19/1
 * Ave maris stella
 * ch org
 * G major
 * 1865–66
 * 1st version of S.34ii
 * 1st version of S.34ii


 * HS 034ii
 * J19/2
 * Ave maris stella
 * mch org
 * B♭ major
 * 1868
 * 2nd version of S.34i; arr for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b
 * 2nd version of S.34i; arr for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b


 * HS 035i
 * J17a
 * Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)
 * mch
 * 1865
 * 1st version of S.35ii
 * 1865
 * 1st version of S.35ii


 * HS 035ii
 * J17b
 * Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)
 * fch/cch pf
 * 1865
 * 2nd version of S.35i
 * 1865
 * 2nd version of S.35i


 * HS 036
 * J21
 * Dall' alma Roma
 * 2vv (+org)
 * 1867–68
 * arr of S.766; based on S.261; rev as S.3/8
 * 1867–68
 * arr of S.766; based on S.261; rev as S.3/8


 * HS 037
 * J23
 * Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François)
 * mch org
 * 1868
 * 1868
 * 1868


 * HS 038
 * J24
 * Ave Maria II
 * ch org
 * D major
 * 1869
 * arr for pf as S.504i, for harm as S.667c, for v org/harm as S.681
 * arr for pf as S.504i, for harm as S.667c, for v org/harm as S.681


 * HS 039i
 * J25a
 * Inno a Maria Vergine
 * ch hp org
 * 1869
 * 1st version of S.39ii
 * 1869
 * 1st version of S.39ii


 * HS 039ii
 * J25b
 * Inno a Maria Vergine
 * ch hp pf4h org/harm
 * 1869
 * 2nd version of S.39i
 * 1869
 * 2nd version of S.39i


 * HS 040
 * J28
 * O salutaris hostia I
 * fch org
 * 1869
 * 1869
 * 1869


 * HS 041i
 * J26/1
 * Pater noster III
 * ch pf/org
 * F major
 * 1869
 * 1st version of S.41ii
 * 1st version of S.41ii


 * HS 041ii
 * J26/2
 * Pater noster III
 * mch pf/org/harm
 * B♭ major
 * 1869
 * 2nd version of S.41i
 * 2nd version of S.41i


 * HS 042i
 * J27/1
 * Tantum ergo
 * fch org
 * 1869
 * uses material from S.702; 1st version of S.42ii, S.42iii
 * 1869
 * uses material from S.702; 1st version of S.42ii, S.42iii


 * HS 042ii
 * J27/2
 * Tantum ergo
 * mch org
 * 1869
 * 2nd version of S.42i, S.42iii; arr for pf as S.729
 * 1869
 * 2nd version of S.42i, S.42iii; arr for pf as S.729


 * HS 042iii
 * J27/1
 * Tantum ergo
 * fch org
 * 1882
 * 3rd version of S.42i, S.42ii
 * 1882
 * 3rd version of S.42i, S.42ii


 * HS 043
 * J29
 * O salutaris hostia II
 * ch (+org)
 * E major
 * 1870
 * 1870


 * HS 044
 * J31
 * Ave verum corpus
 * ch (+org)
 * 1871
 * 1871
 * 1871


 * HS 045
 * J30
 * Libera me
 * mch org
 * 1871
 * arr of S.12/6
 * 1871
 * arr of S.12/6


 * HS 046i
 * J32/1
 * Anima Christi sanctifica me
 * mch org
 * 1874
 * 1st version of S.46ii
 * 1874
 * 1st version of S.46ii


 * HS 046ii
 * J32/2
 * Anima Christi sanctifica me
 * mch org
 * 1874
 * 2nd version of S.46i
 * 1874
 * 2nd version of S.46i


 * HS 047
 * J41
 * Sankt Christoph (Legend)
 * fch pf harm (+hp)
 * 1881
 * unpublished
 * 1881
 * unpublished


 * *48 (92/2)
 * Der Herr bewahret die Seelen seiner Heiligen
 * Der Herr bewahret die Seelen seiner Heiligen
 * Der Herr bewahret die Seelen seiner Heiligen


 * HS 049
 * J42
 * O heilige Nacht (Weihnachtslied)
 * ten fch org/harm
 * 1881
 * based on S.186/2
 * 1881
 * based on S.186/2


 * HS 049a
 * Adeste fidelis
 * fch
 * incomplete
 * fch
 * incomplete
 * incomplete
 * incomplete


 * HS 050
 * A286b
 * (12) Alte deutsche geistliche Weisen:
 * ch kbd
 * 1878–79
 * probably misattributed to Liszt, who arr the pieces as S.504b and S.669a
 * 1878–79
 * probably misattributed to Liszt, who arr the pieces as S.504b and S.669a


 * HS 050/HS 01
 * A286b/8
 * Es segne uns Gott
 * Es segne uns Gott
 * Es segne uns Gott


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/3a, for ch org as S.669a/1
 * arr for pf as S.504b/3a, for ch org as S.669a/1


 * HS 050/HS 02
 * A286b/4
 * Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
 * Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
 * Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51
 * arr for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51


 * HS 050/HS 03
 * A286b/3
 * Nun ruhen alle Wälder
 * Nun ruhen alle Wälder
 * Nun ruhen alle Wälder


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/5, for v org as S.669a/3
 * arr for pf as S.504b/5, for v org as S.669a/3


 * HS 050/HS 04
 * A286b/5
 * O Haupt voll Blut und Wunden
 * O Haupt voll Blut und Wunden
 * O Haupt voll Blut und Wunden


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/6, for v org as S.669a/4
 * arr for pf as S.504b/6, for v org as S.669a/4


 * HS 050/HS 05
 * A286b/6
 * O Lamm Gottes!
 * O Lamm Gottes!
 * O Lamm Gottes!


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/7, for v pf/org as S.669a/5
 * arr for pf as S.504b/7, for v pf/org as S.669a/5


 * HS 050/HS 06
 * A286b/1
 * Was Gott tut, das ist wohlgetan
 * Was Gott tut, das ist wohlgetan
 * Was Gott tut, das ist wohlgetan


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/10, for v org as S.669a/6
 * arr for pf as S.504b/10, for v org as S.669a/6


 * HS 050/HS 07
 * A286b/7
 * Wer nur den lieben Gott läßt walten
 * Wer nur den lieben Gott läßt walten
 * Wer nur den lieben Gott läßt walten


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/11, for v org as S.669a/7
 * arr for pf as S.504b/11, for v org as S.669a/7


 * HS 050/HS 08
 * A286b/9
 * Vexilla Regis
 * Vexilla Regis
 * Vexilla Regis


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/9
 * arr for pf as S.504b/9


 * HS 050/HS 09
 * A286b/10
 * Crux ave benedicta
 * Crux ave benedicta
 * Crux ave benedicta


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/1
 * arr for pf as S.504b/1


 * HS 050/10
 * A286b/2
 * O Traurigkeit
 * O Traurigkeit
 * O Traurigkeit


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/8
 * arr for pf as S.504b/8


 * HS 050/11
 * A286b/12
 * Nun danket alle Gott!
 * Nun danket alle Gott!
 * Nun danket alle Gott!


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/4
 * arr for pf as S.504b/4


 * HS 050/12
 * A286b/11
 * Jesu Christe (Die fünf Wunden)
 * Jesu Christe (Die fünf Wunden)
 * Jesu Christe (Die fünf Wunden)


 * ch kbd
 * 1878–79
 * arr for pf as S.504b/2
 * arr for pf as S.504b/2


 * HS 051
 * J34
 * Meine Seel' erhebt den Herrn! (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)
 * ch org
 * 1878
 * arr of S.50/2
 * 1878
 * arr of S.50/2


 * HS 052
 * J35
 * Septem sacramenta
 * mez bar ch org/harm
 * 1878–84
 * 1878–84
 * 1878–84


 * HS 053
 * J33
 * Via crucis (Les 14 stations de la croix)
 * vv ch pf/org/harm
 * 1876–79
 * arr for org as S.669b, for pf4h as S.583, for pf as S.504
 * 1876–79
 * arr for org as S.669b, for pf4h as S.583, for pf as S.504


 * HS 054
 * J36
 * O Roma nobilis
 * ch org
 * 1878–79
 * based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; arr for org as S.669c, for pf as S.506b
 * 1878–79
 * based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; arr for org as S.669c, for pf as S.506b


 * HS 055
 * J38
 * Ossa arida
 * ch org4h
 * 1879
 * 1879
 * 1879


 * HS 056
 * J37
 * Rosario:
 * ch org/harm (+bar)
 * 1879
 * 1879
 * 1879


 * HS 056/1
 * J37/1
 * Mysteria gaudiosa
 * Mysteria gaudiosa
 * Mysteria gaudiosa


 * ch org/harm
 * 1879
 * arr for org/harm as S.670/1
 * arr for org/harm as S.670/1


 * HS 056/2
 * J37/2
 * Mysteria dolorosa
 * Mysteria dolorosa
 * Mysteria dolorosa


 * ch org/harm
 * 1879
 * arr for org/harm as S.670/2
 * arr for org/harm as S.670/2


 * HS 056/3
 * J37/3
 * Mysteria gloriosa
 * Mysteria gloriosa
 * Mysteria gloriosa


 * ch org/harm
 * 1879
 * arr for org/harm as S.670/3
 * arr for org/harm as S.670/3


 * HS 056/4
 * J37/4
 * Pater noster
 * Pater noster
 * Pater noster


 * bar/mch org/harm
 * 1879
 * 1879


 * HS 057
 * J46
 * In domum Domini ibimus
 * ch br perc org
 * 1884
 * arr for pf as S.505, for org as S.671
 * 1884
 * arr for pf as S.505, for org as S.671


 * HS 058
 * J40
 * O sacrum convivium
 * alt fch org/harm
 * 1880–85
 * arr for org/harm as S.674a
 * 1880–85
 * arr for org/harm as S.674a


 * HS 059
 * J39
 * Pro Papa:
 * ch org
 * 1880
 * 1880
 * 1880


 * HS 059/1
 * J39/1
 * Tu es Petrus
 * Tu es Petrus
 * Tu es Petrus


 * mch org
 * 1880
 * 1880


 * HS 059/2
 * J39/2
 * Dominus conservet eum
 * Dominus conservet eum
 * Dominus conservet eum


 * ch org
 * 1880
 * 1880


 * HS 060
 * J44
 * 'Sposalizio' (Trauung) nach dem gleichnamigen Bilde Raphaels (Ave Maria III) (Geistliche Vermählungsmusik: Geist der Liebe, segne uns!)
 * alt fch org/harm
 * 1883
 * arr (setting) of S.161/1 to Ave Maria Latin or German text; arr for org/harm as S.671a, for v 2pf as S.700g
 * 1883
 * arr (setting) of S.161/1 to Ave Maria Latin or German text; arr for org/harm as S.671a, for v 2pf as S.700g


 * HS 061
 * J43
 * Nun danket alle Gott
 * ch/mch 2tpt 3tbn timp org
 * 1883
 * arr for org as S.674c
 * 1883
 * arr for org as S.674c


 * HS 062
 * J47
 * Mariengarten
 * ch org (+alt ten)
 * 1884?
 * 1884?
 * 1884?


 * HS 063
 * J48
 * Qui seminant in lacrimis (Psalm 125)
 * ch org
 * 1883
 * 1883
 * 1883


 * HS 064
 * J49
 * Pax vobiscum!
 * mch (+org)
 * 1885
 * 1885
 * 1885


 * HS 065
 * J50
 * Qui Mariam absolvisti
 * bar ch org/harm
 * 1885
 * 1885
 * 1885


 * HS 066
 * J51
 * Salve Regina
 * ch
 * 1885
 * 1885
 * 1885


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я67–94
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Secular

 * style="text-align: right"|&#91;INDEX↑&#93;


 * HS 067
 * LHS 01
 * Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge) (Beethoven Cantata No.1)
 * 6vv orch
 * 1845
 * arr for pf4h as S.584; beginning and end of the 1st mvt arr for pf as S.507
 * 1845
 * arr for pf4h as S.584; beginning and end of the 1st mvt arr for pf as S.507


 * HS 068
 * L12
 * Zur Säkularfeier Beethovens (Beethoven Cantata No.2)
 * 4vv ch orch
 * 1869–70
 * 1869–70
 * 1869–70


 * HS 069i
 * LHS 08/1
 * Chöre zu Herders Entfesseltem Prometheus
 * sop alt 2ten 2bass ch orch
 * 1850
 * 1st version of S.69ii, S.69iii; Ouvertüre 1st version of S.99; 1st perf this version 24 Aug 1850 Weimar cond Liszt; No.4 arr for pf as S.507a; No.5 arr for pf as S.692e
 * 1850
 * 1st version of S.69ii, S.69iii; Ouvertüre 1st version of S.99; 1st perf this version 24 Aug 1850 Weimar cond Liszt; No.4 arr for pf as S.507a; No.5 arr for pf as S.692e


 * HS 069ii
 * LHS 08/2
 * Chöre zu Herders Entfesseltem Prometheus
 * sop alt 2ten 2bass 2ch orch
 * 1855–59
 * 2nd version of S.69i, S.69iii; No.4 arr for pf as S.508, for pf4h as S.585
 * 1855–59
 * 2nd version of S.69i, S.69iii; No.4 arr for pf as S.508, for pf4h as S.585


 * HS 069iii
 * Chöre zu Herders Entfesseltem Prometheus
 * sop alt 2ten 2bass 2ch orch
 * 1877?
 * 3rd version of S.69i, S.69ii
 * 1877?
 * 3rd version of S.69i, S.69ii
 * 3rd version of S.69i, S.69ii


 * HS 070i
 * LHS 09/1
 * An die Künstler
 * 4vv mch ww br
 * 1853
 * instrumentation by Joachim Raff; 1st version of S.70ii, S.70iii
 * 1853
 * instrumentation by Joachim Raff; 1st version of S.70ii, S.70iii


 * HS 070ii
 * LHS 09/2
 * An die Künstler
 * 4vv mch orch
 * 1853–54
 * 2nd version of S.70i, S.70iii
 * 1853–54
 * 2nd version of S.70i, S.70iii


 * HS 070iii
 * LHS 09/3
 * An die Künstler
 * 4vv mch org orch
 * 1856–57
 * 3rd version of S.70i, S.70ii; themes used in S.114
 * 1856–57
 * 3rd version of S.70i, S.70ii; themes used in S.114


 * HS 071
 * L11
 * Gaudeamus igitur (Humoreske, Zur Feier des hundertjährigen Jubiläums der Akademischen Konzerte zu Jena 1870)
 * vv (+mch/ch) orch
 * 1869–70
 * arr for pf as S.509, for pf4h as S.586
 * 1869–70
 * arr for pf as S.509, for pf4h as S.586


 * HS 072
 * MHS 02–5
 * (4) Vierstimmige Männergesänge:
 * mch pf
 * 1841–42
 * 1841–42
 * 1841–42


 * HS 072/1
 * MHS 02/1
 * Rheinweinlied (Wo solch ein Feuer)
 * Rheinweinlied (Wo solch ein Feuer)
 * Rheinweinlied (Wo solch ein Feuer)


 * mch pf
 * 1841
 * 1st version of S.72/1a
 * 1st version of S.72/1a


 * HS 072/1a
 * MHS 02/2
 * Rheinweinlied (Wo solch ein Feuer)
 * Rheinweinlied (Wo solch ein Feuer)
 * Rheinweinlied (Wo solch ein Feuer)


 * mch pf
 * 1884
 * 2nd version of S.72/1
 * 2nd version of S.72/1


 * HS 072/2
 * MHS 03/1
 * Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)
 * Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)
 * Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)


 * mch
 * 1841–42
 * 1st version of S.72/2a
 * 1st version of S.72/2a


 * HS 072/2a
 * MHS 03/2
 * Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)
 * Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)
 * Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)


 * mch
 * before 1857
 * 2nd version of S.72/2
 * 2nd version of S.72/2


 * HS 072/3
 * MHS 04
 * Reiterlied I (Die bange Nacht ist nun herum)
 * Reiterlied I (Die bange Nacht ist nun herum)
 * Reiterlied I (Die bange Nacht ist nun herum)


 * mch
 * B♭ major
 * 1841–42
 * 1st (alternative) setting of S.72/4


 * HS 072/4
 * MHS 05
 * Reiterlied II (Die bange Nacht ist nun herum)
 * Reiterlied II (Die bange Nacht ist nun herum)
 * Reiterlied II (Die bange Nacht ist nun herum)


 * mch
 * C major
 * 1841–42
 * 2nd (alternative) setting of S.72/3


 * HS 073
 * M19
 * Es war einmal ein König (Flohlied)
 * bar/bass mch pf
 * 1844–45
 * 1844–45
 * 1844–45


 * HS 074i
 * MHS 01
 * Das deutsche Vaterland I (Was ist das deutsche Vaterland?)
 * 4vv mch pf
 * D major
 * 1841
 * 1st version of S.74ii
 * 1st version of S.74ii


 * HS 074ii
 * M27
 * Das deutsche Vaterland II (Was ist das deutsche Vaterland?)
 * mch
 * C major
 * 1848
 * 2nd version of S.74i
 * 2nd version of S.74i


 * HS 076a
 * M15
 * Heil! Unsrer Glocke heil
 * mch pf
 * 1843
 * 1843
 * 1843


 * HS 077
 * M26
 * Die lustige Legion
 * mch (+pf)
 * 1846?
 * 1846?
 * 1846?


 * HS 079i
 * M14/2
 * Titan (Auf des Athos blauen Felsenspitzen)
 * bar mch pf
 * 1842
 * 2nd version of S.79ii, S.79iii, S.700j
 * 1842
 * 2nd version of S.79ii, S.79iii, S.700j


 * HS 079ii
 * M14/2
 * Titan (Auf des Athos blauen Felsenspitzen)
 * bar mch pf
 * 1845
 * 3rd version of S.79i, S.79iii, S.700j
 * 1845
 * 3rd version of S.79i, S.79iii, S.700j


 * HS 079iii
 * M14/2
 * Titan (Auf des Athos blauen Felsenspitzen)
 * bar mch pf
 * 1847
 * 4th version of S.79i, S.79ii, S.700j; arr for bar mch orch by Liszt and August Conradi as S.79a
 * 1847
 * 4th version of S.79i, S.79ii, S.700j; arr for bar mch orch by Liszt and August Conradi as S.79a


 * HS 079a (*79)
 * LHS 04
 * Titan (Auf des Athos blauen Felsenspitzen)
 * bar mch orch
 * 1848
 * arr of S.79iii by Liszt and August Conradi; unpublished
 * 1848
 * arr of S.79iii by Liszt and August Conradi; unpublished


 * HS 080
 * M20
 * Les quatre élémens:
 * mch pf/pf4h
 * 1844–45
 * arr for mch orch by Liszt and August Conradi as S.80a
 * 1844–45
 * arr for mch orch by Liszt and August Conradi as S.80a


 * HS 080/1
 * M20/1
 * La terre
 * La terre
 * La terre


 * mch pf
 * 1844–45
 * arr for mch orch by Liszt and August Conradi as S.80a/1
 * arr for mch orch by Liszt and August Conradi as S.80a/1


 * HS 080/2
 * M20/2
 * Les aquilons
 * Les aquilons
 * Les aquilons


 * mch pf4h
 * 1844
 * arr for mch orch by Liszt and August Conradi as S.80a/2
 * arr for mch orch by Liszt and August Conradi as S.80a/2


 * HS 080/3
 * M20/3
 * Les flots
 * Les flots
 * Les flots


 * mch pf
 * 1845
 * arr for mch orch by Liszt and August Conradi as S.80a/3
 * arr for mch orch by Liszt and August Conradi as S.80a/3


 * HS 080/4
 * M20/4
 * Les astres
 * Les astres
 * Les astres


 * mch pf
 * c1845
 * arr for mch orch by Liszt and August Conradi as S.80a/4
 * arr for mch orch by Liszt and August Conradi as S.80a/4


 * HS 080a (*80)
 * LHS 02
 * Les quatre élémens:
 * mch orch
 * 1844–48
 * arr of S.80 by Liszt and August Conradi; unpublished; see also overture S.97i
 * 1844–48
 * arr of S.80 by Liszt and August Conradi; unpublished; see also overture S.97i


 * HS 080a/1
 * LHS 02/1
 * La terre
 * La terre
 * La terre


 * mch orch
 * 1844–48
 * arr of S.80/1 by Liszt and August Conradi
 * arr of S.80/1 by Liszt and August Conradi


 * HS 080a/2
 * LHS 02/2
 * Les aquilons
 * Les aquilons
 * Les aquilons


 * mch orch
 * 1844–48
 * arr of S.80/2 by Liszt and August Conradi
 * arr of S.80/2 by Liszt and August Conradi


 * HS 080a/3
 * LHS 02/3
 * Les flots
 * Les flots
 * Les flots


 * mch orch
 * 1845–48
 * arr of S.80/3 by Liszt and August Conradi
 * arr of S.80/3 by Liszt and August Conradi


 * HS 080a/4
 * LHS 02/4
 * Les astres
 * Les astres
 * Les astres


 * mch orch
 * 1845–48
 * arr of S.80/4 by Liszt and August Conradi
 * arr of S.80/4 by Liszt and August Conradi


 * HS 081
 * M21
 * Le forgeron (Le fer est dur, frappons, frappons)
 * ten bass mch pf
 * 1845
 * arr for 2vv mch orch by Liszt and August Conradi as S.81a
 * 1845
 * arr for 2vv mch orch by Liszt and August Conradi as S.81a


 * HS 081a (*81)
 * LHS 03
 * Le forgeron (Le fer est dur, frappons, frappons)
 * ten bass mch orch
 * 1845–48
 * arr of S.81 by Liszt and August Conradi; unpublished
 * 1845–48
 * arr of S.81 by Liszt and August Conradi; unpublished


 * HS 081b (*81a)
 * M25
 * A patakhoz (A patakcsa) (To the Brook)
 * mch
 * 1846
 * 1846
 * 1846


 * HS 082
 * M16
 * Arbeiterchor (Herbei, herbei, den Spath' und Schaufel ziert)
 * bar mch pf
 * 1843–48?
 * arr for pf as S.510, for pf4h as S.587
 * 1843–48?
 * arr for pf as S.510, for pf4h as S.587


 * HS 083
 * LHS 05
 * Hungaria 1848 (Aus Osten aus der Sonne Tor) (Ungaria-Kantate)
 * vv mch pf
 * 1848
 * arr for vv mch orch by Liszt and August Conradi as S.83a
 * 1848
 * arr for vv mch orch by Liszt and August Conradi as S.83a


 * HS 083a (*83)
 * LHS 05
 * Hungaria 1848 (Aus Osten aus der Sonne Tor) (Ungaria-Kantate)
 * vv mch orch
 * 1848
 * arr of S.83 by Liszt and August Conradi
 * 1848
 * arr of S.83 by Liszt and August Conradi


 * HS 086
 * M30
 * Festchor zur Enthüllung des Herder-Denkmals in Weimar
 * mch pf
 * 1850
 * arr for mch br by Liszt and Joachim Raff as S.86a
 * 1850
 * arr for mch br by Liszt and Joachim Raff as S.86a


 * HS 086a (*86)
 * M30
 * Festchor zur Enthüllung des Herder-Denkmals in Weimar
 * mch br
 * 1850
 * arr of S.86 by Liszt and Joachim Raff
 * 1850
 * arr of S.86 by Liszt and Joachim Raff


 * HS 087i
 * L10/1, M32a
 * Weimars Volkslied (Von der Wartburg) (Zur Enthüllung des Carl August Denkmals in Weimar am 3. September 1857)
 * mch (ww br perc)/pf
 * E major
 * 1857
 * arr of S.313; 1st version of S.87i/a
 * arr of S.313; 1st version of S.87i/a


 * HS 087i/a
 * L10/1, M32a
 * Weimars Volkslied (Von der Wartburg) (Zur Enthüllung des Carl August Denkmals in Weimar am 3. September 1875)
 * mch (ww br perc)/pf
 * E major
 * before 1875?
 * 2nd version of S.87i; see also S.92
 * 2nd version of S.87i; see also S.92


 * HS 087ii
 * M32b
 * Weimars Volkslied (Von der Wartburg)
 * mch (+pf)
 * F major
 * 1873?
 * arr of S.313
 * arr of S.313


 * HS 087iii
 * M32c
 * Weimars Volkslied (Von der Wartburg)
 * 4mch
 * E major
 * 1860?
 * arr of S.313; 1st version of S.87iii/a
 * arr of S.313; 1st version of S.87iii/a


 * HS 087iii/a
 * M32c
 * Weimars Volkslied (Von der Wartburg)
 * 4mch
 * E major
 * 1875?
 * 2nd version of S.87iii; unpublished
 * 2nd version of S.87iii; unpublished


 * HS 087iv
 * M32d
 * Weimars Volkslied (Von der Wartburg)
 * mch org
 * F major
 * 1875
 * arr of S.313; unpublished
 * arr of S.313; unpublished


 * HS 087v
 * M32e
 * Weimars Volkslied (Von der Wartburg)
 * ch (+pf)
 * E major
 * 1875?
 * arr of S.313 by Bernhard Sulze
 * arr of S.313 by Bernhard Sulze


 * HS 087vi
 * M32f
 * Weimars Volkslied (Von der Wartburg)
 * 3eq
 * E major
 * 1870s?
 * arr of S.313
 * arr of S.313


 * HS 087vii
 * M32g
 * Weimars Volkslied (Von der Wartburg)
 * 3cch
 * F major
 * 1870s?
 * arr of S.313
 * arr of S.313


 * HS 087viii
 * L10/2
 * Weimars Volkslied (Von der Wartburg)
 * uch br/pf
 * C major
 * 1857
 * arr of S.313
 * arr of S.313


 * HS 088
 * M34b
 * Morgenlied (Die Sterne sind erblicken)
 * fch
 * 1859
 * 2nd version of S.89 with different lyrics
 * 1859
 * 2nd version of S.89 with different lyrics


 * HS 089
 * M34a
 * Mit klingendem Spiel (Morgenlied)
 * cch
 * 1859
 * 1st version of S.88 with different lyrics
 * 1859
 * 1st version of S.88 with different lyrics

•••••••••••••••• •••••••••••••••• •••••••••••••••• ••••••••••••••••
 * HS 075iii
 * M12/3
 * HS UberÜber allen Gipfeln ist Ruh' (Wanderers Nachtlied)
 * 4mch 2hn
 * 1856
 * 3rd version of S.75i, S.75ii
 * 1856
 * 3rd version of S.75i, S.75ii


 * HS 084ii
 * M28/2
 * Licht, mehr Licht
 * mch 2tpt 3tbn
 * 1856
 * 2nd version of S.84i
 * 1856
 * 2nd version of S.84i


 * HS 085i
 * M29a
 * Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)
 * mch pf
 * 1849
 * 1st version of S.85ii, S.85iii
 * 1849
 * 1st version of S.85ii, S.85iii


 * HS 085ii
 * M29b
 * Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)
 * fch hp pf/harm
 * 1849
 * 2nd version of S.85i, S.85iii
 * 1849
 * 2nd version of S.85i, S.85iii


 * HS 085a
 * LHS 07
 * Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)
 * ch orch
 * 1849
 * arr of S.85iii by Liszt and August Conradi; unpublished
 * 1849
 * arr of S.85iii by Liszt and August Conradi; unpublished


 * HS 090/HS 01a
 * M31/1
 * Vereins-Lied (Frisch auf, zu neuem Leben)
 * Vereins-Lied (Frisch auf, zu neuem Leben)
 * Vereins-Lied (Frisch auf, zu neuem Leben)


 * mch
 * 1855
 * 1st version of S.90/1b, S.90/1c; unpublished
 * 1st version of S.90/1b, S.90/1c; unpublished


 * HS 090/HS 01b
 * M31/2
 * Vereins-Lied (Frisch auf, zu neuem Leben)
 * Vereins-Lied (Frisch auf, zu neuem Leben)
 * Vereins-Lied (Frisch auf, zu neuem Leben)


 * mch
 * 1857
 * 2nd version of S.90/1a, S.90/1c; unpublished
 * 2nd version of S.90/1a, S.90/1c; unpublished


 * HS 090/HS 02a
 * MHS 07/1
 * Ständchen (Hüttelein, still und klein)
 * Ständchen (Hüttelein, still und klein)
 * Ständchen (Hüttelein, still und klein)


 * ten mch
 * A major
 * 1841–43?
 * 1st version of S.90/2b, S.90/2c; unpublished


 * HS 090/11a
 * M35/1
 * Festlied zu Schillers Jubelfeier 10 November 1859
 * Festlied zu Schillers Jubelfeier 10 November 1859
 * Festlied zu Schillers Jubelfeier 10 November 1859


 * bar mch
 * 1859
 * 1st version of S.90/11b
 * 1st version of S.90/11b

•••••••••••••••• ••••••••••••••••
 * HS 075ii, 84i, 85iii, 227?, 303?
 * M12/2, M28/1, M29c, A164a?, N43?
 * Festalbum zur Säkularfeier von Goethes Geburtstag:
 * 1849
 * 1st perf lw25(sw28?) Aug 1849 Weimar?; published Aug 1849 by Schuberth (Hamburg)
 * 1849
 * 1st perf lw25(sw28?) Aug 1849 Weimar?; published Aug 1849 by Schuberth (Hamburg)
 * 1st perf lw25(sw28?) Aug 1849 Weimar?; published Aug 1849 by Schuberth (Hamburg)


 * HS 075ii
 * M12/2
 * HS UberÜber allen Gipfeln ist Ruh' (Wanderers Nachtlied)
 * HS UberÜber allen Gipfeln ist Ruh' (Wanderers Nachtlied)
 * HS UberÜber allen Gipfeln ist Ruh' (Wanderers Nachtlied)


 * 4mch
 * 1849
 * 2nd version of S.75i, S.75iii
 * 2nd version of S.75i, S.75iii


 * 227 dupe
 * A164a
 * Fest-marsch zur Säcular-feier von Goethe's Geburtstag am 28t Aug 1849 in Weimar (Festmarsch zur Säkularfeier von Goethes Geburtstag) (Goethe-Festmarsch)
 * pf
 * E♭ major
 * 1849
 * uses themes from S.167o; 1st version of S.521i, S.521ii; arr for orch by Liszt and August Conradi as S.115i, for orch by Liszt and Joachim Raff as S.115ii
 * uses themes from S.167o; 1st version of S.521i, S.521ii; arr for orch by Liszt and August Conradi as S.115i, for orch by Liszt and Joachim Raff as S.115ii


 * 303 dupe
 * N43
 * Weimars Toten (Dithyramb)
 * Weimars Toten (Dithyramb)
 * Weimars Toten (Dithyramb)


 * v pf
 * 1848
 * 1848


 * HS 084i
 * M28/1
 * Licht, mehr Licht
 * Licht, mehr Licht
 * Licht, mehr Licht


 * mch 3tbn tba
 * 1849
 * 1st version of S.84ii
 * 1st version of S.84ii


 * HS 085iii (*85)
 * M29c
 * Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)
 * Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)
 * Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)


 * ch hp/pf
 * 1849
 * 3rd version of S.85i, S.85ii; arr for ch orch by Liszt and August Conradi as S.85a
 * 3rd version of S.85i, S.85ii; arr for ch orch by Liszt and August Conradi as S.85a

•••••••••••••••• ••••••••••••••••
 * HS 075i, 76, 89a/1–2
 * M10–13
 * (4) Vierstimmige Männergesänge:
 * mch pf
 * 1842
 * 1842
 * 1842


 * HS 089a/1 (*90/3a)
 * M10/1
 * No.1: Wir sind nicht Mummien (We are not mummies)
 * No.1: Wir sind nicht Mummien (We are not mummies)
 * No.1: Wir sind nicht Mummien (We are not mummies)


 * mch pf
 * 1842
 * 1st version of S.90/3
 * 1st version of S.90/3


 * HS 076
 * M11
 * No.2: Das düstre Meer umrauscht mich
 * No.2: Das düstre Meer umrauscht mich
 * No.2: Das düstre Meer umrauscht mich


 * 4mch pf
 * 1842
 * 1842


 * HS 075i
 * M12/1
 * No.3: HS UberÜber allen Gipfeln ist Ruh' (Wanderers Nachtlied)
 * No.3: HS UberÜber allen Gipfeln ist Ruh' (Wanderers Nachtlied)
 * No.3: HS UberÜber allen Gipfeln ist Ruh' (Wanderers Nachtlied)


 * 4mch
 * 1842
 * 1st version of S.75ii, S.75iii; arr v pf as S.306i
 * 1st version of S.75ii, S.75iii; arr v pf as S.306i


 * HS 089a/2 (*90/12a)
 * M13/1
 * No.4: Gottes ist der Orient
 * No.4: Gottes ist der Orient
 * No.4: Gottes ist der Orient


 * mch
 * B major
 * 1842
 * 1st version of S.90/12

•••••••••••••••• ••••••••••••••••
 * HS 078
 * M6–9, 17–18
 * 6 Männerchöre:
 * ten mch pf/(hp?) (+tpt timp)
 * 1841–49
 * 1841–49
 * 1841–49


 * HS 078/1
 * M17
 * Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!)
 * Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!)
 * Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!)


 * mch pf
 * 1843–44
 * 1843–44


 * HS 078/2
 * MHS 09/1
 * Die alten Sagen kunden
 * Die alten Sagen kunden
 * Die alten Sagen kunden


 * 4mch pf
 * B♭ major
 * 1841–45?
 * 1st version of S.90/8


 * HS 078/3
 * MHS 08/1
 * Saatengrün
 * Saatengrün
 * Saatengrün


 * mch (+pf/hp?)
 * c1843
 * 1st version of S.90/9
 * 1st version of S.90/9


 * HS 078/4
 * MHS 06/1
 * Der Gang um Mitternacht (Ich schreite mit dem Geist)
 * Der Gang um Mitternacht (Ich schreite mit dem Geist)
 * Der Gang um Mitternacht (Ich schreite mit dem Geist)


 * 4mch
 * 1841–43?
 * 1st version of S.90/10
 * 1st version of S.90/10


 * HS 078/5
 * M18/1
 * Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)
 * Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)
 * Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)


 * 4mch (+tpt timp)
 * 1844
 * 1st version of S.90/7
 * 1st version of S.90/7


 * HS 078/6
 * MHS 07/2
 * Ständchen (Hüttelein, still und klein)
 * Ständchen (Hüttelein, still und klein)
 * Ständchen (Hüttelein, still und klein)


 * ten mch
 * A major
 * late 1840s
 * 2nd version of S.90/2a, S.90/2

•••••••••••••••• ••••••••••••••••
 * HS 089a
 * M10, 13, 22–24
 * (5) Für Männergesang:
 * mch pf
 * 1842–45
 * 1842–45
 * 1842–45


 * HS 089a/1 (*90/3a)
 * M10/1
 * Wir sind nicht Mummien (We are not mummies)
 * Wir sind nicht Mummien (We are not mummies)
 * Wir sind nicht Mummien (We are not mummies)


 * mch pf
 * 1842
 * 1st version of S.90/3
 * 1st version of S.90/3


 * HS 089a/2 (*90/12a)
 * M13/1
 * Gottes ist der Orient
 * Gottes ist der Orient
 * Gottes ist der Orient


 * 4mch
 * B major
 * 1842
 * 1st version of S.90/12


 * HS 089a/3–5
 * M22–24
 * 3 Vierstimmige Männerchöre:
 * mch pf
 * 1845
 * 1st version of S.90/4–6; arr for pf as S.510a
 * 1845
 * 1st version of S.90/4–6; arr for pf as S.510a


 * HS 089a/3
 * M22/1
 * No.1: Trost I (Consolation)
 * No.1: Trost I (Consolation)
 * No.1: Trost I (Consolation)


 * 4mch pf
 * E♭ major
 * 1845
 * 1st setting of S.89a/4; 1st version of S.90/4; arr for pf as S.510a/1


 * HS 089a/4
 * M24/1
 * No.2: Trost II (Consolation)
 * No.2: Trost II (Consolation)
 * No.2: Trost II (Consolation)


 * mch pf
 * C major
 * 1845
 * 2nd setting of S.89a/3; 1st version of S.90/6; arr for pf as S.510a/3


 * HS 089a/5
 * M23/1
 * No.3: Nicht gezagt! (No hesitation!)
 * No.3: Nicht gezagt! (No hesitation!)
 * No.3: Nicht gezagt! (No hesitation!)


 * mch pf
 * A♭ major
 * 1845
 * 1st version of S.90/5; arr for pf as S.510a/2

•••••••••••••••• ••••••••••••••••
 * HS 090
 * M6–10,13,18, 22–24,31,35
 * (12) Für Männergesang:
 * ten bar 4vv mch pf (+tpt timp)
 * 1857–61
 * #3-6,12 (s89a) publ earlier, rev here. 4 publ earlier (unpublished?) rev here (s78? #7-10?). 3 new for this set (earlier verss? unpublished) (#1-2,11?).
 * 1857–61
 * #3-6,12 (s89a) publ earlier, rev here. 4 publ earlier (unpublished?) rev here (s78? #7-10?). 3 new for this set (earlier verss? unpublished) (#1-2,11?).


 * HS 090/HS 01
 * M31/3
 * Vereins-Lied (Frisch auf, zu neuem Leben)
 * Vereins-Lied (Frisch auf, zu neuem Leben)
 * Vereins-Lied (Frisch auf, zu neuem Leben)


 * mch
 * 1860
 * 3rd version of S.90/1a, S.90/1b
 * 3rd version of S.90/1a, S.90/1b


 * HS 090/HS 02
 * MHS 07/3
 * Ständchen (Hüttelein, still und klein)
 * Ständchen (Hüttelein, still und klein)
 * Ständchen (Hüttelein, still und klein)


 * ten mch
 * G major
 * 1857–60
 * 3rd version of S.90/2a, S.78/6


 * HS 090/HS 03
 * M10/2
 * Wir sind nicht Mummien (We are not mummies)
 * Wir sind nicht Mummien (We are not mummies)
 * Wir sind nicht Mummien (We are not mummies)


 * mch pf
 * 1860–61
 * 2nd version of S.89a/1
 * 2nd version of S.89a/1


 * HS 090/4–6
 * M22–24
 * (3) Geharnischte Lieder (Songs in Amour):
 * mch pf
 * 1860
 * 2nd version of S.89a/3–5; arr for pf as S.511
 * 1860
 * 2nd version of S.89a/3–5; arr for pf as S.511


 * HS 090/HS 04
 * M22/2
 * No.1: Vor der Schlacht (Es rufet Gott uns mahnend) (Before the Battle)
 * No.1: Vor der Schlacht (Es rufet Gott uns mahnend) (Before the Battle)
 * No.1: Vor der Schlacht (Es rufet Gott uns mahnend) (Before the Battle)


 * 4mch
 * E♭ major
 * 1860
 * 1st setting of S.90/6; 2nd version of S.89a/3; arr for pf as S.511/1


 * HS 090/HS 05
 * M23/2
 * No.2: Nicht gezagt!(No hesitation!)
 * No.2: Nicht gezagt!(No hesitation!)
 * No.2: Nicht gezagt!(No hesitation!)


 * 5mch pf
 * G major
 * 1860
 * 2nd version of S.89a/5; arr for pf as S.511/2


 * HS 090/HS 06
 * M24/2
 * No.3: Es rufet Gott uns mahnend (God Calls and Warns Us)
 * No.3: Es rufet Gott uns mahnend (God Calls and Warns Us)
 * No.3: Es rufet Gott uns mahnend (God Calls and Warns Us)


 * mch
 * 1860
 * 2nd setting of S.90/4; 2nd version of S.89a/4; arr for pf as S.511/3
 * 2nd setting of S.90/4; 2nd version of S.89a/4; arr for pf as S.511/3


 * HS 090/HS 07
 * M18/2
 * Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)
 * Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)
 * Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)


 * 4mch (+tpt timp)
 * 1860–61
 * 2nd version of S.78/5
 * 2nd version of S.78/5


 * HS 090/HS 08
 * MHS 09/2
 * Die alten Sagen kunden
 * Die alten Sagen kunden
 * Die alten Sagen kunden


 * 4vv mch
 * A minor
 * 1860–61
 * 2nd version of S.78/2


 * HS 090/HS 09
 * MHS 08/2
 * Saatengrün
 * Saatengrün
 * Saatengrün


 * mch
 * A major
 * 1860–61
 * 2nd version of S.78/3


 * HS 090/10
 * MHS 06/2
 * Der Gang um Mitternacht (Ich schreite mit dem Geist)
 * Der Gang um Mitternacht (Ich schreite mit dem Geist)
 * Der Gang um Mitternacht (Ich schreite mit dem Geist)


 * ten mch
 * 1860
 * 2nd version of S.78/4
 * 2nd version of S.78/4


 * HS 090/11
 * M35/2
 * Festlied zu Schillers Jubelfeier 10 November 1859
 * Festlied zu Schillers Jubelfeier 10 November 1859
 * Festlied zu Schillers Jubelfeier 10 November 1859


 * bar mch
 * 1860
 * 2nd version of S.90/11a
 * 2nd version of S.90/11a


 * HS 090/12
 * M13/2
 * Gottes ist der Orient
 * Gottes ist der Orient
 * Gottes ist der Orient

•••••••••••••••• •••••••••••••••• ••••••••••••••••  ••••••••••••••••
 * 4mch
 * A major
 * 1860–61
 * 2nd version of S.89a/2


 * HS 091i
 * M36/1
 * Das Lied der Begeisterung (A lelkesedés dala)
 * mch
 * 1871
 * 1st version of S.91ii; German and Hungarian text
 * 1871
 * 1st version of S.91ii; German and Hungarian text


 * HS 091ii
 * M36/2
 * Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut)
 * mch org
 * 1874
 * 2nd version of S.91i; German text only
 * 1874
 * 2nd version of S.91i; German text only


 * HS 092
 * A268a, IHS 06
 * Zwei Festgesänge zur Enthüllung des Carl August Denkmals in Weimar am 3. September 1875:
 * ch br timp org
 * 1875
 * see also S.87i/a
 * 1875
 * see also S.87i/a


 * HS 092/1 (*92)
 * A268a
 * Carl August weilt mit uns (Fanfare)
 * Carl August weilt mit uns (Fanfare)
 * Carl August weilt mit uns (Fanfare)


 * mch br timp (+org)
 * 1875
 * arr for pf as S.542b
 * arr for pf as S.542b


 * HS 092/2 (*48)
 * IHS 06
 * Der Herr bewahret die Seelen seiner Heiligen (Psalm 97: 10–11)
 * Der Herr bewahret die Seelen seiner Heiligen (Psalm 97: 10–11)
 * Der Herr bewahret die Seelen seiner Heiligen (Psalm 97: 10–11)


 * ch br timp org
 * 1875
 * 1875


 * HS 093i
 * L17/1
 * Magyar király-dal (Ungarisches Königslied)
 * mch
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * HS 093ii
 * L17/2
 * Magyar király-dal (Ungarisches Königslied)
 * ch
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * HS 093iii
 * L17/3
 * Magyar király-dal (Ungarisches Königslied)
 * mch pf
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * HS 093iv
 * L17/4
 * Magyar király-dal (Ungarisches Königslied)
 * ch pf
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * HS 093v
 * L17/5
 * Magyar király-dal (Ungarisches Königslied)
 * mch orch
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * HS 093vi
 * L17/5
 * Magyar király-dal (Ungarisches Königslied)
 * ch orch
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * HS 093vii
 * L17/6
 * Magyar király-dal (Ungarisches Königslied)
 * cch
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * HS 094
 * M38
 * Gruss (Glück auf)
 * mch
 * 1885
 * 1885
 * 1885


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я95–119
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я95–107
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Symphonic poems

 * style="text-align: right"|&#91;INDEX↑&#93;


 * HS 095i
 * GHS 01
 * Ce qu'on entend sur la montagne
 * orch
 * 1847–49
 * 1st version of S.95ii, S.95iii, S.95iv; unpublished
 * 1847–49
 * 1st version of S.95ii, S.95iii, S.95iv; unpublished


 * HS 095ii
 * GHS 01
 * Ce qu'on entend sur la montagne
 * orch
 * 1849–50
 * 2nd version of S.95i, S.95iii, S.95iv; 1st perf this version 1850 Weimar, unpublished
 * 1849–50
 * 2nd version of S.95i, S.95iii, S.95iv; 1st perf this version 1850 Weimar, unpublished


 * HS 095iii (*95)
 * GHS 01
 * Ce qu'on entend sur la montagne
 * orch
 * 1850–54
 * 3rd version of S.95i, S.95ii, S.95iv; unpublished
 * 1850–54
 * 3rd version of S.95i, S.95ii, S.95iv; unpublished


 * HS 095iv
 * GHS 01
 * Ce qu'on entend sur la montagne (Méditation symphonie d'après Hugo) (Bergsymphonie) (Symphonic Poem No.1)
 * orch
 * 1854–56
 * 4th version of S.95i, S.95ii, S.95iii; 1st perf this version 7 January 1857 Weimar, published 1857; arr for pf4h as S.589, for 2pf as S.635; mvt IV arr for org as S.261a
 * 1854–56
 * 4th version of S.95i, S.95ii, S.95iii; 1st perf this version 7 January 1857 Weimar, published 1857; arr for pf4h as S.589, for 2pf as S.635; mvt IV arr for org as S.261a


 * HS 096i
 * GHS 02
 * Ouvertüre de Tasso von Goethe
 * orch
 * 1847–49
 * uses theme from S.159/1; 1st version of S.96ii, S.96iii, S.96iv; 1st perf this version as an Overture to a performance of Johann Wolfgang von Goethe's drama Torquato Tasso 28 Aug 1849 Weimar cond Liszt, unpublished
 * 1847–49
 * uses theme from S.159/1; 1st version of S.96ii, S.96iii, S.96iv; 1st perf this version as an Overture to a performance of Johann Wolfgang von Goethe's drama Torquato Tasso 28 Aug 1849 Weimar cond Liszt, unpublished


 * HS 096ii
 * GHS 02
 * Tasso: lamento e trionfo
 * orch
 * 1849–51
 * 2nd version of S.96i, S.96iii, S.96iv; unpublished
 * 1849–51
 * 2nd version of S.96i, S.96iii, S.96iv; unpublished


 * HS 096iii (*96)
 * GHS 02
 * Tasso: lamento e trionfo
 * orch
 * 1851–54
 * 3rd version of S.96i, S.96ii, S.96iv; 1st perf this version 19 April 1854 Weimar cond Liszt, unpublished
 * 1851–54
 * 3rd version of S.96i, S.96ii, S.96iv; 1st perf this version 19 April 1854 Weimar cond Liszt, unpublished


 * HS 096iv
 * GHS 02
 * Tasso: lamento e trionfo (Symphonic Poem No.2) (after Goethe and Byron)
 * orch
 * 1854–56
 * 4th version of S.96i, S.96ii, S.96iii; published 1856; arr for pf4h as S.590, for 2pf as S.636, for pf as S.692l; see also epilogue S.112/3
 * 1854–56
 * 4th version of S.96i, S.96ii, S.96iii; published 1856; arr for pf4h as S.590, for 2pf as S.636, for pf as S.692l; see also epilogue S.112/3


 * HS 097i
 * GHS 03
 * Ouvertüre des Quatre élémens
 * orch
 * 1849–50
 * Overture to S.80a; 1st version of S.97ii, S.97iii, S.97iv; unpublished
 * 1849–50
 * Overture to S.80a; 1st version of S.97ii, S.97iii, S.97iv; unpublished


 * HS 097ii
 * GHS 03
 * Ouvertüre
 * orch
 * 1850–52
 * 2nd version of S.97i, S.97iii, S.97iv; unpublished
 * 1850–52
 * 2nd version of S.97i, S.97iii, S.97iv; unpublished


 * HS 097iii
 * GHS 03
 * Les préludes (d'après A. de Lamartine)
 * orch
 * 1853–54
 * 3rd version of S.97i, S.97ii, S.97iv; 1st perf this version 23 Feb 1854 Weimar cond Liszt, unpublished
 * 1853–54
 * 3rd version of S.97i, S.97ii, S.97iv; 1st perf this version 23 Feb 1854 Weimar cond Liszt, unpublished


 * HS 097iv (*97)
 * GHS 03
 * Les préludes (d'après A. de Lamartine) (Symphonic Poem No.3)
 * orch
 * 1854–55
 * 4th version of S.97i, S.97ii, S.97iii; published 1856; arr for pf as S.511a, for pf4h as S.591, for 2pf as S.637,
 * 1854–55
 * 4th version of S.97i, S.97ii, S.97iii; published 1856; arr for pf as S.511a, for pf4h as S.591, for 2pf as S.637,


 * HS 098
 * GHS 09
 * Orpheus (Symphonic Poem No.4)
 * orch
 * 1853–54
 * 1st perf as the "Overture" to a performance of Christoph Willibald Gluck's opera Orfeo ed Euridice 16 Feb 1854 Weimar cond Liszt; 1st perf as "Orpheus" symphonic poem 10 Nov 1854 Weimar; arr for pf as S.511b, for pf4h as S.592, for 2pf as S.638, for org/harm as S.672a, for chamber-ensemble as S.723a; extract arr for pf as S.167d
 * 1853–54
 * 1st perf as the "Overture" to a performance of Christoph Willibald Gluck's opera Orfeo ed Euridice 16 Feb 1854 Weimar cond Liszt; 1st perf as "Orpheus" symphonic poem 10 Nov 1854 Weimar; arr for pf as S.511b, for pf4h as S.592, for 2pf as S.638, for org/harm as S.672a, for chamber-ensemble as S.723a; extract arr for pf as S.167d


 * HS 099
 * GHS 06
 * Prometheus (Symphonic Poem No.5)
 * orch
 * 1850–55
 * 2nd version of Overture from S.69i; 1st perf this version 18 Oct 1855 Brunswick cond Liszt; arr for pf4h as S.593, for 2pf as S.639
 * 1850–55
 * 2nd version of Overture from S.69i; 1st perf this version 18 Oct 1855 Brunswick cond Liszt; arr for pf4h as S.593, for 2pf as S.639


 * 100i
 * GHS 07
 * Mazeppa
 * orch
 * 1845–51
 * arr of S.138; 1st version of S.100ii; unpublished
 * 1845–51
 * arr of S.138; 1st version of S.100ii; unpublished


 * 100ii (*100)
 * GHS 07
 * Mazeppa (Symphonic Poem No.6) (after V. Hugo)
 * orch
 * 1851–54
 * 2nd version of S.100i; 1st perf this version 16 April 1854 Weimar cond Liszt, published 1856; arr for pf as S.511c, for pf4h as S.594, for 2pf as S.640
 * 1851–54
 * 2nd version of S.100i; 1st perf this version 16 April 1854 Weimar cond Liszt, published 1856; arr for pf as S.511c, for pf4h as S.594, for 2pf as S.640


 * 101i
 * G10
 * Festklänge
 * orch
 * 1853–54
 * 1st version of S.101ii; 1st perf this version as Introduction to a performance of Friedrich Schiller's play Die Huldigung der Künste 9 Nov 1854 Weimar cond Liszt, published 1856; arr for 2pf as S.641
 * 1853–54
 * 1st version of S.101ii; 1st perf this version as Introduction to a performance of Friedrich Schiller's play Die Huldigung der Künste 9 Nov 1854 Weimar cond Liszt, published 1856; arr for 2pf as S.641


 * 101ii (*101)
 * G10
 * Festklänge (Symphonic Poem No.7)
 * orch
 * 1854–61
 * 2nd version of S.101i; published 1861; arr for pf as S.511d, for pf4h as S.595
 * 1854–61
 * 2nd version of S.101i; published 1861; arr for pf as S.511d, for pf4h as S.595


 * 102
 * GHS 04
 * Héroïde funèbre (Symphonic Poem No.8)
 * orch
 * 1854–56
 * 2nd version of 1st mvt of S.690; arr for pf4h as S.596a, for 2pf as S.642
 * 1854–56
 * 2nd version of 1st mvt of S.690; arr for pf4h as S.596a, for 2pf as S.642


 * 103
 * G13
 * Hungaria (Symphonic Poem No.9)
 * orch
 * 1854
 * based on S.358a; 1st perf 8 Sept 1856 Pest cond Liszt; arr for pf as S.511e, for pf4h as S.596, for 2pf as S.643
 * 1854
 * based on S.358a; 1st perf 8 Sept 1856 Pest cond Liszt; arr for pf as S.511e, for pf4h as S.596, for 2pf as S.643


 * 104i
 * G22
 * Hamlet
 * orch
 * 1858
 * 1st version of S.104ii; 1st perf as an introduction to a private performance of Shakespeare's play Hamlet 25 June 1858 Weimar cond Liszt, unpublished
 * 1858
 * 1st version of S.104ii; 1st perf as an introduction to a private performance of Shakespeare's play Hamlet 25 June 1858 Weimar cond Liszt, unpublished


 * 104ii (*104)
 * G22
 * Hamlet (Symphonic Poem No.10)
 * orch
 * 1858
 * 2nd version of S.104i; 1st perf this version 2 July 1876 Sondershausen cond Max Erdmannsdörfer, published 1861; arr for pf4h as S.597, for 2pf as S.644
 * 1858
 * 2nd version of S.104i; 1st perf this version 2 July 1876 Sondershausen cond Max Erdmannsdörfer, published 1861; arr for pf4h as S.597, for 2pf as S.644


 * 105
 * G17
 * Hunnenschlacht (Symphonic Poem No.11) (after paintings by W. von Kaulbach)
 * orch
 * 1855–57
 * 1st perf 29 Dec 1857 Weimar cond Liszt; arr for pf4h as S.596b, for 2pf as S.645
 * 1855–57
 * 1st perf 29 Dec 1857 Weimar cond Liszt; arr for pf4h as S.596b, for 2pf as S.645


 * 106
 * G15
 * Die Ideale (Symphonic Poem No.12) (after Schiller)
 * orch
 * 1856–57
 * 1st perf 5 Sept 1857 Weimar cond Liszt; arr for pf4h as S.596c, for 2pf as S.646; extract arr for pf as S.167e; 2nd theme used in S.114
 * 1856–57
 * 1st perf 5 Sept 1857 Weimar cond Liszt; arr for pf4h as S.596c, for 2pf as S.646; extract arr for pf as S.167e; 2nd theme used in S.114


 * 107
 * G38
 * Von der Wiege bis zum Grabe (Du berceau jusqu'à la tombe) (Symphonic Poem No.13) (after an engraving by Mihály Zichy):
 * orch
 * 1881–82
 * arr of S.598; arr for pf as S.512ii
 * 1881–82
 * arr of S.598; arr for pf as S.512ii


 * 107/1
 * G38/1
 * Die Wiege (Le berceau)
 * Die Wiege (Le berceau)
 * Die Wiege (Le berceau)


 * orch
 * 1881–82
 * extract arr for 4vn as S.133
 * extract arr for 4vn as S.133


 * 107/2
 * G38/2
 * Der Kampf um's Dasein (Le combat pour la vie)
 * Der Kampf um's Dasein (Le combat pour la vie)
 * Der Kampf um's Dasein (Le combat pour la vie)


 * orch
 * 1881–82
 * 1881–82


 * 107/3
 * G38/3
 * Zum Grabe: die Wiege des zukünftigen Lebens (À la tombe: Berceau de la vie future)
 * Zum Grabe: die Wiege des zukünftigen Lebens (À la tombe: Berceau de la vie future)
 * Zum Grabe: die Wiege des zukünftigen Lebens (À la tombe: Berceau de la vie future)


 * orch
 * 1881–82
 * 1881–82


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я108–119
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Other orchestra works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 108i
 * G12
 * Eine Faust-Symphonie:
 * small-orch
 * 1854–57
 * 1st version of S.108ii, S.108iii; sketched late 1830s to 1840s, 1st complete draft 1854, complete score finished 1857, 1st perf this version 5 Sept 1857 Weimar cond. Liszt, unpublished; arr for 2pf as S.647
 * 1854–57
 * 1st version of S.108ii, S.108iii; sketched late 1830s to 1840s, 1st complete draft 1854, complete score finished 1857, 1st perf this version 5 Sept 1857 Weimar cond. Liszt, unpublished; arr for 2pf as S.647


 * 108i/1
 * G12
 * Faust
 * Faust
 * Faust


 * small-orch
 * 1854–57
 * 1854–57


 * 108i/2
 * G12
 * Gretchen
 * Gretchen
 * Gretchen


 * small-orch
 * 1854–57
 * 1854–57


 * 108i/3
 * G12
 * Mephistopheles
 * Mephistopheles
 * Mephistopheles


 * small-orch
 * 1854–57
 * 1854–57


 * 108ii
 * G12
 * Eine Faust-Symphonie (in drei Charakterbildern (nach Goethe)):
 * orch (+ten mch)
 * 1857–61
 * 2nd version of S.108i, S.108iii; optional choral section (mvt 3b) added 1857, rescored for full orch (including added brass and organ/harmonium) and further small revisions 1857–61, 1st performance this version 1861 cond. Hans von Bülow, published 1861
 * 1857–61
 * 2nd version of S.108i, S.108iii; optional choral section (mvt 3b) added 1857, rescored for full orch (including added brass and organ/harmonium) and further small revisions 1857–61, 1st performance this version 1861 cond. Hans von Bülow, published 1861


 * 108ii/1
 * G12
 * Faust
 * Faust
 * Faust


 * orch
 * 1857–61
 * 1857–61


 * 108ii/2
 * G12
 * Gretchen
 * Gretchen
 * Gretchen


 * orch
 * 1857–61
 * arr for pf as S.513, for vn va vc hp pf harm by Leopold Alexander Zellner with corrections and additional material by Liszt as S.377b
 * arr for pf as S.513, for vn va vc hp pf harm by Leopold Alexander Zellner with corrections and additional material by Liszt as S.377b


 * 108ii/3a
 * G12
 * Mephistopheles
 * Mephistopheles
 * Mephistopheles


 * orch
 * 1857–61
 * 1857–61


 * 108ii/3b
 * G12
 * Schlußchor (Andante mistico) ("Alles Vergängliche ist nur ein Gleichniss")
 * Schlußchor (Andante mistico) ("Alles Vergängliche ist nur ein Gleichniss")
 * Schlußchor (Andante mistico) ("Alles Vergängliche ist nur ein Gleichniss")


 * orch ten mch
 * 1857–61
 * 1857–61


 * 108iii
 * G12
 * Eine Faust-Symphonie (in drei Charakterbildern (nach Goethe)):
 * orch (+ten mch)
 * 1880
 * 3rd version of S.108i, S.108ii; 2nd mvt revised (10 additional bars)
 * 1880
 * 3rd version of S.108i, S.108ii; 2nd mvt revised (10 additional bars)


 * 108iii/1
 * G12
 * Faust
 * Faust
 * Faust


 * orch
 * 1880
 * 1880


 * 108iii/2
 * G12
 * Gretchen
 * Gretchen
 * Gretchen


 * orch
 * 1880
 * 1880


 * 108iii/3a
 * G12
 * Mephistopheles
 * Mephistopheles
 * Mephistopheles


 * orch
 * 1880
 * 1880


 * 108iii/3b
 * G12
 * Schlußchor (Andante mistico)
 * Schlußchor (Andante mistico)
 * Schlußchor (Andante mistico)


 * orch ten mch
 * 1880
 * 1880


 * 109
 * G14
 * Dante Symphony (Eine Symphonie zu Dantes Divina Commedia):
 * orch
 * 1839–57
 * arr for 2pf as S.648; extracts arr for org/harm as S.672b; themes used in S.182a; some material basis of S.167f
 * 1839–57
 * arr for 2pf as S.648; extracts arr for org/harm as S.672b; themes used in S.182a; some material basis of S.167f


 * 109/1
 * G14
 * Inferno
 * Inferno
 * Inferno


 * orch
 * 1839–57
 * 1839–57


 * 109/2a
 * G14
 * Purgatorio
 * Purgatorio
 * Purgatorio


 * orch
 * 1839–57
 * 1839–57


 * 109/2b
 * G14
 * Magnificat
 * Magnificat
 * Magnificat


 * orch
 * 1839–57
 * 1839–57


 * 109a
 * New Grand Overture
 * orch
 * by 1825
 * premiered in London in 1825; possibly same as Overture to S.1
 * by 1825
 * premiered in London in 1825; possibly same as Overture to S.1
 * premiered in London in 1825; possibly same as Overture to S.1


 * 110
 * G16
 * 2 Episoden aus Lenaus Faust:
 * orch
 * 1857–61
 * 1857–61
 * 1857–61


 * 110/1
 * G16/1
 * Der nächtliche Zug
 * Der nächtliche Zug
 * Der nächtliche Zug


 * orch
 * 1857–61
 * arr for pf as S.513a, for pf4h as S.599/1
 * arr for pf as S.513a, for pf4h as S.599/1


 * 110/2
 * G16/2
 * Der Tanz in der Dorfschenke (Mephisto Walzer)
 * Der Tanz in der Dorfschenke (Mephisto Walzer)
 * Der Tanz in der Dorfschenke (Mephisto Walzer)


 * orch
 * 1857–61
 * arr of S.514; 1st version of S.110/2a, with original Presto coda (grand ending, matches piano solo version)
 * arr of S.514; 1st version of S.110/2a, with original Presto coda (grand ending, matches piano solo version)


 * 110/2a
 * Der Tanz in der Dorfschenke (Mephisto Walzer)
 * Der Tanz in der Dorfschenke (Mephisto Walzer)
 * Der Tanz in der Dorfschenke (Mephisto Walzer)
 * Der Tanz in der Dorfschenke (Mephisto Walzer)


 * orch
 * 1857–61
 * 2nd version of S.110/2, with alternate Allegro molto coda (quiet ending); arr for pf4h as S.599/2
 * 2nd version of S.110/2, with alternate Allegro molto coda (quiet ending); arr for pf4h as S.599/2


 * 111
 * G37
 * Mephisto Waltz No.2 (Zweiter Mephisto-Walzer)
 * orch
 * 1880–81
 * arr of S.515
 * 1880–81
 * arr of S.515


 * 112
 * G25
 * (3) Odes funèbres:
 * orch
 * 1860–66
 * 1860–66
 * 1860–66


 * 112/1
 * G25/1
 * Les morts
 * Les morts
 * Les morts


 * orch (+mch)
 * 1860
 * arr for pf as S.516, for pf4h as S.601, for org as S.268/2
 * arr for pf as S.516, for pf4h as S.601, for org as S.268/2


 * 112/2
 * G25/2
 * La notte
 * La notte
 * La notte


 * orch
 * 1863–64
 * uses themes from S.161/2; arr for pf as S.516a, for pf4h as S.602, for vn pf as S.377a
 * uses themes from S.161/2; arr for pf as S.516a, for pf4h as S.602, for vn pf as S.377a


 * 112/3
 * G25/3
 * Le triomphe funèbre du Tasse
 * Le triomphe funèbre du Tasse
 * Le triomphe funèbre du Tasse


 * orch
 * 1866
 * epilogue to S.96iv; arr for pf as S.517, for pf4h as S.602/3, for 2pf as S.757
 * epilogue to S.96iv; arr for pf as S.517, for pf4h as S.602/3, for 2pf as S.757


 * 113i (*709)
 * G28/1
 * Boze coś Polskę
 * orch
 * 1863
 * based on an old Polish song; 1st version of S.113ii; arr for pf4h as S.604i
 * 1863
 * based on an old Polish song; 1st version of S.113ii; arr for pf4h as S.604i


 * 113ii
 * G28/2
 * Salve Polonia (Interludium aus dem Oratorium St. Stanislaus)
 * orch
 * 1884
 * interlude to S.688; 2nd version of S.113i; arr for pf as S.518, for pf4h as S.604ii
 * 1884
 * interlude to S.688; 2nd version of S.113i; arr for pf as S.518, for pf4h as S.604ii


 * 113a (*354)
 * G27
 * 2 Légendes:
 * orch
 * 1863
 * arr of S.175
 * 1863
 * arr of S.175


 * 113a/1 (*354/1)
 * G27/1
 * St François d'Assise: la prédication aux oiseaux
 * St François d'Assise: la prédication aux oiseaux
 * St François d'Assise: la prédication aux oiseaux


 * orch
 * 1863
 * arr of S.175/1
 * arr of S.175/1


 * 113a/2 (*354/2)
 * G27/2
 * St François de Paule: marchant sur les flots
 * St François de Paule: marchant sur les flots
 * St François de Paule: marchant sur les flots


 * orch
 * 1863
 * arr of S.175/2
 * arr of S.175/2


 * 114
 * G20
 * Künstler-Festzug zur Schiller-Feier 1859
 * orch
 * 1857
 * uses themes from S.70iii, Trio section theme from S.106; arr for pf as S.520i, for pf4h as S.605
 * 1857
 * uses themes from S.70iii, Trio section theme from S.106; arr for pf as S.520i, for pf4h as S.605


 * 115i
 * Fest-marsch zur Säcular-feier von Goethe's Geburtstag am 28t Aug 1849 in Weimar
 * orch
 * 1849
 * arr of S.227 by Liszt and August Conradi; 1st version of S.115ii, S.115iii; 1st perf 28 August 1849 Weimar; unpublished
 * 1849
 * arr of S.227 by Liszt and August Conradi; 1st version of S.115ii, S.115iii; 1st perf 28 August 1849 Weimar; unpublished
 * arr of S.227 by Liszt and August Conradi; 1st version of S.115ii, S.115iii; 1st perf 28 August 1849 Weimar; unpublished


 * 115ii
 * GHS 05/1
 * Fest-marsch zur Säcular-feier von Goethe's Geburtstag am 28t Aug 1849 in Weimar
 * orch
 * 1849
 * arr of S.227 by Liszt and Joachim Raff; 2nd version of S.115i, S.115iii; rejected by Liszt in favor of the Conradi version S.115i; unpublished
 * 1849
 * arr of S.227 by Liszt and Joachim Raff; 2nd version of S.115i, S.115iii; rejected by Liszt in favor of the Conradi version S.115i; unpublished


 * 115iii
 * GHS 05/2
 * Fest-Marsch zur Göthe Jubiläum-Feier
 * orch
 * 1857
 * 3rd version of S.115i, S.115ii; arr for pf4h as S.606
 * 1857
 * 3rd version of S.115i, S.115ii; arr for pf4h as S.606


 * 116
 * G23
 * Festmarsch nach Motiven von E.H.z.S.-C.-G.
 * orch
 * 1858–59
 * based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arr for pf as S.522, for pf4h as S.607
 * 1858–59
 * based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arr for pf as S.522, for pf4h as S.607


 * 117
 * G29
 * Rákóczi-Marsch
 * orch
 * 1863–67
 * arr of S.244/15; arr for pf as S.244a, for pf4h as S.608, for 2pf as S.652a
 * 1863–67
 * arr of S.244/15; arr for pf as S.244a, for pf4h as S.608, for 2pf as S.652a


 * 118
 * G33
 * Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867
 * orch
 * 1870
 * arr for pf as S.523, for pf4h as S.609
 * 1870
 * arr for pf as S.523, for pf4h as S.609


 * 119
 * G35
 * Ungarischer Sturmmarsch (Hungarian Battle March)
 * orch
 * 1875
 * arr of S.232; 2nd version of S.358b; arr for pf4h as S.610
 * 1875
 * arr of S.232; 2nd version of S.358b; arr for pf4h as S.610


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я120–126a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano and orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 120
 * HHS 02
 * Grande fantaisie symphonique (über Themen aus Hector Berlioz' Lélio)
 * pf orch
 * 1834
 * based on themes from Lélio, ou le retour à la vie, Op.14bis/H.55 by Hector Berlioz; score and parts corrected from manuscript sources by Leslie Howard
 * 1834
 * based on themes from Lélio, ou le retour à la vie, Op.14bis/H.55 by Hector Berlioz; score and parts corrected from manuscript sources by Leslie Howard


 * 121
 * HHS 01
 * Concerto in E minor for piano and strings "Malédiction"
 * pf str
 * E minor
 * c1833
 * c1833


 * 121a (*691)
 * HHS 03
 * De profundis (Psaume instrumental pour orchestre et piano principal)
 * pf orch
 * 1834–35
 * unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and completion of the work (final 6 bars) by Leslie Howard
 * 1834–35
 * unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and completion of the work (final 6 bars) by Leslie Howard


 * 122i
 * HHS 09
 * Fantasie über Motiven aus Beethovens Ruinen von Athen
 * pf orch
 * c1837
 * arr of S.388b; 1st version of S.122ii, S.122iii
 * c1837
 * arr of S.388b; 1st version of S.122ii, S.122iii


 * 122ii (*122)
 * HHS 09
 * Fantasie über Motiven aus Beethovens Ruinen von Athen
 * pf orch
 * 1848–52
 * based on the "March and Chorus" (No.6), the "Dervishes' Chorus" (No.3), and the "Turkish March" (No.4) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; 2nd version of S.122i, S.122iii, incorporating S.388; arr for pf as S.389, for 2pf as S.649
 * 1848–52
 * based on the "March and Chorus" (No.6), the "Dervishes' Chorus" (No.3), and the "Turkish March" (No.4) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; 2nd version of S.122i, S.122iii, incorporating S.388; arr for pf as S.389, for 2pf as S.649


 * 122iii
 * HHS 09
 * Fantasie über Motiven aus Beethovens Ruinen von Athen
 * pf orch
 * 1855
 * 3rd version of S.122i, S.122ii
 * 1855
 * 3rd version of S.122i, S.122ii


 * 123
 * H12
 * Fantasie über ungarische Volksmelodien
 * pf orch
 * c1852–55
 * based on S.244/14
 * c1852–55
 * based on S.244/14


 * 124
 * HHS 04
 * Piano Concerto No.1 in E-flat major
 * pf orch
 * E♭ major
 * 1830s, 1849, 1853, 1856
 * opening and main motive notated in 1832, 6 drafts, 2 versions (1849, 1856); arr for 2pf as S.650
 * opening and main motive notated in 1832, 6 drafts, 2 versions (1849, 1856); arr for 2pf as S.650


 * 125
 * HHS 06
 * Piano Concerto No.2 in A major
 * pf orch
 * A major
 * 1839, 1849, 1853, 1857, 1861
 * based on S.524a; 2 versions (1839, 1849); arr for 2pf as S.651
 * based on S.524a; 2 versions (1839, 1849); arr for 2pf as S.651


 * 125a
 * QHS 06
 * Piano Concerto HS No.3in E-flat [No.3]
 * pf orch
 * E♭ minor
 * c1836–39
 * uses themes from S.148, S.151, S.152; unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and performing version of solo part by Leslie Howard
 * uses themes from S.148, S.151, S.152; unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and performing version of solo part by Leslie Howard


 * 126i
 * HHS 08
 * Totentanz (Phantasie für Pianoforte und Orchester "De profundis version")
 * pf orch
 * 1849
 * 1st version of S.126ii; score prepared from manuscript sources by Ferruccio Busoni in 1919
 * 1849
 * 1st version of S.126ii; score prepared from manuscript sources by Ferruccio Busoni in 1919


 * 126ii
 * HHS 08
 * Totentanz (Paraphrase über Dies irae)
 * pf orch
 * 1852–59
 * 2nd version of S.126i; arr for pf as S.525, for 2pf as S.652
 * 1852–59
 * 2nd version of S.126i; arr for pf as S.525, for 2pf as S.652


 * *126a (714)
 * W14
 * Concerto in the Hungarian Style
 * Concerto in the Hungarian Style


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я126b–135
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber music

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 126b
 * DHS 01
 * 2 Walzer:
 * vn pf
 * 1823
 * Nos.4 and 5 of the collection Sieben Walzer für Violin und Pianoforte von M. Pamer, H. Payer und F. List
 * 1823
 * Nos.4 and 5 of the collection Sieben Walzer für Violin und Pianoforte von M. Pamer, H. Payer und F. List


 * 126b/1
 * DHS 01/1
 * Waltz
 * Waltz
 * Waltz


 * vn pf
 * A major
 * 1823


 * 126b/2
 * DHS 01/2
 * Waltz aus dem Ballett "Die Amazonen"
 * Waltz aus dem Ballett "Die Amazonen"
 * Waltz aus dem Ballett "Die Amazonen"


 * vn pf
 * A major
 * 1823
 * based on a theme from the ballet Die Amazonen by Count Wenzel Robert von Gallenberg; arr for pf as S.208a


 * 126c (*717)
 * DHS 02
 * Trio
 * vn vc pf
 * D♭ major
 * 1825
 * 3 mvts; vn part lost, vc part discovered in 1997, pf part in 1998
 * 3 mvts; vn part lost, vc part discovered in 1997, pf part in 1998


 * 127
 * DHS 03
 * Duo (sur des thèmes polonais)
 * vn pf
 * C♯ minor
 * 1835
 * based on No.2 of the Mazurkas, Op.6 by Frédéric Chopin, and on an unidentified Polish melody (also used in S.249/2, S.249a)
 * based on No.2 of the Mazurkas, Op.6 by Frédéric Chopin, and on an unidentified Polish melody (also used in S.249/2, S.249a)


 * 128i
 * Grand Duo concertant (pour piano et violon sur la Romance de M. [Charles-Philippe] Lafont "Le départ du jeune marin")
 * vn pf
 * 1835
 * based on the song by Charles Philippe Lafont, who collaborated with Liszt on this composition; 1st version of S.128ii
 * 1835
 * based on the song by Charles Philippe Lafont, who collaborated with Liszt on this composition; 1st version of S.128ii
 * based on the song by Charles Philippe Lafont, who collaborated with Liszt on this composition; 1st version of S.128ii


 * 128ii (*128)
 * DHS 04
 * Grand Duo concertant (sur la romance de M. Lafont, "Le marin")
 * vn pf
 * 1849
 * 2nd version of S.128i
 * 1849
 * 2nd version of S.128i


 * 129
 * D12
 * Epithalam (zu Eduard Reményis Vermählungsfeier)
 * vn pf
 * 1872
 * arr for pf as S.526, for pf4h as S.611
 * 1872
 * arr for pf as S.526, for pf4h as S.611


 * 129a/i
 * Duo in G
 * vc pf
 * G major
 * 1875
 * collaborative composition with an unknown musician; unpublished ; alternate version for vn pf as S.129a/ii
 * 1875
 * collaborative composition with an unknown musician; unpublished ; alternate version for vn pf as S.129a/ii


 * 129a/ii
 * Duo in G
 * vn pf
 * G major
 * 1875
 * collaborative composition with an unknown musician; unpublished ; alternate version for vc pf as S.129a/i
 * 1875
 * collaborative composition with an unknown musician; unpublished ; alternate version for vc pf as S.129a/i


 * 130i (*130)
 * D13a
 * Première Élégie (Elegy No.1)
 * vc hp pf harm
 * 1874
 * arr of S.196; alternate version for vc pf as S.130ii, for vn pf (+harm) as S.130iii; arr for small-orch as S.710a
 * 1874
 * arr of S.196; alternate version for vc pf as S.130ii, for vn pf (+harm) as S.130iii; arr for small-orch as S.710a


 * 130ii (*130bis)
 * D13b
 * Première Élégie (Elegy No.1)
 * vc pf
 * 1874
 * arr of S.196; alternate version for vc hp pf harm as S.130i, for vn pf (+harm) as S.130iii
 * 1874
 * arr of S.196; alternate version for vc hp pf harm as S.130i, for vn pf (+harm) as S.130iii


 * 130iii (*130ter)
 * D13c
 * Première Élégie (Elegy No.1)
 * vn pf (+harm)
 * 1874
 * arr of S.196; alternate version for vc hp pf harm as S.130i, for vc pf as S.130ii
 * 1874
 * arr of S.196; alternate version for vc hp pf harm as S.130i, for vc pf as S.130ii


 * 131i (*131)
 * D14
 * Zweite Elegie (Elegy No.2)
 * vc pf
 * 1877
 * arr of S.197; alternate version of S.131ii
 * 1877
 * arr of S.197; alternate version of S.131ii


 * 131ii (*131bis)
 * D14
 * Zweite Elegie (Elegy No.2)
 * vn pf
 * 1877
 * arr of S.197; alternate version of S.131i
 * 1877
 * arr of S.197; alternate version of S.131i


 * 132i (*132)
 * D16a
 * Romance oubliée
 * va pf
 * 1880
 * arr of S.527; alternate version of S.132ii, S.132iii
 * 1880
 * arr of S.527; alternate version of S.132ii, S.132iii


 * 132ii (*132bis)
 * D16c
 * Romance oubliée
 * vc pf
 * 1880
 * arr of S.527; alternate version of S.132i, S.132iii
 * 1880
 * arr of S.527; alternate version of S.132i, S.132iii


 * 132iii (*132ter)
 * D16b
 * Romance oubliée
 * vn pf
 * 1880
 * arr of S.527; alternate version of S.132i, S.132ii
 * 1880
 * arr of S.527; alternate version of S.132i, S.132ii


 * 133
 * S61
 * Die Wiege (The Cradle)
 * 4vn
 * 1881?
 * arr of extract from S.107/1; 1st perf 22 Oct 1881 Rome for str qt; unpublished (in private collection); Schnapp.84
 * 1881?
 * arr of extract from S.107/1; 1st perf 22 Oct 1881 Rome for str qt; unpublished (in private collection); Schnapp.84


 * 134i (*134)
 * D19/2
 * La lugubre gondola
 * vc pf
 * c1883
 * arr of S.200ii; alternate version of S.134ii
 * c1883
 * arr of S.200ii; alternate version of S.134ii


 * 134ii (*134bis)
 * D19/1
 * La lugubre gondola
 * vn pf
 * c1883
 * arr of S.200ii; alternate version of S.134i; 1st version of S.134a
 * c1883
 * arr of S.200ii; alternate version of S.134i; 1st version of S.134a


 * 134a
 * La lugubre gondola
 * vn pf
 * 1885
 * 2nd version of S.134ii, with longer coda
 * 1885
 * 2nd version of S.134ii, with longer coda
 * 2nd version of S.134ii, with longer coda


 * 135
 * D20
 * Am Grabe Richard Wagners
 * 2vn va vc (+hp)
 * 1883
 * using theme from the Prelude of S.6; arr for pf as S.202, for org as S.267
 * 1883
 * using theme from the Prelude of S.6; arr for pf as S.202, for org as S.267


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я136–254
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano solo

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я136–146
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Etudes/Studies

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 136
 * AHS 008
 * HS EtudeÉtude en douze (12) exercices:
 * pf
 * 1826
 * published as Op.6; originally intended as 1st series of 48 exercises; 1st version of S.137, S.139
 * 1826
 * published as Op.6; originally intended as 1st series of 48 exercises; 1st version of S.137, S.139


 * 136/HS 01
 * AHS 008/HS 01
 * (Allegro con fuoco)
 * (Allegro con fuoco)
 * (Allegro con fuoco)


 * pf
 * C major
 * 1826
 * 1st version of S.137/1, S.139/1


 * 136/HS 02
 * AHS 008/HS 02
 * (Allegro non molto)
 * (Allegro non molto)
 * (Allegro non molto)


 * pf
 * A minor
 * 1826
 * 1st version of S.137/2, S.139/2


 * 136/HS 03
 * AHS 008/HS 03
 * (Allegro sempre legato)
 * (Allegro sempre legato)
 * (Allegro sempre legato)


 * pf
 * F major
 * 1826
 * 1st version of S.137/3, S.139/3


 * 136/HS 04
 * AHS 008/HS 04
 * (Allegretto)
 * (Allegretto)
 * (Allegretto)


 * pf
 * D minor
 * 1826
 * 1st version of S.137/4, S.138, S.139/4


 * 136/HS 05
 * AHS 008/HS 05
 * (Moderato)
 * (Moderato)
 * (Moderato)


 * pf
 * B♭ major
 * 1826
 * 1st version of S.137/5, S.139/5


 * 136/HS 06
 * AHS 008/HS 06
 * (Molto agitato)
 * (Molto agitato)
 * (Molto agitato)


 * pf
 * G minor
 * 1826
 * 1st version of S.137/6, S.139/6


 * 136/HS 07
 * AHS 008/HS 07
 * (Allegretto con molto espressione)
 * (Allegretto con molto espressione)
 * (Allegretto con molto espressione)


 * pf
 * E♭ major
 * 1826
 * 1st version of S.137/11, S.139/11


 * 136/HS 08
 * AHS 008/HS 08
 * (Allegro con spirito)
 * (Allegro con spirito)
 * (Allegro con spirito)


 * pf
 * C minor
 * 1826
 * 1st version of S.137/8, S.139/8


 * 136/HS 09
 * AHS 008/HS 09
 * (Allegro grazioso)
 * (Allegro grazioso)
 * (Allegro grazioso)


 * pf
 * A♭ major
 * 1826
 * 1st version of S.137/9, S.139/9


 * 136/10
 * AHS 008/10
 * (Moderato)
 * (Moderato)
 * (Moderato)


 * pf
 * F minor
 * 1826
 * 1st version of S.137/10, S.139/10


 * 136/11
 * AHS 008/11
 * (Allegro grazioso)
 * (Allegro grazioso)
 * (Allegro grazioso)


 * pf
 * D♭ major
 * 1826


 * 136/12
 * AHS 008/12
 * (Allegro non troppo)
 * (Allegro non troppo)
 * (Allegro non troppo)


 * pf
 * B♭ minor
 * 1826
 * 1st version of S.137/12, S.139/12


 * *136a (692c)
 * Preludio (Allegro maestoso)
 * G♭ major or F♯ major
 * 1826?
 * intended for 2nd series of 48 exercises (with S.136 as the 1st series)
 * G♭ major or F♯ major
 * 1826?
 * intended for 2nd series of 48 exercises (with S.136 as the 1st series)


 * 137
 * AHS 039
 * (12) Grandes études:
 * pf
 * 1837
 * 2nd version of S.136, S.139
 * 1837
 * 2nd version of S.136, S.139


 * 137/HS 01
 * AHS 039/HS 01
 * (Presto)
 * (Presto)
 * (Presto)


 * pf
 * C major
 * 1837
 * 2nd version of S.136/1, S.139/1


 * 137/HS 02
 * AHS 039/HS 02
 * (Molto vivace)
 * (Molto vivace)
 * (Molto vivace)


 * pf
 * A minor
 * 1837
 * 2nd version of S.136/2, S.139/2


 * 137/HS 03
 * AHS 039/HS 03
 * (Poco adagio)
 * (Poco adagio)
 * (Poco adagio)


 * pf
 * F major
 * 1837
 * 2nd version of S.136/3, S.139/3


 * 137/HS 04
 * AHS 039/HS 04
 * (Allegro patetico)
 * (Allegro patetico)
 * (Allegro patetico)


 * pf
 * D minor
 * 1837
 * 2nd version of S.136/4, S.138, S.139/4


 * 137/HS 05
 * AHS 039/HS 05
 * (Egualmente)
 * (Egualmente)
 * (Egualmente)


 * pf
 * B♭ major
 * 1837
 * 2nd version of S.136/5, S.139/5


 * 137/HS 06
 * AHS 039/HS 06
 * (Largo patetico)
 * (Largo patetico)
 * (Largo patetico)


 * pf
 * G minor
 * 1837
 * 2nd version of S.136/6, S.139/6


 * 137/HS 07
 * AHS 039/HS 07
 * (Allegro deciso)
 * (Allegro deciso)
 * (Allegro deciso)


 * pf
 * E♭ major
 * 1837
 * introduction uses intro from S.150; 1st version of S.139/7


 * 137/HS 08
 * AHS 039/HS 08
 * (Presto strepitoso)
 * (Presto strepitoso)
 * (Presto strepitoso)


 * pf
 * C minor
 * 1837
 * 2nd version of S.136/8, S.139/8


 * 137/HS 09
 * AHS 039/HS 09
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * pf
 * A♭ major
 * 1837
 * 2nd version of S.136/9, S.139/9


 * 137/10
 * AHS 039/10
 * (Presto molto agitato)
 * (Presto molto agitato)
 * (Presto molto agitato)


 * pf
 * F minor
 * 1837
 * 2nd version of S.136/10, S.139/10


 * 137/11
 * AHS 039/11
 * (Lento assai)
 * (Lento assai)
 * (Lento assai)


 * pf
 * D♭ major
 * 1837
 * 2nd version of S.136/7, S.139/11


 * 137/12
 * AHS 039/12
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * pf
 * B♭ minor
 * 1837
 * 2nd version of S.136/12, S.139/12


 * 138
 * A172/HS 04
 * Mazeppa
 * pf
 * D minor
 * 1840
 * 3rd version of S.136/4, S.137/4, S.139/4; arr for orch as S.100i
 * 3rd version of S.136/4, S.137/4, S.139/4; arr for orch as S.100i


 * 139
 * A172
 * HS Etudes(12) Études d'exécution transcendante (12 Transcendental Etudes):
 * pf
 * 1851
 * 3rd version of S.136, S.137
 * 1851
 * 3rd version of S.136, S.137


 * 139/HS 01
 * A172/HS 01
 * Preludio
 * Preludio
 * Preludio


 * pf
 * C major
 * 1851
 * 3rd version of S.136/1, S.137/1


 * 139/HS 02
 * A172/HS 02
 * [Fusées] (Molto vivace)
 * [Fusées] (Molto vivace)
 * [Fusées] (Molto vivace)


 * pf
 * A minor
 * 1851
 * 3rd version of S.136/2, S.137/2


 * 139/HS 03
 * A172/HS 03
 * Paysage
 * Paysage
 * Paysage


 * pf
 * F major
 * 1851
 * 3rd version of S.136/3, S.137/3


 * 139/HS 04
 * A172/HS 04
 * Mazeppa
 * Mazeppa
 * Mazeppa


 * pf
 * D minor
 * 1851
 * 4th version of S.136/4, S.137/4, S.138


 * 139/HS 05
 * A172/HS 05
 * Feux-follets (Irrlichter)
 * Feux-follets (Irrlichter)
 * Feux-follets (Irrlichter)


 * pf
 * B♭ major
 * 1851
 * 3rd version of S.136/5, S.137/5


 * 139/HS 06
 * A172/HS 06
 * Vision
 * Vision
 * Vision


 * pf
 * G minor
 * 1851
 * 3rd version of S.136/6, S.137/6


 * 139/HS 07
 * A172/HS 07
 * Eroica
 * Eroica
 * Eroica


 * pf
 * E♭ major
 * 1851
 * 2nd version of S.137/7


 * 139/HS 08
 * A172/HS 08
 * Wilde Jagd
 * Wilde Jagd
 * Wilde Jagd


 * pf
 * C minor
 * 1851
 * 3rd version of S.136/8, S.137/8


 * 139/HS 09
 * A172/HS 09
 * Ricordanza
 * Ricordanza
 * Ricordanza


 * pf
 * A♭ major
 * 1851
 * 3rd version of S.136/9, S.137/9


 * 139/10
 * A172/10
 * [Appassionata] (Allegro agitato molto)
 * [Appassionata] (Allegro agitato molto)
 * [Appassionata] (Allegro agitato molto)


 * pf
 * F minor
 * 1851
 * 3rd version of S.136/10, S.137/10


 * 139/11
 * A172/11
 * Harmonies du soir
 * Harmonies du soir
 * Harmonies du soir


 * pf
 * D♭ major
 * 1851
 * 3rd version of S.136/7, S.137/11; themes used in S.166o


 * 139/12
 * A172/12
 * Chasse-neige
 * Chasse-neige
 * Chasse-neige


 * pf
 * B♭ minor
 * 1851
 * 3rd version of S.136/12, S.137/12


 * 140
 * AHS 052
 * HS EtudesÉtudes d'exécution transcendante d'après Paganini:
 * pf
 * 1838
 * 1st version of S.141
 * 1838
 * 1st version of S.141


 * 140/1
 * AHS 052/1
 * Tremolo (Preludio. Andante – Etude I. Non troppo lento)
 * Tremolo (Preludio. Andante – Etude I. Non troppo lento)
 * Tremolo (Preludio. Andante – Etude I. Non troppo lento)


 * pf
 * G minor
 * 1838
 * preludio based on No.5 (transposed from A minor) and the etude based on No.6 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.140/1a, S.141/1


 * 140/1a
 * AHS 052/1
 * Tremolo (Preludio. Andante)
 * Tremolo (Preludio. Andante)
 * Tremolo (Preludio. Andante)


 * pf
 * G minor
 * 1838
 * 2nd version of S.140/1, S.141/1, incorporating No.2 of 6 Concert Etudes after Paganini Caprices, Op.10 by Robert Schumann;


 * 140/2
 * AHS 052/2
 * Octave (Andante)
 * Octave (Andante)
 * Octave (Andante)


 * pf
 * E♭ major
 * 1838
 * based on No.17 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.141/2


 * 140/3
 * AHS 052/3
 * Campanella (Allegro moderato)
 * Campanella (Allegro moderato)
 * Campanella (Allegro moderato)


 * pf
 * A♭ minor
 * 1838
 * based on last mvt (Rondo) of the Violin Concerto No.2 in B minor, Op.7 and last mvt (Rondo) of the Violin Concerto No.1 in D major, Op.6 by Niccolò Paganini; 1st version of S.141/3


 * 140/4a
 * AHS 052/4a
 * Arpeggio (Andante quasi allegretto)
 * Arpeggio (Andante quasi allegretto)
 * Arpeggio (Andante quasi allegretto)


 * pf
 * E major
 * 1838
 * based on No.1 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.140/4b, S.141/4; the original published edition included both S.140/4a and 4b versions


 * 140/4b
 * AHS 052/4b
 * Arpeggio (Andante quasi allegretto)
 * Arpeggio (Andante quasi allegretto)
 * Arpeggio (Andante quasi allegretto)


 * pf
 * E major
 * 1838
 * 2nd (difficult) version of S.140/4a, S.141/4; the original published edition included both S.140/4a and 4b versions


 * 140/5
 * AHS 052/5
 * La chasse (Allegretto)
 * La chasse (Allegretto)
 * La chasse (Allegretto)


 * pf
 * E major
 * 1838
 * based on No.9 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.140/5a, S.141/5


 * 140/5a
 * AHS 052/5
 * La chasse (Allegretto)
 * La chasse (Allegretto)
 * La chasse (Allegretto)


 * pf
 * E major
 * 1838
 * 2nd version of S.140/5, S.141/5


 * 140/6
 * AHS 052/6
 * Tema con Variazioni (Tema. Quasi presto, a Capriccio – Var I a XI)
 * Tema con Variazioni (Tema. Quasi presto, a Capriccio – Var I a XI)
 * Tema con Variazioni (Tema. Quasi presto, a Capriccio – Var I a XI)


 * pf
 * A minor
 * 1838
 * based on No.24 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.141/6


 * 141
 * A173
 * Grandes Études de Paganini:
 * pf
 * 1851
 * 2nd version of S.140
 * 1851
 * 2nd version of S.140


 * 141/1
 * A173/1
 * Tremolo (Preludio. Andante – Etude. Non troppo lento)
 * Tremolo (Preludio. Andante – Etude. Non troppo lento)
 * Tremolo (Preludio. Andante – Etude. Non troppo lento)


 * pf
 * G minor
 * 1851
 * 3rd version of S.140/1, S.140/1a


 * 141/2
 * A173/2
 * Octave (Andante)
 * Octave (Andante)
 * Octave (Andante)


 * pf
 * E♭ major
 * 1851
 * 2nd version of S.140/2


 * 141/3
 * A173/3
 * La Campanella (Allegretto)
 * La Campanella (Allegretto)
 * La Campanella (Allegretto)


 * pf
 * G♯ minor
 * 1851
 * 2nd version of S.140/3, based on Paganini's 2nd Violin Concerto only and not the 1st and 2nd together as in S.140/3


 * 141/4
 * A173/4
 * Arpeggio (Vivo)
 * Arpeggio (Vivo)
 * Arpeggio (Vivo)


 * pf
 * E major
 * 1851
 * 3rd version of S.140/4a, S.140/4b


 * 141/5
 * A173/5
 * La chasse (Allegretto)
 * La chasse (Allegretto)
 * La chasse (Allegretto)


 * pf
 * E major
 * 1851
 * 3rd version of S.140/5, S.140/5a


 * 141/6
 * A173/6
 * Theme and variations (Quasi presto)
 * Theme and variations (Quasi presto)
 * Theme and variations (Quasi presto)


 * pf
 * A minor
 * 1851
 * 2nd version of S.140/6


 * 141/6a (*141/6bis)
 * Album-Leaf ("Introduction to the Grande Étude de Paganini No.6")
 * pf
 * 1884
 * pf
 * 1884
 * 1884


 * 142
 * AHS 063a
 * Morceau de salon (Étude de perfectionnement)
 * pf
 * E minor
 * 1840
 * 1st version of S.143
 * 1st version of S.143


 * 143
 * AHS 063b
 * Ab irato (Étude de perfectionnement)
 * pf
 * E minor
 * 1852
 * 2nd version of S.142
 * 2nd version of S.142


 * 144
 * A118
 * HS Etudes3 Études de concert:
 * pf
 * 1845–49
 * 1845–49
 * 1845–49


 * 144/1
 * A118/1
 * Il lamento
 * Il lamento
 * Il lamento


 * pf
 * A♭ major
 * 1845–49


 * 144/2
 * A118/2
 * La leggierezza
 * La leggierezza
 * La leggierezza


 * pf
 * F minor
 * 1845–49


 * 144/3
 * A118/3
 * Un sospiro
 * Un sospiro
 * Un sospiro


 * pf
 * D♭ major
 * 1845–49


 * 144/3a (*144/3bis)
 * A118/3
 * Two additional cadenzas to Un Sospiro
 * Two additional cadenzas to Un Sospiro
 * Two additional cadenzas to Un Sospiro


 * pf
 * D♭ major
 * 1848?


 * 145
 * A218
 * 2 Konzertetüden (2 Concert-Studies):
 * pf
 * 1862
 * 1862
 * 1862


 * 145/1
 * A218/1
 * Waldesrauschen (Forest Murmurs)
 * Waldesrauschen (Forest Murmurs)
 * Waldesrauschen (Forest Murmurs)


 * pf
 * D♭ major
 * 1862


 * 145/2
 * A218/2
 * Gnomenreigen (Gnomes' Round Dance)
 * Gnomenreigen (Gnomes' Round Dance)
 * Gnomenreigen (Gnomes' Round Dance)


 * pf
 * F♯ minor–F♯ major
 * 1862


 * 146
 * A242
 * Technische Studien (Technical Studies)
 * pf
 * 1868–71
 * 68 studies in 12 volumes; No.62 Sprünge mit der Tremolo-Begleitung (Leaps with tremolo accompaniment) (written c1868) (from Vol.XII) also published separately
 * 1868–71
 * 68 studies in 12 volumes; No.62 Sprünge mit der Tremolo-Begleitung (Leaps with tremolo accompaniment) (written c1868) (from Vol.XII) also published separately


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я147–155
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Early works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 147
 * AHS 001
 * Variation on a Waltz by Diabelli (Variation über einen Walzer von Diabelli)
 * pf
 * C minor
 * 1822
 * contribution to the album Vaterländischer Künstlerverein
 * contribution to the album Vaterländischer Künstlerverein


 * *147a (747a)
 * Variationen über Romanze aus Joseph von Méhul
 * Variationen über Romanze aus Joseph von Méhul
 * Variationen über Romanze aus Joseph von Méhul


 * 148
 * AHS 003
 * (8) Variations
 * pf
 * A♭ major
 * 1824
 * the original Theme of these Variations was used in S.125a; published as Op.1
 * the original Theme of these Variations was used in S.125a; published as Op.1


 * 149
 * AHS 004
 * (7) Variations brillantes sur un thème de Rossini
 * pf
 * 1824
 * published as Op.2; the Theme of these Variations is 'Ah, come nascondere la fiamma' from the opera Ermione by Gioachino Rossini
 * 1824
 * published as Op.2; the Theme of these Variations is 'Ah, come nascondere la fiamma' from the opera Ermione by Gioachino Rossini


 * 150
 * AHS 005
 * Impromptu brillant sur des thèmes de Rossini et Spontini
 * pf
 * 1824
 * published as Op.3; based on themes from Armida and La donna del lago by Gioachino Rossini, and from Fernand Cortez and Olimpie by Gaspare Spontini; introduction used as introduction in S.139/7
 * 1824
 * published as Op.3; based on themes from Armida and La donna del lago by Gioachino Rossini, and from Fernand Cortez and Olimpie by Gaspare Spontini; introduction used as introduction in S.139/7


 * 151
 * AHS 006
 * Allegro di bravura
 * pf
 * E♭ minor
 * 1824–25
 * theme used in S.125a; published as Op.4/1; arr for orch as S.700a
 * theme used in S.125a; published as Op.4/1; arr for orch as S.700a


 * 151a
 * Adagio non troppo
 * pf
 * 1824?
 * pf
 * 1824?
 * 1824?


 * 152
 * AHS 007
 * Rondo di bravura
 * pf
 * E minor
 * 1824–25
 * theme used in S.125a; published as Op.4/2
 * theme used in S.125a; published as Op.4/2


 * 152a
 * Klavierstück
 * pf
 * A♭ major
 * 1824–27?
 * unpublished?; same as S.189a?
 * 1824–27?
 * unpublished?; same as S.189a?


 * 153
 * AHS 009
 * Scherzo (Allegro molto quasi presto)
 * pf
 * G minor
 * 1827
 * 1827


 * *153a (226a)
 * Marche funèbre
 * 1827
 * Marche funèbre
 * 1827
 * 1827
 * 1827


 * 153b (*754a)
 * QHS 03
 * Grand solo caractéristique d'apropos une chansonette de Panséron
 * pf
 * C minor / E major
 * 1830–32
 * based on a popular song by Auguste Mathieu Panseron; one section used as main theme for S.156/5; unpublished
 * based on a popular song by Auguste Mathieu Panseron; one section used as main theme for S.156/5; unpublished


 * 154i
 * AHS 018
 * Harmonies poétiques et religieuses
 * pf
 * 1833
 * 1st version of S.154ii, S.172a/8, S.173/4
 * 1833
 * 1st version of S.154ii, S.172a/8, S.173/4


 * 154ii
 * AHS 018
 * Harmonies poétiques et religieuses
 * pf
 * 1834
 * 2nd version of S.154i, S.172a/8, S.173/4; later intended to be No.1 for S.171d
 * 1834
 * 2nd version of S.154i, S.172a/8, S.173/4; later intended to be No.1 for S.171d


 * 155
 * AHS 019
 * Apparitions:
 * pf
 * 1834
 * 1834
 * 1834


 * 155/1
 * AHS 019/1
 * (Senza lentezza quasi Allegretto)
 * (Senza lentezza quasi Allegretto)
 * (Senza lentezza quasi Allegretto)


 * pf
 * F♯ major
 * 1834


 * 155/2
 * AHS 019/2
 * (Vivamanete)
 * (Vivamanete)
 * (Vivamanete)


 * pf
 * A minor
 * 1834


 * 155/3
 * AHS 019/3
 * Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato)
 * Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato)
 * Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato)


 * pf
 * 1834
 * based on No.33 of 36 Originaltänze, Op.9/D.365 by Franz Schubert
 * based on No.33 of 36 Originaltänze, Op.9/D.365 by Franz Schubert


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я155a–163
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Pieces from the years of travel

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *155a (156/10–12)
 * AHS 027a
 * Trois Airs Suisses
 * same as S.156/10–12
 * same as S.156/10–12
 * same as S.156/10–12
 * same as S.156/10–12
 * same as S.156/10–12


 * 156/HS 001–6 (*156/1–7)
 * AHS 040a
 * Album d'un voyageur Vol.I: Impressions et poésies:
 * pf
 * 1834-36
 * published 1841 by Richault (Paris) as "Album d'un voyageur: Prèmiere année (Suisse)"
 * 1834-36
 * published 1841 by Richault (Paris) as "Album d'un voyageur: Prèmiere année (Suisse)"


 * 156/HS 01
 * AHS 040a/1
 * Lyon ("Vivre en travaillant ou mourir en combattant")
 * Lyon ("Vivre en travaillant ou mourir en combattant")
 * Lyon ("Vivre en travaillant ou mourir en combattant")


 * pf
 * C major
 * 1834
 * the quotation is a workers' slogan


 * 156/HS 02a (*156/2)
 * AHS 040a/2a
 * Le lac de Wallenstadt ("Thy contrasted lake ... warns me, with its stillness, to for sake / Earth's troubled waters for a purer spring")
 * Le lac de Wallenstadt ("Thy contrasted lake ... warns me, with its stillness, to for sake / Earth's troubled waters for a purer spring")
 * Le lac de Wallenstadt ("Thy contrasted lake ... warns me, with its stillness, to for sake / Earth's troubled waters for a purer spring")


 * pf
 * A♭ major
 * 1835–36
 * the quotation is from Childe Harold by Lord Byron; 1st version of S.160/2; 1st part of S.156/2b (the two parts are one piece)


 * 156/HS 02b (*156/3)
 * AHS 040a/2b
 * Au bord d'une source
 * Au bord d'une source
 * Au bord d'une source


 * pf
 * A♭ major
 * 1835–36
 * prefaced by a quotation from a poem by Friedrich Schiller; 1st version of S.160/4, S.160/4a; 2nd part of S.156/2a (the two parts are one piece)


 * 156/HS 03 (*156/4)
 * AHS 040a/3
 * Les cloches de G*****
 * Les cloches de G*****
 * Les cloches de G*****


 * pf
 * B major
 * 1835–36
 * G is the city Genève, the asterisks are in Liszt's original title; 1st version of S.160/9


 * 156/HS 04 (*156/5)
 * AHS 040a/4
 * Vallée d'Obermann
 * Vallée d'Obermann
 * Vallée d'Obermann


 * pf
 * E minor
 * 1835–36
 * prefaced by a quotation from the novel Obermann by Étienne Pivert de Senancour; 1st version of S.160/6


 * 156/HS 05 (*156/6)
 * AHS 040a/5
 * La chapelle de Guillaume Tell
 * La chapelle de Guillaume Tell
 * La chapelle de Guillaume Tell


 * pf
 * C major
 * 1835–36
 * main theme from S.153b; 1st version of S.160/1


 * 156/HS 06 (*156/7)
 * AHS 040a/6
 * Psaume – de l'église à Génève ("Comme un cerf brame après des eaux courantes ..." – Psaume 42)
 * Psaume – de l'église à Génève ("Comme un cerf brame après des eaux courantes ..." – Psaume 42)
 * Psaume – de l'église à Génève ("Comme un cerf brame après des eaux courantes ..." – Psaume 42)


 * pf
 * F major
 * 1835–36
 * based on a melody by Louis Bourgeois


 * 156/HS 077–9 (*156/8–16)
 * AHS 040b
 * Album d'un voyageur Vol.II: Fleurs mélodiques des Alpes:
 * pf
 * C major
 * 1835–36
 * based on folk melodies and popular art songs; published 1840 by Latte (Paris) as "Album d'un voyageur: 2me année (Suisse)"
 * based on folk melodies and popular art songs; published 1840 by Latte (Paris) as "Album d'un voyageur: 2me année (Suisse)"


 * 156/HS 07a (*156/8)
 * AHS 040b/1
 * (Allegro)
 * (Allegro)
 * (Allegro)


 * pf
 * C major
 * 1835–36
 * 1st part of S.156/7b, S.156/7c (the three parts are one piece)


 * 156/HS 07b (*156/9)
 * AHS 040b/2
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * E minor–G major
 * 1835–36
 * based on various unidentified folk/popular melodies; 2nd part of S.156/7a, S.156/7c (the three parts are one piece); themes used in S.160/8


 * 156/HS 07c (*156/10)
 * AHS 040b/3
 * (Allegro pastorale)
 * (Allegro pastorale)
 * (Allegro pastorale)


 * pf
 * G major
 * 1835–36
 * 1st version of S.160/3; 3rd part of S.156/7a, S.156/7b (the three parts are one piece)


 * 156/8a (*156/11)
 * AHS 040b/4
 * (Andante con sentimento)
 * (Andante con sentimento)
 * (Andante con sentimento)


 * pf
 * G major
 * 1835–36
 * based on a folk horn call and an unidentified Hungarian march; 1st part of S.156/8b, S.156/8c (the three parts are one piece)


 * 156/8b (*156/12)
 * AHS 040b/5
 * (Andante molto espressivo)
 * (Andante molto espressivo)
 * (Andante molto espressivo)


 * pf
 * G minor
 * 1835–36
 * based on a melody by Ferdinand Huber; 2nd part of S.156/8a, S.156/8c (the three parts are one piece)


 * 156/8c (*156/13)
 * AHS 040b/6
 * (Allegro moderato)
 * (Allegro moderato)
 * (Allegro moderato)


 * pf
 * E major
 * 1835–36
 * based on various unidentified folk songs including a (Polish) polonaise; 3rd part of S.156/8a, S.156/8b (the three parts are one piece)


 * 156/9a (*156/14)
 * AHS 040b/7
 * (Allegretto)
 * (Allegretto)
 * (Allegretto)


 * pf
 * A♭ major
 * 1835–36
 * 1st part of S.156/9b, S.156/9c (the three parts are one piece)


 * 156/9b (*156/15)
 * AHS 040b/8
 * (Allegretto)
 * (Allegretto)
 * (Allegretto)


 * pf
 * D♭ major
 * 1835–36
 * based on a melody by Ferdinand Huber and on a folk horn call; 2nd part of S.156/9a, S.156/9c (the three parts are one piece)


 * 156/9c (*156/16)
 * AHS 040b/9
 * (Andantino con molto sentimento)
 * (Andantino con molto sentimento)
 * (Andantino con molto sentimento)


 * pf
 * G major
 * 1835–36
 * based on an unidentified Hungarian folk/popular theme; 3rd part of S.156/9a, S.156/9b (the three parts are one piece)


 * 156/HS 1610–12 (*156/17–19) (*155a)
 * AHS 040c (A27a)
 * Album d'un voyageur Vol.III: Paraphrases:
 * pf
 * 1835–36
 * 1st version of S.156a; originally published 1836 by Knop (Basle) as "Schweizerische Alpenklänge", Op.10 ; republished 1842 by Haslinger (Vienna) as "Album d'un voyageur: Book III"
 * 1835–36
 * 1st version of S.156a; originally published 1836 by Knop (Basle) as "Schweizerische Alpenklänge", Op.10 ; republished 1842 by Haslinger (Vienna) as "Album d'un voyageur: Book III"


 * 156/10 (*156/17) (*155a/1)
 * AHS 040c/1 (A27a/1)
 * Ranz de vaches [de F. Huber] (Montée aux Alpes – Improvisata)
 * Ranz de vaches [de F. Huber] (Montée aux Alpes – Improvisata)
 * Ranz de vaches [de F. Huber] (Montée aux Alpes – Improvisata)


 * pf
 * G major
 * 1835–36
 * based on a Swiss art song by Ferdinand Huber; 1st version of S.156a/1; published Knop 1836 as "Improvisata sur le ranz de vaches: Départ pour les Alpes (Aufzug auf die Alp) de Ferd Huber"


 * 156/11 (*156/18) (*155a/2)
 * AHS 040c/2 (A27a/2)
 * Un soir dans les montagnes [de Knop] (Nocturne pastorale)
 * Un soir dans les montagnes [de Knop] (Nocturne pastorale)
 * Un soir dans les montagnes [de Knop] (Nocturne pastorale)


 * pf
 * C major
 * 1835–36
 * based on a Swiss art song by Ernest Knop; 1st version of S.156a/2; published Knop 1836 as "Nocturne sur le Chant montagnard (Bergliedchen) d'Ernest Knop"


 * 156/12 (*156/19) (*155a/3)
 * AHS 040c/3 (A27a/3)
 * Ranz de chèvres de F. Huber (Allegro finale)
 * Ranz de chèvres de F. Huber (Allegro finale)
 * Ranz de chèvres de F. Huber (Allegro finale)


 * pf
 * 1835–36
 * based on a Swiss art song by Ferdinand Huber; 1st version of S.156a/3; published Knop 1836 as "Rondeau sur le Ranz de chèvre (Giessreihen) de Ferd Huber"
 * based on a Swiss art song by Ferdinand Huber; 1st version of S.156a/3; published Knop 1836 as "Rondeau sur le Ranz de chèvre (Giessreihen) de Ferd Huber"


 * 156a
 * AHS 027b
 * (3) Morceaux suisses:
 * pf
 * 1876
 * 2nd version of S.156/10–12
 * 1876
 * 2nd version of S.156/10–12


 * 156a/1
 * AHS 027b/1
 * Ranz de vaches (Mélodie de Ferdinand Huber, avec variations)
 * Ranz de vaches (Mélodie de Ferdinand Huber, avec variations)
 * Ranz de vaches (Mélodie de Ferdinand Huber, avec variations)


 * pf
 * 1876
 * 2nd version of S.156/10
 * 2nd version of S.156/10


 * 156a/2
 * AHS 027b/2
 * Un soir dans la montagne (Mélodie d'Ernest Knop – Nocturne)
 * Un soir dans la montagne (Mélodie d'Ernest Knop – Nocturne)
 * Un soir dans la montagne (Mélodie d'Ernest Knop – Nocturne)


 * pf
 * 1876
 * 2nd version of S.156/11
 * 2nd version of S.156/11


 * 156a/3
 * AHS 027b/3
 * Ranz de chèvres (Mélodie de Ferdinand Huber – Rondeau)
 * Ranz de chèvres (Mélodie de Ferdinand Huber – Rondeau)
 * Ranz de chèvres (Mélodie de Ferdinand Huber – Rondeau)


 * pf
 * 1876
 * 2nd version of S.156/12
 * 2nd version of S.156/12


 * 157
 * AHS 021
 * Fantaisie romantique sur deux mélodies suisses
 * pf
 * 1835–36
 * second theme used in S.160/8; published as Op.5 No.2
 * 1835–36
 * second theme used in S.160/8; published as Op.5 No.2


 * 157a
 * AHS 055/1
 * Sposalizio
 * pf
 * 1838–39
 * 1st version of S.161/1
 * 1838–39
 * 1st version of S.161/1


 * 157b
 * AHS 055/2
 * Il penseroso
 * pf
 * 1839
 * 1st version of S.161/2
 * 1839
 * 1st version of S.161/2


 * 157c
 * AHS 055/3
 * Canzonetta del Salvator Rosa
 * pf
 * 1838–39
 * 1st version of S.161/3
 * 1838–39
 * 1st version of S.161/3


 * 157d
 * A101
 * Quasi Mazurka
 * pf
 * 1843
 * 1843
 * 1843


 * 158
 * A102
 * (3) Sonetti di Petrarca:
 * pf
 * c1839?
 * arr of S.270i
 * c1839?
 * arr of S.270i


 * 158/1
 * A102/2
 * Sonetto CIV ("Pace non trovo")
 * Sonetto CIV ("Pace non trovo")
 * Sonetto CIV ("Pace non trovo")


 * pf
 * c1839?
 * arr of S.270i/1; 1st version of S.161/5
 * arr of S.270i/1; 1st version of S.161/5


 * 158/2
 * A102/1
 * Sonetto XLVII ("Benedetto sia il giorno")
 * Sonetto XLVII ("Benedetto sia il giorno")
 * Sonetto XLVII ("Benedetto sia il giorno")


 * pf
 * c1839?
 * arr of S.270i/2; 1st version of S.161/4; later intended to be No.11 for S.171d
 * arr of S.270i/2; 1st version of S.161/4; later intended to be No.11 for S.171d


 * 158/3
 * A102/3
 * Sonetto CXXIII ("I' vidi in terra")
 * Sonetto CXXIII ("I' vidi in terra")
 * Sonetto CXXIII ("I' vidi in terra")


 * pf
 * c1839?
 * arr of S.270i/3; 1st version of S.161/6
 * arr of S.270i/3; 1st version of S.161/6


 * 158a
 * AHS 055/7
 * Paralipomènes à la Divina Commedia (Fantaisie symphonique)
 * pf
 * 1839
 * opening from S.701e; 1st version of S.158b, S.158c, S.161/7
 * 1839
 * opening from S.701e; 1st version of S.158b, S.158c, S.161/7


 * 158b
 * AHS 055/7
 * Prolégomènes à la Divina Commedia (Fantaisie symphonique)
 * pf
 * c1840
 * 2nd version of S.158a, S.158c, S.161/7
 * c1840
 * 2nd version of S.158a, S.158c, S.161/7


 * 158c
 * AHS 055/7
 * Après une lecture du Dante (Fantasia quasi Sonata)
 * pf
 * 1840
 * 3rd version of S.158a, S.158b, S.161/7
 * 1840
 * 3rd version of S.158a, S.158b, S.161/7


 * 158d (*158c)
 * Adagio (Dante Sonata Album-leaf)
 * pf
 * C major
 * 1841
 * fragment (2nd subject) from S.158c; published 1988
 * 1841
 * fragment (2nd subject) from S.158c; published 1988


 * 159
 * AHS 053
 * Venezia e Napoli:
 * pf
 * c1840
 * 1st version of S.162
 * c1840
 * 1st version of S.162


 * 159/1
 * AHS 053/1
 * (Lento) Chant du gondolier
 * (Lento) Chant du gondolier
 * (Lento) Chant du gondolier


 * pf
 * C minor
 * 1840
 * theme used in S.96i


 * 159/2
 * AHS 053/2
 * (Allegro)
 * (Allegro)
 * (Allegro)


 * pf
 * C major
 * 1840
 * based on two unidentified folk themes


 * 159/3
 * AHS 053/3
 * (Andante placido)
 * (Andante placido)
 * (Andante placido)


 * pf
 * F♯ major
 * 1840
 * based on the popular song La biondina in gondoletta by Giovanni Battista Peruchini; 1st version of S.162/1


 * 159/4
 * AHS 053/4
 * Tarantelles napolitaines
 * Tarantelles napolitaines
 * Tarantelles napolitaines


 * pf
 * G minor
 * 1840
 * based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3


 * 160
 * A159
 * Années de pèlerinage Vol.I: Première année: Suisse:
 * pf
 * 1836–55
 * 1836–55
 * 1836–55


 * 160/1
 * A159/1
 * Chapelle de Guillaume Tell
 * Chapelle de Guillaume Tell
 * Chapelle de Guillaume Tell


 * pf
 * C major
 * 1848–54
 * 2nd version of S.156/5


 * 160/2
 * A159/2
 * Au lac de Wallenstadt
 * Au lac de Wallenstadt
 * Au lac de Wallenstadt


 * pf
 * A♭ major
 * 1848–54
 * 2nd version of S.156/2a


 * 160/3
 * A159/3
 * Pastorale
 * Pastorale
 * Pastorale


 * pf
 * E major
 * 1848–54
 * 2nd version of S.156/7c


 * 160/4
 * A159/4
 * Au bord d'une source
 * Au bord d'une source
 * Au bord d'une source


 * pf
 * A♭ major
 * 1848–54
 * 2nd version of S.156/2b, S.160/4a


 * 160/4a (*160/4bis)
 * A159/4
 * Au bord d'une source
 * Au bord d'une source
 * Au bord d'une source


 * pf
 * A♭ major?
 * 1863
 * 3rd version of S.156/2b, S.160/4


 * 160/5
 * A159/5
 * Orage
 * Orage
 * Orage


 * pf
 * C minor
 * 1855


 * 160/6
 * A159/6
 * Vallée d'Obermann
 * Vallée d'Obermann
 * Vallée d'Obermann


 * pf
 * E minor
 * 1848–54
 * 2nd version of S.156/4; arr for vn vc pf by Eduard Lassen and Liszt as S.378a


 * 160/7
 * A159/7
 * Eglogue
 * Eglogue
 * Eglogue


 * pf
 * A♭ major
 * 1836


 * 160/8
 * A159/8
 * Le mal du pays (Heimweh)
 * Le mal du pays (Heimweh)
 * Le mal du pays (Heimweh)


 * pf
 * E minor
 * 1848–54
 * uses themes from S.156/7b, S.157


 * 160/9
 * A159/9
 * Les cloches de Genève (Nocturne)
 * Les cloches de Genève (Nocturne)
 * Les cloches de Genève (Nocturne)


 * pf
 * B major
 * 1848–54
 * 2nd version of S.156/3


 * 161
 * AHS 055
 * Années de pèlerinage Vol.II: Deuxième année: Italie:
 * pf
 * 1846–49
 * 1846–49
 * 1846–49


 * 161/1
 * AHS 055/1
 * Sposalizio
 * Sposalizio
 * Sposalizio


 * pf
 * 1849
 * 2nd version of S.157a; arr alt fch org/harm as S.60
 * 2nd version of S.157a; arr alt fch org/harm as S.60


 * 161/2
 * AHS 055/2
 * Il penseroso
 * Il penseroso
 * Il penseroso


 * pf
 * C♯ minor
 * 1846–49
 * 2nd version of S.157b; themes used in S.112/2


 * 161/3
 * AHS 055/3
 * Canzonetta del Salvator Rosa
 * Canzonetta del Salvator Rosa
 * Canzonetta del Salvator Rosa


 * pf
 * A major
 * 1846
 * 2nd version of S.157c


 * 161/4
 * AHS 055/4
 * Sonetto 47 del Petrarca
 * Sonetto 47 del Petrarca
 * Sonetto 47 del Petrarca


 * pf
 * 1846
 * 2nd version of S.158/2
 * 2nd version of S.158/2


 * 161/5
 * AHS 055/5
 * Sonetto 104 del Petrarca
 * Sonetto 104 del Petrarca
 * Sonetto 104 del Petrarca


 * pf
 * 1846
 * 2nd version of S.158/1
 * 2nd version of S.158/1


 * 161/6
 * AHS 055/6
 * Sonetto 123 del Petrarca
 * Sonetto 123 del Petrarca
 * Sonetto 123 del Petrarca


 * pf
 * 1846
 * 2nd version of S.158/3
 * 2nd version of S.158/3


 * 161/7
 * AHS 055/7
 * Après une lecture du Dante (Fantasia quasi Sonata).
 * Après une lecture du Dante (Fantasia quasi Sonata).
 * Après une lecture du Dante (Fantasia quasi Sonata).


 * pf
 * 1849
 * 4th version of S.158a, S.158b, S.158c
 * 4th version of S.158a, S.158b, S.158c


 * 162
 * A197
 * Années de pèlerinage Vol.II: Deuxième année: Italie Supplément: Venezia e Napoli:
 * pf
 * 1859
 * 2nd version of S.159
 * 1859
 * 2nd version of S.159


 * 162/1
 * A197/1
 * Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta")
 * Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta")
 * Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta")


 * pf
 * 1859
 * based on La biondina in gondoletta by Giovanni Battista Peruchini; 2nd version of S.159/3
 * based on La biondina in gondoletta by Giovanni Battista Peruchini; 2nd version of S.159/3


 * 162/2
 * A197/2
 * Canzone ('Nessun maggior dolore")
 * Canzone ('Nessun maggior dolore")
 * Canzone ('Nessun maggior dolore")


 * pf
 * E♭ minor
 * 1859
 * based on the theme of the Gondolier's song from Act III of Otello by Gioachino Rossini


 * 162/3
 * A197/3
 * Tarantella da Guillaume Louis Cottrau
 * Tarantella da Guillaume Louis Cottrau
 * Tarantella da Guillaume Louis Cottrau


 * pf
 * G minor
 * 1859
 * based on a tarantella by Guillaume Louis Cottrau; 2nd version of S.159/4


 * 162a/i
 * Den Schutz-Engeln (Angelus)
 * pf
 * 1877
 * 1st version (1st sketch) of S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
 * 1877
 * 1st version (1st sketch) of S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
 * 1st version (1st sketch) of S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c


 * 162a/ii (*162a/1)
 * A283/1
 * Den Schutz-Engeln "Angelus!"
 * pf
 * 1877/9/27
 * 2nd version (1st draft) of S.162a/i, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
 * 1877/9/27
 * 2nd version (1st draft) of S.162a/i, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c


 * 162a/iii (*162a/i-bis)
 * Aux anges gardiens "Den Schutz-Engeln"
 * pf
 * 1877/10/2
 * 3rd version (2nd draft) of S.162a/i, S.162a/ii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
 * 1877/10/2
 * 3rd version (2nd draft) of S.162a/i, S.162a/ii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
 * 3rd version (2nd draft) of S.162a/i, S.162a/ii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c


 * 162a/iv (*162a/2)
 * A283/1
 * Angelus!
 * pf/harm
 * 1877/10/15
 * 4th version (3rd draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/v, S.162a/vi, S.163/1, S.672c
 * 1877/10/15
 * 4th version (3rd draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/v, S.162a/vi, S.163/1, S.672c


 * 162a/v (*162a/3)
 * A283/1
 * Angelus! Prière à l'ange gardien
 * pf/harm
 * 1880/9/22
 * 5th version (4th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/vi, S.163/1, S.672c
 * 1880/9/22
 * 5th version (4th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/vi, S.163/1, S.672c


 * 162a/vi (*162a/4)
 * A283/1
 * Angelus! Prière à l'ange gardien
 * pf/harm
 * 1882/2
 * 6th version (5th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.163/1, S.672c
 * 1882/2
 * 6th version (5th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.163/1, S.672c


 * 162b
 * A283/3
 * Den Cypressen der Villa d'Este (Thrénodie)
 * pf
 * c1872
 * 1st version of S.163/3
 * c1872
 * 1st version of S.163/3


 * 162c/i (*162c)
 * A283/5
 * Sunt lacrymae rerum
 * pf
 * 1872
 * 1st version of S.162c/ii, S.163/5
 * 1872
 * 1st version of S.162c/ii, S.163/5


 * 162c/ii (*162d)
 * A283/5
 * Sunt lacrymae rerum (in ungarischer Weise)
 * pf
 * 1877
 * 2nd version of S.162c/i, S.163/5
 * 1877
 * 2nd version of S.162c/i, S.163/5


 * 162d (*162e)
 * A283/6
 * En mémoire de Maximilian I (Marche funèbre)
 * pf
 * 1867
 * 1st version of S.163/6; see also S.704
 * 1867
 * 1st version of S.163/6; see also S.704


 * 162e (*162f)
 * A283/7
 * Postludium (Nachtspiel) (Sursum corda!)
 * pf
 * 1877
 * 1st version of S.163/7
 * 1877
 * 1st version of S.163/7


 * 163
 * A283
 * Années de pèlerinage Vol.III: Troisième année:
 * pf
 * 1877–82
 * 1877–82
 * 1877–82


 * 163/1
 * A283/1
 * Angelus! Prière aux anges gardiens
 * Angelus! Prière aux anges gardiens
 * Angelus! Prière aux anges gardiens


 * pf
 * E major
 * 1882
 * 8th (final) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.672c; arr for 2vn va vc as S.378i, for 2vn va vc db as S.378ii


 * 163/2
 * A283/2
 * Aux cyprès de la Villa d'Este (Thrénodie'' I)
 * Aux cyprès de la Villa d'Este (Thrénodie'' I)
 * Aux cyprès de la Villa d'Este (Thrénodie'' I)


 * pf
 * 1877
 * 1877


 * 163/3
 * A283/3
 * Aux cyprès de la Villa d'Este (Thrénodie'' II)
 * Aux cyprès de la Villa d'Este (Thrénodie'' II)
 * Aux cyprès de la Villa d'Este (Thrénodie'' II)


 * pf
 * E minor
 * 1877
 * 2nd version of S.162b


 * 163/4
 * A283/4
 * Les jeux d'eaux à la Villa d'Este
 * Les jeux d'eaux à la Villa d'Este
 * Les jeux d'eaux à la Villa d'Este


 * pf
 * F♯ major
 * 1877


 * 163/5
 * A283/5
 * Sunt lacrymae rerum, en mode hongrois
 * Sunt lacrymae rerum, en mode hongrois
 * Sunt lacrymae rerum, en mode hongrois


 * pf
 * 1882
 * 3rd version of S.162c/i, S.162c/ii
 * 3rd version of S.162c/i, S.162c/ii


 * 163/6
 * A283/6
 * Marche funèbre
 * Marche funèbre
 * Marche funèbre


 * pf
 * 1867
 * 2nd version of S.162d; see also S.704
 * 2nd version of S.162d; see also S.704


 * 163/7
 * A283/7
 * Sursum corda (Erhebet eure Herzen)
 * Sursum corda (Erhebet eure Herzen)
 * Sursum corda (Erhebet eure Herzen)


 * pf
 * E major
 * 1877
 * 2nd version of S.162e


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я163a–167t
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Album-leaves

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 163a
 * 2 Album-Leaves from 1828:
 * pf
 * 1828
 * pf
 * 1828
 * 1828


 * 163a/1
 * Album-Leaf (Allegro vivace quasi presto)
 * Album-Leaf (Allegro vivace quasi presto)
 * Album-Leaf (Allegro vivace quasi presto)
 * Album-Leaf (Allegro vivace quasi presto)


 * pf
 * F♯ minor
 * 1828
 * earliest-known sketch for S.125


 * 163a/2 (*163a)
 * Album-leaf ("Andantino pour Emile et Charlotte Loudon")
 * Album-leaf ("Andantino pour Emile et Charlotte Loudon")
 * Album-leaf ("Andantino pour Emile et Charlotte Loudon")
 * Album-leaf ("Andantino pour Emile et Charlotte Loudon")


 * pf
 * E♭ major
 * 1828


 * 163b
 * Album-Leaf ("Ah! vous dirai-je, Maman")
 * pf
 * A♭ major
 * 1833
 * A♭ major
 * 1833


 * 163c
 * Album-Leaf ("Pressburg")
 * pf
 * C minor
 * 1839
 * C minor
 * 1839


 * 163d/i (*163d)
 * Album-Leaf ("Leipzig")
 * pf
 * E major
 * 1840
 * 1st version of S.163d/ii
 * 1840
 * 1st version of S.163d/ii


 * 163d/ii
 * Album-Leaf ("Andantino in E major") ("Valse mélancolique")
 * pf
 * E major
 * c1840
 * 2nd version of S.163d/i
 * c1840
 * 2nd version of S.163d/i


 * 163e
 * Album-Leaf ("Quasti Mazurek in C major")
 * pf
 * C major
 * 1843
 * C major
 * 1843


 * 164
 * AHS 066
 * Albumblatt (Feuille d'album'' No.1)
 * pf
 * E major
 * 1840
 * based on S.210
 * based on S.210


 * 164a
 * Album-Leaf ("Vienna")
 * pf
 * E major
 * 1840
 * E major
 * 1840


 * 164b
 * Album-Leaf ("Leipzig")
 * pf
 * E♭ major
 * 1840
 * E♭ major
 * 1840


 * 164c
 * Album-Leaf ("Exeter Preludio")
 * pf
 * 1840
 * pf
 * 1840
 * 1840


 * 164d
 * Album-Leaf ("Detmold")
 * pf
 * E major
 * 1841
 * E major
 * 1841


 * 164e
 * 3 Album Leaves ("Magyar"):
 * pf
 * 1840–41
 * pf
 * 1840–41
 * 1840–41


 * 164e/1 (*164e)
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")


 * pf
 * 1840
 * themes used in S.242/10
 * themes used in S.242/10


 * 164e/2
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")


 * pf
 * B♭ minor
 * 1840
 * themes used in S.242/11, S.244/3; written for Ignaz Moscheles


 * 164e/3
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")
 * Album-Leaf ("Magyar")


 * pf
 * D♭ major
 * 1841
 * themes used in S.244/6


 * 164f
 * Album-Leaf ("Rákóczi-Marsch")
 * pf
 * A minor
 * 1841
 * 2nd version of S.242a (based on)
 * 1841
 * 2nd version of S.242a (based on)


 * 164g
 * Album-Leaf ("Berlin Preludio")
 * pf
 * C major
 * 1842
 * C major
 * 1842


 * 164h
 * Album-Leaf
 * pf
 * D major
 * 1840–45?
 * D major
 * 1840–45?


 * 164j
 * Album-Leaf ("Preludio")
 * pf
 * 1842
 * pf
 * 1842
 * 1842


 * 164k
 * Album-Leaf ("Moderato in D♭ major") ("La sonnambula")
 * pf
 * D♭ major
 * 1842
 * D♭ major
 * 1842


 * 164l
 * Album-Leaf ("Adagio — religioso in C major")
 * pf
 * C major
 * 1825
 * C major
 * 1825


 * 165
 * A104
 * Feuilles d'album
 * pf
 * A♭ major
 * 1844
 * 1844


 * 166
 * AHS 083
 * Albumblatt in Walzerform
 * pf
 * A major
 * 1842
 * 1842


 * 166a
 * Album-Leaf
 * pf
 * E major
 * 1843
 * E major
 * 1843


 * 166b
 * Album-Leaf ("Portugal")
 * pf
 * A♭ major
 * 1845
 * A♭ major
 * 1845


 * 166c
 * Album-Leaf
 * pf
 * A♭ major
 * 1845
 * A♭ major
 * 1845


 * 166d
 * Album-Leaf ("Lyon Prélude")
 * pf
 * 1844
 * pf
 * 1844
 * 1844


 * 166e (*727)
 * Album-Leaf ("Prélude Omnitonique")
 * pf
 * 1844
 * pf
 * 1844
 * 1844


 * 166f
 * Album-Leaf ("Braunschweig Prélude")
 * pf
 * F♯ major?
 * 1844
 * F♯ major?
 * 1844


 * 166g
 * Album-Leaf ("Serenade")
 * pf
 * A minor
 * 1840
 * A minor
 * 1840


 * 166h
 * Album-Leaf ("Andante religioso in G major")
 * pf
 * G major
 * 1846
 * 1st version of S.166j
 * 1846
 * 1st version of S.166j


 * 166j
 * Album-Leaf ("Andante religiosamente in G major")
 * pf
 * G major
 * 1846
 * 2nd version of S.166h
 * 1846
 * 2nd version of S.166h


 * 166k
 * Album-Leaf ("Friska")
 * pf
 * A major
 * 1845–49?
 * A major
 * 1845–49?


 * 166l
 * R3
 * 2 Album-Leaves from the 1840s:
 * pf
 * 1840s?
 * 1840s?
 * 1840s?


 * 166l/1 (*166l)
 * R3
 * Album-Leaf
 * Album-Leaf
 * Album-Leaf


 * pf
 * A♭ major
 * c1840s


 * 166l/2
 * Album-Leaf
 * Album-Leaf
 * Album-Leaf
 * Album-Leaf


 * pf
 * G minor
 * 1840s?


 * 166m
 * A135
 * Albumblätter für Prinzessin Marie von Sayn-Wittgenstein:
 * pf
 * 1847
 * based on Polish themes ; see also S.249
 * 1847
 * based on Polish themes ; see also S.249


 * 166m/1
 * A135/1
 * Lilie (Andantino)
 * Lilie (Andantino)
 * Lilie (Andantino)


 * pf
 * C major
 * 1847


 * 166m/2
 * A135/2
 * Hryc
 * Hryc
 * Hryc


 * pf
 * 1847
 * 1847


 * 166m/3
 * A135/3
 * Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth)
 * Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth)
 * Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth)


 * pf
 * A major
 * 1847


 * 166m/4
 * A135/4
 * Krakowiak
 * Krakowiak
 * Krakowiak


 * pf
 * F major
 * 1847


 * 166n
 * A134
 * Album-Leaf ("Freudvoll und leidvoll")
 * pf
 * 1847
 * partial arr of S.280
 * 1847
 * partial arr of S.280


 * 166o
 * Album-Leaf ("Langsam in C♯ minor")
 * pf
 * C♯ minor
 * 1876
 * uses themes from S.139/11
 * 1876
 * uses themes from S.139/11


 * 166p
 * Album-Leaf ("Andantino in A♭ major")
 * pf
 * A♭ major
 * 1847
 * A♭ major
 * 1847


 * 166q
 * Album-Leaf
 * pf
 * G major
 * 1847
 * G major
 * 1847


 * 166r
 * 2 Album Leaves ("Purgatorio"):
 * pf
 * 1857?
 * pf
 * 1857?
 * 1857?


 * 166r/1
 * Album-Leaf ("Purgatorio")
 * Album-Leaf ("Purgatorio")
 * Album-Leaf ("Purgatorio")
 * Album-Leaf ("Purgatorio")


 * pf
 * B minor
 * 1857


 * 166r/2
 * Album-Leaf ("Aus dem Purgatorio des Dante Sinfonie")
 * Album-Leaf ("Aus dem Purgatorio des Dante Sinfonie")
 * Album-Leaf ("Aus dem Purgatorio des Dante Sinfonie")
 * Album-Leaf ("Aus dem Purgatorio des Dante Sinfonie")


 * pf
 * B minor
 * 1857?


 * 166s
 * Album-Leaf
 * pf
 * A major
 * 1870
 * A major
 * 1870


 * 166t (*166/2a)
 * Album-Leaf ("B.A.C.H Fragment")
 * pf
 * arr of opening bars of S.260i or S.260ii; sketch for S.529i or S.529ii
 * pf
 * arr of opening bars of S.260i or S.260ii; sketch for S.529i or S.529ii
 * arr of opening bars of S.260i or S.260ii; sketch for S.529i or S.529ii
 * arr of opening bars of S.260i or S.260ii; sketch for S.529i or S.529ii


 * *167 (534ii/a)
 * Feuille d'album No.2
 * Feuille d'album No.2
 * Feuille d'album No.2


 * *167a (571a)
 * Album-Leaf ("Ruhig") (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)
 * Album-Leaf ("Ruhig") (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)
 * Album-Leaf ("Ruhig") (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)


 * 167b
 * AHS 075
 * Miniatur Lieder
 * pf
 * 1840–49
 * unpublished; score inaccessible (in private collection?)
 * 1840–49
 * unpublished; score inaccessible (in private collection?)


 * 167c (*747)
 * WHS 03
 * Album-Leaf ("Poco adagio aus der Graner Messe")
 * pf
 * 1860s?
 * arr of the Agnus Dei from S.9ii
 * 1860s?
 * arr of the Agnus Dei from S.9ii


 * 167d
 * Album-Leaf ("Orpheus")
 * pf
 * 1860
 * arr of extract from S.98
 * 1860
 * arr of extract from S.98
 * arr of extract from S.98


 * 167e
 * Album-Leaf ("Die Ideale")
 * pf
 * 1861
 * arr of extract from S.106
 * 1861
 * arr of extract from S.106
 * arr of extract from S.106


 * 167f
 * Album-Leaf ("Dante Symphony progression")
 * pf
 * G major
 * 1860?
 * based on material from S.109
 * 1860?
 * based on material from S.109


 * 167g
 * Album-Leaf ("Vivace ma non troppo in D♭ major")
 * pf
 * D♭ major
 * 1835
 * D♭ major
 * 1835


 * 167h
 * Album-Leaf
 * pf
 * 1860–69?
 * pf
 * 1860–69?
 * 1860–69?


 * 167j
 * Album-Leaf ("Fugue Chromatique – Allegro in G minor")
 * pf
 * G minor
 * 1844
 * G minor
 * 1844


 * 167k
 * Album-Leaf
 * pf
 * E♭ major
 * 1840
 * based on S.219 and S.219a
 * 1840
 * based on S.219 and S.219a


 * 167l
 * Album-Leaf ("Agitato in G major")
 * pf
 * G major
 * 1849
 * based on S.576b, S.577i, S.577i/a, S.577ii
 * 1849
 * based on S.576b, S.577i, S.577i/a, S.577ii


 * 167m
 * Album-Leaf ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke")
 * pf
 * 1859 or later
 * possibly intended for S.216, S.216b, S.514, or S.515?
 * 1859 or later
 * possibly intended for S.216, S.216b, S.514, or S.515?
 * possibly intended for S.216, S.216b, S.514, or S.515?


 * 167n
 * Album-Leaf ("Allegretto in A major")
 * pf
 * A major
 * 1842
 * A major
 * 1842


 * 167o
 * Album-Leaf ("Tempo di marcia in E♭ major")
 * pf
 * E♭ major
 * 1845
 * themes used in S.227
 * 1845
 * themes used in S.227


 * 167p
 * Album-Leaf ("Larghetto in D♭ major")
 * pf
 * D♭ major
 * 1883
 * on a Henselt Concerto
 * 1883
 * on a Henselt Concerto


 * 167q
 * Album-Leaf ("Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major")
 * pf
 * D♭ major
 * 1883
 * D♭ major
 * 1883


 * 167r
 * Album-Leaf ("Andante in E♭ major")
 * pf
 * E♭ major
 * 1850s
 * E♭ major
 * 1850s


 * 167s
 * Album-Leaf ("Lyon")
 * pf
 * C major
 * 1839
 * C major
 * 1839


 * 167t
 * Album-Leaf
 * pf
 * E major
 * 1853
 * based on S.173/10
 * 1853
 * based on S.173/10


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я168–174
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Pieces from the Weimar period

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 168i
 * AHS 094
 * HS ElegieÉlégie sur des motifs du Prince Louis Ferdinand de Prusse
 * pf
 * A♭ major
 * 1842
 * 1st version of S.168ii; later intended to be No.4 for S.171d
 * 1st version of S.168ii; later intended to be No.4 for S.171d


 * 168ii
 * AHS 094
 * HS ElegieÉlégie sur des motifs du Prince Louis Ferdinand de Prusse
 * pf
 * A♭ major
 * 1851
 * 2nd version of S.168i
 * 2nd version of S.168i


 * 168a
 * A145
 * Andante amoroso
 * pf
 * 1847?
 * from S.395?
 * 1847?
 * from S.395?


 * 168b
 * Pensées (Nocturne)
 * pf
 * A major
 * 1845
 * A major
 * 1845


 * 169
 * A148
 * Romance "O pourquoi donc"
 * pf
 * E minor
 * 1848
 * based on S.301a; rev as S.526a
 * based on S.301a; rev as S.526a


 * 170
 * A117
 * Ballade No.1 "Le chant du croisé" (Première Ballade)
 * pf
 * D♭ major
 * 1845–48
 * uses themes from S.189b; 2nd version of S.171d/4
 * uses themes from S.189b; 2nd version of S.171d/4


 * 170a
 * A181
 * Ballade No.2
 * pf
 * B minor
 * c1853
 * 1st (draft) version of S.171
 * 1st (draft) version of S.171


 * 171
 * A181
 * Ballade No.2 (Deuxième Ballade)
 * pf
 * B minor
 * 1853
 * 2nd version of S.170a
 * 2nd version of S.170a


 * 171a
 * A111a
 * Consolations (Madrigal):
 * pf
 * 1844–48
 * 1st version of S.172
 * 1844–48
 * 1st version of S.172


 * 171a/1
 * A111a/1
 * (Andante con moto)
 * (Andante con moto)
 * (Andante con moto)


 * pf
 * E major
 * 1844–48
 * 1st version of S.172/1


 * 171a/2
 * A111a/2
 * (Un poco più mosso)
 * (Un poco più mosso)
 * (Un poco più mosso)


 * pf
 * E major
 * 1844–48
 * 1st version of S.172/2


 * 171a/3
 * A111a/3
 * (Lento, quasi recitativo)
 * (Lento, quasi recitativo)
 * (Lento, quasi recitativo)


 * pf
 * E major
 * 1844–48
 * theme used in S.242/23


 * 171a/4
 * A111a/4
 * (Quasi adagio; cantabile con devozione)
 * (Quasi adagio; cantabile con devozione)
 * (Quasi adagio; cantabile con devozione)


 * pf
 * D♭ major
 * 1844–48
 * 1st version of S.172/4


 * 171a/5
 * A111a/5
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * pf
 * E major
 * 1844–48
 * 1st version of S.172/5


 * 171a/6
 * A111a/6
 * (Allegretto)
 * (Allegretto)
 * (Allegretto)


 * pf
 * E major
 * 1844–48
 * 1st version of S.172/6


 * 171b
 * Album-Leaf (Consolation No.1)
 * pf
 * 1849–50
 * originally intended for S.172
 * 1849–50
 * originally intended for S.172
 * originally intended for S.172


 * 171c
 * Prière d'un enfant à son réveil
 * pf
 * 1840
 * 1st version of S.172a/7, S.173/6; arr (set) for fch pf/harm (+hp) as S.19i; later intended to be No.9 for S.171d
 * 1840
 * 1st version of S.172a/7, S.173/6; arr (set) for fch pf/harm (+hp) as S.19i; later intended to be No.9 for S.171d
 * 1st version of S.172a/7, S.173/6; arr (set) for fch pf/harm (+hp) as S.19i; later intended to be No.9 for S.171d


 * 171d
 * (8) Harmonies poétiques et religieuses ("Préludes et Harmonies poétiques et religieuses"):
 * pf
 * 1845–46
 * 1st version of S.172a, S.173 ; for pieces intended to be included and their order in the final proposed set, see notes under individual titles and see S.158/2, S.168i, S.171c, S.473i
 * 1845–46
 * 1st version of S.172a, S.173 ; for pieces intended to be included and their order in the final proposed set, see notes under individual titles and see S.158/2, S.168i, S.171c, S.473i
 * 1st version of S.172a, S.173 ; for pieces intended to be included and their order in the final proposed set, see notes under individual titles and see S.158/2, S.168i, S.171c, S.473i


 * 171d/1 (*171/d)
 * Nancy (Prélude)
 * Nancy (Prélude)
 * Nancy (Prélude)
 * Nancy (Prélude)


 * pf
 * E♭ major
 * 1845/11/16
 * 1st version of S.172a/11 and S.173/3; intended to be No.2 for S.171d


 * 171d/2
 * Langueur?
 * Langueur?
 * Langueur?
 * Langueur?


 * pf
 * C minor
 * 1845/11/20
 * intended to be No.3 for S.171d


 * 171d/3
 * (Appassionato)
 * (Appassionato)
 * (Appassionato)
 * (Appassionato)


 * pf
 * E major
 * 1845/12/4


 * 171d/4
 * — Dernière illusion (?) (Disjecti membra poetae)
 * — Dernière illusion (?) (Disjecti membra poetae)
 * — Dernière illusion (?) (Disjecti membra poetae)
 * — Dernière illusion (?) (Disjecti membra poetae)


 * pf
 * D♭ major
 * 1845 (and later?)
 * uses themes from S.189b; 2nd theme used in S.172/6; 1st version of S.170; unfinished, final cadence by Leslie Howard; intended to be No.8 for S.171d


 * 171d/5
 * [untitled]
 * [untitled]
 * [untitled]
 * [untitled]


 * pf
 * G♭ major
 * 1845/12/6
 * intended to be No.10 for S.171d


 * 171d/6
 * Attente
 * Attente
 * Attente
 * Attente


 * pf
 * A major
 * 1845–46
 * unfinished, coda by Leslie Howard


 * 171d/7
 * Alternative
 * Alternative
 * Alternative
 * Alternative


 * pf
 * E major
 * 1845–46
 * possibly intended as an "alternative" for No.6


 * 171d/8
 * M. K. (Andante)
 * M. K. (Andante)
 * M. K. (Andante)
 * M. K. (Andante)


 * pf
 * D♭ major
 * 1845–46
 * the title is the initials for Marie Kalergis; 1st version of S.540a, S.541/2; incomplete sketch, completed by Leslie Howard; intended to be No.6 for S.171d


 * 171e (*695a)
 * AHS 061/4
 * Litanies de Marie
 * pf
 * E major
 * 1846–47
 * 1st version of S.172a/4
 * 1st version of S.172a/4


 * 172
 * A111b
 * (6) Consolations (Pensées poétiques):
 * pf
 * 1849–50
 * 2nd version of S.171a
 * 1849–50
 * 2nd version of S.171a


 * 172/1
 * A111b/1
 * (Andante con moto)
 * (Andante con moto)
 * (Andante con moto)


 * pf
 * E major
 * 1849–50
 * 2nd version of S.171a/1; arr for vc pf/org/harm by Liszt and Jules Deswert as S.382a/1


 * 172/2
 * A111b/2
 * (Un poco più mosso)
 * (Un poco più mosso)
 * (Un poco più mosso)


 * pf
 * E major
 * 1849–50
 * 2nd version of S.171a/2


 * 172/3
 * A111b/3
 * (Lento placido)
 * (Lento placido)
 * (Lento placido)


 * pf
 * D♭ major
 * 1849–50
 * arr for org/harm as S.672d/1


 * 172/4
 * A111b/4
 * (Quasi Adagio)
 * (Quasi Adagio)
 * (Quasi Adagio)


 * pf
 * D♭ major
 * 1849–50
 * 2nd version of S.171a/4; arr for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/2, for vc pf/org/harm by Liszt and Jules Deswert as S.382a/2


 * 172/5
 * A111b/5
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * pf
 * E major
 * 1849–50
 * 2nd version of S.171a/5; arr for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/3


 * 172/6
 * A111b/6
 * (Allegretto sempre cantabile)
 * (Allegretto sempre cantabile)
 * (Allegretto sempre cantabile)


 * pf
 * E major
 * 1849–50
 * new coda uses theme from S.171d/4; 2nd version of S.171a/6; arr for org/harm as S.672d/4


 * 172a
 * AHS 061
 * (12) Harmonies poétiques et religieuses:
 * pf
 * 1847–48
 * 2nd version of S.171d, S.173
 * 1847–48
 * 2nd version of S.171d, S.173


 * 172a/HS 01 (*172c) (*173b)
 * AHS 061/HS 01
 * Élevez-vous, voix de mon âme (Invocation)
 * Élevez-vous, voix de mon âme (Invocation)
 * Élevez-vous, voix de mon âme (Invocation)


 * pf
 * E major
 * 1847
 * 1st version of S.173/1


 * 172a/HS 02 (*173a/1)
 * AHS 061/HS 02
 * Hymne de la nuit
 * Hymne de la nuit
 * Hymne de la nuit


 * pf
 * E major
 * 1847


 * 172a/HS 03 (*173a/2)
 * AHS 061/HS 03
 * Hymne du matin
 * Hymne du matin
 * Hymne du matin


 * pf
 * B major
 * 1847


 * 172a/HS 04
 * AHS 061/HS 04
 * Litanies de Marie
 * Litanies de Marie
 * Litanies de Marie


 * pf
 * E major
 * 1847
 * 2nd version of S.171e


 * 172a/HS 05
 * AHS 061/HS 05
 * Miserere
 * Miserere
 * Miserere


 * pf
 * E minor
 * 1847
 * 1st version of S.173/8


 * 172a/HS 06
 * AHS 061/HS 06
 * Pater noster, d'après la Psalmodie de l'Église
 * Pater noster, d'après la Psalmodie de l'Église
 * Pater noster, d'après la Psalmodie de l'Église


 * pf
 * C major
 * 1847
 * arr of S.21i; 1st version of S.173/5


 * 172a/HS 07
 * AHS 061/HS 07
 * Hymne de l'enfant à son réveil
 * Hymne de l'enfant à son réveil
 * Hymne de l'enfant à son réveil


 * pf
 * A♭ major
 * 1847
 * 2nd version of S.171c, S.173/6


 * 172a/HS 08
 * AHS 061/HS 08
 * Prose des morts (De profundis)
 * Prose des morts (De profundis)
 * Prose des morts (De profundis)


 * pf
 * 1847
 * 3rd version of S.154i, S.154ii, S.173/4
 * 3rd version of S.154i, S.154ii, S.173/4


 * 172a/HS 09
 * AHS 061/HS 09
 * La lampe du temple
 * La lampe du temple
 * La lampe du temple


 * pf
 * G minor
 * 1847
 * 1st version of S.173/9


 * 172a/10
 * AHS 061/10
 * (Hymne)
 * (Hymne)
 * (Hymne)


 * pf
 * E♭ major
 * 1847


 * 172a/11
 * AHS 061/11
 * (Bénédiction) (Prélude)
 * (Bénédiction) (Prélude)
 * (Bénédiction) (Prélude)


 * pf
 * E♭ major
 * 1847
 * 2nd version of S.171d/1 and S.173/3


 * 172a/12
 * AHS 061/12
 * Ave Maria
 * Ave Maria
 * Ave Maria


 * pf
 * 1847
 * arr of 20i; 1st version of S.173/2; lost
 * arr of 20i; 1st version of S.173/2; lost


 * *172b (552c)
 * Stabat mater
 * Stabat mater
 * Stabat mater


 * *172c (172a/1)
 * Invocation
 * Invocation
 * Invocation


 * 173
 * A158
 * (10) Harmonies poétiques et religieuses:
 * pf
 * 1840–52
 * 3rd version of S.171d, S.172a
 * 1840–52
 * 3rd version of S.171d, S.172a


 * 173/HS 01
 * A158/HS 01
 * Invocation
 * Invocation
 * Invocation


 * pf
 * E major
 * 1840–52
 * 2nd version of S.172a/1


 * 173/HS 02
 * A158/HS 02
 * Ave Maria
 * Ave Maria
 * Ave Maria


 * pf
 * B♭ major
 * 1840
 * 2nd version of S.172a/12


 * 173/HS 03
 * A158/HS 03
 * Bénédiction de Dieu dans la solitude
 * Bénédiction de Dieu dans la solitude
 * Bénédiction de Dieu dans la solitude


 * pf
 * F♯ major
 * 1851
 * 3rd version of S.171d/1 and S.172a/11


 * 173/HS 04
 * A158/HS 04
 * Pensée des morts
 * Pensée des morts
 * Pensée des morts


 * pf
 * 1851
 * 4th version of S.154i, S.154ii, S.172a/8; themes used in S.16i
 * 4th version of S.154i, S.154ii, S.172a/8; themes used in S.16i


 * 173/HS 05
 * A158/HS 05
 * Pater noster
 * Pater noster
 * Pater noster


 * pf
 * C major
 * 1847
 * 2nd version of S.172a/6


 * 173/HS 06
 * A158/HS 06
 * Hymne de l'enfant à son réveil
 * Hymne de l'enfant à son réveil
 * Hymne de l'enfant à son réveil


 * pf
 * A♭ major
 * 1847
 * 3rd version of S.171c, S.172a/7


 * 173/HS 07
 * A158/HS 07
 * Funérailles (Octobre 1849)
 * Funérailles (Octobre 1849)
 * Funérailles (Octobre 1849)


 * pf
 * F minor
 * 1849
 * 2nd version of S.226a


 * 173/HS 08
 * A158/HS 08
 * Miserere d'après Palestrina
 * Miserere d'après Palestrina
 * Miserere d'après Palestrina


 * pf
 * E minor
 * 1851
 * 2nd version of S.172a/5


 * 173/HS 09
 * A158/HS 09
 * Andante lagrimoso
 * Andante lagrimoso
 * Andante lagrimoso


 * pf
 * G♯ minor
 * 1851
 * 2nd version of S.172a/9


 * 173/10
 * A158/10
 * Cantique d'amour
 * Cantique d'amour
 * Cantique d'amour


 * pf
 * E major
 * 1847


 * 173a (172a/2–3)
 * AHS 061/2–3
 * 2 Hymnes:
 * 2 Hymnes:


 * *173a/1 (172a/2)
 * AHS 061/2
 * Hymne de la nuit
 * Hymne de la nuit
 * Hymne de la nuit




 * *173a/2 (172a/3)
 * AHS 061/3
 * Hymne du matin
 * Hymne du matin
 * Hymne du matin




 * *173b (172a/1)
 * Invocation
 * Invocation
 * Invocation


 * 174i (*174)
 * A186
 * Berceuse
 * pf
 * D♭ major
 * 1854
 * 1st version of S.174ii
 * 1st version of S.174ii


 * 174ii
 * A186
 * Berceuse
 * pf
 * D♭ major
 * 1863
 * 2nd version of S.174i
 * 2nd version of S.174i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я175–181
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Large-scale works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 175
 * A219
 * 2 Légendes:
 * pf
 * 1863
 * 1863
 * 1863


 * 175/1
 * A219/1
 * St François d'Assise: la prédication aux oiseaux
 * St François d'Assise: la prédication aux oiseaux
 * St François d'Assise: la prédication aux oiseaux


 * pf
 * A major
 * 1862–63
 * arr for orch as S.113a/1


 * 175/2
 * A219/2
 * St François de Paule: marchant sur les flots
 * St François de Paule: marchant sur les flots
 * St François de Paule: marchant sur les flots


 * pf
 * E major
 * 1862–63
 * simplified version as S.175/2a; arr for orch as S.113a/2, for 2ten 2bass mch org/harm (+3 tbn timp) as S.28


 * 175/2a (*175/2bis)
 * A219/2
 * St François de Paule, marchant sur les flots
 * St François de Paule, marchant sur les flots
 * St François de Paule, marchant sur les flots


 * pf
 * E major?
 * 1863
 * simplified version of S.175/2


 * 175a
 * A167
 * Grand solo de concert
 * pf
 * E minor?
 * 1850
 * 1st version of S.176; unpublished
 * 1st version of S.176; unpublished


 * 176
 * A167
 * Grosses Konzertsolo
 * pf
 * E minor
 * 1849–50
 * 2nd version of S.175a; arr for 2pf as S.258i, for pf orch as S.365
 * 2nd version of S.175a; arr for 2pf as S.258i, for pf orch as S.365


 * 176a
 * Wilde Jagd – Scherzo
 * pf
 * D minor/B♭ major
 * 1851
 * 1st version of S.177
 * 1851
 * 1st version of S.177


 * 177
 * A174
 * Scherzo und Marsch
 * pf
 * D minor and B♭ major
 * 1851
 * 2nd version of S.176a
 * 2nd version of S.176a


 * 178
 * A179
 * Piano Sonata
 * pf
 * B minor
 * 1852–53
 * 1852–53


 * 179
 * A198
 * Weinen, Klagen, Sorgen, Zagen (Präludium nach Joh. Seb. Bach)
 * pf
 * F minor
 * 1859
 * based on the basso continuo of the 1st mvt (Sinfonia) of the cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; theme (the Bach b.c.) and some fragments used in S.180
 * based on the basso continuo of the 1st mvt (Sinfonia) of the cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; theme (the Bach b.c.) and some fragments used in S.180


 * 180
 * A214
 * Variationen über das Motiv von Bach (basso continuo des erster Satzes seiner Kantate Weinen, Klagen, Sorgen, Zagen und des Crucifixus der h-Moll Messe)
 * pf
 * F minor
 * 1862
 * uses same theme and some fragments from S.179; the Theme of the Variations is the basso continuo of the 1st mvt ("Sinfonia") of the Cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; the "Choral" at the end of the Variations is an adaptation of the 1st section of the 2nd mvt ("1st chorus") of the same Cantata ; arr for org as S.673, for orch as S.354a
 * uses same theme and some fragments from S.179; the Theme of the Variations is the basso continuo of the 1st mvt ("Sinfonia") of the Cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; the "Choral" at the end of the Variations is an adaptation of the 1st section of the 2nd mvt ("1st chorus") of the same Cantata ; arr for org as S.673, for orch as S.354a


 * 181
 * A290
 * Sarabande und Chaconne aus dem Singspiel Almira
 * pf
 * G minor
 * 1879
 * after extracts from the Singspiel Almira by George Frideric Handel
 * after extracts from the Singspiel Almira by George Frideric Handel


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я182–208
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Later character pieces

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 182
 * A215
 * Ave Maria (Die Glocken von Rom)
 * pf
 * E major
 * 1862
 * also known as Ave Maria für die große Klavierschule von Lebert und Stark
 * also known as Ave Maria für die große Klavierschule von Lebert und Stark


 * 182a
 * Magnificat
 * pf
 * F major
 * 1862
 * arr of Alleluja from S.4i; also uses themes from S.109; 1st version of S.183/1; unpublished
 * 1862
 * arr of Alleluja from S.4i; also uses themes from S.109; 1st version of S.183/1; unpublished


 * 183
 * A216
 * Alleluja et Ave Maria:
 * pf
 * F major
 * 1862
 * 1862


 * 183/1
 * A216/1
 * Alleluja
 * Alleluja
 * Alleluja


 * pf
 * F major
 * 1862
 * 2nd version of S.182a


 * 183/2
 * A216/2
 * Ave Maria (d'Arcadelt)
 * Ave Maria (d'Arcadelt)
 * Ave Maria (d'Arcadelt)


 * pf
 * F major
 * 1862
 * based on Pierre-Louis Dietsch's adaptation of a madrigal by Jacques Arcadelt; arr for org/harm as S.659


 * 184
 * A229
 * Urbi et Orbi (Bénédiction papale)
 * pf
 * C♯ minor
 * 1864
 * 1864


 * 185
 * A226
 * Vexilla regis prodeunt (Kreuzes Hymne)
 * pf
 * 1864
 * arr for orch as S.355
 * 1864
 * arr for orch as S.355


 * 185a
 * A267
 * Weihnachtsbaum:
 * pf
 * 1873–74
 * 1st version ("Paris manuscripts") of S.186; arr for pf4h as S.612a
 * 1873–74
 * 1st version ("Paris manuscripts") of S.186; arr for pf4h as S.612a


 * 185a/HS 01
 * A267/HS 01
 * Psallite (Altes Weihnachten)
 * Psallite (Altes Weihnachten)
 * Psallite (Altes Weihnachten)


 * pf
 * F major
 * 1873–74
 * 1st version of S.186/1; arr for pf4h as S.612a/1


 * 185a/HS 02
 * A267/HS 02
 * O heilige Nacht!
 * O heilige Nacht!
 * O heilige Nacht!


 * pf
 * D minor
 * 1873–74
 * 1st version of S.186/2; arr for pf4h as S.612a/2


 * 185a/HS 03
 * A267/HS 03
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")


 * pf
 * D♭ major
 * 1873–74
 * 1st version of S.186/3; arr for pf4h as S.612a/3


 * 185a/HS 04
 * A267/HS 04
 * Adeste fideles (gleichsam als Marsch der heiligen drei Konige)
 * Adeste fideles (gleichsam als Marsch der heiligen drei Konige)
 * Adeste fideles (gleichsam als Marsch der heiligen drei Konige)


 * pf
 * A major
 * 1873–74
 * 1st version of S.186/4; arr for pf4h as S.612a/4


 * 185a/HS 05
 * A267/HS 05
 * Scherzoso
 * Scherzoso
 * Scherzoso


 * pf
 * F major
 * 1873–74
 * 1st version of S.186/5; arr for pf4h as S.612a/5


 * 185a/HS 06
 * A267/HS 06
 * Reveille-Matin (Wecker)
 * Reveille-Matin (Wecker)
 * Reveille-Matin (Wecker)


 * pf
 * 1873–74
 * 1st version of S.186/6; arr for pf4h as S.612a/6
 * 1st version of S.186/6; arr for pf4h as S.612a/6


 * 185a/HS 07
 * A267/HS 07
 * Schlummerlied
 * Schlummerlied
 * Schlummerlied


 * pf
 * F♯ major
 * 1873–74
 * 1st version of S.186/7, S.186/7a; arr for pf4h as S.612a/7


 * 185a/HS 08
 * A267/HS 08
 * HS Alt-provenzalisches Noel (Alt-provenzalisches Noel)
 * HS Alt-provenzalisches Noel (Alt-provenzalisches Noel)
 * HS Alt-provenzalisches Noel (Alt-provenzalisches Noel)


 * pf
 * B minor
 * 1873–74
 * 1st version of S.186/8; arr for pf4h as S.612a/8


 * 185a/HS 09
 * A267/HS 09
 * HS Abendglocken (Abendglocken)
 * HS Abendglocken (Abendglocken)
 * HS Abendglocken (Abendglocken)


 * pf
 * 1873–74
 * 1st version of S.186/9; arr for pf4h as S.612a/9
 * 1st version of S.186/9; arr for pf4h as S.612a/9


 * 185a/10
 * A267/10
 * HS Ehemals(Ehemals)
 * HS Ehemals(Ehemals)
 * HS Ehemals(Ehemals)


 * pf
 * F minor
 * 1873–74
 * 1st version of S.186/10; arr for pf4h as S.612a/10


 * 185a/11
 * A267/11
 * Ungarisch
 * Ungarisch
 * Ungarisch


 * pf
 * F minor
 * 1873–74
 * 1st version of S.186/11; arr for pf4h as S.612a/11


 * 185a/12
 * A267/12
 * Polnisch
 * Polnisch
 * Polnisch


 * pf
 * B♭ minor
 * 1873–74
 * 1st version of S.186/12; arr for pf4h as S.612a/12


 * 186
 * A267
 * Weihnachtsbaum:
 * pf
 * 1874–76
 * 2nd version of S.185a; arr for pf4h as S.613
 * 1874–76
 * 2nd version of S.185a; arr for pf4h as S.613


 * 186/HS 01
 * A267/HS 01
 * Altes Weihnachtslied (Psalite)
 * Altes Weihnachtslied (Psalite)
 * Altes Weihnachtslied (Psalite)


 * pf
 * F major
 * 1874–76
 * 2nd version of S.185a/1; arr for pf4h as S.613/1


 * 186/HS 02
 * A267/HS 02
 * O heilige Nacht!
 * O heilige Nacht!
 * O heilige Nacht!


 * pf
 * D minor
 * 1874–76
 * 2nd version of S.185a/2; arr for pf4h as S.613/2; rev for ten fch org/harm as S.49


 * 186/HS 03
 * A267/HS 03
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")


 * pf
 * D♭ major
 * 1874–76
 * 2nd version of S.185a/3; arr for pf4h as S.613/3


 * 186/HS 04
 * A267/HS 04
 * Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)
 * Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)
 * Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)


 * pf
 * A major
 * 1874–76
 * 2nd version of S.185a/4; arr for pf4h as S.613/4


 * 186/HS 05
 * A267/HS 05
 * Scherzoso (Man zündet die Kerzen des Baumes an)
 * Scherzoso (Man zündet die Kerzen des Baumes an)
 * Scherzoso (Man zündet die Kerzen des Baumes an)


 * pf
 * F major
 * 1874–76
 * 2nd version of S.185a/5; arr for pf4h as S.613/5


 * 186/HS 06
 * A267/HS 06
 * Carillon
 * Carillon
 * Carillon


 * pf
 * 1874–76
 * 2nd version of S.185a/6; arr for pf4h as S.613/6
 * 2nd version of S.185a/6; arr for pf4h as S.613/6


 * 186/HS 07
 * A267/HS 07
 * Schlummerlied
 * Schlummerlied
 * Schlummerlied


 * pf
 * F♯ major
 * 1874–76
 * 2nd version of S.185a/7, S.186/7a; arr for pf4h as S.613/7


 * 186/HS 07a
 * A267/HS 07
 * Schlummerlied
 * Schlummerlied
 * Schlummerlied


 * pf
 * F♯ major?
 * 1882
 * 3rd version of S.185a/7, S.186/7; version for Lachmund


 * 186/HS 08
 * A267/HS 08
 * Altes provenzalisches Weihnachtslied
 * Altes provenzalisches Weihnachtslied
 * Altes provenzalisches Weihnachtslied


 * pf
 * B minor
 * 1874–76
 * 2nd version of S.185a/8; arr for pf4h as S.613/8


 * 186/HS 09
 * A267/HS 09
 * Abendglocken
 * Abendglocken
 * Abendglocken


 * pf
 * 1874–76
 * 2nd version of S.185a/9; arr for pf4h as S.613/9
 * 2nd version of S.185a/9; arr for pf4h as S.613/9


 * 186/10
 * A267/10
 * Ehemals
 * Ehemals
 * Ehemals


 * pf
 * F minor
 * 1874–76
 * 2nd version of S.185a/10; arr for pf4h as S.613/ 10


 * 186/11
 * A267/11
 * Ungarisch
 * Ungarisch
 * Ungarisch


 * pf
 * F minor
 * 1874–76
 * 2nd version of S.185a/11; arr for pf4h as S.613/11


 * 186/12
 * A267/12
 * Polnisch
 * Polnisch
 * Polnisch


 * pf
 * B♭ minor
 * 1874–76
 * 2nd version of S.185a/12; arr for pf4h as S.613/12


 * 187
 * A278
 * Sancta Dorothea
 * pf
 * E major
 * 1877
 * 1877


 * 187a/i (*187a) (*263)
 * EHS 028
 * Resignazione
 * pf/org
 * E major
 * c1877
 * 1st version of S.187ii
 * 1st version of S.187ii


 * 187a/ii (*187b)
 * EHS 028
 * Resignazione (Ergebung)
 * pf/org
 * E major
 * 1877
 * 2nd version of S.187i
 * 2nd version of S.187i


 * 188
 * A300
 * In festo transfigurationis Domini nostri Jesu Christi
 * pf
 * C major
 * 1880
 * 1880


 * 189
 * A234
 * Album-leaf ("Sans mesure") [Klavierstück in A-flat major (No.1)]
 * pf
 * A♭ major
 * 1865
 * manuscript dated May 1865; published Dec 1935
 * manuscript dated May 1865; published Dec 1935


 * 189a
 * A116
 * Album-leaf ("Ballade No.1 in A-flat") [Klavierstück in A-flat major No.2]
 * pf
 * A♭ major
 * 1845 or earlier?
 * 1st version of S.189b; same as S.152a?
 * 1st version of S.189b; same as S.152a?


 * 189b
 * A116
 * Album-leaf ("Ballade No.1") [Klavierstück (No.2) in D-flat major]
 * pf
 * D♭ major
 * 1845 or later?
 * 2nd version of S.189a; themes used in S.170, S.171d/4
 * 2nd version of S.189a; themes used in S.170, S.171d/4


 * 190
 * A241
 * Un portrait en musique de la Marquise de Blocqueville:
 * pf
 * 1869
 * 1869
 * 1869


 * 190/1
 * A241/1
 * (Tempo rubato)
 * (Tempo rubato)
 * (Tempo rubato)


 * pf
 * 1835
 * by Henri Herz, composed 1835
 * by Henri Herz, composed 1835


 * 190/2
 * A241/2
 * (Lento e religioso)
 * (Lento e religioso)
 * (Lento e religioso)


 * pf
 * 1868
 * by Francis Planté, composed 1868
 * by Francis Planté, composed 1868


 * 190/3
 * A241/3
 * (Même mouvement mais avec incertitude)
 * (Même mouvement mais avec incertitude)
 * (Même mouvement mais avec incertitude)


 * pf
 * 1869
 * by Liszt, composed 1869 based on the first two pieces
 * by Liszt, composed 1869 based on the first two pieces


 * 191
 * A256
 * Impromptu
 * pf
 * F♯ major
 * 1872
 * 1872


 * 192
 * A233
 * (5) Klavierstücke (Album-Leaves for Olga von Meyendorff):
 * pf
 * 1865–79
 * 1865–79
 * 1865–79


 * 192/1
 * A233/1
 * (Sehr langsam)
 * (Sehr langsam)
 * (Sehr langsam)


 * pf
 * E major
 * 1865


 * 192/2
 * A233/2
 * (Lento assai)
 * (Lento assai)
 * (Lento assai)


 * pf
 * A♭ major
 * 1865
 * uses theme from S.541/2


 * 192/3
 * A233/3
 * (Sehr langsam)
 * (Sehr langsam)
 * (Sehr langsam)


 * pf
 * F♯ major
 * 1873


 * 192/4
 * A233/4
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * pf
 * F♯ major
 * 1876


 * 192/5 (*728)
 * A233/5
 * Sospiri! (Andante)
 * Sospiri! (Andante)
 * Sospiri! (Andante)


 * pf
 * 1879
 * 1879


 * *192a (540a)
 * Gestorben war ich
 * Gestorben war ich
 * Gestorben war ich


 * 193
 * Klavierstück
 * pf
 * F♯ major
 * 1854
 * F♯ major
 * 1854


 * 194
 * A249
 * Mosonyis Grabgeleit (Mosonyi gyázmenete)
 * pf
 * 1870
 * re-used as S.205/7; arr for 2pf as S.756
 * 1870
 * re-used as S.205/7; arr for 2pf as S.756


 * 195 (*730)
 * A279
 * Dem Andenken Petöfis
 * pf
 * 1877
 * based on S.349; re-used as S.205/6, S.205a/6; arr for pf4h as S.614
 * 1877
 * based on S.349; re-used as S.205/6, S.205a/6; arr for pf4h as S.614


 * 195a
 * A266
 * Schlummerlied im Grabe
 * pf
 * 1874
 * 1st version of S.196
 * 1874
 * 1st version of S.196


 * 196
 * A266
 * Première élégie (Elegy No.1)
 * pf
 * 1874
 * 2nd version of S.195a; arr for pf4h as S.612, for vc hp pf harm as S.130i, for vc pf as S.130ii, for vn pf (+harm) as S.130iii
 * 1874
 * 2nd version of S.195a; arr for pf4h as S.612, for vc hp pf harm as S.130i, for vc pf as S.130ii, for vn pf (+harm) as S.130iii


 * 196a
 * A277
 * Entwurf der Ramann-Elegie
 * pf
 * 1877
 * 1st (draft) version of S.197; fragments of sketches (reconstructed by Liszt's pupil August Göllerich); composed for Liszt's biographer Lina Ramann
 * 1877
 * 1st (draft) version of S.197; fragments of sketches (reconstructed by Liszt's pupil August Göllerich); composed for Liszt's biographer Lina Ramann


 * 197
 * A277
 * Zweite Elegie (Elegy No.2)
 * pf
 * 1877
 * 2nd version of S.196a; arr for vc pf as S.131i, for vn pf as S.131ii
 * 1877
 * 2nd version of S.196a; arr for vc pf as S.131i, for vn pf as S.131ii


 * 197a
 * A295
 * Toccata
 * pf
 * C major
 * 1879?
 * 1879?


 * 197b
 * A272
 * Kaiser Wilhelm!
 * pf
 * 1876
 * 1876
 * 1876


 * *197c (389a)
 * Cadenza for the first movement of Beethoven's C minor piano concerto
 * Cadenza for the first movement of Beethoven's C minor piano concerto
 * Cadenza for the first movement of Beethoven's C minor piano concerto


 * 198
 * A303
 * Wiegenlied (Chant du berceau)
 * pf
 * 1881
 * 1881
 * 1881


 * 199
 * A305
 * Trübe Wolken (Nuages gris)
 * pf
 * 1881
 * 1881
 * 1881


 * 199a/i (*199a)
 * A319
 * Die Trauer-Gondel (La Lugubre Gondola)
 * pf
 * 1882
 * in 4/4, written Dec.1882, published 2002; 1st version of S.199a/ii, S.200i, S.200ii; incomplete sketch as S.701k
 * 1882
 * in 4/4, written Dec.1882, published 2002; 1st version of S.199a/ii, S.200i, S.200ii; incomplete sketch as S.701k


 * 199a/ii
 * A319
 * Die Trauer-Gondel (La Lugubre Gondola)
 * pf
 * 1883
 * in 4/4, written Jan.1883, published 2002; 2nd version of S.199a/i, S.200i, S.200ii; incomplete sketch as S.701k
 * 1883
 * in 4/4, written Jan.1883, published 2002; 2nd version of S.199a/i, S.200i, S.200ii; incomplete sketch as S.701k


 * 200i
 * A319a
 * La lugubre gondola
 * pf
 * c1884–85
 * in 6/8, published 1927 as "La lugubre gondola I"; 4th version of S.199a/i, S.199a/ii, S.200ii
 * c1884–85
 * in 6/8, published 1927 as "La lugubre gondola I"; 4th version of S.199a/i, S.199a/ii, S.200ii


 * 200ii
 * A319b
 * La Lugubre Gondola
 * pf
 * 1883
 * in 4/4, written Jan.1883, published 1885, published 1927 as "La lugubre gondola II"; 3rd version of S.199a/i, S.199a/ii, S.200i; arr for vc pf as S.134i, for vn pf as S.134ii
 * 1883
 * in 4/4, written Jan.1883, published 1885, published 1927 as "La lugubre gondola II"; 3rd version of S.199a/i, S.199a/ii, S.200i; arr for vc pf as S.134i, for vn pf as S.134ii


 * 201
 * A320
 * R.W. – Venezia
 * pf
 * 1883
 * 1883
 * 1883


 * 202
 * A321
 * Am Grabe Richard Wagners
 * pf
 * 1883
 * arr of S.135
 * 1883
 * arr of S.135


 * 203
 * A322
 * Schlaflos! Frage und Antwort
 * pf
 * 1883
 * 1883
 * 1883


 * 204
 * A280
 * Receuillement
 * pf
 * 1877
 * 1877
 * 1877


 * 205
 * A335
 * Historische ungarische Bildnisse:
 * pf
 * 1885
 * 1st version of S.205a
 * 1885
 * 1st version of S.205a


 * 205/1
 * A335/1
 * Stephan Széchenyi
 * Stephan Széchenyi
 * Stephan Széchenyi


 * pf
 * 1885
 * re-used as S.205a/1
 * re-used as S.205a/1


 * 205/2
 * A335/4
 * Joseph Eötvös
 * Joseph Eötvös
 * Joseph Eötvös


 * pf
 * 1885
 * re-used as S.205a/4
 * re-used as S.205a/4


 * 205/3
 * A335/5
 * Michael Vörösmarty
 * Michael Vörösmarty
 * Michael Vörösmarty


 * pf
 * 1885
 * re-used as S.205a/5
 * re-used as S.205a/5


 * 205/4
 * A335/3
 * Ladislaus Teleki
 * Ladislaus Teleki
 * Ladislaus Teleki


 * pf
 * 1885
 * re-used as S.205a/3
 * re-used as S.205a/3


 * 205/5
 * A335/2
 * Franz Deák
 * Franz Deák
 * Franz Deák


 * pf
 * 1885
 * re-used as S.205a/2
 * re-used as S.205a/2


 * 205/6
 * A335/6
 * Alexander Petofi
 * Alexander Petofi
 * Alexander Petofi


 * pf
 * 1885
 * re-used from S.195; re-used as S.205a/6
 * re-used from S.195; re-used as S.205a/6


 * 205/7
 * A335/7
 * Michael Mosonyi
 * Michael Mosonyi
 * Michael Mosonyi


 * pf
 * 1885
 * re-used from S.194; 1st version of S.205a/7
 * re-used from S.194; 1st version of S.205a/7


 * 205a
 * A335
 * Historische ungarische Bildnisse:
 * pf
 * 1885
 * 2nd version of S.205
 * 1885
 * 2nd version of S.205


 * 205a/1
 * A335/1
 * Széchenyi István
 * Széchenyi István
 * Széchenyi István


 * pf
 * 1885
 * re-used from S.205/1
 * re-used from S.205/1


 * 205a/2
 * A335/2
 * Deák Ferenc
 * Deák Ferenc
 * Deák Ferenc


 * pf
 * 1885
 * re-used from S.205/5
 * re-used from S.205/5


 * 205a/3
 * A335/3
 * Teleki László
 * Teleki László
 * Teleki László


 * pf
 * 1885
 * re-used from S.205/4
 * re-used from S.205/4


 * 205a/4
 * A335/4
 * Eötvös József
 * Eötvös József
 * Eötvös József


 * pf
 * 1885
 * re-used from S.205/2
 * re-used from S.205/2


 * 205a/5
 * A335/5
 * Vörösmarty Mihály
 * Vörösmarty Mihály
 * Vörösmarty Mihály


 * pf
 * 1885
 * re-used from S.205/3
 * re-used from S.205/3


 * 205a/6
 * A335/6
 * Petofi Sándor
 * Petofi Sándor
 * Petofi Sándor


 * pf
 * 1885
 * re-used from S.195, S.205/6
 * re-used from S.195, S.205/6


 * 205a/7
 * A335/7
 * Mosonyi Mihály
 * Mosonyi Mihály
 * Mosonyi Mihály


 * pf
 * 1885
 * 2nd version of S.205/7
 * 2nd version of S.205/7


 * 206
 * A334
 * Trauervorspiel und Trauermarsch:
 * pf
 * 1885
 * 1885
 * 1885


 * 206/1
 * A334/1
 * Preludio funebre
 * Preludio funebre
 * Preludio funebre


 * pf
 * 1885
 * 1885


 * 206/2
 * A334/2
 * Marcia funebre
 * Marcia funebre
 * Marcia funebre


 * pf
 * 1885
 * based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi
 * based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi


 * 207
 * A336
 * En rêve (Nocturne)
 * pf
 * 1885
 * 1885
 * 1885


 * 207a (*256)
 * A296
 * Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé)
 * pf
 * 1880
 * an introduction for Alexander Borodin's variation on the "Coteletten Polka" (Tati-tati) for the album Paraphrases: 24 Variations et 15 petits pièces sur le thème favori et obligé
 * 1880
 * an introduction for Alexander Borodin's variation on the "Coteletten Polka" (Tati-tati) for the album Paraphrases: 24 Variations et 15 petits pièces sur le thème favori et obligé


 * 208
 * A312
 * Unstern (Sinistre)
 * pf
 * 1881
 * 1881
 * 1881


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я208a–233b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Works in dance forms

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я208a–216b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Waltzes, Ländler, Carousel

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 208a
 * AHS 002/2
 * Waltzer
 * pf
 * A major
 * c1823
 * arr of S.126b/2
 * arr of S.126b/2


 * 209
 * AHS 032a
 * Grande valse di bravura (Le bal de Berne)
 * pf
 * 1836
 * 1st version of S.214/1; themes used in S.209a; arr for pf4h as S.615
 * 1836
 * 1st version of S.214/1; themes used in S.209a; arr for pf4h as S.615


 * 209a
 * Waltz
 * pf
 * E♭ major
 * 1840
 * uses themes from S.209
 * 1840
 * uses themes from S.209


 * 210 (*731)
 * AHS 057a
 * Valse mélancolique
 * pf
 * E major
 * 1839
 * 1st version of S.210a, S.214/2
 * 1st version of S.210a, S.214/2


 * 210a
 * AHS 057a
 * Valse mélancolique
 * pf
 * E major
 * c1840?
 * 2nd version of S.210, S.214/2
 * 2nd version of S.210, S.214/2


 * 210b
 * AHS 028
 * Valse
 * pf
 * A major
 * 1830s
 * 1830s


 * 211
 * AHS 095
 * Ländler
 * pf
 * A♭ major
 * 1843
 * 1843


 * 211a (*734)
 * A289/1
 * Ländler
 * pf
 * D major
 * 1879
 * 1879


 * 212i
 * AHS 084a
 * Petite valse favorite (Souvenir de St Pétersbourg)
 * pf
 * 1842
 * 1st version of S.212ii, S.213i, S.213ii, S.213iii
 * 1842
 * 1st version of S.212ii, S.213i, S.213ii, S.213iii


 * 212ii (*222)
 * AHS 084b
 * Petite valse favorite (Albumblatt an Madame Kalergis)
 * pf
 * 1843
 * 2nd (expanded) version of S.212i, S.213i, S.213ii, S.213iii
 * 1843
 * 2nd (expanded) version of S.212i, S.213i, S.213ii, S.213iii


 * 212a
 * AHS 082
 * Valse de Marie (Mariotte) (Album-leaf for Marie d'Agoult)
 * pf
 * 1842
 * {efn-ua|name=S212}}
 * 1842
 * {efn-ua|name=S212}}


 * 213i (*213)
 * AHS 084c
 * Valse-Impromptu
 * pf
 * 1842–52
 * 3rd version of S.212i, S.212ii, S.213ii, S.213iii
 * 1842–52
 * 3rd version of S.212i, S.212ii, S.213ii, S.213iii


 * 213ii (*213bis)
 * Valse-Impromptu
 * pf
 * 1870s?
 * 4th (édition facilitée) version of S.212i, S.212ii, S.213i, S.213iii
 * 1870s?
 * 4th (édition facilitée) version of S.212i, S.212ii, S.213i, S.213iii
 * 4th (édition facilitée) version of S.212i, S.212ii, S.213i, S.213iii


 * 213iii (*213a)
 * Valse-Impromptu
 * pf
 * c1880
 * 5th version of S.212i, S.212ii, S.213i, S.213ii, with additions for Liszt's pupils
 * c1880
 * 5th version of S.212i, S.212ii, S.213i, S.213ii, with additions for Liszt's pupils
 * 5th version of S.212i, S.212ii, S.213i, S.213ii, with additions for Liszt's pupils


 * 214
 * AHS 032b, 57b, 88b
 * (3) Caprices-Valses:
 * pf
 * 1850–52
 * 1850–52
 * 1850–52


 * 214/1
 * AHS 032b
 * Valse de bravoure
 * Valse de bravoure
 * Valse de bravoure


 * pf
 * B♭ major
 * 1850–52
 * 2nd version of S.209


 * 214/2
 * AHS 057b
 * Valse mélancolique
 * Valse mélancolique
 * Valse mélancolique


 * pf
 * E major
 * 1850
 * 3rd version of S.210, S.210a


 * 214/3
 * AHS 088b
 * Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti
 * Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti
 * Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti


 * pf
 * A major
 * 1850–52
 * 2nd version of S.401; using themes from Parisina and Lucia di Lammermoor by Gaetano Donizetti


 * 214a
 * A271
 * Carrousel de Madame Pelet-Narbonne
 * pf
 * 1879?
 * 1879?
 * 1879?


 * 215
 * A311
 * (4) Valses oubliées:
 * pf
 * 1881–84
 * 1881–84
 * 1881–84


 * 215/1
 * A311/1
 * Valse oubliée No.1
 * Valse oubliée No.1
 * Valse oubliée No.1


 * pf
 * F♯ major
 * 1881


 * 215/2
 * A311/2
 * Valse oubliée No.2
 * Valse oubliée No.2
 * Valse oubliée No.2


 * pf
 * A♭ major
 * 1883


 * 215/3
 * A311/3
 * Valse oubliée No.3
 * Valse oubliée No.3
 * Valse oubliée No.3


 * pf
 * 1883
 * 1st version of S.215/3a
 * 1st version of S.215/3a


 * 215/3a
 * A311/3
 * Valse oubliée No.3
 * Valse oubliée No.3
 * Valse oubliée No.3


 * pf
 * 1883?
 * 2nd version of S.215/3
 * 2nd version of S.215/3


 * 215/4 (*732)
 * A311/4
 * Valse oubliée No.4
 * Valse oubliée No.4
 * Valse oubliée No.4


 * pf
 * 1884
 * 1884


 * 215a
 * A325
 * Mephisto Waltz No.3
 * pf
 * 1883
 * 1st (draft) version of S.216
 * 1883
 * 1st (draft) version of S.216


 * 216
 * A325
 * Mephisto Waltz No.3
 * pf
 * 1883
 * 2nd version of S.215a; arr for pf4h as S.615a
 * 1883
 * 2nd version of S.215a; arr for pf4h as S.615a


 * 216a
 * A338
 * Bagatelle sans tonalité
 * pf
 * c1885
 * manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696
 * c1885
 * manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696


 * 216b
 * A337
 * Mephisto Waltz No.4
 * pf
 * 1885
 * 1st (complete) version of S.696
 * 1885
 * 1st (complete) version of S.696


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я217
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Polkas

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 217i (*217)
 * A317
 * Mephisto Polka
 * pf
 * 1883
 * ossia version as S.217ii
 * 1883
 * ossia version as S.217ii


 * 217ii
 * A317
 * Mephisto Polka
 * pf
 * 1883
 * ossia version of S.217i
 * 1883
 * ossia version of S.217i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я218–220
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Galops

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 218
 * A119
 * Galop
 * pf
 * A minor
 * 1846
 * 1846


 * 219
 * AHS 043
 * Grand galop chromatique
 * pf
 * E♭ major
 * 1838
 * 1st version of S.219a; arr for pf4h as S.616
 * 1st version of S.219a; arr for pf4h as S.616


 * 219a (*219bis)
 * AHS 043
 * Grand galop chromatique
 * pf
 * E major
 * 1840?
 * 2nd (simplified) version of S.219; theme used in S.220
 * 2nd (simplified) version of S.219; theme used in S.220


 * 220
 * AHS 064
 * Galop de bal
 * pf
 * 1840
 * 1840
 * 1840


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я221–222
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mazurkas

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 221
 * A168
 * Mazurka brillante
 * pf
 * 1850
 * 1850
 * 1850


 * 221a
 * A221
 * Mazurka
 * pf
 * F minor
 * 1863
 * now believed to be spurious
 * now believed to be spurious


 * *222 (212ii)
 * Albumblatt an Madame Kalergis
 * Albumblatt an Madame Kalergis
 * Albumblatt an Madame Kalergis


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я223
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Polonaises

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 223
 * A171
 * (2) Polonaises:
 * pf
 * 1850–51
 * 1850–51
 * 1850–51


 * 223/1
 * A171/1
 * Polonaise mélancolique
 * Polonaise mélancolique
 * Polonaise mélancolique


 * pf
 * C minor
 * 1850–51


 * 223/2
 * A171/2
 * Polonaise
 * Polonaise
 * Polonaise


 * pf
 * E major
 * 1850–51


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я224–225
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Csárdás

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 224
 * A313
 * Csárdás macabre
 * pf
 * 1881–82
 * arr for pf4h as S.617
 * 1881–82
 * arr for pf4h as S.617


 * 225
 * A333
 * 2 Csárdás:
 * pf
 * 1884
 * 1884
 * 1884


 * 225/1
 * A333/1
 * Csárdás
 * Csárdás
 * Csárdás


 * pf
 * 1884
 * 1884


 * 225/2
 * A333/2
 * Csárdás obstinée (Hartnäckiger Csardas)
 * Csárdás obstinée (Hartnäckiger Csardas)
 * Csárdás obstinée (Hartnäckiger Csardas)


 * pf
 * 1884
 * arr for pf4h as S.618
 * arr for pf4h as S.618


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я226–233b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Marches

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 226
 * A188
 * Festvorspiel (Preludio pomposo)
 * pf
 * 1856
 * arr for orch as S.356
 * 1856
 * arr for orch as S.356


 * 226a (*153a) (*745)
 * AHS 010
 * Marche funèbre
 * pf
 * G minor
 * 1827
 * 1st version of S.173/7
 * 1st version of S.173/7


 * 227
 * A164a
 * Fest-marsch zur Säcular-feier von Goethe's Geburtstag am 28t Aug 1849 in Weimar (Festmarsch zur Säkularfeier von Goethes Geburtstag) (Goethe-Festmarsch)
 * pf
 * E♭ major
 * 1849
 * uses themes from S.167o; 1st version of S.521i, S.521ii; arr for orch by Liszt and August Conradi as S.115i, for orch by Liszt and Joachim Raff as S.115ii
 * uses themes from S.167o; 1st version of S.521i, S.521ii; arr for orch by Liszt and August Conradi as S.115i, for orch by Liszt and Joachim Raff as S.115ii


 * 228i (*227a)
 * A182
 * Huldigungsmarsch
 * pf
 * C major
 * 1853
 * 1st version of S.228ii; arr for orch by Liszt and Joachim Raff as S.357i
 * 1st version of S.228ii; arr for orch by Liszt and Joachim Raff as S.357i


 * 228ii (*228)
 * A182
 * Huldigungsmarsch
 * pf
 * C major
 * 1853–58
 * 2nd version of S.228i; Trio section uses theme of S.313
 * 2nd version of S.228i; Trio section uses theme of S.313


 * 229
 * A184
 * Vom Fels zum Meer! (Deutscher Siegesmarsch)
 * pf
 * E♭ major
 * 1853–56
 * arr for pf4h as S.618a, for orch as S.368
 * arr for pf4h as S.618a, for orch as S.368


 * 229a
 * Ungarischer Marsch
 * pf
 * B♭ major
 * 1859
 * unpublished
 * 1859
 * unpublished


 * 230
 * A326
 * Bülow-Marsch
 * pf
 * 1883
 * arr for pf4h as S.619, for 2pf 8-hands as S.657b
 * 1883
 * arr for pf4h as S.619, for 2pf 8-hands as S.657b


 * 230a (*528)
 * A274
 * Festpolonaise
 * pf
 * 1876
 * arr for pf4h as S.619a
 * 1876
 * arr for pf4h as S.619a


 * 231
 * AHS 065
 * Heroischer Marsch in ungarischem Styl (Marche héroïque dans le genre hongrois) [Première marche hongroise]
 * pf
 * A minor
 * 1840
 * arr for orch as S.358a, for pf orch as S.713f
 * arr for orch as S.358a, for pf orch as S.713f


 * 232
 * A112/1
 * Seconde marche hongroise (Ungarischer Sturmmarsch)
 * pf
 * 1843
 * 1st version of S.524; arr for orch as S.358b
 * 1843
 * 1st version of S.524; arr for orch as S.358b


 * 233
 * A252
 * Ungarischer Geschwindmarsch (Magyar Gyors induló)
 * pf
 * 1870–71
 * possibly 1st version of S.460
 * 1870–71
 * possibly 1st version of S.460


 * 233a
 * A332
 * Siegesmarsch (Marche triomphale)
 * pf
 * E♭ major
 * 1884
 * 1884


 * 233b (*733)
 * A105
 * Marche hongroise
 * pf
 * E♭ minor
 * 1844
 * 1844


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я233c–254
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Works on national themes

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я233c
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Austrian

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 233c (*385a)
 * AHS 012b
 * Tyrolean Melody
 * pf
 * G major
 * 1826?
 * based on the same folk song as used by Daniel Auber in his opera La fiancée and arr by Liszt in his Fantaisie on that opera S.385i
 * based on the same folk song as used by Daniel Auber in his opera La fiancée and arr by Liszt in his Fantaisie on that opera S.385i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я234
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Czech

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 234
 * AHS 067
 * Hussitenlied (Aus dem 15. Jahrhundert)
 * pf
 * 1840
 * based on the song Těšme se blahou nadějć by Josef Theodor Krov ; arr for pf4h as S.620
 * 1840
 * based on the song Těšme se blahou nadějć by Josef Theodor Krov ; arr for pf4h as S.620


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я235
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

English

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 235
 * AHS 076
 * God Save the Queen (Paraphrase de concert)
 * pf
 * 1841
 * based on S.694
 * 1841
 * based on S.694


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я236–239
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

French

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 236
 * A106–7
 * Faribolo Pastour et la Chanson du Béarn
 * pf
 * 1844
 * 1844
 * 1844


 * 236/1
 * A106
 * Faribolo Pastour (Chanson tirée du Poème de Françonnetto de Jasmin)
 * Faribolo Pastour (Chanson tirée du Poème de Françonnetto de Jasmin)
 * Faribolo Pastour (Chanson tirée du Poème de Françonnetto de Jasmin)


 * pf
 * 1844
 * based on the song taken from the poem Françouneto by Jacques Jasmin
 * based on the song taken from the poem Françouneto by Jacques Jasmin


 * 236/2
 * A107
 * Pastorale du Béarn (Chanson du Béarn)
 * Pastorale du Béarn (Chanson du Béarn)
 * Pastorale du Béarn (Chanson du Béarn)


 * pf
 * 1844
 * based on the Béarnaise folksong La haût sus las mountagnes by René de Galard de Béarn, Marquis de Brassac
 * based on the Béarnaise folksong La haût sus las mountagnes by René de Galard de Béarn, Marquis de Brassac


 * 237
 * A236
 * La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle)
 * pf
 * 1866–72
 * after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle
 * 1866–72
 * after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle


 * 238
 * A169
 * La cloche sonne
 * pf
 * C minor
 * 1850?
 * based on an old French song
 * based on an old French song


 * 239
 * A262
 * Vive Henri IV
 * pf
 * 1879–80
 * based on the French anthem Marche de Henri IV by Jehan Tabourot
 * 1879–80
 * based on the French anthem Marche de Henri IV by Jehan Tabourot


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я240
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

German

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 240i (*240)
 * AHS 096
 * Gaudeamus igitur (Chanson des étudiants) (Paraphrase)
 * pf
 * 1843
 * based on a traditional student song; 1st version of S.240ii
 * 1843
 * based on a traditional student song; 1st version of S.240ii


 * 240ii
 * AHS 096
 * Gaudeamus igitur (Chanson des étudiants) (Paraphrase)
 * pf
 * 1853
 * 2nd version of S.240i
 * 1853
 * 2nd version of S.240i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я241–246
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Hungarian

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 241
 * AHS 011
 * Zum Andenken ((2) Ungarische Werbungstänze) (2 Hungarian Recruiting Dances):
 * pf
 * 1828
 * 1828
 * 1828


 * 241/1
 * AHS 011/1
 * Kiniszi notája
 * Kiniszi notája
 * Kiniszi notája


 * pf
 * 1828
 * based on a dance by László Fáy
 * based on a dance by László Fáy


 * 241/2
 * AHS 011/2
 * Lassú magyar
 * Lassú magyar
 * Lassú magyar


 * pf
 * 1828
 * based on a dance by János Bihari
 * based on a dance by János Bihari


 * 241a
 * A180
 * (18) Ungarischer Romanzero (Hungarian Romances) (Hungarian Songbook):
 * pf
 * 1853
 * based on popular Hungarian songs; by Liszt and Eduard Remenyi
 * 1853
 * based on popular Hungarian songs; by Liszt and Eduard Remenyi


 * 241a/HS 01
 * A180/HS 01
 * Ungarischer Romanzero No.1
 * Ungarischer Romanzero No.1
 * Ungarischer Romanzero No.1


 * pf
 * F minor
 * 1853
 * composed by Eduard Remenyi


 * 241a/HS 02
 * A180/HS 02
 * Ungarischer Romanzero No.2
 * Ungarischer Romanzero No.2
 * Ungarischer Romanzero No.2


 * pf
 * A minor
 * 1853


 * 241a/HS 03
 * A180/HS 03
 * Ungarischer Romanzero No.3
 * Ungarischer Romanzero No.3
 * Ungarischer Romanzero No.3


 * pf
 * A minor
 * 1853


 * 241a/HS 04
 * A180/HS 04
 * Ungarischer Romanzero No.4
 * Ungarischer Romanzero No.4
 * Ungarischer Romanzero No.4


 * pf
 * A minor
 * 1853
 * composed by Eduard Remenyi


 * 241a/HS 05
 * A180/HS 05
 * Ungarischer Romanzero No.5
 * Ungarischer Romanzero No.5
 * Ungarischer Romanzero No.5


 * pf
 * D minor
 * 1853


 * 241a/HS 06
 * A180/HS 06
 * Ungarischer Romanzero No.6
 * Ungarischer Romanzero No.6
 * Ungarischer Romanzero No.6


 * pf
 * A major
 * 1853


 * 241a/HS 07
 * A180/HS 07
 * Ungarischer Romanzero No.7
 * Ungarischer Romanzero No.7
 * Ungarischer Romanzero No.7


 * pf
 * A major
 * 1853


 * 241a/HS 08
 * A180/HS 08
 * Ungarischer Romanzero No.8
 * Ungarischer Romanzero No.8
 * Ungarischer Romanzero No.8


 * pf
 * D minor
 * 1853


 * 241a/HS 09
 * A180/HS 09
 * Ungarischer Romanzero No.9
 * Ungarischer Romanzero No.9
 * Ungarischer Romanzero No.9


 * pf
 * A major
 * 1853


 * 241a/10
 * A180/10
 * Ungarischer Romanzero No.10
 * Ungarischer Romanzero No.10
 * Ungarischer Romanzero No.10


 * pf
 * G minor
 * 1853


 * 241a/11
 * A180/11
 * Ungarischer Romanzero No.11
 * Ungarischer Romanzero No.11
 * Ungarischer Romanzero No.11


 * pf
 * F major
 * 1853


 * 241a/12
 * A180/12
 * Ungarischer Romanzero No.12
 * Ungarischer Romanzero No.12
 * Ungarischer Romanzero No.12


 * pf
 * C major
 * 1853
 * composed by Eduard Remenyi


 * 241a/13
 * A180/13
 * Ungarischer Romanzero No.13
 * Ungarischer Romanzero No.13
 * Ungarischer Romanzero No.13


 * pf
 * F♯ minor
 * 1853
 * composed by Eduard Remenyi


 * 241a/14
 * A180/14
 * Ungarischer Romanzero No.14
 * Ungarischer Romanzero No.14
 * Ungarischer Romanzero No.14


 * pf
 * D major
 * 1853
 * composed by Eduard Remenyi


 * 241a/15
 * A180/15
 * Ungarischer Romanzero No.15
 * Ungarischer Romanzero No.15
 * Ungarischer Romanzero No.15


 * pf
 * D major
 * 1853
 * composed by Eduard Remenyi


 * 241a/16
 * A180/16
 * Ungarischer Romanzero No.16
 * Ungarischer Romanzero No.16
 * Ungarischer Romanzero No.16


 * pf
 * C major
 * 1853
 * composed by Eduard Remenyi


 * 241a/17
 * A180/17
 * Ungarischer Romanzero No.17
 * Ungarischer Romanzero No.17
 * Ungarischer Romanzero No.17


 * pf
 * A major
 * 1853
 * composed by Eduard Remenyi


 * 241a/18
 * A180/18
 * Ungarischer Romanzero No.18
 * Ungarischer Romanzero No.18
 * Ungarischer Romanzero No.18


 * pf
 * A major
 * 1853
 * composed by Eduard Remenyi


 * 241b
 * Magyar Tempo
 * pf
 * 1840
 * sketches only; 2nd version of S.242/5, S.243/1, S.243/1a
 * 1840
 * sketches only; 2nd version of S.242/5, S.243/1, S.243/1a
 * sketches only; 2nd version of S.242/5, S.243/1, S.243/1a


 * 242/HS 001–7
 * AHS 060a
 * Magyar Dalok (Ungarische Nationalmelodien; Mélodies hongroises):
 * pf
 * 1839–40
 * originally published in 1840 as Vol.I (Nos.1–6), Vol.II (No.7)
 * 1839–40
 * originally published in 1840 as Vol.I (Nos.1–6), Vol.II (No.7)


 * 242/HS 01
 * AHS 060a/HS 01
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * C minor
 * 1839–40


 * 242/HS 02
 * AHS 060a/HS 02
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * pf
 * C major
 * 1839–40


 * 242/HS 03
 * AHS 060a/HS 03
 * (Sehr langsam)
 * (Sehr langsam)
 * (Sehr langsam)


 * pf
 * D♭ major
 * 1839–40


 * 242/HS 04
 * AHS 060a/HS 04
 * (Animato)
 * (Animato)
 * (Animato)


 * pf
 * C♯ major
 * 1839–40
 * 1st version of S.243/2, S.243/2a; themes used in S.244/6


 * 242/HS 05
 * AHS 060a/HS 05
 * (Tempo giusto)
 * (Tempo giusto)
 * (Tempo giusto)


 * pf
 * D♭ major
 * 1839–40
 * 1st version of S.243/1, S.243/1a, S.241b; themes used in S.244/6


 * 242/HS 06
 * AHS 060a/HS 06
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * G minor
 * 1839–40
 * arr for orch as S.690e; themes used in S.242/12, S.244/5


 * 242/HS 07
 * AHS 060a/HS 07
 * (Andante cantabile quasi Adagio)
 * (Andante cantabile quasi Adagio)
 * (Andante cantabile quasi Adagio)


 * pf
 * E♭ major
 * 1839–40
 * 1st version of S.244/4


 * 242/HS 078–11
 * AHS 060a
 * Magyar Dalok (Ungarische Nationalmelodien; Mélodies hongroises):
 * pf
 * 1839–43
 * originally published in 1843 as Vol.III (Nos.8–9), Vol.IV (Nos.10–11)
 * 1839–43
 * originally published in 1843 as Vol.III (Nos.8–9), Vol.IV (Nos.10–11)


 * 242/HS 08
 * AHS 060a/HS 08
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * F minor
 * 1839–43


 * 242/HS 09
 * AHS 060a/HS 09
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * A minor
 * 1839–43


 * 242/10
 * AHS 060a/10
 * (Adagio sostenuto a capriccio)
 * (Adagio sostenuto a capriccio)
 * (Adagio sostenuto a capriccio)


 * pf
 * D major
 * 1839–43
 * uses theme from S.164e/1; themes used in S.123, S.242/13, S.242a, S.244/14, S.244/15


 * 242/11
 * AHS 060a/11
 * (Andante sostenuto)
 * (Andante sostenuto)
 * (Andante sostenuto)


 * pf
 * B♭ major
 * 1839–43
 * 1st version of S.243/3, S.243/3a; uses theme from S.164e/2; themes used in S.243a, S.244/3, S.244/6


 * 242/HS 1112–17
 * AHS 060b
 * Magyar Rapszódiák (Ungarische Rhapsodien; Rapsodies hongroises):
 * pf
 * 1846–47
 * originally published by 1847 as Vol.V (No.12), Vol.VI (No.13), Vol.VII (No.14), Vol.VIII (No.15), Vol.IX (No.16), Vol.X (No.17); No.13a published separately
 * 1846–47
 * originally published by 1847 as Vol.V (No.12), Vol.VI (No.13), Vol.VII (No.14), Vol.VIII (No.15), Vol.IX (No.16), Vol.X (No.17); No.13a published separately


 * 242/12
 * AHS 060b/12
 * Héroïde élégiaque
 * Héroïde élégiaque
 * Héroïde élégiaque


 * pf
 * E minor
 * 1846–47
 * partly based on S.242/6. themes used in S.244/5


 * 242/13
 * AHS 060b/13
 * Rákóczi-Marsch
 * Rákóczi-Marsch
 * Rákóczi-Marsch


 * pf
 * A minor
 * 1846–47
 * 3rd version of S.242a (based on); partly based on S.242/10; simplified version as S.242/13a; see also 4th & 5th versions S.244/15 & S.244c


 * 242/13a (*242/13bis)
 * AHS 060b/13
 * Ungarische National-Melodie (Rákóczi-Marsch)
 * Ungarische National-Melodie (Rákóczi-Marsch)
 * Ungarische National-Melodie (Rákóczi-Marsch)


 * pf
 * A minor
 * 1846?
 * simplified version of S.242/13


 * 242/14
 * AHS 060b/14
 * (Lento a capriccio)
 * (Lento a capriccio)
 * (Lento a capriccio)


 * pf
 * A minor
 * 1846–47
 * themes used in S.244/11


 * 242/15
 * AHS 060b/15
 * (Lento: Tempo e Stilo Zingarese)
 * (Lento: Tempo e Stilo Zingarese)
 * (Lento: Tempo e Stilo Zingarese)


 * pf
 * D minor
 * 1846–47
 * themes used in S.244/7


 * 242/16
 * AHS 060b/16
 * Preludio
 * Preludio
 * Preludio


 * pf
 * E major
 * 1846–47
 * themes used in S.244/10, S.244/10a


 * 242/17
 * AHS 060b/17
 * (Andante sostenuto)
 * (Andante sostenuto)
 * (Andante sostenuto)


 * pf
 * A minor
 * 1846–47
 * themes used in S.244/13


 * 242/HS 1718–21
 * AHS 060c
 * Ungarische Rhapsodien:
 * pf
 * 1846–47
 * Nos.18–21 originally scheduled for publication in jan.1847 but never published
 * 1846–47
 * Nos.18–21 originally scheduled for publication in jan.1847 but never published


 * 242/18
 * AHS 060c/18
 * (Introduction – Adagio)
 * (Introduction – Adagio)
 * (Introduction – Adagio)


 * pf
 * C♯ minor
 * 1846–47
 * themes used in S.244/12; published 1973


 * 242/19
 * AHS 060c/19
 * (Lento patetico)
 * (Lento patetico)
 * (Lento patetico)


 * pf
 * F♯ minor
 * 1846–47
 * themes used in S.244/8; published 1973


 * 242/20
 * AHS 060c/20
 * Hermannstädter und Walachische Melodie ["Rumänische Rhapsodie"] [Rumanian Rhapsody]
 * Hermannstädter und Walachische Melodie ["Rumänische Rhapsodie"] [Rumanian Rhapsody]
 * Hermannstädter und Walachische Melodie ["Rumänische Rhapsodie"] [Rumanian Rhapsody]


 * pf
 * G minor
 * 1846–47
 * themes used in S.244/6, S.244/12; published 1936 as Rumänische Rhapsodie


 * 242/21
 * AHS 060c/21
 * Koltoi csárdás
 * Koltoi csárdás
 * Koltoi csárdás


 * pf
 * E minor
 * 1846–47
 * themes used in S.123, S.244/14; published 1973


 * 242/HS 2122–23
 * AHS 060e
 * Magyar Rapszódiák:
 * pf
 * by 1847
 * No.22 originally published separately in 1847, No.23 originally unpublished
 * by 1847
 * No.22 originally published separately in 1847, No.23 originally unpublished


 * 242/22
 * AHS 060e
 * Pester Karneval
 * Pester Karneval
 * Pester Karneval


 * pf
 * E♭ major
 * by 1847
 * themes used in S.244/9, S.244/14; arr for vn vc pf as S.379


 * 242/23 (*243b)
 * Rêves et fantaisies
 * Rêves et fantaisies
 * Rêves et fantaisies
 * Rêves et fantaisies


 * pf
 * C♯ minor
 * by 1847
 * opening based on S.171a/3; 1st version of S.244/1


 * 242a
 * AHS 059
 * Rákóczi-Marsch
 * pf
 * A minor
 * 1839–40
 * based on the Hungarian national anthem of the time, the Rákóczi March; 1st version of S.164f, S.242/10, S.242/13, S.242/13a, S.244/15, S.244/15a, S.244a, S.244b, S.244c, S.692d, S.723c ; arr for orch as S.117, for pf4h as S.608, for 2pf as S.652a
 * based on the Hungarian national anthem of the time, the Rákóczi March; 1st version of S.164f, S.242/10, S.242/13, S.242/13a, S.244/15, S.244/15a, S.244a, S.244b, S.244c, S.692d, S.723c ; arr for orch as S.117, for pf4h as S.608, for 2pf as S.652a


 * 243
 * AHS 060d
 * (3) Ungarische Nationalmelodien:
 * pf
 * c1840
 * c1840
 * c1840


 * 243/1
 * AHS 060d/1
 * (Tempo giusto)
 * (Tempo giusto)
 * (Tempo giusto)


 * pf
 * D major
 * c1840
 * 3rd version of S.241b, S.242/5, S.243/1a; themes used in S.244/6


 * 243/1a (*243bis/1)
 * AHS 060d/1
 * (Tempo giusto) (Im leichten Stile bearbeitet)
 * (Tempo giusto) (Im leichten Stile bearbeitet)
 * (Tempo giusto) (Im leichten Stile bearbeitet)


 * pf
 * D major
 * c1843
 * 4th (lighter) version of S.241b, S.242/5, S.243/1


 * 243/2
 * AHS 060d/2
 * (Animato)
 * (Animato)
 * (Animato)


 * pf
 * C♯ major
 * c1840
 * 2nd version of S.242/4, S.243/2a; themes used in S.244/6


 * 243/2a (*243bis/2)
 * AHS 060d/2
 * (Animato) (Im leichten Stile bearbeitet)
 * (Animato) (Im leichten Stile bearbeitet)
 * (Animato) (Im leichten Stile bearbeitet)


 * pf
 * C major
 * c1843
 * 3rd (lighter) version of S.242/4, S.243/2


 * 243/3
 * AHS 060d/3
 * Prélude (Allegretto)
 * Prélude (Allegretto)
 * Prélude (Allegretto)


 * pf
 * B♭ major
 * c1840
 * 2nd version of S.242/11, S.243/3a; themes used in S.244/6


 * 243/3a (*243bis/3)
 * AHS 060d/3
 * Prélude (Allegretto) (Im leichten Stile bearbeitet)
 * Prélude (Allegretto) (Im leichten Stile bearbeitet)
 * Prélude (Allegretto) (Im leichten Stile bearbeitet)


 * pf
 * B♭ major
 * c1843
 * 3rd (lighter) version of S.242/11, S.243/3


 * 243a
 * Célèbre mélodie hongroise
 * pf
 * 1866 or later
 * uses themes from S.242/11, S.244/6; written for Francis Planté
 * 1866 or later
 * uses themes from S.242/11, S.244/6; written for Francis Planté
 * uses themes from S.242/11, S.244/6; written for Francis Planté


 * *243b (242/23)
 * Rêves et fantaisies
 * 1844–46?
 * Rêves et fantaisies
 * 1844–46?
 * 1844–46?
 * 1844–46?


 * 244
 * A132
 * Hungarian Rhapsodies (Ungarische Rhapsodien):
 * pf
 * 1846–85
 * 1846–85
 * 1846–85


 * 244/HS 01
 * A132/HS 01
 * Hungarian Rhapsody No. 1 (Lento quasi recitativo)
 * Hungarian Rhapsody No. 1 (Lento quasi recitativo)
 * Hungarian Rhapsody No. 1 (Lento quasi recitativo)


 * pf
 * C♯ minor
 * 1846
 * 2nd version of S.242/23


 * 244/HS 02
 * A132/HS 02
 * Hungarian Rhapsody No. 2 (Lento a capriccio)
 * Hungarian Rhapsody No. 2 (Lento a capriccio)
 * Hungarian Rhapsody No. 2 (Lento a capriccio)


 * pf
 * C♯ minor
 * 1847
 * arr for orch by Liszt and Franz Doppler as S.359/4, for pf4h as S.621/4; ossia and cadenzas as S.244/2a


 * 244/HS 02a (*244/2bis)
 * A132/HS 02
 * Hungarian Rhapsody No. 2
 * Hungarian Rhapsody No. 2
 * Hungarian Rhapsody No. 2


 * pf
 * C♯ minor
 * 1885
 * ossia and cadenzas for S.244/2


 * 244/HS 03
 * A132/HS 03
 * Hungarian Rhapsody No. 3 (Andante)
 * Hungarian Rhapsody No. 3 (Andante)
 * Hungarian Rhapsody No. 3 (Andante)


 * pf
 * B♭ major
 * 1847
 * uses themes from S.164e/2, S.242/11


 * 244/HS 04
 * A132/HS 04
 * Hungarian Rhapsody No. 4 (Quasi adagio, altiermamente)
 * Hungarian Rhapsody No. 4 (Quasi adagio, altiermamente)
 * Hungarian Rhapsody No. 4 (Quasi adagio, altiermamente)


 * pf
 * E♭ major
 * 1847
 * uses themes from S.242/7


 * 244/HS 05
 * A132/HS 05
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)


 * pf
 * E minor
 * 1847
 * uses themes from S.242/6, S.242/12; arr for orch by Liszt and Franz Doppler as S.359/5, for pf4h as S.621/5


 * 244/HS 06
 * A132/HS 06
 * Hungarian Rhapsody No. 6 (Tempo giusto)
 * Hungarian Rhapsody No. 6 (Tempo giusto)
 * Hungarian Rhapsody No. 6 (Tempo giusto)


 * pf
 * D♭ major
 * 1847
 * uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20, S.243/1, S.243/2, S.243/3; arr for orch by Liszt and Franz Doppler as S.359/3, for pf4h as S.621/3; theme used in S.243a


 * 244/HS 07
 * A132/HS 07
 * Hungarian Rhapsody No. 7 (Lento)
 * Hungarian Rhapsody No. 7 (Lento)
 * Hungarian Rhapsody No. 7 (Lento)


 * pf
 * D minor
 * 1847
 * uses themes from S.242/15


 * 244/HS 08
 * A132/HS 08
 * Hungarian Rhapsody No. 8 (Lento a capriccio)
 * Hungarian Rhapsody No. 8 (Lento a capriccio)
 * Hungarian Rhapsody No. 8 (Lento a capriccio)


 * pf
 * F♯ minor
 * 1846
 * uses themes from S.242/19


 * 244/HS 09
 * A132/HS 09
 * Hungarian Rhapsody No. 9 ("Pesther Carneval")
 * Hungarian Rhapsody No. 9 ("Pesther Carneval")
 * Hungarian Rhapsody No. 9 ("Pesther Carneval")


 * pf
 * E♭ major
 * 1847
 * uses themes from S.242/22; arr for orch by Liszt and Franz Doppler as S.359/6, for pf4h as S.621/6


 * 244/10
 * A132/10
 * Hungarian Rhapsody No. 10 (Preludio)
 * Hungarian Rhapsody No. 10 (Preludio)
 * Hungarian Rhapsody No. 10 (Preludio)


 * pf
 * E major
 * 1847
 * 1st version of (ossia) S.244/10a; uses themes from S.242/16


 * 244/10a (*244/10bis)
 * A132/10
 * Hungarian Rhapsody No. 10
 * Hungarian Rhapsody No. 10
 * Hungarian Rhapsody No. 10


 * pf
 * E major
 * 1847
 * 2nd (easier ossia) version of S.244/10; uses themes from S.242/16


 * 244/11
 * A132/11
 * Hungarian Rhapsody No. 11 (Lento a capriccio)
 * Hungarian Rhapsody No. 11 (Lento a capriccio)
 * Hungarian Rhapsody No. 11 (Lento a capriccio)


 * pf
 * A minor
 * 1847
 * uses themes from S.242/14


 * 244/12
 * A132/12
 * Hungarian Rhapsody No. 12 (Introduzione. Mesto)
 * Hungarian Rhapsody No. 12 (Introduzione. Mesto)
 * Hungarian Rhapsody No. 12 (Introduzione. Mesto)


 * pf
 * C♯ minor
 * 1847
 * uses themes from S.242/18, S.242/20; arr for orch by Liszt and Franz Doppler as S.359/2, for pf4h as S.621/2, for vn pf as S.379a


 * 244/13
 * A132/13
 * Hungarian Rhapsody No. 13 (Andante sostenuto)
 * Hungarian Rhapsody No. 13 (Andante sostenuto)
 * Hungarian Rhapsody No. 13 (Andante sostenuto)


 * pf
 * A minor
 * 1847
 * uses themes from S.242/17


 * 244/14
 * A132/14
 * Hungarian Rhapsody No. 14 (Lento, quasi marcia funebre)
 * Hungarian Rhapsody No. 14 (Lento, quasi marcia funebre)
 * Hungarian Rhapsody No. 14 (Lento, quasi marcia funebre)


 * pf
 * F minor
 * 1847
 * uses themes from S.242/21, S.242/22; arr for orch by Liszt and Franz Doppler as S.359/1; themes used in S.123


 * 244/15
 * A132/15
 * Hungarian Rhapsody No. 15 (Rákóczi-Marsch)
 * Hungarian Rhapsody No. 15 (Rákóczi-Marsch)
 * Hungarian Rhapsody No. 15 (Rákóczi-Marsch)


 * pf
 * A minor
 * 1847
 * 4th version of S.242a (based on S.242/10, S.242/13); simplified (easier ossia) version as S.244/15a; arr for orch as S.117


 * 244/15a (*244/15bis)
 * A132/15
 * Hungarian Rhapsody No. 15
 * Hungarian Rhapsody No. 15
 * Hungarian Rhapsody No. 15


 * pf
 * A minor
 * c1847
 * simplified (easier ossia) version of S.244/15


 * 244/16i
 * Magyar Rapzódia (Hungarian Rhapsody No. 16)
 * Magyar Rapzódia (Hungarian Rhapsody No. 16)
 * Magyar Rapzódia (Hungarian Rhapsody No. 16)
 * Magyar Rapzódia (Hungarian Rhapsody No. 16)


 * pf
 * A minor
 * 1882
 * 1st version of S.244/16ii


 * 244/16ii (*244/16)
 * A132/16
 * Hungarian Rhapsody No. 16 (Allegro)
 * Hungarian Rhapsody No. 16 (Allegro)
 * Hungarian Rhapsody No. 16 (Allegro)


 * pf
 * A minor
 * 1882
 * 2nd version of S.244/16i; arr for pf4h as S.622


 * 244/17
 * A132/17
 * Hungarian Rhapsody No. 17 (Lento)
 * Hungarian Rhapsody No. 17 (Lento)
 * Hungarian Rhapsody No. 17 (Lento)


 * pf
 * D minor
 * 1883


 * 244/18i
 * Hungarian Rhapsody No. 18
 * Hungarian Rhapsody No. 18
 * Hungarian Rhapsody No. 18
 * Hungarian Rhapsody No. 18


 * pf
 * F♯ minor
 * c1883
 * 1st (coda) version of S.244/18ii, S.244/18iii


 * 244/18ii
 * Hungarian Rhapsody No. 18
 * Hungarian Rhapsody No. 18
 * Hungarian Rhapsody No. 18
 * Hungarian Rhapsody No. 18


 * pf
 * F♯ minor
 * c1883
 * 2nd (coda) version of S.244/18i, S.244/18iii


 * 244/18iii (*244/18)
 * A132/18
 * Hungarian Rhapsody No. 18 (Lento)
 * Hungarian Rhapsody No. 18 (Lento)
 * Hungarian Rhapsody No. 18 (Lento)


 * pf
 * F♯ minor
 * 1885
 * 3rd (coda) version of S.244/18i, S.244/18ii; arr for pf4h as S.623


 * 244/19
 * A132/19
 * Hungarian Rhapsody No. 19 (Lento)
 * Hungarian Rhapsody No. 19 (Lento)
 * Hungarian Rhapsody No. 19 (Lento)


 * pf
 * D minor
 * 1885
 * based on the Csárdás nobles by Kornél Ábrányi; arr for pf4h as S.623a


 * 244a
 * A224
 * Rákóczi-Marsch
 * pf
 * A minor
 * 1863
 * arr of S.117; 6th pf version of S.242a; simplified version as S.244b
 * arr of S.117; 6th pf version of S.242a; simplified version as S.244b


 * 244b
 * A224
 * Rákóczi-Marsch
 * pf
 * A minor
 * 1871
 * simplified version of S.244a
 * simplified version of S.244a


 * 244c
 * A132/15a
 * Marche de Rákóczy (Édition populaire)
 * pf
 * A minor
 * 1851
 * 5th version of S.242a (based on S.242/13)
 * 5th version of S.242a (based on S.242/13)


 * 245
 * A263
 * (5) Ungarische Volkslieder (Magyar népdal):
 * pf
 * 1872
 * based on folk songs from the collection Popular songs by József Tamássy edited by Kornél Ábrányi
 * 1872
 * based on folk songs from the collection Popular songs by József Tamássy edited by Kornél Ábrányi


 * 245/1
 * A263/1
 * Csak titokban akartalak szeretni (Lassan)
 * Csak titokban akartalak szeretni (Lassan)
 * Csak titokban akartalak szeretni (Lassan)


 * pf
 * D major
 * 1872


 * 245/2
 * A263/2
 * Jaj beh szennyes az a maga kendője (Mérsekélve)
 * Jaj beh szennyes az a maga kendője (Mérsekélve)
 * Jaj beh szennyes az a maga kendője (Mérsekélve)


 * pf
 * G major
 * 1872


 * 245/3
 * A263/3
 * Beh szomorú ez az élet én nékem (Lassan)
 * Beh szomorú ez az élet én nékem (Lassan)
 * Beh szomorú ez az élet én nékem (Lassan)


 * pf
 * G major
 * 1872


 * 245/4
 * A263/4
 * Beh! sok falut, be! sok várost bejártam (Kissé élénken)
 * Beh! sok falut, be! sok várost bejártam (Kissé élénken)
 * Beh! sok falut, be! sok várost bejártam (Kissé élénken)


 * pf
 * C♯ minor
 * 1872


 * 245/5
 * A263/5
 * Erdó, erdó, sűrű erdó árnyában (Búsongva)
 * Erdó, erdó, sűrű erdó árnyában (Búsongva)
 * Erdó, erdó, sűrű erdó árnyában (Búsongva)


 * pf
 * F minor
 * 1872


 * 246
 * A255
 * Puszta-Wehmut (A puszta keserve)
 * pf
 * 1871
 * based on a song by Lyudmilla Gizycka-Zámoyská; arr for vn pf as S.379b
 * 1871
 * based on a song by Lyudmilla Gizycka-Zámoyská; arr for vn pf as S.379b


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я247–248
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Italian

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *247 (252a/i)
 * La romanesca
 * La romanesca
 * La romanesca


 * 248i (*248)
 * AHS 085
 * Canzone napolitana
 * pf
 * 1842
 * 1st version of S.248ii
 * 1842
 * 1st version of S.248ii


 * 248ii (*248a)
 * AHS 085
 * Canzone napolitana (Notturno)
 * pf
 * 1842
 * 2nd ("arr élégant") version of S.248i
 * 1842
 * 2nd ("arr élégant") version of S.248i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я249–249b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Polish

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 249
 * A143
 * (3) Glanes de Woronince (Gleanings from Woronińce):
 * pf
 * 1847
 * ; see also S.166m, S.166n
 * 1847
 * ; see also S.166m, S.166n


 * 249/1
 * A143/1
 * Ballade d'Ukraïne (Dumka)
 * Ballade d'Ukraïne (Dumka)
 * Ballade d'Ukraïne (Dumka)


 * pf
 * 1847
 * 1847


 * 249/2
 * A143/2
 * Mélodies polonaises
 * Mélodies polonaises
 * Mélodies polonaises


 * pf
 * 1847
 * based on No.1 of 17 Polish songs, Op.74 by Frédéric Chopin, and on an unidentified Polish melody (also used in S.127, S.249a)
 * based on No.1 of 17 Polish songs, Op.74 by Frédéric Chopin, and on an unidentified Polish melody (also used in S.127, S.249a)


 * 249/3
 * A143/3
 * Complainte (Dumka)
 * Complainte (Dumka)
 * Complainte (Dumka)


 * pf
 * 1847
 * 1847


 * 249a
 * Mélodie polonaise (Album-leaf)
 * pf
 * c1833?
 * based on an unidentified Polish melody (also used in S.127, S.249/2); short draft
 * c1833?
 * based on an unidentified Polish melody (also used in S.127, S.249/2); short draft
 * based on an unidentified Polish melody (also used in S.127, S.249/2); short draft


 * 249b
 * Dumka
 * pf
 * 1871
 * pf
 * 1871
 * 1871


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я249c–251
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Russian

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 249c (*735)
 * A289/2
 * Air cosaque
 * pf
 * 1879
 * 1879
 * 1879


 * 249d (*250a)
 * AHS 086/1
 * Соловей [Solovei] "Le rossignol" (Air russe d'Alexander Alabieff)
 * pf
 * 1842
 * based on a romance by Alexander Alyabyev; 1st version of S.250/1
 * 1842
 * based on a romance by Alexander Alyabyev; 1st version of S.250/1


 * 250
 * AHS 086
 * (2) Mélodies russes (Arabesques):
 * pf
 * 1842
 * 1842
 * 1842


 * 250/1
 * AHS 086/1
 * Соловей [Solovei] "Le rossignol" (Romance de Alexandr Alexandrovitch Alabieff)
 * Соловей [Solovei] "Le rossignol" (Romance de Alexandr Alexandrovitch Alabieff)
 * Соловей [Solovei] "Le rossignol" (Romance de Alexandr Alexandrovitch Alabieff)


 * pf
 * 1842
 * 2nd version of S.249d
 * 2nd version of S.249d


 * 250/2
 * AHS 086/2
 * Chanson bohémienne (de Piotr Petrovitch Boulakhov)
 * Chanson bohémienne (de Piotr Petrovitch Boulakhov)
 * Chanson bohémienne (de Piotr Petrovitch Boulakhov)


 * pf
 * 1842
 * based on a song by Pyotr Bulakhov
 * based on a song by Pyotr Bulakhov


 * 251
 * A324
 * Abschied (Russisches Volkslied)
 * pf
 * 1885
 * 1885
 * 1885


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я252–254
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Spanish

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 252
 * AHS 033
 * Rondeau fantastique sur un thème espagnol (El contrabandista)
 * pf
 * B♭ major
 * 1836
 * based on the aria "Yo que soy contrabandista" from the opera El poeta calculista by Manuel García; published as Op.5 No.3; arr for pf orch as S.713d
 * based on the aria "Yo que soy contrabandista" from the opera El poeta calculista by Manuel García; published as Op.5 No.3; arr for pf orch as S.713d


 * 252a/i (*252a) (*247)
 * AHS 014/1
 * La romanesca (Mélodie du 16ième siècle)
 * pf
 * c1840
 * 1st version of S.252a/ii
 * c1840
 * 1st version of S.252a/ii


 * 252a/ii (*252b)
 * AHS 014/2
 * La romanesca (Mélodie du 16ième siècle)
 * pf
 * c1852
 * 2nd version of S.252a/i
 * c1852
 * 2nd version of S.252a/i


 * 252c (*738)
 * A114
 * Grosse Konzertfantasie über spanische Weisen
 * pf
 * 1844
 * 1st version of S.253; sketches as S.695c
 * 1844
 * 1st version of S.253; sketches as S.695c


 * 253
 * A114
 * Grosse Konzertfantasie über spanische Weisen
 * pf
 * 1845
 * 2nd version of S.252c; one theme used in S.254; sketches as S.695c
 * 1845
 * 2nd version of S.252c; one theme used in S.254; sketches as S.695c


 * 254
 * A195
 * Rhapsodie espagnole (Folies d'espagne et Jota aragonesa)
 * pf
 * 1858
 * uses one theme from S.253
 * 1858
 * uses one theme from S.253


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я255–256a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano four-hands

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *255 (619a)
 * Festpolonaise
 * Festpolonaise
 * Festpolonaise


 * *256 (207a)
 * Variation über das Thema von Borodin
 * pf4h
 * Variation über das Thema von Borodin
 * pf4h


 * 256a
 * Nottorno
 * pf4h
 * E minor
 * arr of S.161/5; spurious (not by Liszt)
 * E minor
 * arr of S.161/5; spurious (not by Liszt)
 * arr of S.161/5; spurious (not by Liszt)


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я257–258
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Two pianos

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 257
 * CHS 01
 * Grosses Konzertstück über Themen aus Mendelssohns Lieder ohne Worte
 * 2pf
 * 1834
 * based on themes from Songs Without Words, Op.19b by Felix Mendelssohn
 * 1834
 * based on themes from Songs Without Words, Op.19b by Felix Mendelssohn


 * 257a
 * Cadenza for Johann Peter Pixis' Variations brillantes sur un thème
 * 2pf
 * Cadenza for Johann Peter Pixis' Variations brillantes sur un thème
 * 2pf


 * 258i
 * C18
 * Concerto pathétique
 * 2pf
 * 1855
 * arr of S.176; 1st version of S.258ii
 * 1855
 * arr of S.176; 1st version of S.258ii


 * 258ii
 * C18
 * Concerto pathétique
 * 2pf
 * 1866
 * 2nd version of S.258i; arr for pf orch by Eduard Reuss with corrections by Liszt as S.365a
 * 1866
 * 2nd version of S.258i; arr for pf orch by Eduard Reuss with corrections by Liszt as S.365a


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я259–268a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Organ or Harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 259
 * EHS 01
 * Fantasie und Fuge über den Choral Ad nos, ad salutarem undam
 * org/pfped
 * 1850
 * based on a theme from the opera Le prophète by Giacomo Meyerbeer; 1st version of S.259a; arr for pf as S.414/4, for pf4h as S.624; Fugue published 1852 as No.4 of Illustrations du Prophète (S.414)
 * 1850
 * based on a theme from the opera Le prophète by Giacomo Meyerbeer; 1st version of S.259a; arr for pf as S.414/4, for pf4h as S.624; Fugue published 1852 as No.4 of Illustrations du Prophète (S.414)


 * 259a
 * Fantasie und Fuge über den Choral Ad nos, ad salutarem undam
 * org/pfped
 * 1852–55
 * 2nd version of S.259; unpublished?, lost?
 * 1852–55
 * 2nd version of S.259; unpublished?, lost?
 * 2nd version of S.259; unpublished?, lost?


 * 260i
 * EHS 03/1
 * Präludium und Fuge über den Namen BACH
 * org
 * 1855–56
 * 1st version of S.260ii; arr for pf as S.529i
 * 1855–56
 * 1st version of S.260ii; arr for pf as S.529i


 * 260ii
 * EHS 03/2
 * Präludium und Fuge über den Namen BACH
 * org
 * 1869–70
 * 2nd version of S.260i; arr for pf as S.529ii
 * 1869–70
 * 2nd version of S.260i; arr for pf as S.529ii


 * 261
 * E19a
 * Pio IX (Der Papsthymnus)
 * org
 * 1863–65
 * arr for pf as S.530, for pf4h as S.625, for orch as S.361; rev for v pf as S.766; rev for 2vv (+org) as S.36; rev for ch orch as S.3/8
 * 1863–65
 * arr for pf as S.530, for pf4h as S.625, for orch as S.361; rev for v pf as S.766; rev for 2vv (+org) as S.36; rev for ch orch as S.3/8


 * 261a
 * E12
 * Andante religioso
 * org
 * 1861
 * arr of mvt IV of S.95iv by Alexander Wilhelm Gottschalg, with revisions by Liszt
 * 1861
 * arr of mvt IV of S.95iv by Alexander Wilhelm Gottschalg, with revisions by Liszt


 * 262
 * E20
 * Ora pro nobis
 * org
 * 1864
 * 1864
 * 1864


 * *263 (187a/i)
 * Resignazione
 * org
 * 1877–81
 * org
 * 1877–81
 * 1877–81


 * 264
 * E33
 * Missa pro organo lectarum celebrationi missarum adjumento inserviens
 * org
 * 1879
 * based on S.8, S.265, S.504
 * 1879
 * based on S.8, S.265, S.504


 * 265
 * E32
 * Gebet (Preghiera)
 * org
 * 1879
 * rev as mvt III of S.264
 * 1879
 * rev as mvt III of S.264


 * 266
 * E39
 * Requiem für die Orgel
 * org
 * 1883
 * based on S.12
 * 1883
 * based on S.12


 * 267
 * E38
 * Am Grabe Richard Wagners
 * org
 * 1883
 * arr of S.135
 * 1883
 * arr of S.135


 * 268
 * E41&7
 * (2) Vortragsstücke:
 * org
 * 1884
 * 1884
 * 1884


 * 268/1
 * E41
 * Introitus
 * Introitus
 * Introitus


 * org
 * 1884
 * 1884


 * 268/2
 * EHS 07
 * Trauerode (Die Todten)
 * Trauerode (Die Todten)
 * Trauerode (Die Todten)


 * org
 * 1884?
 * arr of S.112/1
 * arr of S.112/1


 * 268a
 * E25
 * Preludio
 * org
 * 1885?
 * version of S.666 without vv
 * 1885?
 * version of S.666 without vv


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я269–340a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 269i
 * NHS 01
 * Angiolin dal biondo crin (Englein hold im Lockengold)
 * v pf
 * 1839
 * 1st version of S.269ii, S.269iii, S.269iv, S.269v; arr for pf as S.531/6
 * 1839
 * 1st version of S.269ii, S.269iii, S.269iv, S.269v; arr for pf as S.531/6


 * 269ii
 * NHS 01
 * Angiolin dal biondo crin (Englein hold im Lockengold)
 * v pf
 * 1849?
 * 2nd version of S.269i, S.269iii, S.269iv, S.269v
 * 1849?
 * 2nd version of S.269i, S.269iii, S.269iv, S.269v


 * 269iii
 * NHS 01
 * Angiolin dal biondo crin (Englein hold im Lockengold)
 * v pf
 * 1859?
 * 3rd version of S.269i, S.269ii, S.269iv, S.269v
 * 1859?
 * 3rd version of S.269i, S.269ii, S.269iv, S.269v


 * 269iv
 * Angiolin dal biondo crin (Englein hold im Lockengold)
 * v pf
 * 4th (transposed) version of S.269i, S.269ii, S.269iii, S.269v
 * v pf
 * 4th (transposed) version of S.269i, S.269ii, S.269iii, S.269v
 * 4th (transposed) version of S.269i, S.269ii, S.269iii, S.269v
 * 4th (transposed) version of S.269i, S.269ii, S.269iii, S.269v


 * 269v
 * Angiolin dal biondo crin (Englein hold im Lockengold)
 * v pf
 * 5th version of S.269i, S.269ii, S.269iii, S.269iv
 * v pf
 * 5th version of S.269i, S.269ii, S.269iii, S.269iv
 * 5th version of S.269i, S.269ii, S.269iii, S.269iv
 * 5th version of S.269i, S.269ii, S.269iii, S.269iv


 * 270i
 * N14
 * (3) Sonetti di Petrarca (Petrarca-Sonette):
 * v pf
 * 1838–39
 * 1st version of S.270ii (for tenor voice)
 * 1838–39
 * 1st version of S.270ii (for tenor voice)


 * 270i/1
 * N14/1
 * Pace non trovo (Fried' ist versagt mir)
 * Pace non trovo (Fried' ist versagt mir)
 * Pace non trovo (Fried' ist versagt mir)


 * v pf
 * 1838–39
 * 1st version of S.270ii/2 (for tenor voice); arr for pf as S.158/1
 * 1st version of S.270ii/2 (for tenor voice); arr for pf as S.158/1


 * 270i/2
 * N14/2
 * Benedetto sia'l giorno (Sei gesegnet immerdar)
 * Benedetto sia'l giorno (Sei gesegnet immerdar)
 * Benedetto sia'l giorno (Sei gesegnet immerdar)


 * v pf
 * 1838–39
 * 1st version of S.270ii/1 (for tenor voice); arr for pf as S.158/2
 * 1st version of S.270ii/1 (for tenor voice); arr for pf as S.158/2


 * 270i/3
 * N14/3
 * I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
 * I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
 * I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)


 * v pf
 * 1838–39
 * 1st version of S.270ii/3 (for tenor voice); arr for pf as S.158/3
 * 1st version of S.270ii/3 (for tenor voice); arr for pf as S.158/3


 * 270ii
 * N14
 * (3) Sonetti di Petrarca (Petrarca-Sonette):
 * v pf
 * 1861
 * 2nd version of S.270i (for low voice)
 * 1861
 * 2nd version of S.270i (for low voice)


 * 270ii/1
 * N14/2
 * Benedetto sia'l giorno (Sei gesegnet immerdar)
 * Benedetto sia'l giorno (Sei gesegnet immerdar)
 * Benedetto sia'l giorno (Sei gesegnet immerdar)


 * v pf
 * 1861
 * 2nd version of S.270i/2 (for low voice)
 * 2nd version of S.270i/2 (for low voice)


 * 270ii/2
 * N14/1
 * Pace non trovo (Fried' ist versagt mir)
 * Pace non trovo (Fried' ist versagt mir)
 * Pace non trovo (Fried' ist versagt mir)


 * v pf
 * 1861
 * 2nd version of S.270i/1 (for low voice)
 * 2nd version of S.270i/1 (for low voice)


 * 270ii/3
 * N14/3
 * I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
 * I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
 * I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)


 * v pf
 * 1861
 * 2nd version of S.270i/3 (for low voice)
 * 2nd version of S.270i/3 (for low voice)


 * 271
 * NHS 04
 * Il m'aimait tant
 * v pf
 * 1840–42
 * arr for pf as S.533
 * 1840–42
 * arr for pf as S.533


 * 272i
 * NHS 03
 * Im Rhein, im schönen Ströme
 * v pf
 * 1840
 * 1st version of S.272ii; arr for pf as S.531/2
 * 1840
 * 1st version of S.272ii; arr for pf as S.531/2


 * 272ii
 * NHS 03
 * Im Rhein, im schönen Ströme
 * v pf
 * 1855
 * 2nd version of S.272i
 * 1855
 * 2nd version of S.272i


 * 273i
 * NHS 05
 * Die Loreley
 * v pf
 * 1841
 * 1st version of S.273ii; arr for pf as S.531/1
 * 1841
 * 1st version of S.273ii; arr for pf as S.531/1


 * 273ii
 * NHS 05
 * Die Loreley
 * v pf
 * 1854–56
 * 2nd version of S.273i; arr for pf as S.532, for v orch as S.369
 * 1854–56
 * 2nd version of S.273i; arr for pf as S.532, for v orch as S.369


 * 274i
 * NHS 06
 * Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle)
 * v pf
 * 1841
 * 1st version of S.274ii, S.301b/i, S.301b/ii; arr for pf as S.534i
 * 1841
 * 1st version of S.274ii, S.301b/i, S.301b/ii; arr for pf as S.534i


 * 274ii
 * NHS 06
 * Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle)
 * v pf
 * 1858–60
 * 4th version of S.274i, S.301b/i, S.301b/ii; arr for pf as S.534iii, for vc pf as S.382i, for vn pf as S.382ii
 * 1858–60
 * 4th version of S.274i, S.301b/i, S.301b/ii; arr for pf as S.534iii, for vc pf as S.382i, for vn pf as S.382ii


 * 275i
 * NHS 08/1
 * Mignons Lied (Kennst du das Land)
 * v pf
 * 1842
 * 1st version of S.275ii, S.275iii; arr for pf as S.531/3
 * 1842
 * 1st version of S.275ii, S.275iii; arr for pf as S.531/3


 * 275ii
 * NHS 08/2
 * Mignons Lied (Kennst du das Land)
 * v pf
 * 1854
 * 2nd version of S.275i, S.275iii
 * 1854
 * 2nd version of S.275i, S.275iii


 * 275iii
 * NHS 08/3
 * Mignons Lied (Kennst du das Land)
 * v pf
 * 1860
 * 3rd version of S.275i, S.275ii; arr for v orch as S.370
 * 1860
 * 3rd version of S.275i, S.275ii; arr for v orch as S.370


 * 276i
 * N12/1
 * Comment disaient-ils (Was tun?)
 * v pf
 * 1842
 * 1st version of S.276ii; arr for pf as S.534
 * 1842
 * 1st version of S.276ii; arr for pf as S.534


 * 276ii
 * N12/2
 * Comment disaient-ils
 * v pf
 * 1849–59
 * 2nd version of S.276i
 * 1849–59
 * 2nd version of S.276i


 * 277i
 * N21/1
 * Bist du (Mild wie ein Lufthauch)
 * v pf
 * 1844
 * 1st version of S.277ii
 * 1844
 * 1st version of S.277ii


 * 277ii
 * N21/2
 * Bist du (Mild wie ein Lufthauch)
 * v pf
 * 1878
 * 2nd version of S.277i
 * 1878
 * 2nd version of S.277i


 * 278i
 * NHS 09/1
 * Es war ein König in Thule
 * v pf
 * 1842
 * 1st version of S.278ii; arr for pf as S.531/4
 * 1842
 * 1st version of S.278ii; arr for pf as S.531/4


 * 278ii
 * NHS 09/2
 * Es war ein König in Thule
 * v pf
 * 1856
 * 2nd version of S.278i
 * 1856
 * 2nd version of S.278i


 * 279i
 * N10/1
 * Der du von dem Himmel bist
 * v pf
 * 1842
 * 1st version of S.279ii, S.279iii, S.279iv; arr for pf as S.531/5
 * 1842
 * 1st version of S.279ii, S.279iii, S.279iv; arr for pf as S.531/5


 * 279ii
 * N10/2
 * Der du von dem Himmel bist
 * v pf
 * 1849
 * 2nd version of S.279i, S.279iii, S.279iv
 * 1849
 * 2nd version of S.279i, S.279iii, S.279iv


 * 279iii
 * N10/3
 * Der du von dem Himmel bist
 * v pf
 * 1860
 * 3rd version of S.279i, S.279ii, S.279iv
 * 1860
 * 3rd version of S.279i, S.279ii, S.279iv


 * 279iv
 * N10/4
 * Der du von dem Himmel bist
 * v pf
 * 1870
 * 4th version of S.279i, S.279ii, S.279iii
 * 1870
 * 4th version of S.279i, S.279ii, S.279iii


 * 279a
 * Wenn die letzten Sterne bleichen
 * v pf
 * 1843
 * discovered 2007, published 2009
 * 1843
 * discovered 2007, published 2009
 * discovered 2007, published 2009


 * 280i
 * N23/1
 * Freudvoll und leidvoll I
 * v pf
 * 1844
 * 1st version of S.280ii; arr for pf as S.167a; 1st setting, for 2nd setting see S.280a
 * 1844
 * 1st version of S.280ii; arr for pf as S.167a; 1st setting, for 2nd setting see S.280a


 * 280ii
 * N23/2
 * Freudvoll und leidvoll I
 * v pf
 * 1849
 * 2nd version of S.280i; 1st setting, for 2nd setting see S.280a
 * 1849
 * 2nd version of S.280i; 1st setting, for 2nd setting see S.280a


 * 280a (*280bis)
 * N23/3
 * Freudvoll und leidvoll II
 * v pf
 * 1848?
 * 2nd setting, for 1st setting see S.280
 * 1848?
 * 2nd setting, for 1st setting see S.280


 * 281
 * N22a
 * Die Vätergruft
 * v pf
 * 1844
 * arr for v orch as S.371
 * 1844
 * arr for v orch as S.371


 * 282i
 * N11/1
 * Oh! quand je dors
 * v pf
 * 1842
 * 1st version of S.282ii; arr for pf as S.536
 * 1842
 * 1st version of S.282ii; arr for pf as S.536


 * 282ii
 * N11/2
 * Oh! quand je dors
 * v pf
 * 1849
 * 2nd version of S.282i
 * 1849
 * 2nd version of S.282i


 * 283i
 * N24/1
 * Enfant, si j'étais roi
 * v pf
 * 1844
 * 1st version of S.283ii; arr for pf as S.537
 * 1844
 * 1st version of S.283ii; arr for pf as S.537


 * 283ii
 * N24/2
 * Enfant, si j'étais roi
 * v pf
 * 1849
 * 2nd version of S.283i
 * 1849
 * 2nd version of S.283i


 * 284i
 * N25/1
 * S'il est un charmant gazon
 * v pf
 * 1844
 * 1st version of S.284ii; arr for pf as S.538
 * 1844
 * 1st version of S.284ii; arr for pf as S.538


 * 284ii
 * N25/2
 * S'il est un charmant gazon
 * v pf
 * 1849–59
 * 2nd version of S.284i
 * 1849–59
 * 2nd version of S.284i


 * 285
 * N26
 * La tombe et la rose
 * v pf
 * 1844
 * arr for pf as S.539
 * 1844
 * arr for pf as S.539


 * 286
 * N27
 * Gastibelza (Bolero)
 * v pf
 * 1844
 * "gastibelza" is a Basque word meaning "gossip"; arr for pf as S.540
 * 1844
 * "gastibelza" is a Basque word meaning "gossip"; arr for pf as S.540


 * 287i
 * N19/1
 * Du bist wie eine Blume
 * v pf
 * 1843
 * 1st version of S.287ii, S.287iii, S.287iv, S.287v, S.287vi
 * 1843
 * 1st version of S.287ii, S.287iii, S.287iv, S.287v, S.287vi


 * 287ii
 * N19/2
 * Du bist wie eine Blume
 * v pf
 * 1849
 * 2nd version of S.287i, S.287iii, S.287iv, S.287v, S.287vi
 * 1849
 * 2nd version of S.287i, S.287iii, S.287iv, S.287v, S.287vi


 * 287iii
 * Du bist wie eine Blume
 * v pf
 * 3rd version of S.287i, S.287ii, S.287iv, S.287v, S.287vi
 * v pf
 * 3rd version of S.287i, S.287ii, S.287iv, S.287v, S.287vi
 * 3rd version of S.287i, S.287ii, S.287iv, S.287v, S.287vi
 * 3rd version of S.287i, S.287ii, S.287iv, S.287v, S.287vi


 * 287iv
 * Du bist wie eine Blume
 * v pf
 * 4th version of S.287i, S.287ii, S.287iii, S.287v, S.287vi
 * v pf
 * 4th version of S.287i, S.287ii, S.287iii, S.287v, S.287vi
 * 4th version of S.287i, S.287ii, S.287iii, S.287v, S.287vi
 * 4th version of S.287i, S.287ii, S.287iii, S.287v, S.287vi


 * 287v
 * Du bist wie eine Blume
 * v pf
 * 5th version of S.287i, S.287ii, S.287iii, S.287iv, S.287vi
 * v pf
 * 5th version of S.287i, S.287ii, S.287iii, S.287iv, S.287vi
 * 5th version of S.287i, S.287ii, S.287iii, S.287iv, S.287vi
 * 5th version of S.287i, S.287ii, S.287iii, S.287iv, S.287vi


 * 287vi
 * Du bist wie eine Blume
 * v pf
 * 6th version of S.287i, S.287ii, S.287iii, S.287iv, S.287v
 * v pf
 * 6th version of S.287i, S.287ii, S.287iii, S.287iv, S.287v
 * 6th version of S.287i, S.287ii, S.287iii, S.287iv, S.287v
 * 6th version of S.287i, S.287ii, S.287iii, S.287iv, S.287v


 * 288i
 * NHS 07/1
 * Was Liebe sei
 * v pf
 * 1842
 * 1st setting, for 2nd and 3rd settings see S.288ii, S.288iii
 * 1842
 * 1st setting, for 2nd and 3rd settings see S.288ii, S.288iii


 * 288ii
 * NHS 07/2
 * Was Liebe sei
 * v pf
 * 1854–55
 * 2nd setting, for 1st and 3rd setting see S.288i, S.288iii
 * 1854–55
 * 2nd setting, for 1st and 3rd setting see S.288i, S.288iii


 * 288iii
 * NHS 07/3
 * Was Liebe sei
 * v pf
 * 1878–79
 * 3rd setting, for 1st and 2nd setting see S.288i, S.288ii
 * 1878–79
 * 3rd setting, for 1st and 2nd setting see S.288i, S.288ii


 * 289i
 * N29/1
 * Vergiftet sind meine Lieder
 * v pf
 * 1843
 * 1st version of S.289ii
 * 1843
 * 1st version of S.289ii


 * 289ii
 * N29/2
 * Vergiftet sind meine Lieder
 * v pf
 * 1859
 * 2nd version of S.289i
 * 1859
 * 2nd version of S.289i


 * 290i
 * N16/1
 * Morgens steh ich auf und frage
 * v pf
 * 1843
 * 1st version of S.290ii
 * 1843
 * 1st version of S.290ii


 * 290ii
 * N16/2
 * Morgens steh ich auf und frage
 * v pf
 * 1849–59
 * 2nd version of S.290i
 * 1849–59
 * 2nd version of S.290i


 * 291i
 * N17/1
 * Die tote Nachtigall
 * v pf
 * 1843
 * 1st version of S.291ii
 * 1843
 * 1st version of S.291ii


 * 291ii
 * N17/2
 * Die tote Nachtigall
 * v pf
 * 1870–79
 * 2nd version of S.291i
 * 1870–79
 * 2nd version of S.291i


 * 292i
 * N32/1
 * (3) Lieder aus Schiller's Wilhelm Tell:
 * v pf
 * 1845
 * 1st version of S.292ii
 * 1845
 * 1st version of S.292ii


 * 292i/1
 * N32/1/1
 * Der Fischerknabe (Es lächelt der See)
 * Der Fischerknabe (Es lächelt der See)
 * Der Fischerknabe (Es lächelt der See)


 * v pf
 * 1845
 * 1st version of S.292ii/1
 * 1st version of S.292ii/1


 * 292i/2
 * N32/1/2
 * Der Hirt (Ihr Matten lebt wohl)
 * Der Hirt (Ihr Matten lebt wohl)
 * Der Hirt (Ihr Matten lebt wohl)


 * v pf
 * 1845
 * 1st version of S.292ii/2
 * 1st version of S.292ii/2


 * 292i/3
 * N32/1/3
 * Der Alpenjäger (Es donnern die Höh'n)
 * Der Alpenjäger (Es donnern die Höh'n)
 * Der Alpenjäger (Es donnern die Höh'n)


 * v pf
 * 1845
 * 1st version of S.292ii/3
 * 1st version of S.292ii/3


 * 292ii
 * N32/2
 * (3) Lieder aus Schiller's Wilhelm Tell:
 * v pf
 * 1855?
 * 2nd version of S.292i; arr for v orch as S.372
 * 1855?
 * 2nd version of S.292i; arr for v orch as S.372


 * 292ii/1
 * N32/2/1
 * Der Fischerknabe (Es lächelt der See)
 * Der Fischerknabe (Es lächelt der See)
 * Der Fischerknabe (Es lächelt der See)


 * v pf
 * 1855?
 * 2nd version of S.292i/1; arr for v orch as S.372/1
 * 2nd version of S.292i/1; arr for v orch as S.372/1


 * 292ii/2
 * N32/2/2
 * Der Hirt (Ihr Matten lebt wohl)
 * Der Hirt (Ihr Matten lebt wohl)
 * Der Hirt (Ihr Matten lebt wohl)


 * v pf
 * 1855?
 * 2nd version of S.292i/2; arr for v orch as S.372/2
 * 2nd version of S.292i/2; arr for v orch as S.372/2


 * 292ii/3
 * N32/2/3
 * Der Alpenjäger (Es donnern die Höh'n)
 * Der Alpenjäger (Es donnern die Höh'n)
 * Der Alpenjäger (Es donnern die Höh'n)


 * v pf
 * 1855?
 * 2nd version of S.292i/3; arr for v orch as S.372/3
 * 2nd version of S.292i/3; arr for v orch as S.372/3


 * 293i
 * N37/1
 * Jeanne d'Arc au bûcher (Scène dramatique)
 * v pf
 * 1845
 * 1st version of S.293ii; arr for v orch as S.373i
 * 1845
 * 1st version of S.293ii; arr for v orch as S.373i


 * 293ii
 * N37/2
 * Jeanne d'Arc au bûcher (Scène dramatique)
 * v pf
 * 1874–75
 * 2nd version of S.293i; arr for v org as S.681a; for v orch as S.373ii
 * 1874–75
 * 2nd version of S.293i; arr for v org as S.681a; for v orch as S.373ii


 * 294i
 * N33/1
 * Es rauschen die Winde
 * v pf
 * 1845
 * 1st version of S.294ii
 * 1845
 * 1st version of S.294ii


 * 294ii
 * N33/2
 * Es rauschen die Winde
 * v pf
 * 1849?
 * 2nd version of S.294i
 * 1849?
 * 2nd version of S.294i


 * 295
 * N28
 * Wo weilt er?
 * v pf
 * 1844
 * 1844
 * 1844


 * 296i (*296)
 * N31
 * Ich möchte hingehn
 * v pf
 * 1844?
 * 1st version of S.296ii
 * 1844?
 * 1st version of S.296ii


 * 296ii
 * N31
 * Ich möchte hingehn
 * v pf
 * 1856?
 * 2nd version of S.296i
 * 1856?
 * 2nd version of S.296i


 * 297i
 * N34/1
 * Wer nie sein Brot mit Tränen aß
 * v pf
 * 1845
 * 1st version of S.297ii
 * 1845
 * 1st version of S.297ii


 * 297ii
 * N34/2
 * Wer nie sein Brot mit Tränen aß
 * v pf
 * 1849
 * 2nd version of S.297i
 * 1849
 * 2nd version of S.297i


 * 298i
 * N18/3/1
 * O lieb so lang du lieben kannst
 * v pf
 * 1843
 * 1st version of S.298ii; arr for pf as S.540b
 * 1843
 * 1st version of S.298ii; arr for pf as S.540b


 * 298ii
 * N18/3/2
 * O lieb, so lang du lieben kannst
 * v pf
 * 1843
 * 2nd version of S.298i; arr for pf as S.541/3
 * 1843
 * 2nd version of S.298i; arr for pf as S.541/3


 * 298a
 * N38
 * HS UberÜber die Aeolsharfe
 * v pf
 * 1846
 * 1846
 * 1846


 * 299i
 * N39/1
 * Isten veled
 * v pf
 * 1847
 * 1st version of S.299ii
 * 1847
 * 1st version of S.299ii


 * 299ii
 * N39/2
 * Isten veled
 * v pf
 * 1879
 * 2nd version of S.299i
 * 1879
 * 2nd version of S.299i


 * 300
 * N40
 * Le Juif errant
 * v pf
 * 1847
 * unpublished
 * 1847
 * unpublished


 * 301i
 * N42/1
 * Kling leise, mein Lied
 * v pf
 * 1848
 * 1st version of S.301ii
 * 1848
 * 1st version of S.301ii


 * 301ii
 * N42/2
 * Kling leise, mein Lied
 * v pf
 * 1849–60
 * 2nd version of S.301i
 * 1849–60
 * 2nd version of S.301i


 * 301a
 * N30
 * Oh pourquoi donc
 * v pf
 * 1844?
 * rev for pf as S.169
 * 1844?
 * rev for pf as S.169


 * 301b/i
 * NHS 06/2/1
 * En ces lieux tout me parle d'elle (Élégie)
 * v pf
 * 1844
 * 2nd version of S.274i, S.274ii, S.301b/ii; arr for pf as S.534ii
 * 1844
 * 2nd version of S.274i, S.274ii, S.301b/ii; arr for pf as S.534ii


 * 301b/ii
 * NHS 06/2/2
 * Elégie (En ces lieux)
 * v pf
 * 1845
 * 3rd version of S.274i, S.274ii, S.301b/i; arr for pf as S.534ii/a
 * 1845
 * 3rd version of S.274i, S.274ii, S.301b/i; arr for pf as S.534ii/a


 * 302
 * N45
 * Die Macht der Musik
 * v pf
 * 1848
 * 1848
 * 1848


 * 303*
 * N43$
 * Weimars Toten (Dithyramb)
 * v pf
 * 1848
 * 1848
 * 1848


 * 304
 * N44
 * Le vieux vagabond (Der alte Vagabund)
 * v pf
 * 1848
 * 1848
 * 1848


 * 305i
 * N35/1
 * Schwebe, schwebe, blaues Auge
 * v pf
 * 1845
 * 1st version of S.305ii
 * 1845
 * 1st version of S.305ii


 * 305ii
 * N35/2
 * Schwebe, schwebe, blaues Auge
 * v pf
 * 1849–60
 * 2nd version of S.305i
 * 1849–60
 * 2nd version of S.305i


 * 306i
 * N46/1
 * HS UberÜber allen Gipfeln ist Ruh
 * v pf
 * 1848
 * arr of S.75i; 1st version of S.306ii
 * 1848
 * arr of S.75i; 1st version of S.306ii


 * 306ii
 * N46/2
 * HS UberÜber allen Gipfeln ist Ruh
 * v pf
 * 1859
 * 2nd version of S.306i
 * 1859
 * 2nd version of S.306i


 * 306a
 * N13
 * Quand tu chantes bercée
 * v pf
 * 1842
 * 1842
 * 1842


 * 306b
 * N41
 * Göttliche Gedanken, selige Gefühle
 * v pf
 * 1848
 * 1848
 * 1848


 * 307
 * N18/1
 * Hohe Liebe (In Liebesarmen ruht ihr trunken)
 * v pf
 * 1850
 * arr for pf as S.541/1
 * 1850
 * arr for pf as S.541/1


 * 308
 * N18/2
 * Seliger tod (Gestorben war ich)
 * v pf
 * 1845–46
 * arr for pf as S.171d/8
 * 1845–46
 * arr for pf as S.171d/8


 * 309
 * N36/1
 * Ein Fichtenbaum steht einsam I
 * v pf
 * 1845
 * 1st setting of S.309a
 * 1845
 * 1st setting of S.309a


 * 309a (*309bis)
 * N36/2
 * Ein Fichtenbaum steht einsam II
 * v pf
 * 1860
 * 2nd setting of S.309
 * 1860
 * 2nd setting of S.309


 * 310
 * N20
 * Nimm einen Strahl der Sonne (Ihr Auge)
 * v pf
 * 1843–49
 * 1843–49
 * 1843–49


 * 311i
 * N48/1
 * Anfangs wollt' ich fast verzagen
 * v pf
 * 1849
 * 1st version of S.311ii, S.311iii, S.311iv, S.311v
 * 1849
 * 1st version of S.311ii, S.311iii, S.311iv, S.311v


 * 311ii
 * N48/2
 * Anfangs wollt' ich fast verzagen
 * v pf
 * 1860?
 * 2nd version of S.311i, S.311iii, S.311iv, S.311v
 * 1860?
 * 2nd version of S.311i, S.311iii, S.311iv, S.311v


 * 311iii
 * Anfangs wollt' ich fast verzagen
 * v pf
 * 3rd version of S.311i, S.311ii, S.311iv, S.311v
 * v pf
 * 3rd version of S.311i, S.311ii, S.311iv, S.311v
 * 3rd version of S.311i, S.311ii, S.311iv, S.311v
 * 3rd version of S.311i, S.311ii, S.311iv, S.311v


 * 311iv
 * Anfangs wollt' ich fast verzagen
 * v pf
 * 4th version of S.311i, S.311ii, S.311iii, S.311v
 * v pf
 * 4th version of S.311i, S.311ii, S.311iii, S.311v
 * 4th version of S.311i, S.311ii, S.311iii, S.311v
 * 4th version of S.311i, S.311ii, S.311iii, S.311v


 * 311v
 * Anfangs wollt' ich fast verzagen
 * v pf
 * 5th version of S.311i, S.311ii, S.311iii, S.311iv
 * v pf
 * 5th version of S.311i, S.311ii, S.311iii, S.311iv
 * 5th version of S.311i, S.311ii, S.311iii, S.311iv
 * 5th version of S.311i, S.311ii, S.311iii, S.311iv


 * 312
 * N51
 * Wie singt die Lerche schön
 * v pf
 * 1855
 * 1855
 * 1855


 * 313
 * N53
 * Weimars Volkslied
 * v pf
 * 1857
 * arr for various choral configurations under S.87, for orch by Liszt and Franz Doppler as S.359a, for pf as S.542i, for pf4h as S.588, for org as S.672i, for org/harm as S.672ii; theme used in S.228ii
 * 1857
 * arr for various choral configurations under S.87, for orch by Liszt and Franz Doppler as S.359a, for pf as S.542i, for pf4h as S.588, for org as S.672i, for org/harm as S.672ii; theme used in S.228ii


 * 314
 * N49
 * Es muss ein Wunderbares sein
 * v pf
 * 1852
 * 1852
 * 1852


 * 315
 * N52
 * Ich liebe dich
 * v pf
 * 1857
 * arr for pf as S.542a
 * 1857
 * arr for pf as S.542a


 * 316
 * N54
 * Muttergottes-Sträusslein zum Mai-Monate:
 * v pf
 * 1857
 * see also S.765
 * 1857
 * see also S.765


 * 316/1
 * N54/1
 * Das Veilchen
 * Das Veilchen
 * Das Veilchen


 * v pf
 * 1857
 * 1857


 * 316/2
 * N54/2
 * Das Schlüsselblumen
 * Das Schlüsselblumen
 * Das Schlüsselblumen


 * v pf
 * 1857
 * 1857


 * 317
 * N55
 * Lasst mich ruhen
 * v pf
 * 1858
 * 1858
 * 1858


 * 318
 * N56
 * In Liebeslust
 * v pf
 * 1858
 * 1858
 * 1858


 * 319
 * N58
 * Ich scheide
 * v pf
 * 1860
 * 1860
 * 1860


 * 320
 * N62/1
 * Die drei Zigeuner
 * v pf
 * 1860
 * arr for vn pf as S.383, for v orch as S.374
 * 1860
 * arr for vn pf as S.383, for v orch as S.374


 * 321
 * N59
 * Die stille Wasserrose
 * v pf
 * 1860
 * 1860
 * 1860


 * 322
 * N60
 * Wieder möcht ich dir begegnen
 * v pf
 * 1860
 * 1860
 * 1860


 * 323
 * N61
 * Jugendglück
 * v pf
 * 1860
 * 1860
 * 1860


 * 324
 * N50
 * Blume und Duft
 * v pf
 * 1854
 * 1854
 * 1854


 * 325
 * N65
 * Die Fischerstochter
 * v pf
 * 1871
 * 1871
 * 1871


 * 326
 * N67
 * La perla (Die Perle)
 * v pf
 * 1872
 * 1872
 * 1872


 * 327
 * N68
 * J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben)
 * v pf
 * 1872
 * 1872
 * 1872


 * 328
 * N69
 * Ihr Glocken von Marling
 * v pf
 * 1874
 * 1874
 * 1874


 * 329
 * N70
 * Und sprich
 * v pf
 * 1875–79
 * 1875–79
 * 1875–79


 * 330
 * N71
 * Sei still
 * v pf
 * 1877–79?
 * 1877–79?
 * 1877–79?


 * 331
 * N72
 * Gebet
 * v pf
 * 1878
 * 1878
 * 1878


 * 332
 * N73
 * Einst
 * v pf
 * 1878
 * 1878
 * 1878


 * 333
 * N74
 * An Edlitam (Zur silbernen Hochzeit)
 * v pf
 * 1878
 * 1878
 * 1878


 * 334
 * N75
 * Der Glückliche (Wie glänzt nun die welt)
 * v pf
 * 1878
 * 1878
 * 1878


 * 335
 * N76
 * Go Not, Happy Day (Weil noch, Sonnenstrahl)
 * v pf
 * 1879
 * 1879
 * 1879


 * 336
 * N77
 * Verlassen (Mir ist die Welt so freudenleer)
 * v pf
 * 1880
 * 1880
 * 1880


 * 337
 * N78
 * Des Tages laute Stimmen schweigen
 * v pf
 * 1880
 * 1880
 * 1880


 * 338
 * N66
 * Und wir dachten der Toten
 * v pf
 * 1871?
 * 1871?
 * 1871?


 * 339
 * M37
 * A magyarok Istene (Ungarns Gott)
 * v pf (+mch)
 * 1881
 * arr for pf as S.543, for pflh as S.543a, for org/harm as S.674, for pf4h as S.755a, for bar mch ww br perc as S.345a, for vn pf as S.381a
 * 1881
 * arr for pf as S.543, for pflh as S.543a, for org/harm as S.674, for pf4h as S.755a, for bar mch ww br perc as S.345a, for vn pf as S.381a


 * 340
 * N81
 * Magyar király-dal (Ungarisches Königslied)
 * v pf
 * 1883
 * arr for various choral configurations under S.93, for pf as S.544, for pf4h as S.626
 * 1883
 * arr for various choral configurations under S.93, for pf as S.544, for pf4h as S.626


 * 340a
 * N64
 * Do Not Reproach Me, My Friend (Не брани меня, мой друг)
 * v pf
 * 1866
 * 1866
 * 1866


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я341–344
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs with organ/harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 341
 * KHS 08
 * Ave Maria IV
 * v org/harm
 * G major
 * 1881
 * arr for pf as S.545, for org as S.674b
 * arr for pf as S.545, for org as S.674b


 * 342i
 * KHS 09/1
 * Le Crucifix
 * v pf/harm
 * 1879
 * 1st version of S.342ii, S.342iii
 * 1879
 * 1st version of S.342ii, S.342iii


 * 342ii
 * KHS 09/2
 * Le Crucifix
 * v pf/harm
 * 1879
 * 2nd version of S.342i, S.342iii
 * 1879
 * 2nd version of S.342i, S.342iii


 * 342iii
 * KHS 09/3
 * Le Crucifix
 * v pf/harm
 * 1881–83
 * 3rd version of S.342i, S.342ii
 * 1881–83
 * 3rd version of S.342i, S.342ii


 * 343
 * KHS 07
 * Sancta Caecilia
 * v org/harm
 * 1880–85
 * 1880–85
 * 1880–85


 * 344
 * N79
 * O Meer im Abendstrahl
 * 2vv pf/harm
 * 1881?
 * 1881?
 * 1881?


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я345
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs with orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 345
 * L14
 * (7) Wartburg-Lieder:
 * v ch orch/pf
 * 1872–73
 * 1872–73
 * 1872–73


 * 345/0
 * L14/0
 * An Frau Minne (Die Erde ist erschlossen)
 * An Frau Minne (Die Erde ist erschlossen)
 * An Frau Minne (Die Erde ist erschlossen)


 * ch orch/pf
 * 1872–73
 * 1872–73


 * 345/1
 * L14/1
 * Wolfram von Eschenbach (Als wir mit deutschen Klingen)
 * Wolfram von Eschenbach (Als wir mit deutschen Klingen)
 * Wolfram von Eschenbach (Als wir mit deutschen Klingen)


 * v ch orch/pf
 * 1872–73
 * 1872–73


 * 345/2
 * L14/2
 * Heinrich von Ofterdingen (Hab' ich geträumt?)
 * Heinrich von Ofterdingen (Hab' ich geträumt?)
 * Heinrich von Ofterdingen (Hab' ich geträumt?)


 * v orch/pf
 * 1872–73
 * 1872–73


 * 345/3
 * L14/3
 * Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
 * Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
 * Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)


 * v orch/pf
 * 1872–73
 * arr for v vn pf as S.345/3a
 * arr for v vn pf as S.345/3a


 * 345/3a
 * L14/3a
 * Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
 * Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
 * Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)


 * v pf (+vn)
 * 1873
 * arr of S.345/3
 * arr of S.345/3


 * 345/4
 * L14/4
 * Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig)
 * Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig)
 * Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig)


 * v orch/pf
 * 1872–73
 * 1872–73


 * 345/5
 * L14/5
 * Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied)
 * Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied)
 * Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied)


 * v orch/pf
 * 1872–73
 * 1872–73


 * 345/6
 * L14/6
 * Reimar der Alte (Wo liebende Herzen sich innig vermählt)
 * Reimar der Alte (Wo liebende Herzen sich innig vermählt)
 * Reimar der Alte (Wo liebende Herzen sich innig vermählt)


 * v orch/pf
 * 1872–73
 * 1872–73


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я345a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs with band

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 345a
 * L16
 * A magyarok Istene (Ungarns Gott)
 * v mch ww br perc
 * 1882
 * arr of S.339
 * 1882
 * arr of S.339


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я346–350
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Recitations

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 346
 * P1
 * Lenore (Der Bräutigam)
 * nar pf
 * 1857–58
 * 1857–58
 * 1857–58


 * 347
 * P2
 * Vor hundert Jahren
 * nar orch
 * 1859
 * unpublished
 * 1859
 * unpublished


 * 348
 * P3
 * Der traurige Mönch (In Schweden steht ein grauer Turm)
 * nar pf
 * 1860
 * 1860
 * 1860


 * 349
 * P5
 * Des toten Dichters Liebe (A holt költó szerelme)
 * nar pf
 * 1874
 * rev for pf as S.195
 * 1874
 * rev for pf as S.195


 * 350
 * P6
 * Слѣпой [Slyepoi] (The Blind Man) "Der blinde Sänger"
 * nar pf
 * 1875–77
 * arr for pf as S.546
 * 1875–77
 * arr for pf as S.546


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я351–686
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Arrangements

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я351–364
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я351
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bülow

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 351
 * G32
 * Mazurka-Fantaisie (H. von Bülow)
 * orch
 * B minor
 * 1865
 * arr of the Mazurka-fantaisie for piano, Op.13 by Hans von Bülow
 * arr of the Mazurka-fantaisie for piano, Op.13 by Hans von Bülow


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я352
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Cornelius

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 352
 * G36
 * Zweite Ouvertüre zum Barbier von Bagdad (P. Cornelius)
 * orch
 * 1877–80
 * second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt
 * 1877–80
 * second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я353
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Egressy/Erkel

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 353
 * G34
 * Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)
 * orch
 * 1872
 * arr of the Hungarian patriotic songs (now the Hungarian national anthems) Szózat by Béni Egressy and Himnusz by Ferenc Erkel; arr for pf as S.486, for pf4h as S.628c
 * 1872
 * arr of the Hungarian patriotic songs (now the Hungarian national anthems) Szózat by Béni Egressy and Himnusz by Ferenc Erkel; arr for pf as S.486, for pf4h as S.628c


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я353a–362a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *353a (378ii)
 * Angelus! Prière aux anges gardiens
 * Angelus! Prière aux anges gardiens
 * Angelus! Prière aux anges gardiens


 * *354 (113a)
 * (2)Légendes
 * (2)Légendes
 * (2)Légendes


 * 354a
 * Variationen über das Motiv von Bach
 * orch
 * 1863 or later
 * arr of 180; lost
 * 1863 or later
 * arr of 180; lost
 * arr of 180; lost


 * 355
 * G30
 * Vexilla regis prodeunt (Kreuzeshymne)
 * orch
 * 1864
 * arr of S.185
 * 1864
 * arr of S.185


 * 356
 * G18
 * Festvorspiel
 * orch
 * 1857
 * arr of S.226
 * 1857
 * arr of S.226


 * 357i
 * GHS 08/1
 * Huldigungs-Marsch
 * ww br perc
 * 1853
 * arr of S.228i by Liszt and Joachim Raff; 1st version of S.357ii
 * 1853
 * arr of S.228i by Liszt and Joachim Raff; 1st version of S.357ii


 * 357ii
 * GHS 08/2
 * Huldigungs-Marsch
 * orch
 * 1857
 * 2nd version of S.357i
 * 1857
 * 2nd version of S.357i


 * 358
 * G11
 * Vom Fels zum Meer! (Deutscher Siegesmarsch)
 * orch
 * 1853–56?
 * arr of S.229
 * 1853–56?
 * arr of S.229


 * 358a
 * Heroischer Marsch in ungarischem Styl [Première marche hongroise]
 * orch
 * 1840
 * arr of S.231; basis for S.103; unpublished; written for the King of Portugal
 * 1840
 * arr of S.231; basis for S.103; unpublished; written for the King of Portugal
 * arr of S.231; basis for S.103; unpublished; written for the King of Portugal


 * 358b
 * Seconde marche hongroise (Ungarischer Sturmmarsch)
 * orch
 * 1843 or later
 * 1st version of S.119
 * 1843 or later
 * 1st version of S.119
 * 1st version of S.119


 * 359
 * G21
 * (6) Hungarian Rhapsodies:
 * orch
 * 1857–60
 * arr of S.244; arr for pf4h as S.621
 * 1857–60
 * arr of S.244; arr for pf4h as S.621


 * 359/1
 * G21/1
 * Hungarian Rhapsody No. 1
 * Hungarian Rhapsody No. 1
 * Hungarian Rhapsody No. 1


 * orch
 * F minor
 * 1857–60
 * arr by Liszt and Franz Doppler of S.244/14; arr for pf4h as S.621/1


 * 359/2
 * G21/2
 * Hungarian Rhapsody No. 2
 * Hungarian Rhapsody No. 2
 * Hungarian Rhapsody No. 2


 * orch
 * D minor
 * 1857–60
 * arr by Liszt and Franz Doppler of S.244/12; arr for pf4h as S.621/2


 * 359/3
 * G21/3
 * Hungarian Rhapsody No. 3
 * Hungarian Rhapsody No. 3
 * Hungarian Rhapsody No. 3


 * orch
 * D major
 * 1857–60
 * arr by Liszt and Franz Doppler of S.244/6; arr for pf4h as S.621/3


 * 359/4
 * G21/4
 * Hungarian Rhapsody No. 4
 * Hungarian Rhapsody No. 4
 * Hungarian Rhapsody No. 4


 * orch
 * D minor
 * 1857–60
 * arr by Liszt and Franz Doppler of S.244/2; arr for pf4h as S.621/4


 * 359/5
 * G21/5
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)


 * orch
 * E minor
 * 1857–60
 * arr by Liszt and Franz Doppler of S.244/5; arr for pf4h as S.621/5


 * 359/6
 * G21/6
 * Hungarian Rhapsody No. 6 (Pesther Carneval)
 * Hungarian Rhapsody No. 6 (Pesther Carneval)
 * Hungarian Rhapsody No. 6 (Pesther Carneval)


 * orch
 * D major
 * 1857–60
 * arr by Liszt and Franz Doppler of S.244/9; arr for pf4h as S.621/6


 * 359a
 * G19
 * Weimars Volkslied
 * orch
 * C major
 * 1857
 * arr of S.313
 * arr of S.313


 * 360
 * G26
 * HS A la ChapelleÀ la Chapelle Sixtine
 * orch
 * 1862
 * arr of S.461i
 * 1862
 * arr of S.461i


 * 361
 * G31
 * Der Papsthymnus
 * orch
 * 1864
 * arr of S.261
 * 1864
 * arr of S.261


 * 362
 * H14
 * Benedictus aus der Ungarischen Krönungsmesse
 * vn orch
 * 1875–77
 * arr of S.11/7
 * 1875–77
 * arr of S.11/7


 * *362a (378ii)
 * Angelus! Priere aux anges gardiens
 * str/(2vn va vc)
 * arr of S.163/1
 * str/(2vn va vc)
 * arr of S.163/1
 * arr of S.163/1
 * arr of S.163/1


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я363–363a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 363
 * G24
 * (4) Märsche von Franz Schubert:
 * orch
 * 1859–70
 * arr of S.425/2c, S.426; arr for pf4h as S.632
 * 1859–70
 * arr of S.425/2c, S.426; arr for pf4h as S.632


 * 363/1
 * G24/1
 * Grande marche
 * Grande marche
 * Grande marche


 * orch
 * B minor
 * 1859–70
 * arr of S.426/2; arr for pf4h as S.632/1


 * 363/2
 * G24/2
 * Trauermarsch
 * Trauermarsch
 * Trauermarsch


 * orch
 * E♭ minor
 * 1859–70
 * arr of S.426/1; arr for pf4h as S.632/2


 * 363/3
 * G24/3
 * Reitermarsch
 * Reitermarsch
 * Reitermarsch


 * orch
 * C major
 * 1859–70
 * arr of S.426/3; arr for pf4h as S.632/3


 * 363/4
 * G24/4
 * Ungarischer Marsch
 * Ungarischer Marsch
 * Ungarischer Marsch


 * orch
 * D minor
 * 1859–70
 * arr of S.425/2c; arr for pf4h as S.632/4


 * 363a
 * Erlkönig
 * orch
 * 1837 or later
 * arr of S.558/4
 * 1837 or later
 * arr of S.558/4
 * arr of S.558/4


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я364
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Zarębski

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 364
 * G39
 * Danses galiciennes de Zarembski
 * orch
 * 1881–82
 * orchestration of 3 Danses galiciennes by Juliusz Zarębski
 * 1881–82
 * orchestration of 3 Danses galiciennes by Juliusz Zarębski


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я365–367a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano and orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я365–365a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 365
 * H11/1
 * Grand solo de concert
 * pf orch
 * c1850
 * arr of S.176; sketches only; score prepared from manuscript sources by Leslie Howard
 * c1850
 * arr of S.176; sketches only; score prepared from manuscript sources by Leslie Howard


 * 365a
 * H11/2
 * Concerto pathétique
 * pf orch
 * E minor
 * 1885–86
 * arr of S.258ii by Eduard Reuss with corrections by Liszt
 * arr of S.258ii by Eduard Reuss with corrections by Liszt


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я365b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bellini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 365b
 * HHS 05
 * Hexaméron (Morceau de concert) ("Grandes Variations de bravoure sur la marche des Puritains de Bellini, par MM Liszt, Thalberg, Pixis, Henri Herz, Czerny et Chopin")
 * pf orch
 * c1839
 * arr of S.392; score prepared from manuscript sources and orchestration completed by Leslie Howard
 * c1839
 * arr of S.392; score prepared from manuscript sources and orchestration completed by Leslie Howard


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я366
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 366
 * H13
 * Franz Schuberts Grosse Fantasie
 * pf orch
 * C major
 * 1851
 * arr of the Fantasie in C major, Op.15/D.760 by Franz Schubert; arr for 2pf as S.653
 * arr of the Fantasie in C major, Op.15/D.760 by Franz Schubert; arr for 2pf as S.653


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я367–367a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Weber

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 367
 * H10
 * Polonaise brillante (Weber)
 * pf orch
 * E major
 * 1848–52
 * arr of the Polacca brillante, Op.72 by Carl Maria von Weber; arr for pf as S.455
 * arr of the Polacca brillante, Op.72 by Carl Maria von Weber; arr for pf as S.455


 * 367a
 * Konzertstück
 * pf orch
 * F minor
 * c1872
 * Konzertstück, Op.79 by Carl Maria von Weber, solo piano part revised by Liszt (orchestral part unchanged); see also S.576a for pf solo
 * c1872
 * Konzertstück, Op.79 by Carl Maria von Weber, solo piano part revised by Liszt (orchestral part unchanged); see also S.576a for pf solo


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я368–377
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs with orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я368
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Korbay

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 368
 * N80
 * (2) Lieder von Francis Korbay:
 * v orch
 * 1883
 * arr of songs by Francis Korbay
 * 1883
 * arr of songs by Francis Korbay


 * 368/1
 * N80/1
 * Le matin
 * Le matin
 * Le matin


 * v orch
 * 1883
 * arr of the song by Francis Korbay
 * arr of the song by Francis Korbay


 * 368/2
 * N80/2
 * Gebet
 * Gebet
 * Gebet


 * v orch
 * 1883
 * arr of the song by Francis Korbay; arr for v org as S.683a
 * arr of the song by Francis Korbay; arr for v org as S.683a


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я369–374
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 369
 * NHS 05/3
 * Die Loreley
 * v orch
 * 1860
 * arr of S.273ii
 * 1860
 * arr of S.273ii


 * 370
 * NHS 08/4
 * Mignons Lied (Kennst du das Land)
 * v orch
 * 1860
 * arr of S.275iii
 * 1860
 * arr of S.275iii


 * 371
 * N22/2
 * Die Vätergruft
 * v orch
 * 1886
 * arr of S.281
 * 1886
 * arr of S.281


 * 372
 * N32/3
 * (3) Lieder aus Schiller's Wilhelm Tell:
 * v orch
 * 1855
 * arr of S.292ii
 * 1855
 * arr of S.292ii


 * 372/1
 * N32/3/1
 * Der Fischerknabe (Es lächelt der See)
 * Der Fischerknabe (Es lächelt der See)
 * Der Fischerknabe (Es lächelt der See)


 * v orch
 * 1855
 * arr of S.292ii/1
 * arr of S.292ii/1


 * 372/2
 * N32/3/2
 * Der Hirt (Ihr Matten lebt wohl)
 * Der Hirt (Ihr Matten lebt wohl)
 * Der Hirt (Ihr Matten lebt wohl)


 * v orch
 * 1855
 * arr of S.292ii/2
 * arr of S.292ii/2


 * 372/3
 * N32/3/3
 * Der Alpenjäger (Es donnern die Höh'n)
 * Der Alpenjäger (Es donnern die Höh'n)
 * Der Alpenjäger (Es donnern die Höh'n)


 * v orch
 * 1855
 * arr of S.292ii/3
 * arr of S.292ii/3


 * 373i
 * N37/5/1
 * Jeanne d'Arc au bûcher
 * v orch
 * 1858
 * arr of S.293i; 1st version of S.373ii
 * 1858
 * arr of S.293i; 1st version of S.373ii


 * 373ii
 * N37/5/2
 * Jeanne d'Arc au bûcher
 * v orch
 * 1875
 * arr of S.293ii; 2nd version of S.373i
 * 1875
 * arr of S.293ii; 2nd version of S.373i


 * 374
 * N62/2
 * Die drei Zigeuner
 * v orch
 * 1871
 * arr of S.320
 * 1871
 * arr of S.320


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я375–376
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 375
 * N63
 * (6) Lieder von Schubert:
 * v orch
 * 1860
 * arr of songs by Franz Schubert
 * 1860
 * arr of songs by Franz Schubert


 * 375/1
 * N63/1
 * Die junge Nonne
 * Die junge Nonne
 * Die junge Nonne


 * v orch
 * 1860
 * arr of Die junge Nonne, D.828 by Franz Schubert
 * arr of Die junge Nonne, D.828 by Franz Schubert


 * 375/2
 * N63/2
 * Gretchen am Spinnrade
 * Gretchen am Spinnrade
 * Gretchen am Spinnrade


 * v orch
 * 1860
 * arr of Gretchen am Spinnrade, D.118 by Franz Schubert
 * arr of Gretchen am Spinnrade, D.118 by Franz Schubert


 * 375/3
 * N63/3
 * Lied der Mignon (So lasst mich scheinen)
 * Lied der Mignon (So lasst mich scheinen)
 * Lied der Mignon (So lasst mich scheinen)


 * v orch
 * 1860
 * arr of Lied der Mignon: So lasst mich scheinen, D.877 No. 3 by Franz Schubert
 * arr of Lied der Mignon: So lasst mich scheinen, D.877 No. 3 by Franz Schubert


 * 375/4
 * N63/4
 * Erlkönig
 * Erlkönig
 * Erlkönig


 * v orch
 * 1860
 * arr of Erlkönig, D.328 by Franz Schubert
 * arr of Erlkönig, D.328 by Franz Schubert


 * 375/5
 * N63/5
 * Der Doppelgänger (Still ist die Nacht)
 * Der Doppelgänger (Still ist die Nacht)
 * Der Doppelgänger (Still ist die Nacht)


 * v orch
 * 1860
 * arr of No.13 from Schwanengesang, D.957 by Franz Schubert
 * arr of No.13 from Schwanengesang, D.957 by Franz Schubert


 * 375/6
 * N63/6
 * Abschied
 * Abschied
 * Abschied


 * v orch
 * 1860
 * arr of No.7 from Schwanengesang, D.957 by Franz Schubert
 * arr of No.7 from Schwanengesang, D.957 by Franz Schubert


 * 376
 * L13
 * Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr)
 * mch org/harm orch
 * 1871
 * arr of Die Allmacht, D.852 by Franz Schubert
 * 1871
 * arr of Die Allmacht, D.852 by Franz Schubert


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я377
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Zichy

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 377
 * N82
 * Der Zaubersee (Bűvös tó)
 * ten orch
 * 1884
 * arr of a ballad (now lost) by Géza Zichy
 * 1884
 * arr of a ballad (now lost) by Géza Zichy


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я377a–383
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber music

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я377a–383
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 377a (*722)
 * DHS 09
 * La notte
 * vn pf
 * 1864–65
 * arr of S.112/2
 * 1864–65
 * arr of S.112/2


 * 377b
 * "Gretchen"
 * vn va vc hp pf harm
 * 1861 or later
 * arr of 2nd mvt of S.108ii by Leopold Alexander Zellner with corrections and additional material by Liszt; published 2013; arr for small-orch as S.711a
 * 1861 or later
 * arr of 2nd mvt of S.108ii by Leopold Alexander Zellner with corrections and additional material by Liszt; published 2013; arr for small-orch as S.711a
 * arr of 2nd mvt of S.108ii by Leopold Alexander Zellner with corrections and additional material by Liszt; published 2013; arr for small-orch as S.711a


 * 378i
 * D15
 * Angelus! Priere aux anges gardiens
 * 2vn va vc
 * 1882
 * arr of S.163/1; arr for 2vn va vc db by Walter Bache and Liszt
 * 1882
 * arr of S.163/1; arr for 2vn va vc db by Walter Bache and Liszt


 * 378ii (*362a) (*353a)
 * D15
 * Angelus! Priere aux anges gardiens
 * 2vn va vc db
 * 1882
 * arr of S.378i by Walter Bache with corrections by Liszt
 * 1882
 * arr of S.378i by Walter Bache with corrections by Liszt


 * 378a
 * D18/1
 * Vallée d'Obermann
 * vn vc pf
 * 1880
 * arr by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c
 * 1880
 * arr by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c


 * 378b
 * D18/2
 * Vallée d'Obermann
 * vn vc pf
 * 1880
 * 2nd version of S.378a, S.378c
 * 1880
 * 2nd version of S.378a, S.378c


 * 378c (*723)
 * D18/3
 * Tristia (Vallée d'Obermann)
 * vn vc pf
 * 1880
 * 3rd version of S.378a, S.378b
 * 1880
 * 3rd version of S.378a, S.378b


 * 379
 * DHS 06
 * Hungarian Rhapsody No.9
 * vn vc pf
 * E♭ major
 * 1848
 * arr of S.242/22
 * arr of S.242/22


 * 379a
 * Rapsodie hongroise (pour violon et piano par Franç. Liszt – la partie du violon par J. Joachim) (Hungarian Rhapsody No.XII)
 * vn pf
 * C♯ minor
 * 1850s
 * arr of S.244/12; by Liszt and Joseph Joachim (violin part)
 * 1850s
 * arr of S.244/12; by Liszt and Joseph Joachim (violin part)


 * 379b
 * D17
 * Puszta-Wehmut
 * vn pf
 * 1880
 * arr of S.246
 * 1880
 * arr of S.246


 * 380
 * DHS 07
 * O du mein holder Abendstern
 * vc pf
 * 1852
 * arr of S.444 by Liszt and cellist Bernhard Cossmann
 * 1852
 * arr of S.444 by Liszt and cellist Bernhard Cossmann


 * 381
 * D10
 * Aus der Ungarischen Krönungsmesse (Missa coronationalis):
 * vn pf
 * 1869
 * arr of extracts from S.11
 * 1869
 * arr of extracts from S.11


 * 381/1
 * D10/1
 * Benedictus
 * Benedictus
 * Benedictus


 * vn pf
 * 1869
 * arr of S.11/7
 * arr of S.11/7


 * 381/2
 * D10/2
 * Offertorium
 * Offertorium
 * Offertorium


 * vn pf
 * 1869
 * arr of S.11/5
 * arr of S.11/5


 * 381a
 * A magyarok Istene (Ungarns Gott)
 * vn pf
 * 1882
 * arr of S.339
 * 1882
 * arr of S.339
 * arr of S.339


 * 382i (*382)
 * D21
 * Die Zelle in Nonnenwerth (Elegie)
 * vc pf
 * 1883
 * arr of S.274ii; alternate version of S.382ii
 * 1883
 * arr of S.274ii; alternate version of S.382ii


 * 382ii (*382bis)
 * D21
 * Die Zelle in Nonnenwerth (Elegie)
 * vn pf
 * 1883
 * arr of S.274ii; alternate version of S.382i; published 2010
 * 1883
 * arr of S.274ii; alternate version of S.382i; published 2010


 * 382a
 * D11
 * (2) Consolations:
 * vc pf/org/harm
 * c1871
 * arr of Nos.1 and 4 from S.172 by Liszt and cellist Jules Deswert, with a 10-1/2 bar passage linking the two (known as the "Enchainement") written by Liszt
 * c1871
 * arr of Nos.1 and 4 from S.172 by Liszt and cellist Jules Deswert, with a 10-1/2 bar passage linking the two (known as the "Enchainement") written by Liszt


 * 382a/1
 * D11/1
 * (Andante con moto)
 * (Andante con moto)
 * (Andante con moto)


 * vc pf/org/harm
 * c1871
 * arr of S.172/1 by Liszt and Jules Deswert
 * arr of S.172/1 by Liszt and Jules Deswert


 * 382a/2
 * D11/2
 * (Quasi Adagio)
 * (Quasi Adagio)
 * (Quasi Adagio)


 * vc pf/org/harm
 * c1871
 * arr of S.172/4 by Liszt and Jules Deswert
 * arr of S.172/4 by Liszt and Jules Deswert


 * 383
 * DHS 08
 * Die drei Zigeuner (Paraphrase)
 * vn pf
 * 1864
 * arr of S.320; written for Ede Reményi
 * 1864
 * arr of S.320; written for Ede Reményi


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я383a–577
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano solo

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я383a–460
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Paraphrases, fantasies

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я383a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Ábrányi

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 383a
 * V12
 * Virag Dál (Chant des Fleurs) (Ábrányi)
 * pf
 * 1880
 * additions and corrections by Liszt to the pf piece by Kornél Ábrányi
 * 1880
 * additions and corrections by Liszt to the pf piece by Kornél Ábrányi


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я384
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Vielgorsky

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 384
 * AHS 093
 * Mazurka pour Piano, arr composée par un amateur de St. Pétersbourg
 * pf
 * 1868?
 * arr of a pf piece by Mikhail Vielgorsky (incorrectly attributed in some sources to Alexander Alyabyev)
 * 1868?
 * arr of a pf piece by Mikhail Vielgorsky (incorrectly attributed in some sources to Alexander Alyabyev)


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я384a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Pal

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 384a
 * Változatok "Tiszántuli szép lány" (Variations "Pretty Girl from Tiszántul")
 * pf
 * 1846
 * Liszt's authorship doubtful, probably by Liszt's friend Feleti Pal, who copied and signed the manuscript
 * 1846
 * Liszt's authorship doubtful, probably by Liszt's friend Feleti Pal, who copied and signed the manuscript
 * Liszt's authorship doubtful, probably by Liszt's friend Feleti Pal, who copied and signed the manuscript


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я385–387
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Auber

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 385i
 * AHS 012a/1
 * Grande fantaisie sur la tyrolienne de La fiancée
 * pf
 * A major
 * 1829
 * based on a theme from the opera La fiancée by Daniel Auber; 1st version of S.385ii, S.385iii; see also S.233c
 * based on a theme from the opera La fiancée by Daniel Auber; 1st version of S.385ii, S.385iii; see also S.233c


 * 385ii
 * AHS 012a/2
 * Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber
 * pf
 * A major
 * 1839
 * 2nd version of S.385i, S.385iii
 * 2nd version of S.385i, S.385iii


 * 385iii
 * AHS 012a/3
 * Souvenir de La fiancée (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber)
 * pf
 * A major
 * 1842
 * "3rd version" (corrected edition of 2nd version) of S.385i, S.385ii
 * "3rd version" (corrected edition of 2nd version) of S.385i, S.385ii


 * *385a (233c)
 * Tyrolean Melody
 * 1829
 * Tyrolean Melody
 * 1829
 * 1829
 * 1829


 * 386i
 * A125
 * Tarantelle (di bravura) d'après la Tarantelle de la 'Muette de Portici' d'Auber
 * pf
 * 1846
 * based on a theme from the opera La Masaniello, ou La muette de Portici by Daniel Auber; 1st version of S.386ii, S.386iii; published 1995
 * 1846
 * based on a theme from the opera La Masaniello, ou La muette de Portici by Daniel Auber; 1st version of S.386ii, S.386iii; published 1995


 * 386ii
 * A125
 * Tarantelle (di bravura) d'après la Tarantelle de la 'Muette de Portici' d'Auber
 * pf
 * by 1869
 * 2nd version (cut of an optional variation) of S.386i, S.386iii; published 1995
 * by 1869
 * 2nd version (cut of an optional variation) of S.386i, S.386iii; published 1995


 * 386iii
 * Tarantelle di bravura d'après la Tarantelle de La Muette de Portici
 * pf
 * 1869
 * 3rd version (for Sophie Menter) of S.386i, S.386ii; published 1995
 * 1869
 * 3rd version (for Sophie Menter) of S.386i, S.386ii; published 1995
 * 3rd version (for Sophie Menter) of S.386i, S.386ii; published 1995


 * 387
 * A144
 * Pieces on themes by Auber:
 * pf
 * after 1846?
 * unfinished
 * after 1846?
 * unfinished


 * 387/1 (*387/1–3) (*387/1, 1a, 2)
 * A144
 * Introduction, Prière, Cavatine
 * Introduction, Prière, Cavatine
 * Introduction, Prière, Cavatine


 * pf
 * A♭ major – E major – E major
 * after 1846?
 * "Cavatine" based on the "Berceuse" from the opera La Masaniello, ou La muette de Portici by Daniel Auber; "Introduction" and "Prière" based on unidentified themes


 * 387/2 (*387a) (*387/3)
 * A144/3
 * Klavierstück über ein fremdes Thema (Andantino)
 * Klavierstück über ein fremdes Thema (Andantino)
 * Klavierstück über ein fremdes Thema (Andantino)


 * pf
 * A minor
 * 1847
 * based on an unidentified theme


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я388–389a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Beethoven

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 388
 * A124
 * Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes)
 * pf
 * 1846
 * based on the "Turkish March" (No.4) and the "Dervishes' Chorus" (No.3) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; "Turkish March" extracted as S.388a
 * 1846
 * based on the "Turkish March" (No.4) and the "Dervishes' Chorus" (No.3) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; "Turkish March" extracted as S.388a


 * 388a
 * A124
 * Marche turque des Ruines d'Athènes
 * pf
 * 1846
 * arr of the "Turkish March" (No.4) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; extract from S.388
 * 1846
 * arr of the "Turkish March" (No.4) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; extract from S.388


 * 388b
 * A177
 * Fantasie über Motiven aus Beethovens Ruinen von Athen
 * pf
 * c1837
 * based on the "Marsch und Chor" (March and Chorus) (No.6) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; arr for pf orch as S.122i
 * c1837
 * based on the "Marsch und Chor" (March and Chorus) (No.6) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; arr for pf orch as S.122i


 * 389
 * A177
 * Fantasie über Motiven aus Beethovens Ruinen von Athen
 * pf
 * c1852
 * arr of S.122ii (combining S.388b & S.388)
 * c1852
 * arr of S.122ii (combining S.388b & S.388)


 * 389a (*197c)
 * C27
 * Cadenza to the first mvt of Piano Concerto No.3 by Beethoven
 * pf
 * 1878–79
 * extracted from S.657a/1
 * 1878–79
 * extracted from S.657a/1


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я390–394
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bellini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 390i
 * AHS 034/1
 * Réminiscences des Puritains de Bellini
 * pf
 * 1836
 * based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390ii, S.391; published as Op.7; arr for pf orch as S.713e
 * 1836
 * based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390ii, S.391; published as Op.7; arr for pf orch as S.713e


 * 390ii
 * AHS 034/2
 * Réminiscences des Puritains de Bellini
 * pf
 * c1837
 * 2nd version of S.390i, S.391; published as Op.7
 * c1837
 * 2nd version of S.390i, S.391; published as Op.7


 * 391
 * AHS 074
 * Introduction et Polonaise de l'opéra I puritani
 * pf
 * 1840
 * 3rd (simplified) version of concluding portion extracted from S.390i, S.390ii
 * 1840
 * 3rd (simplified) version of concluding portion extracted from S.390i, S.390ii


 * 392
 * AHS 041
 * Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)
 * pf
 * 1837–38
 * collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frédéric Chopin; arr for pf orch as S.365b, for 2pf as S.654i
 * 1837–38
 * collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frédéric Chopin; arr for pf orch as S.365b, for 2pf as S.654i


 * 393i
 * AHS 056/1
 * Fantaisie sur des motifs favoris de l'opéra La somnambula de Bellini
 * pf
 * 1839
 * based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393ii, S.393iii
 * 1839
 * based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393ii, S.393iii


 * 393ii
 * AHS 056/2
 * Fantaisie sur des motifs favoris de l'opéra La somnambula de Bellini (Grand fantaisie de concert)
 * pf
 * c1839
 * 2nd version of S.393i, S.393iii; arr for pf4h as S.627
 * c1839
 * 2nd version of S.393i, S.393iii; arr for pf4h as S.627


 * 393iii
 * AHS 056
 * Sonnambula (de Bellini) (Grosse Concert-Fantasie)
 * pf
 * 1874
 * 3rd version of S.393i, S.393ii
 * 1874
 * 3rd version of S.393i, S.393ii


 * 394
 * AHS 077
 * Réminiscences de Norma
 * pf
 * 1841
 * based on themes from the opera Norma by Vincenzo Bellini; arr for 2pf as S.655
 * 1841
 * based on themes from the opera Norma by Vincenzo Bellini; arr for 2pf as S.655


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я395–396
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Berlioz

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 395
 * L'idée fixe (Andante amoroso d'après une mélodie de Berlioz)
 * pf
 * A major
 * 1846
 * a nocturne based on the main theme from the Symphonie fantastique, Op.14/H.48 by Hector Berlioz; 1st version of S.470a/1
 * 1846
 * a nocturne based on the main theme from the Symphonie fantastique, Op.14/H.48 by Hector Berlioz; 1st version of S.470a/1


 * 396
 * A178
 * Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz)
 * pf
 * 1852–53
 * based on themes from the opera Benvenuto Cellini, Op.23/H.76 by Hector Berlioz; arr for pf4h as S.628
 * 1852–53
 * based on themes from the opera Benvenuto Cellini, Op.23/H.76 by Hector Berlioz; arr for pf4h as S.628


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я397–402
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Donizetti

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 397
 * AHS 022
 * Réminiscences de Lucia di Lammermoor, Fantaisie dramatique
 * pf
 * 1835–36
 * published as Op. 13; 1st part of Réminiscences only (for 2nd part see S.398); based on themes (mostly the closing sextet) from the opera Lucia di Lammermoor by Gaetano Donizetti; arr for pf4h as S.628a
 * 1835–36
 * published as Op. 13; 1st part of Réminiscences only (for 2nd part see S.398); based on themes (mostly the closing sextet) from the opera Lucia di Lammermoor by Gaetano Donizetti; arr for pf4h as S.628a


 * 398
 * AHS 023
 * Marche et Cavatine de Lucia di Lammermoor
 * pf
 * 1835–36
 * 2nd part of Réminiscences S.397; based on themes (mostly the scene at the tomb) from the opera Lucia di Lammermoor by Gaetano Donizetti; arr for pf4h as S.628b
 * 1835–36
 * 2nd part of Réminiscences S.397; based on themes (mostly the scene at the tomb) from the opera Lucia di Lammermoor by Gaetano Donizetti; arr for pf4h as S.628b


 * 399
 * AHS 044
 * Nuits d'été à Pausilippe ((3) Amusements sur des motifs de l'album de Donizetti):
 * pf
 * 1838
 * based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
 * 1838
 * based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti


 * 399/1
 * AHS 044/1
 * Barcarola (Il barcajuolo)
 * Barcarola (Il barcajuolo)
 * Barcarola (Il barcajuolo)


 * pf
 * 1838
 * based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
 * based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti


 * 399/2
 * AHS 044/2
 * Notturno (L'alito di Bice)
 * Notturno (L'alito di Bice)
 * Notturno (L'alito di Bice)


 * pf
 * 1838
 * based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
 * based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti


 * 399/3
 * AHS 044/3
 * Canzone Napoletana (La torre di Biasone)
 * Canzone Napoletana (La torre di Biasone)
 * Canzone Napoletana (La torre di Biasone)


 * pf
 * 1838
 * based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
 * based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti


 * 399a
 * AHS 071a
 * Fantaisie sur des motifs de l'opéra Lucrezia Borgia de G Donizetti
 * pf
 * 1840
 * based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400/2
 * 1840
 * based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400/2


 * 400
 * AHS 071b
 * Réminiscences de Lucrezia Borgia (Grande fantaisie sur des motifs favoris de l'opéra de Donizetti):
 * pf
 * 1848
 * based on themes from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400a
 * 1848
 * based on themes from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400a


 * 400/1
 * AHS 071b/1
 * Trio du seconde Acte
 * Trio du seconde Acte
 * Trio du seconde Acte


 * pf
 * 1848
 * based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti
 * based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti


 * 400/2
 * AHS 071b/2
 * Chanson à boire (Orgie). Duo. Finale
 * Chanson à boire (Orgie). Duo. Finale
 * Chanson à boire (Orgie). Duo. Finale


 * pf
 * 1848
 * based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a
 * based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a


 * 400a (*400bis)
 * Réminiscences de Lucrezia Borgia de Donizetti (Grande fantaisie en deux parties, "Reduced, with the author's approval, to a single concert piece by G. Buonamici")
 * pf
 * 1880
 * 2nd version of S.400, by Giuseppe Buonamici's, corrected with additions by Liszt
 * 1880
 * 2nd version of S.400, by Giuseppe Buonamici's, corrected with additions by Liszt
 * 2nd version of S.400, by Giuseppe Buonamici's, corrected with additions by Liszt


 * 400b (*400a) (*742)
 * A136
 * Spirto gentil (Kavatine aus der Oper La favorite)
 * pf
 * 1847
 * based on a theme from Act IV of the opera La favorite by Gaetano Donizetti
 * 1847
 * based on a theme from Act IV of the opera La favorite by Gaetano Donizetti


 * 401
 * AHS 088a
 * Valse a capriccio (sur deux motifs de Lucia et Parisina)
 * pf
 * 1842
 * based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti; 1st version of S.214/3
 * 1842
 * based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti; 1st version of S.214/3


 * 402
 * A108
 * Marche funèbre de Dom Sébastien de Donizetti
 * pf
 * 1844
 * based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti
 * 1844
 * based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я403–403a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

DonizettiJ

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 403
 * A137
 * Grande paraphrase de la Marche de J. Donizetti (composée pour Sa Majesté le Sultan Abdul Medjid-Khan)
 * pf
 * 1847
 * based on the Grande marche militaire by Jiuseppe Donizetti; 1st version of S.403a
 * 1847
 * based on the Grande marche militaire by Jiuseppe Donizetti; 1st version of S.403a


 * 403a (*403bis)
 * A137
 * Grande Marche d'Abdul Medjid-Khan
 * pf
 * 1848
 * 2nd version of S.403 ("version facilitée")
 * 1848
 * 2nd version of S.403 ("version facilitée")


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я404
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Ernst

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 404
 * A160
 * Halloh! (Jagdchor und Steirer aus der Oper Tonÿ von E. H. z. S. C. G.)
 * pf
 * 1849
 * based on themes from the opera Tonÿ, oder die Vergeltung by Ernst II, Duke of Saxe-Coburg-Gotha
 * 1849
 * based on themes from the opera Tonÿ, oder die Vergeltung by Ernst II, Duke of Saxe-Coburg-Gotha


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я405
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Erkel

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 405
 * A140
 * Schwanengesang und Marsch aus Hunyadi László
 * pf
 * 1847
 * based on themes from the opera Hunyadi László by Ferenc Erkel
 * 1847
 * based on themes from the opera Hunyadi László by Ferenc Erkel


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я405a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Festetics

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 405a
 * VHS 04
 * Pásztor Lakodalmus (Magyar nóták)
 * pf
 * 1858
 * corrections and alterations to Les noces du Pâtre by Leo Festetics
 * 1858
 * corrections and alterations to Les noces du Pâtre by Leo Festetics


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я406
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Glinka

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 406i
 * Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l'opera Rouslan et Loudmila)
 * pf
 * 1843
 * based on Chernomor's March (Act IV, No. 19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406ii
 * 1843
 * based on Chernomor's March (Act IV, No. 19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406ii
 * based on Chernomor's March (Act IV, No. 19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406ii


 * 406ii
 * Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla
 * pf
 * 1843, 1875
 * 2nd version of S.406i; arr for pf4h as S.629
 * 1843, 1875
 * 2nd version of S.406i; arr for pf4h as S.629
 * 2nd version of S.406i; arr for pf4h as S.629


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я407–409
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Gounod

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 407
 * A208
 * Valse de l'opéra Faust
 * pf
 * 1861
 * based on the waltz and duet from Act II of the opera Faust by Charles Gounod
 * 1861
 * based on the waltz and duet from Act II of the opera Faust by Charles Gounod


 * 408
 * A231
 * Les Sabéennes (Berceuse de l'opéra La reine de Saba)
 * pf
 * 1865
 * based on the berceuse from the opera La reine de Saba by Charles Gounod
 * 1865
 * based on the berceuse from the opera La reine de Saba by Charles Gounod


 * 409
 * A237
 * Les adieux (Rêverie sur un motif de l'opéra Roméo et Juliette)
 * pf
 * 1867
 * based on a theme from the opera Roméo et Juliette by Charles Gounod
 * 1867
 * based on a theme from the opera Roméo et Juliette by Charles Gounod


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я409a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Halévy

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 409a
 * AHS 020
 * Réminiscences de La juive (Fantaisie brillante sur des motifs de l'opéra de Halévy)
 * pf
 * 1835
 * based on themes from the opera La Juive by Fromental Halévy
 * 1835
 * based on themes from the opera La Juive by Fromental Halévy


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я410
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mendelssohn

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 410
 * A166
 * Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum
 * pf
 * 1849–50
 * based on themes from the incidental music to A Midsummer Night's Dream, Op.61 by Felix Mendelssohn
 * 1849–50
 * based on themes from the incidental music to A Midsummer Night's Dream, Op.61 by Felix Mendelssohn


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я411
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mercadante

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 411
 * AHS 047
 * Soirées italiennes ((6) Amusements sur des motifs de Mercadante):
 * pf
 * 1838–39
 * based on 6 of the 12 Soirées italiennes by Saverio Mercadante
 * 1838–39
 * based on 6 of the 12 Soirées italiennes by Saverio Mercadante


 * 411/1
 * AHS 047/1
 * La primavera (Canzonetta)
 * La primavera (Canzonetta)
 * La primavera (Canzonetta)


 * pf
 * 1838–39
 * based on No.2 of the Soirées italiennes by Saverio Mercadante
 * based on No.2 of the Soirées italiennes by Saverio Mercadante


 * 411/2
 * AHS 047/2
 * Il galop
 * Il galop
 * Il galop


 * pf
 * 1838–39
 * based on No.10 of the Soirées italiennes by Saverio Mercadante
 * based on No.10 of the Soirées italiennes by Saverio Mercadante


 * 411/3
 * AHS 047/3
 * Il pastore svizzero (Tirolese)
 * Il pastore svizzero (Tirolese)
 * Il pastore svizzero (Tirolese)


 * pf
 * 1838–39
 * based on No.4 of the Soirées italiennes by Saverio Mercadante
 * based on No.4 of the Soirées italiennes by Saverio Mercadante


 * 411/4
 * AHS 047/4
 * La serenata del marinaro
 * La serenata del marinaro
 * La serenata del marinaro


 * pf
 * 1838–39
 * based on No.5 of the Soirées italiennes by Saverio Mercadante
 * based on No.5 of the Soirées italiennes by Saverio Mercadante


 * 411/5
 * AHS 047/5
 * Il Brindisi (Rondoletto)
 * Il Brindisi (Rondoletto)
 * Il Brindisi (Rondoletto)


 * pf
 * 1838–39
 * based on No.11 of the Soirées italiennes by Saverio Mercadante
 * based on No.11 of the Soirées italiennes by Saverio Mercadante


 * 411/6
 * AHS 047/6
 * La zingarella spagnuola (Bolero)
 * La zingarella spagnuola (Bolero)
 * La zingarella spagnuola (Bolero)


 * pf
 * 1838–39
 * based on No.8 of the Soirées italiennes by Saverio Mercadante
 * based on No.8 of the Soirées italiennes by Saverio Mercadante


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я412–416
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Meyerbeer

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 412i
 * AHS 035/1
 * Réminiscences des Huguenots (Grande fantaisie dramatique sur des thèmes de l'opéra de Meyerbeer)
 * pf
 * 1836
 * based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412ii, S.412iii
 * 1836
 * based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412ii, S.412iii


 * 412ii (*412i-bis)
 * Fantaisie dramatique sur les Huguenots de Meyerbeer
 * pf
 * c1837
 * 2nd version of S.412i, S.412iii
 * c1837
 * 2nd version of S.412i, S.412iii
 * 2nd version of S.412i, S.412iii


 * 412iii (*412ii)
 * AHS 035/2
 * Réminiscences des Huguenots (Grande fantaisie dramatique sur des thèmes de l'opéra de Meyerbeer)
 * pf
 * 1842
 * 3rd version of S.412i, S.412ii
 * 1842
 * 3rd version of S.412i, S.412ii


 * 412a–413
 * A120,78
 * Réminiscences de Robert le Diable (Grande fantaisie sur des motifs de l'opéra de Meyerbeer):
 * pf
 * 1841–46
 * based on themes from the opera Robert le diable by Giacomo Meyerbeer
 * 1841–46
 * based on themes from the opera Robert le diable by Giacomo Meyerbeer


 * 412a
 * A120
 * Cavatine
 * Cavatine
 * Cavatine


 * pf
 * c1846
 * based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer
 * based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer


 * 413
 * AHS 078
 * Valse infernale
 * Valse infernale
 * Valse infernale


 * pf
 * 1841
 * based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arr for pf4h as S.630
 * based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arr for pf4h as S.630


 * 414
 * A165
 * Illustrations du Prophète:
 * pf
 * 1849–50
 * based on themes from the opera Le prophète by Giacomo Meyerbeer
 * 1849–50
 * based on themes from the opera Le prophète by Giacomo Meyerbeer


 * 414/1
 * A165/1
 * Prière. Hymne triomphal. Marche du sacre
 * Prière. Hymne triomphal. Marche du sacre
 * Prière. Hymne triomphal. Marche du sacre


 * pf
 * 1849–50
 * based on themes from the opera Le prophète by Giacomo Meyerbeer
 * based on themes from the opera Le prophète by Giacomo Meyerbeer


 * 414/2
 * A165/2
 * Les patineurs. Scherzo
 * Les patineurs. Scherzo
 * Les patineurs. Scherzo


 * pf
 * 1849–50
 * based on themes from the opera Le prophète by Giacomo Meyerbeer
 * based on themes from the opera Le prophète by Giacomo Meyerbeer


 * 414/3
 * A165/3
 * Pastorale. Appel aux armes
 * Pastorale. Appel aux armes
 * Pastorale. Appel aux armes


 * pf
 * 1849–50
 * based on themes from the opera Le prophète by Giacomo Meyerbeer
 * based on themes from the opera Le prophète by Giacomo Meyerbeer


 * 414/4
 * Fantasie und Fuge über den Choral Ad nos, ad salutarem undam
 * Fantasie und Fuge über den Choral Ad nos, ad salutarem undam
 * Fantasie und Fuge über den Choral Ad nos, ad salutarem undam
 * Fantasie und Fuge über den Choral Ad nos, ad salutarem undam


 * pf
 * c1850
 * based on a theme from the opera Le prophète by Giacomo Meyerbeer; arr of S.259; lost; apparently never notated but performed by Liszt
 * based on a theme from the opera Le prophète by Giacomo Meyerbeer; arr of S.259; lost; apparently never notated but performed by Liszt


 * 415
 * A230
 * Illustrations de l'opéra L'Africaine:
 * pf
 * 1865
 * based on themes from the opera L'Africaine by Giacomo Meyerbeer
 * 1865
 * based on themes from the opera L'Africaine by Giacomo Meyerbeer


 * 415/1
 * A230/1
 * Prière des matelots
 * Prière des matelots
 * Prière des matelots


 * pf
 * 1865
 * based on the sailors' prayer from Act III of the opera L'Africaine by Giacomo Meyerbeer
 * based on the sailors' prayer from Act III of the opera L'Africaine by Giacomo Meyerbeer


 * 415/2
 * A230/2
 * Marche indienne
 * Marche indienne
 * Marche indienne


 * pf
 * 1865
 * based on the Indian March from Act IV of the opera L'Africaine by Giacomo Meyerbeer
 * based on the Indian March from Act IV of the opera L'Africaine by Giacomo Meyerbeer


 * 416
 * AHS 079
 * Le moine (Meyerbeer)
 * pf
 * 1841
 * arr of the song by Meyerbeer
 * 1841
 * arr of the song by Meyerbeer


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я417
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mosonyi

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 417
 * A232
 * Fantaisie sur l'opéra hongroise Szép Ilonka
 * pf
 * 1865–67
 * based on themes from the opera Szép Ilonka by Mihály Mosonyi
 * 1865–67
 * based on themes from the opera Szép Ilonka by Mihály Mosonyi


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я418
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 418
 * AHS 080
 * Réminiscences de Don Juan (Grande fantaisie)
 * pf
 * 1841
 * based on themes from the opera Don Giovanni, K.527 by Wolfgang Amadeus Mozart; arr for 2pf as S.656
 * 1841
 * based on themes from the opera Don Giovanni, K.527 by Wolfgang Amadeus Mozart; arr for 2pf as S.656


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я419
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Pacini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 419
 * AHS 024
 * Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti")
 * pf
 * 1835–36
 * based on themes from the opera Niobe by Giovanni Pacini; published as Op.5 No.1; arr for pf orch as S.713c
 * 1835–36
 * based on themes from the opera Niobe by Giovanni Pacini; published as Op.5 No.1; arr for pf orch as S.713c


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я420
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Paganini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 420
 * AHS 015
 * Grande fantaisie de bravoure sur La clochette
 * pf
 * c1832
 * based on the main theme of the last mvt of the Violin Concerto No.2, Op.7 by Niccolò Paganini; published as Op.5 No.1; arr for pf orch as S.713b
 * c1832
 * based on the main theme of the last mvt of the Violin Concerto No.2, Op.7 by Niccolò Paganini; published as Op.5 No.1; arr for pf orch as S.713b


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я421
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Raff

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 421
 * A183
 * Andante Finale und Marsch aus der Oper König Alfred:
 * pf
 * 1853
 * based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arr for pf4h as S.631
 * 1853
 * based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arr for pf4h as S.631


 * 421/1
 * A183/1
 * Andante
 * Andante
 * Andante


 * pf
 * 1853
 * arr for pf4h as S.631/1
 * arr for pf4h as S.631/1


 * 421/2
 * A183/2
 * Marsch
 * Marsch
 * Marsch


 * pf
 * 1853
 * arr for pf4h as S.631/2
 * arr for pf4h as S.631/2


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я421a–424
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Rossini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 421a (*750)
 * AHS 013
 * "Introduction" (des Variations sur une marche du Siège de Corinthe)
 * pf
 * 1830
 * based on a march from the opera Le siège de Corinthe by Gioachino Rossini; Introduction only, the Variations lost
 * 1830
 * based on a march from the opera Le siège de Corinthe by Gioachino Rossini; Introduction only, the Variations lost


 * 421b (*751)
 * Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie)
 * pf
 * 1839–41
 * based on themes from the operas Maometto secondo and Mosè in Egitto by Gioachino Rossini
 * 1839–41
 * based on themes from the operas Maometto secondo and Mosè in Egitto by Gioachino Rossini
 * based on themes from the operas Maometto secondo and Mosè in Egitto by Gioachino Rossini


 * 422i
 * AHS 025
 * Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales
 * pf
 * 1835–36
 * based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioachino Rossini; 1st version of S.422ii
 * 1835–36
 * based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioachino Rossini; 1st version of S.422ii


 * 422ii
 * AHS 025
 * Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales
 * pf
 * 1840
 * 2nd version of S.422i
 * 1840
 * 2nd version of S.422i


 * 423
 * AHS 026
 * Fantaisie sur des motifs de La pastorella dell'Alpi e Li marinari des Soirées musicales
 * pf
 * 1835–36
 * based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioachino Rossini
 * 1835–36
 * based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioachino Rossini


 * 424
 * AHS 036
 * Soirées musicales de Rossini:
 * pf
 * 1837
 * based on the song cycle Les soirées musicales by Gioachino Rossini
 * 1837
 * based on the song cycle Les soirées musicales by Gioachino Rossini


 * 424/1
 * AHS 036/HS 01
 * La promessa (Canzonetta)
 * La promessa (Canzonetta)
 * La promessa (Canzonetta)


 * pf
 * 1837
 * based on No.1 of the Les soirées musicales by Gioachino Rossini
 * based on No.1 of the Les soirées musicales by Gioachino Rossini


 * 424/2
 * AHS 036/HS 02
 * La regata veneziana (Notturno)
 * La regata veneziana (Notturno)
 * La regata veneziana (Notturno)


 * pf
 * 1837
 * based on No.9 of the Les soirées musicales by Gioachino Rossini
 * based on No.9 of the Les soirées musicales by Gioachino Rossini


 * 424/3
 * AHS 036/HS 03
 * L'invito (Bolero)
 * L'invito (Bolero)
 * L'invito (Bolero)


 * pf
 * 1837
 * based on No.5 of the Les soirées musicales by Gioachino Rossini
 * based on No.5 of the Les soirées musicales by Gioachino Rossini


 * 424/4
 * AHS 036/HS 04
 * La gita in gondola (Barcarola)
 * La gita in gondola (Barcarola)
 * La gita in gondola (Barcarola)


 * pf
 * 1837
 * based on No.7 of the Les soirées musicales by Gioachino Rossini
 * based on No.7 of the Les soirées musicales by Gioachino Rossini


 * 424/5
 * AHS 036/HS 05
 * Il rimprovero (Canzonetta)
 * Il rimprovero (Canzonetta)
 * Il rimprovero (Canzonetta)


 * pf
 * 1837
 * based on No.2 of the Les soirées musicales by Gioachino Rossini
 * based on No.2 of the Les soirées musicales by Gioachino Rossini


 * 424/6
 * AHS 036/HS 06
 * La pastorella dell'Alpi (Tirolese)
 * La pastorella dell'Alpi (Tirolese)
 * La pastorella dell'Alpi (Tirolese)


 * pf
 * 1837
 * based on No.6 of the Les soirées musicales by Gioachino Rossini
 * based on No.6 of the Les soirées musicales by Gioachino Rossini


 * 424/7
 * AHS 036/HS 07
 * La partenza (Canzonetta)
 * La partenza (Canzonetta)
 * La partenza (Canzonetta)


 * pf
 * 1837
 * based on No.3 of the Les soirées musicales by Gioachino Rossini
 * based on No.3 of the Les soirées musicales by Gioachino Rossini


 * 424/8
 * AHS 036/HS 08
 * La pesca (Notturno)
 * La pesca (Notturno)
 * La pesca (Notturno)


 * pf
 * 1837
 * based on No.10 of the Les soirées musicales by Gioachino Rossini
 * based on No.10 of the Les soirées musicales by Gioachino Rossini


 * 424/9
 * AHS 036/HS 09
 * La danza (Tarantella Napoletana)
 * La danza (Tarantella Napoletana)
 * La danza (Tarantella Napoletana)


 * pf
 * 1837
 * based on No.8 of the Les soirées musicales by Gioachino Rossini
 * based on No.8 of the Les soirées musicales by Gioachino Rossini


 * 424/10
 * AHS 036/10
 * La serenata (Notturno)
 * La serenata (Notturno)
 * La serenata (Notturno)


 * pf
 * 1837
 * based on No.11 of the Les soirées musicales by Gioachino Rossini
 * based on No.11 of the Les soirées musicales by Gioachino Rossini


 * 424/11
 * AHS 036/11
 * L'orgia (Arietta)
 * L'orgia (Arietta)
 * L'orgia (Arietta)


 * pf
 * 1837
 * based on No.4 of the Les soirées musicales by Gioachino Rossini
 * based on No.4 of the Les soirées musicales by Gioachino Rossini


 * 424/12
 * AHS 036/12
 * Li marinari (Duetto)
 * Li marinari (Duetto)
 * Li marinari (Duetto)


 * pf
 * 1837
 * based on No.12 of the Les soirées musicales by Gioachino Rossini
 * based on No.12 of the Les soirées musicales by Gioachino Rossini


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я425–427
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 425
 * AHS 048
 * Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien):
 * pf
 * 1838–39
 * based on Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a
 * 1838–39
 * based on Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a


 * 425/1
 * AHS 048/1
 * Andante
 * Andante
 * Andante


 * pf
 * 1838–39
 * based on No.1 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/1
 * based on No.1 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/1


 * 425/2a
 * AHS 048/2
 * Marche hongroise
 * Marche hongroise
 * Marche hongroise


 * pf
 * 1838–39
 * based on No.2 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version ("1st Diabelli edition") of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2
 * based on No.2 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version ("1st Diabelli edition") of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2


 * 425/2b
 * AHS 048/2
 * Marche hongroise
 * Marche hongroise
 * Marche hongroise


 * pf
 * 1840
 * 2nd version ("Richault edition") of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2
 * 2nd version ("Richault edition") of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2


 * 425/2c
 * AHS 048/2
 * Marche hongroise
 * Marche hongroise
 * Marche hongroise


 * pf
 * 1840
 * 3rd version ("Lucca edition") of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2; arr for orch as S.363/4
 * 3rd version ("Lucca edition") of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2; arr for orch as S.363/4


 * 425/2d
 * AHS 048/2
 * Marche hongroise
 * Marche hongroise
 * Marche hongroise


 * pf
 * 1879
 * 5th version ("Menter transcription") of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2
 * 5th version ("Menter transcription") of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2


 * 425/2e
 * AHS 048/2
 * Marche hongroise
 * Marche hongroise
 * Marche hongroise


 * pf
 * 1883
 * 6th version ("3rd edition") of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2
 * 6th version ("3rd edition") of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2


 * 425/3
 * AHS 048/3
 * Allegretto
 * Allegretto
 * Allegretto


 * pf
 * 1838–39
 * based on No.3 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/3
 * based on No.3 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/3


 * 425a
 * AHS 048
 * Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien):
 * pf
 * 1846
 * 2nd (simplified) version of S.425
 * 1846
 * 2nd (simplified) version of S.425


 * 425a/1
 * AHS 048/1
 * Andante
 * Andante
 * Andante


 * pf
 * 1846
 * 2nd (simplified) version of S.425/1
 * 2nd (simplified) version of S.425/1


 * 425a/2
 * AHS 048/2
 * Marcia
 * Marcia
 * Marcia


 * pf
 * 1846
 * 4th (simplified) version ("2nd Diabelli edition") of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/2e
 * 4th (simplified) version ("2nd Diabelli edition") of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/2e


 * 425a/3
 * AHS 048/3
 * Allegretto
 * Allegretto
 * Allegretto


 * pf
 * 1846
 * 2nd (simplified) version of S.425/3
 * 2nd (simplified) version of S.425/3


 * 426
 * A123
 * (3) Märsche von Franz Schubert:
 * pf
 * 1846
 * arr for orch as S.363
 * 1846
 * arr for orch as S.363


 * 426/1
 * A123/1
 * Trauermarsch (Grande marche funèbre)
 * Trauermarsch (Grande marche funèbre)
 * Trauermarsch (Grande marche funèbre)


 * pf
 * 1846
 * based on No.5 of 6 Grandes marches, Op.40/D.819 by Franz Schubert; arr for orch as S.363/2
 * based on No.5 of 6 Grandes marches, Op.40/D.819 by Franz Schubert; arr for orch as S.363/2


 * 426/2
 * A123/2
 * Grande marche
 * Grande marche
 * Grande marche


 * pf
 * 1846
 * based on No.3 of 6 Grandes marches, Op.40/D.819, and on Grande marche funèbre, Op.55/D.859 by Franz Schubert; arr for orch as S.363/1
 * based on No.3 of 6 Grandes marches, Op.40/D.819, and on Grande marche funèbre, Op.55/D.859 by Franz Schubert; arr for orch as S.363/1


 * 426/3
 * A123/3
 * Grande marche caractéristique
 * Grande marche caractéristique
 * Grande marche caractéristique


 * pf
 * 1846
 * based on Nos.1 and 2 of 2 Marches caractéristiques, Op.121/D.886, and on Nos.1 and 2 of 6 Grandes marches, Op.40/D.819 by Franz Schubert; arr for orch as S.363/3
 * based on Nos.1 and 2 of 2 Marches caractéristiques, Op.121/D.886, and on Nos.1 and 2 of 6 Grandes marches, Op.40/D.819 by Franz Schubert; arr for orch as S.363/3


 * 426a
 * Marche militaire (Grande paraphrase de concert)
 * pf
 * c1870?
 * based on No.1 of 3 Marches militaires, Op.51/D.733 by Franz Schubert
 * c1870?
 * based on No.1 of 3 Marches militaires, Op.51/D.733 by Franz Schubert
 * based on No.1 of 3 Marches militaires, Op.51/D.733 by Franz Schubert


 * 427
 * A131
 * Soirées de Vienne (Valses-caprices d'après François Schubert):
 * pf
 * 1846–52
 * based on pf dances by Franz Schubert
 * 1846–52
 * based on pf dances by Franz Schubert


 * 427/1
 * A131/1
 * (Allegretto malinconico)
 * (Allegretto malinconico)
 * (Allegretto malinconico)


 * pf
 * A♭ major
 * 1846–52
 * based on No.1 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783, and on No.22 of 36 Originaltänze, Op.9/D.365, and on No.14 of 16 Ländler und 2 Ecossaisen, Op.67/D.734 by Franz Schubert


 * 427/2
 * A131/2
 * (Poco Allegro)
 * (Poco Allegro)
 * (Poco Allegro)


 * pf
 * A♭ major
 * 1846–52
 * based on Nos.1, 6, and 32 of 36 Originaltänze, Op.9/D.365, and on Nos.15–17 of 12 Walzer, 17 Ländler und 9 Ecossaisen, Op.18/D.145 by Franz Schubert


 * 427/3
 * A131/3
 * (Allegro vivace)
 * (Allegro vivace)
 * (Allegro vivace)


 * pf
 * E major
 * 1846–52
 * based on Nos.1, 6, and 9 of 12 Walzer, 17 Ländler und 9 Ecossaisen, Op.18/D.145, and on No.4 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783, and on Nos.19, 20, and 25 of 36 Originaltänze, Op.9/D.365 by Franz Schubert


 * 427/4
 * A131/4
 * (Andantino a capriccio)
 * (Andantino a capriccio)
 * (Andantino a capriccio)


 * pf
 * D♭ major
 * 1846–52
 * based on Nos.29 and 33 of 36 Originaltänze, Op.9/D.365 by Franz Schubert


 * 427/5
 * A131/5
 * (Moderato cantabile con affetto)
 * (Moderato cantabile con affetto)
 * (Moderato cantabile con affetto)


 * pf
 * G♭ major
 * 1846–52
 * based on No.14 of 36 Originaltänze, Op.9/D.365, and on No.3 of 12 Valses nobles, Op.77/D.969 by Franz Schubert


 * 427/6
 * A131/6
 * (Allegro con strepito)
 * (Allegro con strepito)
 * (Allegro con strepito)


 * pf
 * A minor
 * 1846–52
 * based on Nos.9 and 10 of 12 Valses nobles, Op.77/D.969, and on No.13 of 34 Valses sentimentales, Op.50/D.779 by Franz Schubert; 1st version of S.427/6a, S.427/6b


 * 427/6a
 * A131/6
 * (Allegro con spirito)
 * (Allegro con spirito)
 * (Allegro con spirito)


 * pf
 * A minor
 * 1879
 * 2nd version of S.427/6, S.427/6a


 * 427/6b
 * A131/6
 * (Allegro con spirito)
 * (Allegro con spirito)
 * (Allegro con spirito)


 * pf
 * A minor
 * 1883?
 * 3rd version of S.427/6, S.427/6a


 * 427/7
 * A131/7
 * (Allegro spiritoso)
 * (Allegro spiritoso)
 * (Allegro spiritoso)


 * pf
 * A major
 * 1846–52
 * based on Nos.1, 7, and 10 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783 by Franz Schubert


 * 427/8
 * A131/8
 * (Allegro con brio)
 * (Allegro con brio)
 * (Allegro con brio)


 * pf
 * D major
 * 1846–52
 * based on Nos.2, 5, 9, 13, and 14 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783, and on Nos.2 and 11 of 34 Valses sentimentales, Op.50/D.779 by Franz Schubert


 * 427/9
 * A131/9
 * (Preludio a capriccio)
 * (Preludio a capriccio)
 * (Preludio a capriccio)


 * pf
 * A♭ major
 * 1846–52
 * based on No.2 of 36 Originaltänze, Op.9/D.365 by Franz Schubert


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я428
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Soriano

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 428
 * A115
 * Feuille morte (Élégie d'après Soriano)
 * pf
 * 1845
 * based on an unidentified composition by Mariano Soriano-Fuertes
 * 1845
 * based on an unidentified composition by Mariano Soriano-Fuertes


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я429
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Tchaikovsky

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 429
 * A293
 * Polonaise aus der Oper Jewgeny Onegin
 * pf
 * 1879
 * based on the Polonaise from the opera Eugene Onegin, Op.24 by Pyotr Ilyich Tchaikovsky
 * 1879
 * based on the Polonaise from the opera Eugene Onegin, Op.24 by Pyotr Ilyich Tchaikovsky


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я430
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Végh

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 430
 * A318
 * Valse de concert
 * pf
 * 1882–83
 * based on part of the Suite en forme de valse by János Végh
 * 1882–83
 * based on part of the Suite en forme de valse by János Végh


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я431–438
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Verdi

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 431i
 * A149/1
 * Salve Maria de Jérusalem
 * pf
 * 1848
 * arr of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431ii
 * 1848
 * arr of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431ii


 * 431ii
 * A149/2
 * Salve Maria de Jérusalem
 * pf
 * 1882
 * 2nd version of S.431i
 * 1882
 * 2nd version of S.431i


 * 431a
 * A138
 * Ernani de Verdi (Première paraphrase de concert)
 * pf
 * 1847
 * based on themes from the opera Ernani by Giuseppe Verdi; different themes than S.432; unpublished
 * 1847
 * based on themes from the opera Ernani by Giuseppe Verdi; different themes than S.432; unpublished


 * 431b
 * Ernani de Verdi ([Deuxième] Paraphrase de Concert)
 * pf
 * 1849
 * based on themes from the opera Ernani by Giuseppe Verdi; different themes than S.431a; 1st version of S.432
 * 1849
 * based on themes from the opera Ernani by Giuseppe Verdi; different themes than S.431a; 1st version of S.432
 * based on themes from the opera Ernani by Giuseppe Verdi; different themes than S.431a; 1st version of S.432


 * 432
 * A203
 * Ernani de Verdi ([Deuxième] Paraphrase de Concert)
 * pf
 * 1859
 * different themes than S.431a; 2nd version of S.431b
 * 1859
 * different themes than S.431a; 2nd version of S.431b


 * 433
 * A199
 * Miserere du Trovatore (Paraphrase de concert)
 * pf
 * 1859
 * based on the Miserere from Act IV of the opera Il trovatore by Giuseppe Verdi
 * 1859
 * based on the Miserere from Act IV of the opera Il trovatore by Giuseppe Verdi


 * 434
 * A187
 * Paraphrase de concert sur Rigoletto
 * pf
 * 1855–59?
 * based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi
 * 1855–59?
 * based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi


 * 435
 * A240
 * Finale de Don Carlos (Coro di festa e Marcia funebre)
 * pf
 * 1867–68
 * arr of the finale ("Ce jour est plein d'allégresse") from the opera Don Carlos by Giuseppe Verdi
 * 1867–68
 * arr of the finale ("Ce jour est plein d'allégresse") from the opera Don Carlos by Giuseppe Verdi


 * 436
 * A276
 * Danza sacra e duetto finale d'Aida
 * pf
 * 1876?
 * arr of extracts from the opera Aida by Giuseppe Verdi
 * 1876?
 * arr of extracts from the opera Aida by Giuseppe Verdi


 * 437i
 * A284
 * Agnus Dei della Messa da Requiem di Giuseppe Verdi
 * pf
 * 1877
 * based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437ii; arr for org/harm as S.675c/i
 * 1877
 * based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437ii; arr for org/harm as S.675c/i


 * 437ii
 * A284
 * Agnus Dei della Messa da Requiem di Giuseppe Verdi
 * pf
 * 1882
 * 2nd version of S.437i; arr for org/harm as S.675c/ii
 * 1882
 * 2nd version of S.437i; arr for org/harm as S.675c/ii


 * 438
 * A314
 * Réminiscences de Boccanegra
 * pf
 * 1882
 * based on themes from the revised version of the opera Simon Boccanegra by Giuseppe Verdi
 * 1882
 * based on themes from the revised version of the opera Simon Boccanegra by Giuseppe Verdi


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я439–450
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Wagner

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 439
 * A200
 * Phantasiestück über Motive aus Rienzi
 * pf
 * 1859
 * based on the battle-hymn "Santo spitiro cavaliere" (Act III, No. 10) from the opera Rienzi, WWV.49 by Richard Wagner
 * 1859
 * based on the battle-hymn "Santo spitiro cavaliere" (Act III, No. 10) from the opera Rienzi, WWV.49 by Richard Wagner


 * 440
 * A204
 * Spinnerlied aus dem Fliegenden Holländer
 * pf
 * 1860
 * based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
 * 1860
 * based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner


 * 441
 * A259
 * Ballade aus dem Fliegenden Holländer
 * pf
 * 1872
 * based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
 * 1872
 * based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner


 * 442
 * A146
 * Ouvertüre zu Tannhäuser
 * pf
 * 1848
 * based on the Overture to the opera Tannhäuser, WWV.70 by Richard Wagner
 * 1848
 * based on the Overture to the opera Tannhäuser, WWV.70 by Richard Wagner


 * 443i
 * A210a
 * Pilgerchor aus Tannhäuser
 * pf
 * 1861
 * based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.443ii; arr for org/harm as S.676i
 * 1861
 * based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.443ii; arr for org/harm as S.676i


 * 443ii
 * A210b
 * Pilgerchor aus Tannhäuser
 * pf
 * 1885?
 * 2nd version of S.443i; arr for org/harm as S.676ii
 * 1885?
 * 2nd version of S.443i; arr for org/harm as S.676ii


 * 444
 * A163
 * O du mein holder Abendstern (Rezitativ und Romanze aus der Oper Tannhäuser)
 * pf
 * 1849
 * based on Wolfram's aria from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; arr for vc pf by Liszt and Bernhard Cossmann as S.380
 * 1849
 * based on Wolfram's aria from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; arr for vc pf by Liszt and Bernhard Cossmann as S.380


 * 445
 * A176
 * (2) Stücke aus Tannhäuser und Lohengrin:
 * pf
 * 1852
 * arr for pf4h as S.634b
 * 1852
 * arr for pf4h as S.634b


 * 445/1a
 * A176/1
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg


 * pf
 * 1852
 * based on the March from Act II of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.445/1b, S.445/1c; arr for pf4h as S.634b/1
 * based on the March from Act II of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.445/1b, S.445/1c; arr for pf4h as S.634b/1


 * 445/1b
 * A176/1
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg


 * pf
 * 1874
 * 2nd version of S.445/1a, S.445/1c
 * 2nd version of S.445/1a, S.445/1c


 * 445/1c
 * A176/1
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg


 * pf
 * 1876
 * 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b
 * 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b


 * 445/2
 * A176/2
 * Elsas Brautzug zum Münster
 * Elsas Brautzug zum Münster
 * Elsas Brautzug zum Münster


 * pf
 * 1852
 * based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV.75 by Richard Wagner; arr for pf4h as S.634b/2
 * based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV.75 by Richard Wagner; arr for pf4h as S.634b/2


 * 446
 * A185
 * Aus Lohengrin:
 * pf
 * 1854
 * based on themes from the opera Lohengrin, WWV 75 by Richard Wagner
 * 1854
 * based on themes from the opera Lohengrin, WWV 75 by Richard Wagner


 * 446/1
 * A185/1
 * Festspiel und Brautlied
 * Festspiel und Brautlied
 * Festspiel und Brautlied


 * pf
 * 1854
 * based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
 * based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV.75 by Richard Wagner


 * 446/2
 * A185/2
 * Elsas Traum
 * Elsas Traum
 * Elsas Traum


 * pf
 * 1854
 * based on Elsa's Dream from Act I of the opera Lohengrin, WWV.75 by Richard Wagner
 * based on Elsa's Dream from Act I of the opera Lohengrin, WWV.75 by Richard Wagner


 * 446/3
 * A185/3
 * Lohengrins Verweis an Elsa
 * Lohengrins Verweis an Elsa
 * Lohengrins Verweis an Elsa


 * pf
 * 1854
 * based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
 * based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV.75 by Richard Wagner


 * 447
 * A239
 * Isoldens Liebestod (Schlußszene aus Wagners Tristan und Isolde)
 * pf
 * 1867
 * arr of the transfiguration scene from the opera Tristan und Isolde, WWV.90 by Richard Wagner; 1st version of S.447a
 * 1867
 * arr of the transfiguration scene from the opera Tristan und Isolde, WWV.90 by Richard Wagner; 1st version of S.447a


 * 447a
 * Isoldens Liebestod (Schlußszene aus Wagners Tristan und Isolde)
 * pf
 * 1875
 * 2nd (revised) version of S.447
 * 1875
 * 2nd (revised) version of S.447
 * 2nd (revised) version of S.447


 * 448
 * A254
 * Am stillen Herd
 * pf
 * 1871
 * based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96 by Richard Wagner
 * 1871
 * based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96 by Richard Wagner


 * 449
 * A269
 * Walhall aus Der Ring des Nibelungen
 * pf
 * 1875
 * based on themes from the final scene of the opera Das Rheingold, WWV.86A by Richard Wagner
 * 1875
 * based on themes from the final scene of the opera Das Rheingold, WWV.86A by Richard Wagner


 * 450
 * A315
 * Feierlicher Marsch zum heiligen Gral aus Parsifal
 * pf
 * 1882
 * based on the theme of the march from Act I of the opera Parsifal, WWV.111 by Richard Wagner
 * 1882
 * based on the theme of the march from Act I of the opera Parsifal, WWV.111 by Richard Wagner


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я451–455
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Weber

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 451
 * AHS 068
 * Freischütz Fantasie
 * pf
 * 1840
 * based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77 by Carl Maria von Weber
 * 1840
 * based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77 by Carl Maria von Weber


 * 452
 * A151
 * Leyer und Schwerdt (Heroide nach Carl Maria von Weber)
 * pf
 * 1848
 * based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber
 * 1848
 * based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber


 * 453
 * A152
 * Einsam bin ich, nicht allein (Volkslied aus dem Schauspiel Preziosa)
 * pf
 * 1848
 * based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78 by Carl Maria von Weber
 * 1848
 * based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78 by Carl Maria von Weber


 * 454
 * A150
 * Schlummerlied mit Arabesken
 * pf
 * 1848
 * based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber
 * 1848
 * based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber


 * 455
 * A175
 * Polacca brillante (Weber)
 * pf
 * 1851
 * arr of S.367
 * 1851
 * arr of S.367


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я456
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Zichy

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 456
 * A281
 * Valse d'Adèle (Transcription brillante)
 * pf
 * 1877
 * arr of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy
 * 1877
 * arr of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я457
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Unknown

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 457
 * pf
 * renumbered?
 * pf
 * renumbered?
 * renumbered?
 * renumbered?
 * renumbered?


 * 458
 * AHS 051
 * Reminiscences de La Scala (Fantasie über italienische Opernmelodien) [Fantasy on Il Giuramento (Mercadante)]
 * pf
 * 1838–39
 * based on themes from the opera Il giuramento by Saverio Mercadante, and on another unidentified source
 * 1838–39
 * based on themes from the opera Il giuramento by Saverio Mercadante, and on another unidentified source


 * 459
 * pf
 * renumbered?
 * pf
 * renumbered?
 * renumbered?
 * renumbered?
 * renumbered?


 * 460
 * A330
 * Kavallerie-Geschwindmarsch
 * pf
 * 1883?
 * lost; possibly 2nd version of S.233
 * 1883?
 * lost; possibly 2nd version of S.233


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я461–577
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Transcriptions, piano reductions

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я461–461a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Allegri/Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 461i
 * A217
 * HS A la ChapelleÀ la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)
 * pf
 * 1862
 * based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; 1st version of S.461ii; arr for orch as S.360
 * 1862
 * based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; 1st version of S.461ii; arr for orch as S.360


 * 461ii
 * A217
 * HS A la ChapelleÀ la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)
 * pf
 * 1862
 * 2nd version of S.461i; arr for pf4h as S.633, for org/harm as S.658
 * 1862
 * 2nd version of S.461i; arr for pf4h as S.633, for org/harm as S.658


 * 461a
 * Ave verum corpus de Mozart
 * pf
 * 1867
 * arr of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr for org/harm as S.674d; see also S.44, 461i
 * 1867
 * arr of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr for org/harm as S.674d; see also S.44, 461i
 * arr of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr for org/harm as S.674d; see also S.44, 461i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я462–463
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bach

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 462
 * AHS 092
 * (6) Preludes and Fugues by J. S. Bach:
 * pf
 * 1842–50
 * 1842–50
 * 1842–50


 * 462/1
 * AHS 092/1
 * Präludium und Fuge
 * Präludium und Fuge
 * Präludium und Fuge


 * pf
 * A minor
 * 1842–50
 * arr of Prelude and Fugue, BWV 543 by Johann Sebastian Bach


 * 462/2
 * AHS 092/2
 * Präludium und Fuge
 * Präludium und Fuge
 * Präludium und Fuge


 * pf
 * C major
 * 1842–50
 * arr of Prelude and Fugue, BWV 545 by Johann Sebastian Bach


 * 462/3
 * AHS 092/3
 * Präludium und Fuge
 * Präludium und Fuge
 * Präludium und Fuge


 * pf
 * C minor
 * 1842–50
 * arr of Prelude and Fugue, BWV 546 by Johann Sebastian Bach


 * 462/4
 * AHS 092/4
 * Präludium und Fuge
 * Präludium und Fuge
 * Präludium und Fuge


 * pf
 * C major
 * 1842–50
 * arr of Prelude and Fugue, BWV 547 by Johann Sebastian Bach


 * 462/5
 * AHS 092/5
 * Präludium und Fuge
 * Präludium und Fuge
 * Präludium und Fuge


 * pf
 * E minor
 * 1842–50
 * arr of Prelude and Fugue, BWV 548 by Johann Sebastian Bach


 * 462/6
 * AHS 092/6
 * Präludium und Fuge
 * Präludium und Fuge
 * Präludium und Fuge


 * pf
 * B minor
 * 1842–50
 * arr of Prelude and Fugue, BWV 544 by Johann Sebastian Bach


 * 463i
 * A244
 * Orgel Fantasie und Fuge
 * pf
 * G minor
 * 1861?
 * arr of Fantasia and Fugue, BWV 542, by Johann Sebastian Bach; 1st version of S.463ii
 * arr of Fantasia and Fugue, BWV 542, by Johann Sebastian Bach; 1st version of S.463ii


 * 463ii
 * A244
 * Orgel Fantasie und Fuge
 * pf
 * G minor
 * 1868
 * 2nd version of S.463i
 * 2nd version of S.463i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я463a–469
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Beethoven

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 463a
 * AHS 037b
 * Symphonies de L. van Beethoven. Partition de piano:
 * pf
 * 1839
 * originally intended to include only the Symphonies Nos.3, 5, 6, and 7
 * 1839
 * originally intended to include only the Symphonies Nos.3, 5, 6, and 7


 * 463a
 * AHS 037b/1
 * L. van Beethoven 5me Symphonie
 * L. van Beethoven 5me Symphonie
 * L. van Beethoven 5me Symphonie


 * pf
 * C minor
 * 1835–37
 * arr of the Symphony No.5, Op.67 by Ludwig van Beethoven; 1st version of S.464/5


 * 463b
 * AHS 037b/2
 * L. van Beethoven 6me Symphonie (Symphonie pastorale)
 * L. van Beethoven 6me Symphonie (Symphonie pastorale)
 * L. van Beethoven 6me Symphonie (Symphonie pastorale)


 * pf
 * F major
 * 1835–37
 * arr of the Symphony No.6, Op.68 by Ludwig van Beethoven; 1st version of S.463c, S.464/6


 * 463c
 * AHS 037b/2
 * Symphonie No. 6 de Beethoven
 * Symphonie No. 6 de Beethoven
 * Symphonie No. 6 de Beethoven


 * pf
 * F major
 * c1840
 * 2nd version of S.463b, S.464/6; only the 5th mvt differs from the 1st version


 * 463d
 * AHS 037b/3
 * 7me Symphonie in La mineur de L. van Beethoven, oeuv: 92
 * 7me Symphonie in La mineur de L. van Beethoven, oeuv: 92
 * 7me Symphonie in La mineur de L. van Beethoven, oeuv: 92


 * pf
 * A major
 * 1838
 * arr of the Symphony No.7, Op.92 by Ludwig van Beethoven; 1st version of S.464/7


 * 463e
 * AHS 037a
 * Marche funèbre de la Sinfonie héroïque de L. van Beethoven
 * Marche funèbre de la Sinfonie héroïque de L. van Beethoven
 * Marche funèbre de la Sinfonie héroïque de L. van Beethoven


 * pf
 * 1841
 * arr of 2nd mvt from Symphony No.3, Op.55 by Ludwig van Beethoven; 1st version of 2nd mvt of S.464/3; Liszt originally intended to arr the full symphony, but only this mvt was completed and published
 * arr of 2nd mvt from Symphony No.3, Op.55 by Ludwig van Beethoven; 1st version of 2nd mvt of S.464/3; Liszt originally intended to arr the full symphony, but only this mvt was completed and published


 * 464
 * AHS 037c
 * (9) Symphonies de Beethoven:
 * pf
 * 1863–64
 * 1863–64
 * 1863–64


 * 464/1
 * AHS 037c/1
 * Symphonie No. 1 de Beethoven
 * Symphonie No. 1 de Beethoven
 * Symphonie No. 1 de Beethoven


 * pf
 * C major
 * 1863–64
 * arr of the Symphony No. 1, Op.21 by Ludwig van Beethoven


 * 464/2
 * AHS 037c/2
 * Symphonie No. 2 de Beethoven
 * Symphonie No. 2 de Beethoven
 * Symphonie No. 2 de Beethoven


 * pf
 * D major
 * 1863–64
 * arr of the Symphony No.2, Op.36 by Ludwig van Beethoven;


 * 464/3
 * AHS 037c/3
 * Symphonie No. 3 de Beethoven
 * Symphonie No. 3 de Beethoven
 * Symphonie No. 3 de Beethoven


 * pf
 * E♭ major
 * 1863–64
 * arr of the Symphony No.3, Op.55 by Ludwig van Beethoven; 2nd mvt is 2nd version of S.463e


 * 464/4
 * AHS 037c/4
 * Symphonie No. 4 de Beethoven
 * Symphonie No. 4 de Beethoven
 * Symphonie No. 4 de Beethoven


 * pf
 * B♭ major
 * 1863–64
 * arr of the Symphony No.4, Op.60 by Ludwig van Beethoven;


 * 464/5
 * AHS 037c/5
 * Symphonie No. 5 de Beethoven
 * Symphonie No. 5 de Beethoven
 * Symphonie No. 5 de Beethoven


 * pf
 * C minor
 * 1863–64
 * arr of the Symphony No.5, Op.67 by Ludwig van Beethoven; 2nd version of S.463a


 * 464/6
 * AHS 037c/6
 * Symphonie No. 6 de Beethoven
 * Symphonie No. 6 de Beethoven
 * Symphonie No. 6 de Beethoven


 * pf
 * F major
 * 1863–64
 * arr of the Symphony No.6, Op.68 by Ludwig van Beethoven; 3rd version of S.463b, S.463c


 * 464/7
 * AHS 037c/7
 * Symphonie No. 7 de Beethoven
 * Symphonie No. 7 de Beethoven
 * Symphonie No. 7 de Beethoven


 * pf
 * A major
 * 1863–64
 * arr of the Symphony No.7, Op.92 by Ludwig van Beethoven; 2nd version of S.463c


 * 464/8
 * AHS 037c/8
 * Symphonie No. 8 de Beethoven
 * Symphonie No. 8 de Beethoven
 * Symphonie No. 8 de Beethoven


 * pf
 * F major
 * 1863–64
 * arr of the Symphony No.8, Op.93 by Ludwig van Beethoven


 * 464/9
 * AHS 037c/9
 * Symphonie No. 9 de Beethoven
 * Symphonie No. 9 de Beethoven
 * Symphonie No. 9 de Beethoven


 * pf
 * D minor
 * 1863–64
 * arr of S.657


 * 465
 * AHS 069
 * Grand septuor de Beethoven
 * pf
 * 1840
 * arr of the Septet, Op.20 by Ludwig van Beethoven; arr for pf4h as S.634
 * 1840
 * arr of the Septet, Op.20 by Ludwig van Beethoven; arr for pf4h as S.634


 * 466i (*466a)
 * AHS 058
 * Adelaide von Beethoven
 * pf
 * 1839
 * arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 1st version of S.466ii, S.466iii
 * 1839
 * arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 1st version of S.466ii, S.466iii


 * 466ii (*466b)
 * AHS 058
 * Adelaide von Beethoven
 * pf
 * 1841
 * arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 2nd version of S.466i, S.466iii
 * 1841
 * arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 2nd version of S.466i, S.466iii


 * 466iii (*466)
 * AHS 058
 * Adelaide von Beethoven
 * pf
 * 1847
 * arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 3rd version of S.466i, S.466ii
 * 1847
 * arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 3rd version of S.466i, S.466ii


 * 467
 * AHS 070
 * Beethovens (6) geistliche Lieder von Gellert:
 * pf
 * 1840
 * arr of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven; published as Vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert (with S.562 as Vol.2)
 * 1840
 * arr of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven; published as Vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert (with S.562 as Vol.2)


 * 467/1
 * AHS 070/1
 * Gottes Macht und Vorsehung
 * Gottes Macht und Vorsehung
 * Gottes Macht und Vorsehung


 * pf
 * 1840
 * arr of No.5 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
 * arr of No.5 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven


 * 467/2
 * AHS 070/2
 * Bitten
 * Bitten
 * Bitten


 * pf
 * 1840
 * arr of No.1 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
 * arr of No.1 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven


 * 467/3
 * AHS 070/3
 * Bußlied
 * Bußlied
 * Bußlied


 * pf
 * 1840
 * arr of No.6 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
 * arr of No.6 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven


 * 467/4
 * AHS 070/4
 * Vom Tode
 * Vom Tode
 * Vom Tode


 * pf
 * 1840
 * arr of No.3 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
 * arr of No.3 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven


 * 467/5
 * AHS 070/5
 * Die Liebe des Nächsten
 * Die Liebe des Nächsten
 * Die Liebe des Nächsten


 * pf
 * 1840
 * arr of No.2 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
 * arr of No.2 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven


 * 467/6
 * AHS 070/6
 * Die Ehre Gottes aus der Natur
 * Die Ehre Gottes aus der Natur
 * Die Ehre Gottes aus der Natur


 * pf
 * 1840
 * arr of No.4 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
 * arr of No.4 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven


 * 468
 * A161
 * Beethovens (6) Lieder von Goethe:
 * pf
 * 1849
 * 1849
 * 1849


 * 468/1
 * A161/1
 * Mignon
 * Mignon
 * Mignon


 * pf
 * 1849
 * arr of No.1 of 6 songs, Op.75 by Ludwig van Beethoven
 * arr of No.1 of 6 songs, Op.75 by Ludwig van Beethoven


 * 468/2
 * A161/2
 * Mit einem gemalten Bande
 * Mit einem gemalten Bande
 * Mit einem gemalten Bande


 * pf
 * 1849
 * arr of No.3 of 3 Songs, Op.83 by Ludwig van Beethoven
 * arr of No.3 of 3 Songs, Op.83 by Ludwig van Beethoven


 * 468/3
 * A161/3
 * Freudvoll und leidvoll
 * Freudvoll und leidvoll
 * Freudvoll und leidvoll


 * pf
 * 1849
 * arr of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
 * arr of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven


 * 468/4
 * A161/4
 * Es war einmal ein König
 * Es war einmal ein König
 * Es war einmal ein König


 * pf
 * 1849
 * arr of No.3 of 6 songs, Op.75 by Ludwig van Beethoven
 * arr of No.3 of 6 songs, Op.75 by Ludwig van Beethoven


 * 468/5
 * A161/5
 * Wonne der Wehmut
 * Wonne der Wehmut
 * Wonne der Wehmut


 * pf
 * 1849
 * arr of No.1 of 3 Songs, Op.83 by Ludwig van Beethoven
 * arr of No.1 of 3 Songs, Op.83 by Ludwig van Beethoven


 * 468/6
 * A161/6
 * Die Trommel gerühret
 * Die Trommel gerühret
 * Die Trommel gerühret


 * pf
 * 1849
 * arr of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
 * arr of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven


 * 469
 * A162
 * An die ferne Geliebte (Liederkreis von Ludwig van Beethoven):
 * pf
 * 1849
 * arr of the song cycle An die ferne Geliebte, Op.98 by Ludwig van Beethoven
 * 1849
 * arr of the song cycle An die ferne Geliebte, Op.98 by Ludwig van Beethoven


 * 469/1
 * A162/1
 * Auf dem Hügel
 * Auf dem Hügel
 * Auf dem Hügel


 * pf
 * 1849
 * arr of No.1 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
 * arr of No.1 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven


 * 469/2
 * A162/2
 * Wo die Bergen
 * Wo die Bergen
 * Wo die Bergen


 * pf
 * 1849
 * arr of No.2 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
 * arr of No.2 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven


 * 469/3
 * A162/3
 * Leichte Segler
 * Leichte Segler
 * Leichte Segler


 * pf
 * 1849
 * arr of No.3 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
 * arr of No.3 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven


 * 469/4
 * A162/4
 * Diese Wolken
 * Diese Wolken
 * Diese Wolken


 * pf
 * 1849
 * arr of No.4 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
 * arr of No.4 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven


 * 469/5
 * A162/5
 * Es kehret der Maien
 * Es kehret der Maien
 * Es kehret der Maien


 * pf
 * 1849
 * arr of No.5 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
 * arr of No.5 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven


 * 469/6
 * A162/6
 * Nimm sie hin denn
 * Nimm sie hin denn
 * Nimm sie hin denn


 * pf
 * 1849
 * arr of No.6 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
 * arr of No.6 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я470–475
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Berlioz

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 470
 * AHS 016a
 * Episode de la vie d'un artiste (Grande symphonie fantastique par Hector Berlioz)
 * pf
 * 1833
 * arr of the Symphonie fantastique, Op.14/H.48 by Hector Berlioz; 4th mvt also published separately as Marche au supplice de la Sinfonie fantastique de Hector Berlioz as 1st version of S.470a/2
 * 1833
 * arr of the Symphonie fantastique, Op.14/H.48 by Hector Berlioz; 4th mvt also published separately as Marche au supplice de la Sinfonie fantastique de Hector Berlioz as 1st version of S.470a/2


 * 470a
 * AHS 016
 * Marche au supplice de la Sinfonie fantastique (Épisode de la vie d'un artiste) de Hector Berlioz
 * pf
 * 1865
 * 1865
 * 1865


 * 470a/1
 * AHS 016b
 * Introduction – L'idée fixe
 * Introduction – L'idée fixe
 * Introduction – L'idée fixe


 * pf
 * B major
 * 1865
 * 2nd (simplified) version of S.395


 * 470a/2
 * AHS 016c
 * Marche au supplice
 * Marche au supplice
 * Marche au supplice


 * pf
 * G minor
 * 1865
 * 2nd (simplified) version of 4th mvt from S.470


 * 471
 * AHS 031
 * Ouverture des Francs-Juges de Hector Berlioz
 * pf
 * 1833
 * arr of the concert overture to the opera Les francs-juges, Op.3/H.23 by Hector Berlioz
 * 1833
 * arr of the concert overture to the opera Les francs-juges, Op.3/H.23 by Hector Berlioz


 * 472i
 * DHS 05a
 * Harold en Italie (Symphonie en quatre parties de Berlioz)
 * pf (+va)
 * c1836
 * arr of the symphony Harold en Italie, Op.16/H.68 by Hector Berlioz; 1st version of S.472ii; 2nd mvt arr for pf (without va) as S.473i
 * c1836
 * arr of the symphony Harold en Italie, Op.16/H.68 by Hector Berlioz; 1st version of S.472ii; 2nd mvt arr for pf (without va) as S.473i


 * 472ii
 * DHS 05b
 * Harold en Italie (Symphonie de Berlioz)
 * pf (+va)
 * 1850–59?
 * 2nd version of S.472i
 * 1850–59?
 * 2nd version of S.472i


 * 473i
 * AHS 029a
 * Marche des pèlerins chantant la prière du soir (de la symphonie d'Harold composée par Berlioz)
 * pf
 * c1836–37
 * arr of the "Pilgrims' march" (2nd mvt) from the symphony Harold en Italie, Op.16/H.68 by Hector Berlioz; 1st version of S.473ii; later intended to be No.5 for S.171d
 * c1836–37
 * arr of the "Pilgrims' march" (2nd mvt) from the symphony Harold en Italie, Op.16/H.68 by Hector Berlioz; 1st version of S.473ii; later intended to be No.5 for S.171d


 * 473ii (*473)
 * AHS 029b
 * Marche des pèlerins – Chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz)
 * pf
 * 1862
 * 2nd version of S.473i
 * 1862
 * 2nd version of S.473i


 * 474
 * AHS 030
 * Ouverture du Roi Lear de Hector Berlioz
 * pf
 * 1833
 * arr of the overture to Roi Lear, Op.4/H.53 by Hector Berlioz
 * 1833
 * arr of the overture to Roi Lear, Op.4/H.53 by Hector Berlioz


 * 475
 * A205
 * Valse des Sylphes de La damnation de Faust de Hector Berlioz
 * pf
 * c1860
 * arr of Ballet des Sylphes from part II of La damnation de Faust, Op.24/H.111 by Hector Berlioz
 * c1860
 * arr of Ballet des Sylphes from part II of La damnation de Faust, Op.24/H.111 by Hector Berlioz


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я476–477a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bertin

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 476
 * AHS 038a
 * Esmeralda (Opéra en 4 actes de L. Bertin)
 * vv ch pf
 * 1837
 * vocal score arr of the opera La Esmeralda by Louise-Angelique Bertin; No.10 re-used as S.477a/3; No.11 re-used as S.477a/1; No.13 re-used as S.477, S.477a/2
 * 1837
 * vocal score arr of the opera La Esmeralda by Louise-Angelique Bertin; No.10 re-used as S.477a/3; No.11 re-used as S.477a/1; No.13 re-used as S.477, S.477a/2


 * 477
 * AHS 038b
 * Air chanté par Massol de Esmerelda de L. Bertin
 * pf
 * 1837
 * arr of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera La Esmeralda by Louise-Angelique Bertin; re-used from S.476/13; re-used as S.477a/2
 * 1837
 * arr of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera La Esmeralda by Louise-Angelique Bertin; re-used from S.476/13; re-used as S.477a/2


 * 477a
 * AHS 038c
 * (3) Morceaux detachés d'Esmeralda de L. Bertin:
 * pf
 * 1837
 * arr of extracts from the opera La Esmeralda by Louise Angelique Bertin, re-used from S.476
 * 1837
 * arr of extracts from the opera La Esmeralda by Louise Angelique Bertin, re-used from S.476


 * 477a/1
 * AHS 038c/1
 * Entracte, Recitatif et Romance
 * Entracte, Recitatif et Romance
 * Entracte, Recitatif et Romance


 * pf
 * 1837
 * arr of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; re-used from S.476/11
 * arr of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; re-used from S.476/11


 * 477a/2
 * AHS 038c/2
 * Air
 * Air
 * Air


 * pf
 * 1837
 * re-used from S.476/13, S.477
 * re-used from S.476/13, S.477


 * 477a/3
 * AHS 038c/3
 * Scène et Trio
 * Scène et Trio
 * Scène et Trio


 * pf
 * 1837
 * arr of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; re-used from S.476/10
 * arr of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; re-used from S.476/10


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я478
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bulakhov

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 478i (*478)
 * AHS 099
 * Galop Russe (Bulhakow's Russischer Galop)
 * pf
 * 1843–44
 * arr of the song You Will Not Believe by Pyotr Bulakhov; 1st version of S.478ii
 * 1843–44
 * arr of the song You Will Not Believe by Pyotr Bulakhov; 1st version of S.478ii


 * 478ii
 * Galop par Constantin Bulhakow arrangé par Liszt
 * pf
 * 1844
 * 2nd version of S.478i
 * 1844
 * 2nd version of S.478i
 * 2nd version of S.478i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я479
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bülow

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 479
 * A265
 * Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow)
 * pf
 * 1874
 * arr of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow
 * 1874
 * arr of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я480
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chopin

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 480
 * A193
 * 6 Polish Songs (after Chopin):
 * pf
 * 1857–60
 * arr of 6 of 17 Polish songs, Op.74 by Frédéric Chopin
 * 1857–60
 * arr of 6 of 17 Polish songs, Op.74 by Frédéric Chopin


 * 480/1
 * A193/1
 * Mädchens Wunsch (Zyczenie)
 * Mädchens Wunsch (Zyczenie)
 * Mädchens Wunsch (Zyczenie)


 * pf
 * 1857–60
 * arr of No.1 of 17 Polish songs, Op.74 by Frédéric Chopin
 * arr of No.1 of 17 Polish songs, Op.74 by Frédéric Chopin


 * 480/2
 * A193/2
 * Frühling (Wiosna)
 * Frühling (Wiosna)
 * Frühling (Wiosna)


 * pf
 * 1857–60
 * arr of No.2 of 17 Polish songs, Op.74 by Frédéric Chopin
 * arr of No.2 of 17 Polish songs, Op.74 by Frédéric Chopin


 * 480/3
 * A193/3
 * Das Ringlein (Pierścień)
 * Das Ringlein (Pierścień)
 * Das Ringlein (Pierścień)


 * pf
 * 1857–60
 * arr of No.14 of 17 Polish songs, Op.74 by Frédéric Chopin
 * arr of No.14 of 17 Polish songs, Op.74 by Frédéric Chopin


 * 480/4
 * A193/4
 * Bacchanal (Hulanka)
 * Bacchanal (Hulanka)
 * Bacchanal (Hulanka)


 * pf
 * 1857–60
 * arr of No.4 of 17 Polish songs, Op.74 by Frédéric Chopin
 * arr of No.4 of 17 Polish songs, Op.74 by Frédéric Chopin


 * 480/5
 * A193/5
 * Meine Freuden (Moja pieszczotka)
 * Meine Freuden (Moja pieszczotka)
 * Meine Freuden (Moja pieszczotka)


 * pf
 * 1857–60
 * arr of No.12 of 17 Polish songs, Op.74 by Frédéric Chopin; 1st version of S.480/5a
 * arr of No.12 of 17 Polish songs, Op.74 by Frédéric Chopin; 1st version of S.480/5a


 * 480/5a (*480/5bis)
 * A193/5
 * Mes Joies
 * Mes Joies
 * Mes Joies


 * pf
 * 1860 or later
 * 2nd version of S.480/5
 * 2nd version of S.480/5


 * 480/6
 * A193/6
 * Die Heimkehr (Narzeczony)
 * Die Heimkehr (Narzeczony)
 * Die Heimkehr (Narzeczony)


 * pf
 * 1857–60
 * arr of No.15 of 17 Polish songs, Op.74 by Frédéric Chopin
 * arr of No.15 of 17 Polish songs, Op.74 by Frédéric Chopin


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я481
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Conradi

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 481
 * A147
 * Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi)
 * pf
 * 1848
 * arr of No.2 of 2 Zigeuner-Polkas, Op.5 by August Conradi
 * 1848
 * arr of No.2 of 2 Zigeuner-Polkas, Op.5 by August Conradi


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я482
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Cui

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 482
 * A327
 * Tarentelle de César Cui
 * pf
 * 1885
 * arr of the Tarantella, Op.12 by César Cui
 * 1885
 * arr of the Tarantella, Op.12 by César Cui


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я483
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Dargomyzhsky

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 483
 * A291
 * Tarantella de Dargomijski
 * pf
 * 1879
 * arr of the Tarantella slave by Alexander Dargomyzhsky
 * 1879
 * arr of the Tarantella slave by Alexander Dargomyzhsky


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я483a–484
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

David

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 483a (*483bis)
 * AHS 091
 * Souvenir de Russie (d'après Ferdinand David)
 * pf
 * B♭ minor
 * 1842
 * arr of No.22 from Bunte Reihe by Ferdinand David; 1st version of S.484/22
 * arr of No.22 from Bunte Reihe by Ferdinand David; 1st version of S.484/22


 * 484
 * A170
 * Bunte Reihe (24 Stücke von Ferdinand David):
 * pf
 * 1850
 * arr of the collection Bunte Reihe by Ferdinand David
 * 1850
 * arr of the collection Bunte Reihe by Ferdinand David


 * 484/1
 * A170/HS 01
 * Scherzo
 * Scherzo
 * Scherzo


 * pf
 * C major
 * 1850
 * arr of No.1 from Bunte Reihe by Ferdinand David


 * 484/2
 * A170/HS 02
 * Erinnerung
 * Erinnerung
 * Erinnerung


 * pf
 * C minor
 * 1850
 * arr of No.2 from Bunte Reihe by Ferdinand David


 * 484/3
 * A170/HS 03
 * Mazurka
 * Mazurka
 * Mazurka


 * pf
 * D♭ major
 * 1850
 * arr of No.3 from Bunte Reihe by Ferdinand David


 * 484/4
 * A170/HS 04
 * Tanz
 * Tanz
 * Tanz


 * pf
 * C♯ mino
 * 1850
 * arr of No.4 from Bunte Reihe by Ferdinand David


 * 484/5
 * A170/HS 05
 * Kinderlied
 * Kinderlied
 * Kinderlied


 * pf
 * D major
 * 1850
 * arr of No.5 from Bunte Reihe by Ferdinand David


 * 484/6
 * A170/HS 06
 * Capriccio
 * Capriccio
 * Capriccio


 * pf
 * D minor
 * 1850
 * arr of No.6 from Bunte Reihe by Ferdinand David


 * 484/7
 * A170/HS 07
 * Bolero
 * Bolero
 * Bolero


 * pf
 * E♭ major
 * 1850
 * arr of No.7 from Bunte Reihe by Ferdinand David


 * 484/8
 * A170/HS 08
 * Elegie
 * Elegie
 * Elegie


 * pf
 * E♭ minor
 * 1850
 * arr of No.8 from Bunte Reihe by Ferdinand David


 * 484/9
 * A170/HS 09
 * Marsch
 * Marsch
 * Marsch


 * pf
 * E major
 * 1850
 * arr of No.9 from Bunte Reihe by Ferdinand David


 * 484/10
 * A170/10
 * Toccata
 * Toccata
 * Toccata


 * pf
 * E minor
 * 1850
 * arr of No.10 from Bunte Reihe by Ferdinand David


 * 484/11
 * A170/11
 * Gondellied
 * Gondellied
 * Gondellied


 * pf
 * F major
 * 1850
 * arr of No.11 from Bunte Reihe by Ferdinand David


 * 484/12
 * A170/12
 * Im Sturm
 * Im Sturm
 * Im Sturm


 * pf
 * F minor
 * 1850
 * arr of No.12 from Bunte Reihe by Ferdinand David


 * 484/13
 * A170/13
 * Romanze
 * Romanze
 * Romanze


 * pf
 * F♯ major
 * 1850
 * arr of No.13 from Bunte Reihe by Ferdinand David


 * 484/14
 * A170/14
 * Allegro agitato
 * Allegro agitato
 * Allegro agitato


 * pf
 * F♯ minor
 * 1850
 * arr of No.14 from Bunte Reihe by Ferdinand David


 * 484/15
 * A170/15
 * Menuetto
 * Menuetto
 * Menuetto


 * pf
 * G major
 * 1850
 * arr of No.15 from Bunte Reihe by Ferdinand David


 * 484/16
 * A170/16
 * Etüde
 * Etüde
 * Etüde


 * pf
 * G minor
 * 1850
 * arr of No.16 from Bunte Reihe by Ferdinand David


 * 484/17
 * A170/17
 * Intermezzo
 * Intermezzo
 * Intermezzo


 * pf
 * A♭ major
 * 1850
 * arr of No.17 from Bunte Reihe by Ferdinand David


 * 484/18
 * A170/18
 * Serenade
 * Serenade
 * Serenade


 * pf
 * G♯ minor
 * 1850
 * arr of No.18 from Bunte Reihe by Ferdinand David


 * 484/19
 * A170/19
 * Ungarisch
 * Ungarisch
 * Ungarisch


 * pf
 * A major
 * 1850
 * arr of No.19 from Bunte Reihe by Ferdinand David; 1st version of S.484/19a


 * 484/19a (*484/19bis)
 * A170/19b
 * Ungarisch
 * Ungarisch
 * Ungarisch


 * pf
 * A major
 * 1850
 * 2nd version of S.484/19


 * 484/20
 * A170/20
 * Tarantella
 * Tarantella
 * Tarantella


 * pf
 * A minor
 * 1850
 * arr of No.20 from Bunte Reihe by Ferdinand David


 * 484/21
 * A170/21
 * Impromptu
 * Impromptu
 * Impromptu


 * pf
 * B♭ major
 * 1850
 * arr of No.21 from Bunte Reihe by Ferdinand David


 * 484/22
 * A170/22
 * Im russischer Weise
 * Im russischer Weise
 * Im russischer Weise


 * pf
 * B♭ minor
 * 1850
 * 2nd version of S.483a


 * 484/23
 * A170/23
 * Lied
 * Lied
 * Lied


 * pf
 * B major
 * 1850
 * arr of No.23 from Bunte Reihe by Ferdinand David


 * 484/24
 * A170/24
 * Capriccio
 * Capriccio
 * Capriccio


 * pf
 * B mnor
 * 1850
 * arr of No.24 from Bunte Reihe by Ferdinand David


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я485
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Dessauer

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 485
 * A130
 * Dessauers (3) Lieder:
 * pf
 * 1846–47
 * 1846–47
 * 1846–47


 * 485/1
 * A130/1
 * Lockung
 * Lockung
 * Lockung


 * pf
 * 1846–47
 * arr of the song by Josef Dessauer
 * arr of the song by Josef Dessauer


 * 485/2
 * A130/2
 * Zwei Wege
 * Zwei Wege
 * Zwei Wege


 * pf
 * 1846–47
 * arr of the song by Josef Dessauer
 * arr of the song by Josef Dessauer


 * 485/3
 * A130/3
 * Spanisches Lied (Bolero)
 * Spanisches Lied (Bolero)
 * Spanisches Lied (Bolero)


 * pf
 * 1846–47
 * arr of the song by Josef Dessauer
 * arr of the song by Josef Dessauer


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я485a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Draeseke

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 485a
 * A251
 * Der Schwur am Rütli (von F. Draeseke)
 * pf
 * 1870
 * arr of the cantata by Felix Draeseke
 * 1870
 * arr of the cantata by Felix Draeseke


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я485b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Ernst

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 485b
 * AHS 089
 * Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)
 * pf
 * 1842
 * arr of the song by Ernst II, Duke of Saxe-Coburg-Gotha
 * 1842
 * arr of the song by Ernst II, Duke of Saxe-Coburg-Gotha


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я486
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Egressy/Erkel

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 486
 * A261
 * Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz)
 * pf
 * 1872
 * arr of S.353
 * 1872
 * arr of S.353


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я487
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Festetics

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 487
 * A110
 * Spanisches Ständchen (Melodie von Graf Leó Festetics)
 * pf
 * 1844
 * arr of the song by Leo Festetics
 * 1844
 * arr of the song by Leo Festetics


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я488–489
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Franz

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 488
 * A154
 * Er ist gekommen in Sturm und Regen (Lied von Robert Franz)
 * pf
 * 1848
 * arr of No.7 of 12 Gesänge, Op.4 by Robert Franz
 * 1848
 * arr of No.7 of 12 Gesänge, Op.4 by Robert Franz


 * 489/HS 01–5
 * A157/1–5
 * (12) Lieder von Robert Franz Vol.I: Schilflieder:
 * pf
 * 1848
 * 1848
 * 1848


 * 489/1
 * A157/1
 * Auf geheimen Waldespfadeie
 * Auf geheimen Waldespfadeie
 * Auf geheimen Waldespfadeie


 * pf
 * 1848
 * arr of No.1 of Schilflieder, Op.2, by Robert Franz
 * arr of No.1 of Schilflieder, Op.2, by Robert Franz


 * 489/2
 * A157/2
 * Drüben geht die Sonne scheiden
 * Drüben geht die Sonne scheiden
 * Drüben geht die Sonne scheiden


 * pf
 * 1848
 * arr of No.2 of Schilflieder, Op.2, by Robert Franz
 * arr of No.2 of Schilflieder, Op.2, by Robert Franz


 * 489/3
 * A157/3
 * Trübe wird's
 * Trübe wird's
 * Trübe wird's


 * pf
 * 1848
 * arr of No.3 of Schilflieder, Op.2, by Robert Franz
 * arr of No.3 of Schilflieder, Op.2, by Robert Franz


 * 489/4
 * A157/4
 * Sonnenuntergang
 * Sonnenuntergang
 * Sonnenuntergang


 * pf
 * 1848
 * arr of No.4 of Schilflieder, Op.2, by Robert Franz
 * arr of No.4 of Schilflieder, Op.2, by Robert Franz


 * 489/5
 * A157/5
 * Auf dem Teich
 * Auf dem Teich
 * Auf dem Teich


 * pf
 * 1848
 * arr of No.5 of Schilflieder, Op.2, by Robert Franz
 * arr of No.5 of Schilflieder, Op.2, by Robert Franz


 * 489/HS 56–8
 * A157/6–8
 * (12) Lieder von Robert Franz Vol.II: Drei Lieder:
 * pf
 * 1848
 * 1848
 * 1848


 * 489/6
 * A157/6
 * Der Schalk
 * Der Schalk
 * Der Schalk


 * pf
 * 1848
 * arr of No.1 of 6 Gesänge, Op.3, by Robert Franz
 * arr of No.1 of 6 Gesänge, Op.3, by Robert Franz


 * 489/7
 * A157/7
 * Der Bote
 * Der Bote
 * Der Bote


 * pf
 * 1848
 * arr of No.1 of 6 Gesänge, Op.8, by Robert Franz
 * arr of No.1 of 6 Gesänge, Op.8, by Robert Franz


 * 489/8
 * A157/8
 * Meeresstille
 * Meeresstille
 * Meeresstille


 * pf
 * 1848
 * arr of No.2 of 6 Gesänge, Op.8, by Robert Franz
 * arr of No.2 of 6 Gesänge, Op.8, by Robert Franz


 * 489/HS 89–12
 * A157/9–12
 * (12) Lieder von Robert Franz Vol.III: Vier Lieder:
 * pf
 * 1848
 * 1848
 * 1848


 * 489/9
 * A157/9
 * Treibt der Sommer seinen Rosen
 * Treibt der Sommer seinen Rosen
 * Treibt der Sommer seinen Rosen


 * pf
 * 1848
 * arr of No.5 of 6 Gesänge, Op.8, by Robert Franz
 * arr of No.5 of 6 Gesänge, Op.8, by Robert Franz


 * 489/10
 * A157/10
 * Gewitternacht
 * Gewitternacht
 * Gewitternacht


 * pf
 * 1848
 * arr of No.6 of 6 Gesänge, Op.8, by Robert Franz
 * arr of No.6 of 6 Gesänge, Op.8, by Robert Franz


 * 489/11
 * A157/11
 * Das ist ein Brausen und Heulen
 * Das ist ein Brausen und Heulen
 * Das ist ein Brausen und Heulen


 * pf
 * 1848
 * arr of No.4 of 6 Gesänge, Op.8, by Robert Franz
 * arr of No.4 of 6 Gesänge, Op.8, by Robert Franz


 * 489/12
 * A157/12
 * Frühling und Liebe
 * Frühling und Liebe
 * Frühling und Liebe


 * pf
 * 1848
 * arr of No.3 of 6 Gesänge, Op.3, by Robert Franz
 * arr of No.3 of 6 Gesänge, Op.3, by Robert Franz


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я490
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Goldschmidt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 490
 * A298
 * Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt)
 * pf
 * 1880
 * arr of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt
 * 1880
 * arr of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я491
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Gounod

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 491
 * A235
 * Hymne à Sainte Cécile de Charles Gounod
 * pf
 * 1866
 * arr of Hymne à Sainte Cécile, by Charles Gounod
 * 1866
 * arr of Hymne à Sainte Cécile, by Charles Gounod


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я492
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Herbeck

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 492
 * A245
 * Tanzmomente von Johann Herbeck:
 * pf
 * 1869
 * arr of the Tanzmomente, Op.14 by Johann von Herbeck
 * 1869
 * arr of the Tanzmomente, Op.14 by Johann von Herbeck


 * 492/1
 * A245/1
 * Tanzmomente No.1
 * Tanzmomente No.1
 * Tanzmomente No.1


 * pf
 * G major
 * 1869
 * arr of No.1 of the Tanzmomente, Op.14 by Johann von Herbeck


 * 492/2
 * A245/2
 * Tanzmomente No.2
 * Tanzmomente No.2
 * Tanzmomente No.2


 * pf
 * A minor
 * 1869
 * arr of No.2 of the Tanzmomente, Op.14 by Johann von Herbeck


 * 492/3
 * A245/3
 * Tanzmomente No.3
 * Tanzmomente No.3
 * Tanzmomente No.3


 * pf
 * F major
 * 1869
 * arr of No.3 of the Tanzmomente, Op.14 by Johann von Herbeck


 * 492/4
 * A245/4
 * Tanzmomente No.4
 * Tanzmomente No.4
 * Tanzmomente No.4


 * pf
 * A major
 * 1869
 * arr of No.4 of the Tanzmomente, Op.14 by Johann von Herbeck; 1st version of S.492/4a


 * 492/4a (*492/4bis)
 * A245/4
 * Tanzmomente No.4
 * Tanzmomente No.4
 * Tanzmomente No.4


 * pf
 * A major
 * 1869
 * 2nd version of S.492/4


 * 492/5
 * A245/5
 * Tanzmomente No.5
 * Tanzmomente No.5
 * Tanzmomente No.5


 * pf
 * F major
 * 1869
 * arr of No.5 of the Tanzmomente, Op.14 by Johann von Herbeck


 * 492/6
 * A245/6
 * Tanzmomente No.6
 * Tanzmomente No.6
 * Tanzmomente No.6


 * pf
 * D major
 * 1869
 * arr of No.6 of the Tanzmomente, Op.14 by Johann von Herbeck


 * 492/7
 * A245/7
 * Tanzmomente No.7
 * Tanzmomente No.7
 * Tanzmomente No.7


 * pf
 * G major
 * 1869
 * arr of No.7 of the Tanzmomente, Op.14 by Johann von Herbeck


 * 492/8
 * A245/8
 * Tanzmomente No.8
 * Tanzmomente No.8
 * Tanzmomente No.8


 * pf
 * D major
 * 1869
 * arr of No.8 of the Tanzmomente, Op.14 by Johann von Herbeck


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я493
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Hummel

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 493i
 * A155
 * Großes Septett von Johann Nepomuk Hummel
 * pf
 * D minor
 * 1848
 * arr of Septet No.1, Op.74 by Johann Nepomuk Hummel; 1st version of S.493ii
 * arr of Septet No.1, Op.74 by Johann Nepomuk Hummel; 1st version of S.493ii


 * 493ii
 * U12
 * Großes Septett von Johann Nepomuk Hummel
 * pf
 * D minor
 * 1869?
 * 2nd version of S.493i
 * 2nd version of S.493i


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я494–497
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Lassen

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 494i
 * A211/1
 * Löse, Himmel, meine Seele (Lied von Eduard Lassen)
 * pf
 * 1861
 * arr of No.5 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen; 1st version of S.494ii
 * 1861
 * arr of No.5 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen; 1st version of S.494ii


 * 494ii–495
 * A211
 * 2 Lieder von E. Lassen:
 * pf
 * 1872
 * 1872
 * 1872


 * 495
 * A211/2
 * Ich weil' in tiefer Einsamkeit
 * Ich weil' in tiefer Einsamkeit
 * Ich weil' in tiefer Einsamkeit


 * pf
 * 1872
 * arr of No.4 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen
 * arr of No.4 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen


 * 494ii
 * A211/1
 * Löse, Himmel, meine Seele
 * Löse, Himmel, meine Seele
 * Löse, Himmel, meine Seele


 * pf
 * 1872
 * 2nd version of S.494i
 * 2nd version of S.494i


 * 496
 * A285
 * Aus der Musik zu Hebbels Nibelungen und Goethes Faust:
 * pf
 * 1878–79
 * 1878–79
 * 1878–79


 * 496/1
 * A285/I/1
 * Hagen und Kreimhild
 * Hagen und Kreimhild
 * Hagen und Kreimhild


 * pf
 * 1878–79
 * arr of extract from the incidental music to Nibelungen, Op.47, by Eduard Lassen
 * arr of extract from the incidental music to Nibelungen, Op.47, by Eduard Lassen


 * 496/2
 * A285/I/2
 * Bechlarn
 * Bechlarn
 * Bechlarn


 * pf
 * 1878–79
 * arr of extract from the incidental music to Nibelungen, Op.47, by Eduard Lassen
 * arr of extract from the incidental music to Nibelungen, Op.47, by Eduard Lassen


 * 496/3
 * A285/II/1
 * Osterhymne
 * Osterhymne
 * Osterhymne


 * pf
 * 1878–79
 * arr of No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen
 * arr of No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen


 * 496/4
 * A285/II/2
 * Hoffestliche Marsch und Polonaise
 * Hoffestliche Marsch und Polonaise
 * Hoffestliche Marsch und Polonaise


 * pf
 * 1878–79
 * arr of Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen
 * arr of Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen


 * 497
 * A323
 * Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen)
 * pf
 * 1883
 * arr of the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen
 * 1883
 * arr of the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я498
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Lessmann

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 498
 * A316
 * (3) Lieder zu Tannhäuser (Komponiert von Otto Lessmann):
 * pf
 * 1882
 * arr of 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
 * 1882
 * arr of 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann


 * 498/1
 * A316/1
 * Der Lenz ist gekommen
 * Der Lenz ist gekommen
 * Der Lenz ist gekommen


 * pf
 * 1882
 * arr of No.1 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
 * arr of No.1 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann


 * 498/2
 * A316/2
 * Trinklied ("Itzt hört ein neues Liedlein an")
 * Trinklied ("Itzt hört ein neues Liedlein an")
 * Trinklied ("Itzt hört ein neues Liedlein an")


 * pf
 * 1882
 * arr of No.2 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
 * arr of No.2 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann


 * 498/3
 * A316/3
 * Du schaust mich an mit stummen Fragen
 * Du schaust mich an mit stummen Fragen
 * Du schaust mich an mit stummen Fragen


 * pf
 * 1882
 * arr of No.3 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
 * arr of No.3 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я498a–546a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 498a
 * A192
 * 3 Stücke aus der Legende der heiligen Elisabeth:
 * pf
 * 1857–62
 * arr of extracts from S.2; see also 693a
 * 1857–62
 * arr of extracts from S.2; see also 693a


 * 498a/1
 * A192/1
 * Orchester Einleitung (Orchestral Introduction)
 * Orchester Einleitung (Orchestral Introduction)
 * Orchester Einleitung (Orchestral Introduction)


 * pf
 * 1857–62
 * arr of the introduction from S.2
 * arr of the introduction from S.2


 * 498a/2
 * A192/2
 * Marsch der Kreuzritter (Crusaders' March)
 * Marsch der Kreuzritter (Crusaders' March)
 * Marsch der Kreuzritter (Crusaders' March)


 * pf
 * 1857–62
 * arr of S.2/3e
 * arr of S.2/3e


 * 498a/3
 * A192/3
 * Interludium (Interlude)
 * Interludium (Interlude)
 * Interludium (Interlude)


 * pf
 * 1857–62
 * arr of S.2/6a
 * arr of S.2/6a


 * 498b
 * A222
 * 2 Orchestersätze aus dem Oratorium Christus:
 * pf
 * 1862–66
 * arr of Nos.4 and 5 from S.3
 * 1862–66
 * arr of Nos.4 and 5 from S.3


 * 498b/1
 * A222/1
 * Hirtengesang an der Krippe
 * Hirtengesang an der Krippe
 * Hirtengesang an der Krippe


 * pf
 * 1862–66
 * arr of S.3/4
 * arr of S.3/4


 * 498b/2
 * A222/2
 * Die heiligen drei Könige (Marsch)
 * Die heiligen drei Könige (Marsch)
 * Die heiligen drei Könige (Marsch)


 * pf
 * 1862–66
 * arr of S.3/5
 * arr of S.3/5


 * 498c
 * 2 Stücke aus dem Oratorium Christus:
 * pf
 * c1871
 * arr of Nos.1a, 1b, and 2 from S.3
 * c1871
 * arr of Nos.1a, 1b, and 2 from S.3
 * arr of Nos.1a, 1b, and 2 from S.3


 * 498c/1a
 * Einleitung
 * Einleitung
 * Einleitung
 * Einleitung


 * pf
 * c1871
 * arr of S.3/1a
 * arr of S.3/1a


 * 498c/1b
 * Pastorale
 * Pastorale
 * Pastorale
 * Pastorale


 * pf
 * c1871
 * arr of S.3/1b
 * arr of S.3/1b


 * 498c/2
 * Das Wunder
 * Das Wunder
 * Das Wunder
 * Das Wunder


 * pf
 * c1871
 * arr of S.3/2
 * arr of S.3/2


 * 498d (*499a)
 * A301
 * San Francesco (Preludio per il Cantico del Sol)
 * pf
 * 1880
 * arr of prelude from S.4ii
 * 1880
 * arr of prelude from S.4ii


 * 499
 * A307
 * Cantico del Sol di San Francesco d'Assisi
 * pf
 * 1881
 * arr of S.4ii
 * 1881
 * arr of S.4ii


 * 500
 * Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)
 * pf
 * 1874
 * arr of prelude from S.6
 * 1874
 * arr of prelude from S.6
 * arr of prelude from S.6


 * 501
 * A238
 * Aus der Ungarischen Krönungsmesse:
 * pf
 * 1867
 * arr of extracts from S.11
 * 1867
 * arr of extracts from S.11


 * 501/1
 * A238/1
 * Benedictus
 * Benedictus
 * Benedictus


 * pf
 * 1867
 * arr of S.11/4
 * arr of S.11/4


 * 501/2
 * A238/2
 * Offertorium
 * Offertorium
 * Offertorium


 * pf
 * 1867
 * arr of S.11/5
 * arr of S.11/5


 * 502
 * A227
 * Weinachtslied (Christus ist geboren)
 * pf
 * 1864
 * arr of S.32
 * 1864
 * arr of S.32


 * 503
 * A223
 * Slavimo slavno, Slaveni!
 * pf
 * 1863
 * arr of S.33i
 * 1863
 * arr of S.33i


 * 504i
 * A247/1
 * Ave Maria II
 * pf
 * D major
 * 1869–70
 * arr of S.38; 1st version of S.504ii
 * arr of S.38; 1st version of S.504ii


 * 504ii
 * A247/2
 * Ave Maria II
 * pf
 * D♭ major
 * 1872
 * 2nd version of S.504i
 * 2nd version of S.504i


 * 504a
 * A287
 * Via Crucis (Les 14 stations de la croix)
 * pf
 * 1878–79
 * arr of S.53
 * 1878–79
 * arr of S.53


 * 504b
 * A286a
 * (11) Alte deutsche geistliche Weisen (Choräle):
 * pf
 * 1878–79
 * arr of S.50
 * 1878–79
 * arr of S.50


 * 504b/1
 * A286a/1
 * Crux ave benedicta
 * Crux ave benedicta
 * Crux ave benedicta


 * pf
 * 1878–79
 * arr of S.50/9
 * arr of S.50/9


 * 504b/2
 * A286a/2
 * Jesu Christe (Die fünf Wunden)
 * Jesu Christe (Die fünf Wunden)
 * Jesu Christe (Die fünf Wunden)


 * pf
 * 1878–79
 * arr of S.50/12
 * arr of S.50/12


 * 504b/3
 * A286a/3
 * Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
 * Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
 * Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)


 * pf
 * 1878–79
 * arr of S.50/2
 * arr of S.50/2


 * 504b/3a
 * A286a/3a
 * Es segne uns Gott
 * Es segne uns Gott
 * Es segne uns Gott


 * pf
 * 1878–79
 * arr of S.50/1; not included in published set
 * arr of S.50/1; not included in published set


 * 504b/4
 * A286a/4
 * Nun danket alle Gott!
 * Nun danket alle Gott!
 * Nun danket alle Gott!


 * pf
 * 1878–79
 * arr of S.50/11
 * arr of S.50/11


 * 504b/5
 * A286a/5
 * Nun ruhen alle Wälder
 * Nun ruhen alle Wälder
 * Nun ruhen alle Wälder


 * pf
 * 1878–79
 * arr of S.50/3
 * arr of S.50/3


 * 504b/6
 * A286a/6
 * O Haupt voll Blut und Wunden
 * O Haupt voll Blut und Wunden
 * O Haupt voll Blut und Wunden


 * pf
 * 1878–79
 * arr of S.50/4
 * arr of S.50/4


 * 504b/7
 * A286a/7
 * O Lamm Gottes!
 * O Lamm Gottes!
 * O Lamm Gottes!


 * pf
 * 1878–79
 * arr of S.50/5; arr for pf4h as S.582
 * arr of S.50/5; arr for pf4h as S.582


 * 504b/8
 * A286a/8
 * O Traurigkeit
 * O Traurigkeit
 * O Traurigkeit


 * pf
 * 1878–79
 * arr of S.50/10
 * arr of S.50/10


 * 504b/9
 * A286a/9
 * Vexilla Regis
 * Vexilla Regis
 * Vexilla Regis


 * pf
 * 1878–79
 * arr of S.50/8
 * arr of S.50/8


 * 504b/10
 * A286a/10
 * Was Gott tut, das ist wohlgetan
 * Was Gott tut, das ist wohlgetan
 * Was Gott tut, das ist wohlgetan


 * pf
 * 1878–79
 * arr of S.50/6
 * arr of S.50/6


 * 504b/11
 * A286a/11
 * Wer nur den lieben Gott läßt walten
 * Wer nur den lieben Gott läßt walten
 * Wer nur den lieben Gott läßt walten


 * pf
 * 1878–79
 * arr of S.50/7
 * arr of S.50/7


 * 505
 * A331
 * In domum Domini ibimus (Zum Haus des Herrn ziehen wir)
 * pf
 * 1884
 * arr of S.57
 * 1884
 * arr of S.57


 * 506
 * A243
 * Ave maris stella
 * pf
 * 1868
 * arr of 2nd version of S.34
 * 1868
 * arr of 2nd version of S.34


 * 506b (*546a)
 * A294
 * O Roma nobilis
 * pf
 * 1879
 * arr of S.54
 * 1879
 * arr of S.54


 * 507
 * A126
 * Klavierstück aus der Bonn Beethoven-Kantate (Album-Leaf)
 * pf
 * 1846
 * based on the beginning and end of the 1st mvt of S.67
 * 1846
 * based on the beginning and end of the 1st mvt of S.67


 * 507a
 * A213
 * Schnitterchor aus den entfesselten Prometheus
 * pf
 * 1850
 * arr of No.4 from S.69i (incomplete); 1st version of S.508
 * 1850
 * arr of No.4 from S.69i (incomplete); 1st version of S.508


 * 508
 * A213
 * Pastorale (Schnitterchor aus den Entfesselten Prometheus)
 * pf
 * 1861
 * arr of No.4 from S.69ii; 2nd version of S.507a
 * 1861
 * arr of No.4 from S.69ii; 2nd version of S.507a


 * 509
 * A246
 * Gaudeamus igitur (Humoreske)
 * pf
 * 1869–70
 * arr of S.71
 * 1869–70
 * arr of S.71


 * 510
 * A153
 * Marche héroïque
 * pf
 * 1847–48?
 * based on S.82; arr for pf4h as S.587
 * 1847–48?
 * based on S.82; arr for pf4h as S.587


 * 510a
 * 3 Chansons:
 * pf
 * c1852
 * arr of S.89a/3–5; 1st version of S.511; possibly by August Horn under Liszt's direct instructions
 * c1852
 * arr of S.89a/3–5; 1st version of S.511; possibly by August Horn under Liszt's direct instructions
 * arr of S.89a/3–5; 1st version of S.511; possibly by August Horn under Liszt's direct instructions


 * 510a/1
 * Avant la bataille
 * Avant la bataille
 * Avant la bataille
 * Avant la bataille


 * pf
 * c1852
 * arr of S.89a/3; 1st version of S.511/1
 * arr of S.89a/3; 1st version of S.511/1


 * 510a/2
 * L'espérance
 * L'espérance
 * L'espérance
 * L'espérance


 * pf
 * c1852
 * arr of S.89a/5; 1st version of S.511/2
 * arr of S.89a/5; 1st version of S.511/2


 * 510a/3
 * La consolation
 * La consolation
 * La consolation
 * La consolation


 * pf
 * c1852
 * arr of S.89a/4; 1st version of S.511/3
 * arr of S.89a/4; 1st version of S.511/3


 * 511
 * A207
 * (3) Geharnischte Lieder:
 * pf
 * 1860
 * arr of S.90/4–6; 2nd version of S.510a
 * 1860
 * arr of S.90/4–6; 2nd version of S.510a


 * 511/1
 * A207/1
 * Vor der Schlacht
 * Vor der Schlacht
 * Vor der Schlacht


 * pf
 * 1860
 * arr of S.90/4; 2nd version of S.510a/1
 * arr of S.90/4; 2nd version of S.510a/1


 * 511/2
 * A207/2
 * Nicht gezagt!
 * Nicht gezagt!
 * Nicht gezagt!


 * pf
 * 1860
 * arr of S.90/5; 2nd version of S.510a/2
 * arr of S.90/5; 2nd version of S.510a/2


 * 511/3
 * A207/3
 * Es rufet Gott uns mahnend
 * Es rufet Gott uns mahnend
 * Es rufet Gott uns mahnend


 * pf
 * 1860
 * arr of S.90/6; 2nd version of S.510a/3
 * arr of S.90/6; 2nd version of S.510a/3


 * 511a
 * Les préludes (Poème symphonique No.3)
 * pf
 * 1863
 * arr of S.97iv by Karl Klauser, with revisions by Liszt
 * 1863
 * arr of S.97iv by Karl Klauser, with revisions by Liszt
 * arr of S.97iv by Karl Klauser, with revisions by Liszt


 * 511b
 * Orpheus (Poème symphonique No.4)
 * pf
 * 1878
 * arr of S.98 by Friedrich Spiro, with revisions by Liszt
 * 1878
 * arr of S.98 by Friedrich Spiro, with revisions by Liszt
 * arr of S.98 by Friedrich Spiro, with revisions by Liszt


 * 511c
 * Mazeppa (Poème symphonique No.6)
 * pf
 * 1870–79?
 * arr of S.100ii by Theophil Forchhammer, with revisions by Liszt
 * 1870–79?
 * arr of S.100ii by Theophil Forchhammer, with revisions by Liszt
 * arr of S.100ii by Theophil Forchhammer, with revisions by Liszt


 * 511d
 * Festklänge (Poème symphonique No.7)
 * pf
 * 1870s
 * arr of S.101ii by Ludwig Stark, with revisions by Liszt
 * 1870s
 * arr of S.101ii by Ludwig Stark, with revisions by Liszt
 * arr of S.101ii by Ludwig Stark, with revisions by Liszt


 * 511e
 * Hungaria (Poème symphonique No.9)
 * pf
 * 1872
 * arr of S.103 by Friedrich Spiro, with revisions by Liszt
 * 1872
 * arr of S.103 by Friedrich Spiro, with revisions by Liszt
 * arr of S.103 by Friedrich Spiro, with revisions by Liszt


 * 512i (*512)
 * A310
 * Von der Wiege bis zum Grabe (Poème symphonique No.13)
 * pf
 * 1881
 * 1st version of S.512ii; arr for pf4h as S.598
 * 1881
 * 1st version of S.512ii; arr for pf4h as S.598


 * 512ii
 * Von der Wiege bis zum Grabe (Poème symphonique No.13)
 * pf
 * 1882
 * arr of S.107; 2nd version of S.512i
 * 1882
 * arr of S.107; 2nd version of S.512i
 * arr of S.107; 2nd version of S.512i


 * 513
 * A190
 * Gretchen aus Faust-Symphonie (Andante soave aus der Faust-Symphonie)
 * pf
 * by 1867
 * arr of mvt II from S.108ii
 * by 1867
 * arr of mvt II from S.108ii


 * 513a–514
 * 2 Episoden aus Lenaus Faust:
 * pf
 * 1857–73
 * pf
 * 1857–73
 * 1857–73


 * 513a
 * Der nächtliche Zug
 * Der nächtliche Zug
 * Der nächtliche Zug
 * Der nächtliche Zug


 * pf
 * 1861–73
 * arr of S.110/1 by Robert Freund, with revisions by Liszt
 * arr of S.110/1 by Robert Freund, with revisions by Liszt


 * 514
 * A189
 * Der Tanz in der Dorfschenke (Mephisto-Walzer)
 * Der Tanz in der Dorfschenke (Mephisto-Walzer)
 * Der Tanz in der Dorfschenke (Mephisto-Walzer)


 * pf
 * 1857
 * arr for orch as S.110/2; 1st version of S.514a
 * arr for orch as S.110/2; 1st version of S.514a


 * 514a
 * Der Tanz in der Dorfschenke (Mephisto-Walzer) ("Mephisto Waltz No 1")
 * pf
 * 1859–62
 * 2nd version of S.514, revised with additions
 * 1859–62
 * 2nd version of S.514, revised with additions
 * 2nd version of S.514, revised with additions


 * 515
 * A288
 * Mephisto Waltz No.2
 * pf
 * 1878–81?
 * arr for orch as S.111, for pf4h as S.600
 * 1878–81?
 * arr for orch as S.111, for pf4h as S.600


 * 516
 * A202/1
 * Les morts
 * pf
 * 1860?
 * arr of S.112/1
 * 1860?
 * arr of S.112/1


 * 516a (*699)
 * A202/2
 * La notte
 * pf
 * 1863–64
 * arr of S.112/2
 * 1863–64
 * arr of S.112/2


 * 517
 * A202/3
 * Le triomphe funèbre du Tasse
 * pf
 * 1866–69
 * arr of S.112/3
 * 1866–69
 * arr of S.112/3


 * 518
 * A225
 * Salve Polonia (Interludium aus dem Oratorium Stanislaus)
 * pf
 * 1863
 * arr of S.113ii
 * 1863
 * arr of S.113ii


 * 519
 * A302
 * Polonaises de l'oratorio St. Stanislaus:
 * pf
 * 1875
 * arr of extracts from S.688
 * 1875
 * arr of extracts from S.688


 * 519/1
 * A302/1
 * Polonaise No. 1
 * Polonaise No. 1
 * Polonaise No. 1


 * pf
 * 1875
 * arr of extract from S.688
 * arr of extract from S.688


 * 519/2
 * A302/2
 * Polonaise No. 2
 * Polonaise No. 2
 * Polonaise No. 2


 * pf
 * 1875
 * arr of extract from S.688
 * arr of extract from S.688


 * 520i (*520)
 * A201
 * Künstler-Festzug zur Schillerfeier 1859 (Künstlerfestzug)
 * pf
 * 1857–60
 * arr of S.114; 1st version of S.520ii
 * 1857–60
 * arr of S.114; 1st version of S.520ii


 * 520ii
 * A201
 * Künstlerfestzug zur Schillerfeier 1859 (Künstlerfestzug)
 * pf
 * 1883
 * 2nd version of S.520i
 * 1883
 * 2nd version of S.520i


 * 521i (*521)
 * A164b
 * Fest-Marsch zur Göthe Jubiläum-Feier (Göthe-Fest-Marsch) (Goethe-Festmarsch)
 * pf
 * 1857
 * 2nd version of S.227, S.521ii
 * 1857
 * 2nd version of S.227, S.521ii


 * 521ii
 * A164b
 * Fest Marsch zur Göthe Jubiläum Feier (Göthe-Fest-Marsch) (Goethe-Festmarsch)
 * pf
 * c1872
 * 3rd version of S.227, S.521i
 * c1872
 * 3rd version of S.227, S.521i


 * 522
 * A196
 * Festmarsch nach Motiven von E.H. z. S.-C.-G
 * pf
 * 1858–59
 * arr of S.116
 * 1858–59
 * arr of S.116


 * 523
 * A248
 * Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867
 * pf
 * 1870
 * arr of S.118
 * 1870
 * arr of S.118


 * 524
 * A112/2
 * Ungarischer Sturmmarsch (Hungarian Battle March)
 * pf
 * 1875
 * 2nd version of S.232; arr for orch as S.119
 * 1875
 * 2nd version of S.232; arr for orch as S.119


 * 524a
 * HHS 06
 * Concerto sans orchestre
 * pf
 * A major
 * 1839?
 * unfinished solo piano draft; basis for S.125; published 2006
 * unfinished solo piano draft; basis for S.125; published 2006


 * 525
 * AHS 062
 * Totentanz
 * pf
 * 1865
 * arr of S.126ii
 * 1865
 * arr of S.126ii


 * 526
 * A260
 * Epithalam (zu Eduard Reményis Vermählungsfeier)
 * pf
 * 1872
 * arr of S.129
 * 1872
 * arr of S.129


 * 526a (*527bis)
 * Romance oubliée
 * pf
 * 1880
 * 1st version (short draft) of S.527; based on S.169
 * 1880
 * 1st version (short draft) of S.527; based on S.169
 * 1st version (short draft) of S.527; based on S.169


 * 527
 * A299
 * Romance oubliée
 * pf
 * 1880
 * 2nd version of S.526a; arr for va pf as S.132i, for vc pf as S.132ii, for vn pf as S.132iii, for orch as S.712
 * 1880
 * 2nd version of S.526a; arr for va pf as S.132i, for vc pf as S.132ii, for vn pf as S.132iii, for orch as S.712


 * *528 (230a)
 * Festpolonaise
 * Festpolonaise
 * Festpolonaise


 * 529i
 * A250/1
 * Präludium und Fuge über das Motiv B.A.C.H.
 * pf
 * 1855
 * arr of S.260i; 1st version of S.529ii
 * 1855
 * arr of S.260i; 1st version of S.529ii


 * 529ii
 * A250/2
 * Fantasie und Fuge über das Thema B–A–C–H
 * pf
 * 1870
 * arr of S.260ii; 2nd version of S.529i
 * 1870
 * arr of S.260ii; 2nd version of S.529i


 * 530
 * A228
 * Hymne du Pape
 * pf
 * 1864
 * arr of S.261
 * 1864
 * arr of S.261


 * 531
 * AHS 097
 * Buch der (6) Lieder I:
 * pf
 * 1843
 * arr of various songs
 * 1843
 * arr of various songs


 * 531/1
 * AHS 097/1
 * Die Loreley
 * Die Loreley
 * Die Loreley


 * pf
 * 1843
 * arr of S.273i
 * arr of S.273i


 * 531/2
 * AHS 097/2
 * Am Rhein in schönen Strome
 * Am Rhein in schönen Strome
 * Am Rhein in schönen Strome


 * pf
 * 1843
 * arr of S.272i
 * arr of S.272i


 * 531/3
 * AHS 097/3
 * Kennst du das Land
 * Kennst du das Land
 * Kennst du das Land


 * pf
 * 1843
 * arr of S.275i
 * arr of S.275i


 * 531/4
 * AHS 097/4
 * Es war ein König in Thule
 * Es war ein König in Thule
 * Es war ein König in Thule


 * pf
 * 1843
 * arr of S.278i
 * arr of S.278i


 * 531/5
 * AHS 097/5
 * Der du von dem Himmel bist
 * Der du von dem Himmel bist
 * Der du von dem Himmel bist


 * pf
 * 1843
 * arr of S.279i
 * arr of S.279i


 * 531/6
 * AHS 097/6
 * Angiolin
 * Angiolin
 * Angiolin


 * pf
 * 1843
 * arr of S.269i
 * arr of S.269i


 * 532
 * A209
 * Die Loreley
 * pf
 * 1861
 * arr of S.273ii
 * 1861
 * arr of S.273ii


 * 533
 * AHS 098
 * Il m'aimait tant!
 * pf
 * 1843
 * arr of S.271
 * 1843
 * arr of S.271


 * 534i
 * AHS 081a
 * Die Zelle in Nonnenwerth
 * pf
 * 1840
 * arr of S.274i (1st version of Die Zelle/Élégie)
 * 1840
 * arr of S.274i (1st version of Die Zelle/Élégie)


 * 534ii
 * AHS 081b
 * Elégie
 * pf
 * 1841
 * arr of S.301b/i (2nd version of Die Zelle/Élégie)
 * 1841
 * arr of S.301b/i (2nd version of Die Zelle/Élégie)


 * 534ii/a (*534ii-bis) (*167)
 * AHS 081c
 * Feuille d'album No.2
 * pf
 * 1849
 * arr of S.301b/ii (3rd version of Die Zelle/Élégie)
 * 1849
 * arr of S.301b/ii (3rd version of Die Zelle/Élégie)


 * 534iii
 * AHS 081d
 * Die Zelle in Nonnenwerth (Elegie)
 * pf
 * 1881
 * arr of S.274ii (4th version of Die Zelle/Élégie)
 * 1881
 * arr of S.274ii (4th version of Die Zelle/Élégie)


 * 535–540
 * A139
 * Buch der Lieder für Piano allein (6 Poésies lyriques pour piano seul) II:
 * pf
 * 1847
 * 1847
 * 1847


 * 536
 * A139/1
 * Oh! quand je dors
 * Oh! quand je dors
 * Oh! quand je dors


 * pf
 * 1847
 * arr of S.282i
 * arr of S.282i


 * 535
 * A139/2
 * Comment, disaient-ils
 * Comment, disaient-ils
 * Comment, disaient-ils


 * pf
 * 1847
 * arr of S.276i
 * arr of S.276i


 * 537
 * A139/3
 * Enfant, si j'étais roi
 * Enfant, si j'étais roi
 * Enfant, si j'étais roi


 * pf
 * 1847
 * arr of S.283i
 * arr of S.283i


 * 538
 * A139/4
 * S'il est un charmant gazon
 * S'il est un charmant gazon
 * S'il est un charmant gazon


 * pf
 * 1847
 * arr of S.284i
 * arr of S.284i


 * 539
 * A139/5
 * La tombe et la rose
 * La tombe et la rose
 * La tombe et la rose


 * pf
 * 1847
 * arr of S.285
 * arr of S.285


 * 540
 * A139/6
 * Gastibelza
 * Gastibelza
 * Gastibelza


 * pf
 * 1847
 * arr of S.286
 * arr of S.286


 * 540a (*192a)
 * Gestorben war ich
 * pf
 * c1850
 * 2nd version of S.171d/8, S.541/2
 * c1850
 * 2nd version of S.171d/8, S.541/2
 * 2nd version of S.171d/8, S.541/2


 * 540b
 * O lieb, so lang du lieben kannst!
 * pf
 * A major
 * 1840s
 * arr of S.298i; incomplete draft of S.541/3
 * 1840s
 * arr of S.298i; incomplete draft of S.541/3


 * 541
 * A103
 * Liebesträume, 3 Notturnos:
 * pf
 * 1850
 * 1850
 * 1850


 * 541/1
 * A103/1
 * Notturno No.1: Hohe Liebe
 * Notturno No.1: Hohe Liebe
 * Notturno No.1: Hohe Liebe


 * pf
 * A♭ major
 * 1850
 * arr of S.307


 * 541/2
 * A103/2
 * Notturno No.2: Seliger Tod
 * Notturno No.2: Seliger Tod
 * Notturno No.2: Seliger Tod


 * pf
 * E♭ major
 * 1850
 * 3rd version of S.171d/8, S.540a; theme used in S.192/2


 * 541/3
 * A103/3
 * Notturno No.3: Oh Lieb, so lang du lieben kannst!
 * Notturno No.3: Oh Lieb, so lang du lieben kannst!
 * Notturno No.3: Oh Lieb, so lang du lieben kannst!


 * pf
 * A♭ major
 * 1850
 * arr of S.298ii; see S.540b for earlier draft of S.298i


 * 542i
 * A191a
 * Weimars Volkslied
 * pf
 * C major
 * 1857
 * arr of S.313; 1st version of S.542ii
 * arr of S.313; 1st version of S.542ii


 * 542ii
 * A191b
 * Weimars Volkslied
 * pf
 * F major
 * 1873
 * 2nd version of S.542i
 * 2nd version of S.542i


 * 542a
 * A194
 * Ich liebe dich
 * pf
 * 1857–60?
 * arr of S.315
 * 1857–60?
 * arr of S.315


 * 542b
 * A268b
 * Fanfare zur Enthüllung des Carl-Augusts Monument
 * pf
 * 1875
 * arr of S.92/1
 * 1875
 * arr of S.92/1


 * 543
 * A309/1
 * A magyarok Istene (Ungarns Gott)
 * pf
 * 1881
 * arr of S.339
 * 1881
 * arr of S.339


 * 543a (*543bis)
 * A309/2
 * A magyarok Istene (Ungarns Gott)
 * pflh
 * 1881
 * arr of S.339, left-hand version
 * 1881
 * arr of S.339, left-hand version


 * 544
 * A328
 * Magyar király-dal (Ungarisches Königslied)
 * pf
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * 545
 * A308
 * Ave Maria IV
 * pf
 * 1881
 * arr of S.341
 * 1881
 * arr of S.341


 * 546
 * A282
 * Слѣпой [Slyepoi] (The Blind Man) "Der blinde Sänger"
 * pf
 * 1878
 * arr of S.350
 * 1878
 * arr of S.350


 * *546a (506b)
 * O Roma nobilis
 * O Roma nobilis
 * O Roma nobilis


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я547–548
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mendelssohn

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 547
 * AHS 072
 * Mendelssohns Lieder (Lieders de Mendelssohn):
 * pf
 * 1840
 * 1840
 * 1840


 * 547/1
 * AHS 072/1
 * Auf Flügeln des Gesanges (Les ailes du chant)
 * Auf Flügeln des Gesanges (Les ailes du chant)
 * Auf Flügeln des Gesanges (Les ailes du chant)


 * pf
 * 1840
 * arr of No.2 of 6 songs, Op.34 by Felix Mendelssohn
 * arr of No.2 of 6 songs, Op.34 by Felix Mendelssohn


 * 547/2
 * AHS 072/2
 * Sonntagslied (Chant du dimanche)
 * Sonntagslied (Chant du dimanche)
 * Sonntagslied (Chant du dimanche)


 * pf
 * 1840
 * arr of No.5 of 6 songs, Op.34 by Felix Mendelssohn
 * arr of No.5 of 6 songs, Op.34 by Felix Mendelssohn


 * 547/3
 * AHS 072/3
 * Reiselied (Chant du voyage)
 * Reiselied (Chant du voyage)
 * Reiselied (Chant du voyage)


 * pf
 * 1840
 * arr of No.6 of 6 songs, Op.34 by Felix Mendelssohn
 * arr of No.6 of 6 songs, Op.34 by Felix Mendelssohn


 * 547/4
 * AHS 072/4
 * Neue Liebe (Amour nouveau)
 * Neue Liebe (Amour nouveau)
 * Neue Liebe (Amour nouveau)


 * pf
 * 1840
 * arr of No.4 of 6 songs, Op.19a by Felix Mendelssohn
 * arr of No.4 of 6 songs, Op.19a by Felix Mendelssohn


 * 547/5
 * AHS 072/5
 * Frühlingslied (Chant du printemps)
 * Frühlingslied (Chant du printemps)
 * Frühlingslied (Chant du printemps)


 * pf
 * 1840
 * arr of No.3 of 6 songs, Op.47 by Felix Mendelssohn
 * arr of No.3 of 6 songs, Op.47 by Felix Mendelssohn


 * 547/6
 * AHS 072/6
 * Winterlied (Chant d'hiver)
 * Winterlied (Chant d'hiver)
 * Winterlied (Chant d'hiver)


 * pf
 * 1840
 * arr of No.3 of 6 songs, Op.19 by Felix Mendelssohn
 * arr of No.3 of 6 songs, Op.19 by Felix Mendelssohn


 * 547/7
 * AHS 072/7
 * Suleika
 * Suleika
 * Suleika


 * pf
 * 1840
 * arr of No.4 of 6 songs, Op.34 by Felix Mendelssohn
 * arr of No.4 of 6 songs, Op.34 by Felix Mendelssohn


 * 548
 * A156
 * Mendelssohns Wasserfahrt und Jäger-Abschied:
 * pf
 * 1848
 * 1848
 * 1848


 * 548/1
 * A156/1
 * Wasserfahrt
 * Wasserfahrt
 * Wasserfahrt


 * pf
 * 1848
 * arr of No.4 of 6 Lieder, Op.50 by Felix Mendelssohn
 * arr of No.4 of 6 Lieder, Op.50 by Felix Mendelssohn


 * 548/2
 * A156/2a
 * Der Jäger Abschied
 * Der Jäger Abschied
 * Der Jäger Abschied


 * pf
 * 1848
 * arr of No.2 of 6 Lieder, Op.50 by Felix Mendelssohn
 * arr of No.2 of 6 Lieder, Op.50 by Felix Mendelssohn


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я549
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Meyerbeer

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 549
 * A206
 * Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer)
 * pf
 * 1860
 * arr of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer
 * 1860
 * arr of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я550
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 550
 * A220
 * (2) Transcriptionen aus Mozarts Requiem:
 * pf
 * 1865
 * 1865
 * 1865


 * 550/1
 * A220/1
 * Confutatis maledictis
 * Confutatis maledictis
 * Confutatis maledictis


 * pf
 * 1865
 * arr of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
 * arr of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart


 * 550/2
 * A220/2
 * Lacrymosa
 * Lacrymosa
 * Lacrymosa


 * pf
 * 1865
 * arr of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
 * arr of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я551
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Pezzini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 551
 * A270
 * Una stella amica (Polka mazurka de F. Pezzini)
 * pf
 * 1874–75?
 * arr of an unidentified waltz attributed to "F. Pezzini"
 * 1874–75?
 * arr of an unidentified waltz attributed to "F. Pezzini"


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я551a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Raff

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 551a
 * VHS 03
 * Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer)
 * pf
 * D♭ major
 * 1854
 * additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff
 * additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я552–553
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Rossini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 552
 * AHS 054
 * Ouverture de l'opéra Guillaume Tell de Gioachino Rossini
 * pf
 * 1838
 * arr of the overture from the opera Guillaume Tell, Rossini
 * 1838
 * arr of the overture from the opera Guillaume Tell, Rossini


 * 552a
 * Caritas (nach Rossini)
 * pf
 * 1847
 * arr of No.3 "La charité" from 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2
 * 1847
 * arr of No.3 "La charité" from 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2
 * arr of No.3 "La charité" from 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2


 * 552b
 * La caritá (d'après Rossini)
 * pf
 * after 1847
 * 3rd (simplified) version of S.552a, S.553/2
 * after 1847
 * 3rd (simplified) version of S.552a, S.553/2
 * 3rd (simplified) version of S.552a, S.553/2


 * 552c (*172b) (*579/3)
 * A142
 * Stabat mater
 * pf
 * 1847 or later
 * 2nd version of S.553/1
 * 1847 or later
 * 2nd version of S.553/1


 * 553
 * A141
 * 2 Transcriptions d'après Rossini:
 * pf
 * 1847
 * 1847
 * 1847


 * 553/1
 * A141/1
 * Air du Stabat mater
 * Air du Stabat mater
 * Air du Stabat mater


 * pf
 * 1847
 * arr of No.2 "Cujus animam" from Stabat mater by Gioachino Rossini; 1st version of S.552c; arr for tbn org as S.679, for ten org as S.682
 * arr of No.2 "Cujus animam" from Stabat mater by Gioachino Rossini; 1st version of S.552c; arr for tbn org as S.679, for ten org as S.682


 * 553/2
 * A141/2
 * La charité
 * La charité
 * La charité


 * pf
 * 1847
 * 2nd version of S.552a, S.552b
 * 2nd version of S.552a, S.552b


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я554–554a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Rubinstein

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 554
 * A304, 329
 * (2) Lieder von Anton Rubinstein
 * pf
 * 1880
 * 1880
 * 1880


 * 554/1 (*752)
 * A304, S43
 * O! Wenn es doch immer so bliebe (Gelb rollt)
 * O! Wenn es doch immer so bliebe (Gelb rollt)
 * O! Wenn es doch immer so bliebe (Gelb rollt)


 * pf
 * 1880
 * arr of No.9 of 12 Lieder des Mirza-Schaffy, Op.34 by Anton Rubinstein
 * arr of No.9 of 12 Lieder des Mirza-Schaffy, Op.34 by Anton Rubinstein


 * 554/2
 * A329
 * Der Asra
 * Der Asra
 * Der Asra


 * pf
 * 1880
 * arr of No.6 of 6 Lieder von Heine, Op.32 by Anton Rubinstein
 * arr of No.6 of 6 Lieder von Heine, Op.32 by Anton Rubinstein


 * 554a
 * VHS 05
 * HS EtudeÉtude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude)
 * pf
 * C major
 * 1880?
 * revisions and additions to Etude on False Notes by Anton Rubinstein
 * revisions and additions to Etude on False Notes by Anton Rubinstein


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я555–555a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Saint-Saëns

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 555
 * A273
 * Danse macabre (Poème symphonique de Camille Saint-Saëns)
 * pf
 * 1876
 * arr of the symphonic poem Danse macabre, Op.40 by Camille Saint-Saëns; sketches as S.555a
 * 1876
 * arr of the symphonic poem Danse macabre, Op.40 by Camille Saint-Saëns; sketches as S.555a


 * 555a (*555bis)
 * Album-Leaf ("Fuga sur Danse Macabre")
 * pf
 * G minor
 * 1846
 * sketch for 2nd theme quasi-fugue section of S.555
 * 1846
 * sketch for 2nd theme quasi-fugue section of S.555


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я556–565b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 556i
 * AHS 017/1
 * Die Rose – Lied von Franz Schubert
 * pf
 * 1833
 * arr of the song Die Rose, Op.73/D.745a by Franz Schubert; 1st version of S.556ii, S.556iii; published 1835 by Hofmeister (Leipzig)
 * 1833
 * arr of the song Die Rose, Op.73/D.745a by Franz Schubert; 1st version of S.556ii, S.556iii; published 1835 by Hofmeister (Leipzig)


 * 556ii (*556i-bis)
 * Die Rose – Lied von Fr. Schubert
 * pf
 * c1837
 * 2nd version of S.556i, S.556iii; published 1837–38 by Richault (Paris)
 * c1837
 * 2nd version of S.556i, S.556iii; published 1837–38 by Richault (Paris)
 * 2nd version of S.556i, S.556iii; published 1837–38 by Richault (Paris)


 * 556iii–557
 * Zwei Lieder von Franz Schubert:
 * pf
 * 1837–38
 * published 1838 by Haslinger (Vienna)
 * 1837–38
 * published 1838 by Haslinger (Vienna)
 * published 1838 by Haslinger (Vienna)


 * 556iii (*556ii)
 * AHS 017/2
 * Die Rose – Lied von Fr. Schubert
 * Die Rose – Lied von Fr. Schubert
 * Die Rose – Lied von Fr. Schubert


 * pf
 * 1838
 * 3rd version of S.556i, S.556ii
 * 3rd version of S.556i, S.556ii


 * 557
 * AHS 045
 * Lob der Tränen – Lied von Fr. Schubert (Bénédiction des larmes)
 * Lob der Tränen – Lied von Fr. Schubert (Bénédiction des larmes)
 * Lob der Tränen – Lied von Fr. Schubert (Bénédiction des larmes)


 * pf
 * 1837
 * arr of the song Lob der Tränen, D.711b by Franz Schubert
 * arr of the song Lob der Tränen, D.711b by Franz Schubert


 * 557a
 * AHS 042
 * Le roi des aulnes [Erlkönig] – Mélodie de François Schubert
 * pf
 * c1837
 * arr of the song Erlkönig, Op.1/D.328d by Franz Schubert; 1st version of S.558/4, S.558a/4, S.558a/4a; published 1838 by Diabelli
 * c1837
 * arr of the song Erlkönig, Op.1/D.328d by Franz Schubert; 1st version of S.558/4, S.558a/4, S.558a/4a; published 1838 by Diabelli


 * 557b/i (*557b)
 * AHS 042
 * Meeresstille – Lied von Fr. Schubert
 * pf
 * c1837
 * arr of the song Meeres Stille, D.216 by Franz Schubert; 1st version of S.557b/ii, S.558/5, S.558/5a; published 1838 by Diabelli (with ossia)
 * c1837
 * arr of the song Meeres Stille, D.216 by Franz Schubert; 1st version of S.557b/ii, S.558/5, S.558/5a; published 1838 by Diabelli (with ossia)


 * 557b/ii (*557b-bis)
 * Meeresstille – Lied von Fr. Schubert
 * pf
 * by 1838
 * 2nd (ossia) version of S.557b/i, S.558/5, S.558/5a; published 1838 by Diabelli with S.557b/i
 * by 1838
 * 2nd (ossia) version of S.557b/i, S.558/5, S.558/5a; published 1838 by Diabelli with S.557b/i
 * 2nd (ossia) version of S.557b/i, S.558/5, S.558/5a; published 1838 by Diabelli with S.557b/i


 * 557c
 * AHS 042
 * Frühlingsglaube – Lied von Franz Schubert
 * pf
 * by 1838
 * arr of the song Frühlingsglaube, D.686c by Franz Schubert; 1st version of S.558/7, S.558a/7; published 1838 by Diabelli
 * by 1838
 * arr of the song Frühlingsglaube, D.686c by Franz Schubert; 1st version of S.558/7, S.558a/7; published 1838 by Diabelli


 * 557d
 * AHS 042
 * Ave Maria [Ellens dritter Gesang] – Mélodie de François Schubert
 * pf
 * c1837
 * arr of the song Ave maria, Op.52#6/D.839 by Franz Schubert; 1st version of S.558/12; published 1838 by Diabelli
 * c1837
 * arr of the song Ave maria, Op.52#6/D.839 by Franz Schubert; 1st version of S.558/12; published 1838 by Diabelli


 * 558
 * AHS 042
 * 12 Lieder von Fr. Schubert:
 * pf
 * 1837–38
 * 1st version of S.558a; published by Richault (Paris) (with ossia for No.5)
 * 1837–38
 * 1st version of S.558a; published by Richault (Paris) (with ossia for No.5)


 * 558/HS 01
 * AHS 042/HS 01
 * Sei mir gegrüsst (Sois toujours mes seuls amours)
 * Sei mir gegrüsst (Sois toujours mes seuls amours)
 * Sei mir gegrüsst (Sois toujours mes seuls amours)


 * pf
 * 1837–38
 * arr of the song Sei mir gegrüsst, D.741 by Franz Schubert; re-used as S.558a/1
 * arr of the song Sei mir gegrüsst, D.741 by Franz Schubert; re-used as S.558a/1


 * 558/HS 02
 * AHS 042/HS 02
 * Auf dem Wasser zu singen (Barcarolle)
 * Auf dem Wasser zu singen (Barcarolle)
 * Auf dem Wasser zu singen (Barcarolle)


 * pf
 * 1837–38
 * arr of the song Auf dem Wasser zu singen, D.774 by Franz Schubert; re-used as S.558a/2
 * arr of the song Auf dem Wasser zu singen, D.774 by Franz Schubert; re-used as S.558a/2


 * 558/HS 03
 * AHS 042/HS 03
 * Du bist die Ruh' (L'attente)
 * Du bist die Ruh' (L'attente)
 * Du bist die Ruh' (L'attente)


 * pf
 * 1837–38
 * arr of the song Du bist die Ruh, D.776 by Franz Schubert; 1st version of S.558a/3
 * arr of the song Du bist die Ruh, D.776 by Franz Schubert; 1st version of S.558a/3


 * 558/HS 04
 * AHS 042/HS 04
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)


 * pf
 * 1837–38
 * 2nd version of S.557a, S.558a/4, S.558a/4a; arr for orch as S.363a
 * 2nd version of S.557a, S.558a/4, S.558a/4a; arr for orch as S.363a


 * 558/HS 05
 * AHS 042/HS 05
 * Meeresstille (La mer calme)
 * Meeresstille (La mer calme)
 * Meeresstille (La mer calme)


 * pf
 * 1837–38
 * 3rd version of S.557b/i, S.557b/ii, S.558/5a; re-used as S.558a/5
 * 3rd version of S.557b/i, S.557b/ii, S.558/5a; re-used as S.558a/5


 * 558/HS 05a (*558/5bis)
 * Meeresstille – Lied von Fr. Schubert
 * Meeresstille – Lied von Fr. Schubert
 * Meeresstille – Lied von Fr. Schubert
 * Meeresstille – Lied von Fr. Schubert


 * pf
 * c1838?
 * 4th (ossia) version of S.557b/i, S.557b/ii, S.558/5; published by Richault with S.558/5; re-used as S.558a/5a
 * 4th (ossia) version of S.557b/i, S.557b/ii, S.558/5; published by Richault with S.558/5; re-used as S.558a/5a


 * 558/HS 06
 * AHS 042HS 0/6
 * Die junge Nonne (La jeune réligieuse)
 * Die junge Nonne (La jeune réligieuse)
 * Die junge Nonne (La jeune réligieuse)


 * pf
 * 1837–38
 * arr of the song Die junge Nonne, D.828 by Franz Schubert; re-used as S.558a/6
 * arr of the song Die junge Nonne, D.828 by Franz Schubert; re-used as S.558a/6


 * 558/HS 07
 * AHS 042HS 0/7
 * Frühlingsglaube (Espoir dans le printemps)
 * Frühlingsglaube (Espoir dans le printemps)
 * Frühlingsglaube (Espoir dans le printemps)


 * pf
 * 1837–38
 * 2nd version of S.557c, S.558a/7
 * 2nd version of S.557c, S.558a/7


 * 558/HS 08
 * AHS 042/HS 08
 * Gretchen am Spinnrade (Marguerite)
 * Gretchen am Spinnrade (Marguerite)
 * Gretchen am Spinnrade (Marguerite)


 * pf
 * 1837–38
 * arr of the song Gretchen am Spinnrade, D.118 by Franz Schubert; 1st version of S.558a/8
 * arr of the song Gretchen am Spinnrade, D.118 by Franz Schubert; 1st version of S.558a/8


 * 558/HS 09
 * AHS 042/HS 09
 * Ständchen von Shakespeare (La sérénade de Shakspeare)
 * Ständchen von Shakespeare (La sérénade de Shakspeare)
 * Ständchen von Shakespeare (La sérénade de Shakspeare)


 * pf
 * 1837–38
 * arr of the song Ständchen, D.889 by Franz Schubert; 1st version of S.558a/9
 * arr of the song Ständchen, D.889 by Franz Schubert; 1st version of S.558a/9


 * 558/10
 * AHS 042/10
 * Rastlose Liebe
 * Rastlose Liebe
 * Rastlose Liebe


 * pf
 * 1837–38
 * arr of the song Rastlose Liebe, D.138a by Franz Schubert; re-used as S.558a/10
 * arr of the song Rastlose Liebe, D.138a by Franz Schubert; re-used as S.558a/10


 * 558/11
 * AHS 042/11
 * Der Wanderer (Le pèlerin)
 * Der Wanderer (Le pèlerin)
 * Der Wanderer (Le pèlerin)


 * pf
 * 1837–38
 * arr of the song Der Wanderer, D.489c by Franz Schubert; 1st version of S.558a/11
 * arr of the song Der Wanderer, D.489c by Franz Schubert; 1st version of S.558a/11


 * 558/12
 * AHS 042/12
 * Ave Maria "Ellens dritter Gesang"
 * Ave Maria "Ellens dritter Gesang"
 * Ave Maria "Ellens dritter Gesang"


 * pf
 * 1837–38
 * 2nd version of S.557d; re-used as S.558a/12
 * 2nd version of S.557d; re-used as S.558a/12


 * 558a (*558bis)
 * 12 Lieder von Fr. Schubert:
 * pf
 * c1879
 * 2nd version of S.558; published c1879 by Cranz (with ossias for Nos.4, 5) (with new versions of Nos.3–4, 7–9, 11);
 * c1879
 * 2nd version of S.558; published c1879 by Cranz (with ossias for Nos.4, 5) (with new versions of Nos.3–4, 7–9, 11);
 * 2nd version of S.558; published c1879 by Cranz (with ossias for Nos.4, 5) (with new versions of Nos.3–4, 7–9, 11);


 * 558a/HS 01
 * Sei mir gegrüsst (Sois toujours mes seuls amours)
 * Sei mir gegrüsst (Sois toujours mes seuls amours)
 * Sei mir gegrüsst (Sois toujours mes seuls amours)
 * Sei mir gegrüsst (Sois toujours mes seuls amours)


 * pf
 * 1837–38
 * re-used from S.558/1
 * re-used from S.558/1


 * 558a/HS 02
 * Auf dem Wasser zu singen (Barcarolle)
 * Auf dem Wasser zu singen (Barcarolle)
 * Auf dem Wasser zu singen (Barcarolle)
 * Auf dem Wasser zu singen (Barcarolle)


 * pf
 * 1837–38
 * re-used from S.558/2
 * re-used from S.558/2


 * 558a/HS 03 (*558bis/3)
 * Du bist die Ruh' (L'attente)
 * Du bist die Ruh' (L'attente)
 * Du bist die Ruh' (L'attente)
 * Du bist die Ruh' (L'attente)


 * pf
 * c1879
 * 2nd version of S.558/3
 * 2nd version of S.558/3


 * 558a/HS 04 (*558bis/4)
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)


 * pf
 * c1879
 * 3rd version of S.557a, S.558/4, S.558a/4a
 * 3rd version of S.557a, S.558/4, S.558a/4a


 * 558a/HS 04a
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)
 * Erlkönig (Le roi des Aulnes)


 * pf
 * c1879
 * 4th (ossia) version of S.557a, S.558/4, S.558a/4
 * 4th (ossia) version of S.557a, S.558/4, S.558a/4


 * 558a/HS 05
 * Meeresstille (La mer calme)
 * Meeresstille (La mer calme)
 * Meeresstille (La mer calme)
 * Meeresstille (La mer calme)


 * pf
 * 1837–38
 * re-used from S.558/5
 * re-used from S.558/5


 * 558a/HS 05a
 * Meeresstille – Lied von Fr. Schubert
 * Meeresstille – Lied von Fr. Schubert
 * Meeresstille – Lied von Fr. Schubert
 * Meeresstille – Lied von Fr. Schubert


 * pf
 * c1838?
 * ossia version; re-used from S.558/5a
 * ossia version; re-used from S.558/5a


 * 558a/HS 06
 * Die junge Nonne (La jeune réligieuse)
 * Die junge Nonne (La jeune réligieuse)
 * Die junge Nonne (La jeune réligieuse)
 * Die junge Nonne (La jeune réligieuse)


 * pf
 * 1837–38
 * re-used from S.558/6
 * re-used from S.558/6


 * 558a/HS 07 (*558bis/7)
 * Frühlingsglaube (Espoir dans le printemps)
 * Frühlingsglaube (Espoir dans le printemps)
 * Frühlingsglaube (Espoir dans le printemps)
 * Frühlingsglaube (Espoir dans le printemps)


 * pf
 * c1879
 * 3rd version of S.557c, S.558/7
 * 3rd version of S.557c, S.558/7


 * 558a/HS 08 (*558bis/8)
 * Gretchen am Spinnrade (Marguerite)
 * Gretchen am Spinnrade (Marguerite)
 * Gretchen am Spinnrade (Marguerite)
 * Gretchen am Spinnrade (Marguerite)


 * pf
 * c1879
 * 2nd version of S.558/8
 * 2nd version of S.558/8


 * 558a/HS 09 (*558bis/9)
 * Ständchen von Shakespeare (La sérénade de Shakspeare)
 * Ständchen von Shakespeare (La sérénade de Shakspeare)
 * Ständchen von Shakespeare (La sérénade de Shakspeare)
 * Ständchen von Shakespeare (La sérénade de Shakspeare)


 * pf
 * c1879
 * 2nd version of S.558/9
 * 2nd version of S.558/9


 * 558a/10
 * Rastlose Liebe
 * Rastlose Liebe
 * Rastlose Liebe
 * Rastlose Liebe


 * pf
 * 1837–38
 * re-used from S.558/10
 * re-used from S.558/10


 * 558a/11 (*558bis/11)
 * Der Wanderer (Le pèlerin)
 * Der Wanderer (Le pèlerin)
 * Der Wanderer (Le pèlerin)
 * Der Wanderer (Le pèlerin)


 * pf
 * c1879
 * 2nd version of S.558/11
 * 2nd version of S.558/11


 * 558a/12
 * Ave Maria "Ellens dritter Gesang"
 * Ave Maria "Ellens dritter Gesang"
 * Ave Maria "Ellens dritter Gesang"
 * Ave Maria "Ellens dritter Gesang"


 * pf
 * 1837–38
 * re-used from S.558/12
 * re-used from S.558/12


 * 559
 * AHS 046
 * Der Gondelfahrer – Männer-Quartett von F. Schubert)
 * pf
 * 1883
 * arr of the 4-part men's chorus Gondelfahrer, Op.28/D.809 by Franz Schubert; published 1883 by Cranz
 * 1883
 * arr of the 4-part men's chorus Gondelfahrer, Op.28/D.809 by Franz Schubert; published 1883 by Cranz


 * 559a
 * AHS 049
 * 2 Lieder von Franz Schubert:
 * pf
 * c1837–38
 * published 1838 by Haslinger (Vienna)
 * c1837–38
 * published 1838 by Haslinger (Vienna)


 * 559a/1 (*559a)
 * AHS 049
 * La sérénade [Ständchen, Leise flehen] – Mélodie de François Schubert
 * La sérénade [Ständchen, Leise flehen] – Mélodie de François Schubert
 * La sérénade [Ständchen, Leise flehen] – Mélodie de François Schubert


 * pf
 * c1837
 * arr of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/7, S.560/7a, S.560a
 * arr of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/7, S.560/7a, S.560a


 * 559a/2
 * AHS 049
 * Aufenthalt
 * Aufenthalt
 * Aufenthalt


 * pf
 * 1838
 * re-used as S.560/3
 * re-used as S.560/3


 * 560
 * AHS 049
 * Schwanengesang – 14 Lieder von Franz Schubert:
 * pf
 * 1838–39
 * arr of the song cycle Schwanengesang, D.957 by Franz Schubert; published 1840 by Haslinger (Vienna) (with ossias for Nos.1–14)
 * 1838–39
 * arr of the song cycle Schwanengesang, D.957 by Franz Schubert; published 1840 by Haslinger (Vienna) (with ossias for Nos.1–14)


 * 560/HS 01
 * AHS 049/HS 01
 * Die Stadt
 * Die Stadt
 * Die Stadt


 * pf
 * 1838–39
 * arr of No.11 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/1a
 * arr of No.11 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/1a


 * 560/HS 01a (*560a/1) (*560bis/1)
 * Die Stadt
 * Die Stadt
 * Die Stadt
 * Die Stadt


 * pf
 * c1839
 * 2nd (ossia) version of S.560/1
 * 2nd (ossia) version of S.560/1


 * 560/HS 02
 * AHS 049/HS 02
 * Das Fischermädchen
 * Das Fischermädchen
 * Das Fischermädchen


 * pf
 * 1838–39
 * arr of No.10 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/2a
 * arr of No.10 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/2a


 * 560/HS 02a (*560a/2) (*560bis/2)
 * Das Fischermädchen
 * Das Fischermädchen
 * Das Fischermädchen
 * Das Fischermädchen


 * pf
 * c1839
 * 2nd (ossia) version of S.560/2
 * 2nd (ossia) version of S.560/2


 * 560/HS 03
 * AHS 049/HS 03
 * Aufenthalt
 * Aufenthalt
 * Aufenthalt


 * pf
 * 1838
 * arr of No.5 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/3a
 * arr of No.5 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/3a


 * 560/HS 03a (*560a/3) (*560bis/3)
 * Aufenthalt
 * Aufenthalt
 * Aufenthalt
 * Aufenthalt


 * pf
 * c1839
 * 2nd (ossia) version of S.560/3
 * 2nd (ossia) version of S.560/3


 * 560/HS 04
 * AHS 049/HS 04
 * Am Meer
 * Am Meer
 * Am Meer


 * pf
 * 1838–39
 * arr of No.12 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/4a, S.560b/1
 * arr of No.12 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/4a, S.560b/1


 * 560/HS 04a (*560a/4) (*560bis/4)
 * Am Meer
 * Am Meer
 * Am Meer
 * Am Meer


 * pf
 * c1839
 * 2nd (ossia) version of S.560/4, S.560b/1
 * 2nd (ossia) version of S.560/4, S.560b/1


 * 560/HS 05
 * AHS 049/HS 05
 * Abschied
 * Abschied
 * Abschied


 * pf
 * 1838–39
 * arr of No.7 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/5a
 * arr of No.7 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/5a


 * 560/HS 05a (*560a/5) (*560bis/5)
 * Abschied
 * Abschied
 * Abschied
 * Abschied


 * pf
 * c1839
 * 2nd (ossia) version of S.560/5
 * 2nd (ossia) version of S.560/5


 * 560/HS 06
 * AHS 049/HS 06
 * In der Ferne
 * In der Ferne
 * In der Ferne


 * pf
 * 1838–39
 * arr of No.6 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/6a
 * arr of No.6 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/6a


 * 560/HS 06a (*560a/6) (*560bis/6)
 * In der Ferne
 * In der Ferne
 * In der Ferne
 * In der Ferne


 * pf
 * c1839
 * 2nd (ossia) version of S.560/6
 * 2nd (ossia) version of S.560/6


 * 560/HS 07
 * AHS 049/HS 07
 * Ständchen "Leise flehen"
 * Ständchen "Leise flehen"
 * Ständchen "Leise flehen"


 * pf
 * 1838
 * 2nd version of S.559a, S.560/7a, S.560a
 * 2nd version of S.559a, S.560/7a, S.560a


 * 560/HS 07a (*560a/7) (*560bis/7)
 * Ständchen "Leise flehen"
 * Ständchen "Leise flehen"
 * Ständchen "Leise flehen"
 * Ständchen "Leise flehen"


 * pf
 * c1839
 * 3rd (ossia) version of S.559a, S.560/7, S.560a
 * 3rd (ossia) version of S.559a, S.560/7, S.560a


 * 560/HS 08
 * AHS 049/HS 08
 * Ihr Bild
 * Ihr Bild
 * Ihr Bild


 * pf
 * 1838–39
 * arr of No.9 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/8a
 * arr of No.9 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/8a


 * 560/HS 08a (*560a/8) (*560bis/8)
 * Ihr Bild
 * Ihr Bild
 * Ihr Bild
 * Ihr Bild


 * pf
 * c1839
 * 2nd (ossia) version of S.560/8
 * 2nd (ossia) version of S.560/8


 * 560/HS 09
 * AHS 049/HS 09
 * Frühlingssehnsucht
 * Frühlingssehnsucht
 * Frühlingssehnsucht


 * pf
 * 1838–39
 * arr of No.3 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/9a
 * arr of No.3 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/9a


 * 560/HS 09a (*560a/9) (*560bis/9)
 * Frühlingssehnsucht
 * Frühlingssehnsucht
 * Frühlingssehnsucht
 * Frühlingssehnsucht


 * pf
 * c1839
 * 2nd (ossia) version of S.560/9
 * 2nd (ossia) version of S.560/9


 * 560/10
 * AHS 049/10
 * Liebesbotschaft
 * Liebesbotschaft
 * Liebesbotschaft


 * pf
 * 1838–39
 * arr of No.1 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/10a
 * arr of No.1 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/10a


 * 560/10a (*560a/10) (*560bis/10)
 * Liebesbotschaft
 * Liebesbotschaft
 * Liebesbotschaft
 * Liebesbotschaft


 * pf
 * c1839
 * 2nd (ossia) version of S.560/10
 * 2nd (ossia) version of S.560/10


 * 560/11
 * AHS 049/11
 * Der Atlas
 * Der Atlas
 * Der Atlas


 * pf
 * 1838–39
 * arr of No.8 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/11a
 * arr of No.8 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/11a


 * 560/11a (*560a/11) (*560bis/11)
 * Der Atlas
 * Der Atlas
 * Der Atlas
 * Der Atlas


 * pf
 * c1839
 * 2nd (ossia) version of S.560/11
 * 2nd (ossia) version of S.560/11


 * 560/12
 * AHS 049/12
 * Der Doppelgänger
 * Der Doppelgänger
 * Der Doppelgänger


 * pf
 * 1838–39
 * arr of No.13 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/12a, S.560b/2
 * arr of No.13 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/12a, S.560b/2


 * 560/12a (*560a/12) (*560bis/12)
 * Der Doppelgänger
 * Der Doppelgänger
 * Der Doppelgänger
 * Der Doppelgänger


 * pf
 * c1839
 * 2nd (ossia) version of S.560/12, S.560b/2
 * 2nd (ossia) version of S.560/12, S.560b/2


 * 560/13
 * AHS 049/13
 * Die Taubenpost
 * Die Taubenpost
 * Die Taubenpost


 * pf
 * 1838–39
 * arr of No.14 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/13a
 * arr of No.14 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/13a


 * 560/13a (*560a/13) (*560bis/13)
 * Die Taubenpost
 * Die Taubenpost
 * Die Taubenpost
 * Die Taubenpost


 * pf
 * c1839
 * 2nd (ossia) version of S.560/13
 * 2nd (ossia) version of S.560/13


 * 560/14
 * AHS 049/14
 * Kriegers Ahnung
 * Kriegers Ahnung
 * Kriegers Ahnung


 * pf
 * 1838–39
 * arr of No.2 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/14a
 * arr of No.2 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/14a


 * 560/14a (*560a/14) (*560bis/14)
 * Kriegers Ahnung
 * Kriegers Ahnung
 * Kriegers Ahnung
 * Kriegers Ahnung


 * pf
 * c1839
 * 2nd (ossia) version of S.560/14
 * 2nd (ossia) version of S.560/14


 * 560a (*560/7a)
 * AHS 049
 * Ständchen "Leise flehen"
 * Ständchen "Leise flehen"
 * Ständchen "Leise flehen"


 * pf
 * c1880
 * 4th version of S.559a, S.560/7, S.560/7a, written for Lina Ramann; published 1880? by Hainauer (Paris)
 * 4th version of S.559a, S.560/7, S.560/7a, written for Lina Ramann; published 1880? by Hainauer (Paris)


 * 560b
 * AHS 049
 * 2 Lieder von Franz Schubert:
 * pf
 * by 1842
 * published 1842 by Haslinger (Vienna) ("new edn")
 * by 1842
 * published 1842 by Haslinger (Vienna) ("new edn")


 * 560b/1
 * AHS 049
 * Am Meer
 * Am Meer
 * Am Meer


 * pf
 * by 1842
 * 3rd version of S.560/4, S.560/4a
 * 3rd version of S.560/4, S.560/4a


 * 560b/2
 * AHS 049
 * Der Doppelgänger
 * Der Doppelgänger
 * Der Doppelgänger


 * pf
 * by 1842
 * 3rd version of S.560/12, S.560/12a
 * 3rd version of S.560/12, S.560/12a


 * 561
 * AHS 050
 * Winterreise – 12 Lieder von Franz Schubert:
 * pf
 * 1839
 * arr of 12 songs from the cycle Winterreise, D.911 by Franz Schubert; published 1840 by Ricordi (Milan) (with ossias for Nos.2–3, 7, 10–11)
 * 1839
 * arr of 12 songs from the cycle Winterreise, D.911 by Franz Schubert; published 1840 by Ricordi (Milan) (with ossias for Nos.2–3, 7, 10–11)


 * 561/1
 * AHS 050/HS 01
 * Gute Nacht
 * Gute Nacht
 * Gute Nacht


 * pf
 * 1839
 * arr of No.1 from the cycle Winterreise, D.911 by Franz Schubert
 * arr of No.1 from the cycle Winterreise, D.911 by Franz Schubert


 * 561/2
 * AHS 050/HS 02
 * Die Nebensonnen
 * Die Nebensonnen
 * Die Nebensonnen


 * pf
 * B♭ major
 * 1839
 * arr of No.23 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/2a


 * 561/2a (*561bis/2)
 * Die Nebensonnen
 * Die Nebensonnen
 * Die Nebensonnen
 * Die Nebensonnen


 * pf
 * B♭ major
 * 1839
 * 2nd (ossia) version of S.561/2


 * 561/3
 * AHS 050/HS 03
 * Mut
 * Mut
 * Mut


 * pf
 * 1839
 * arr of No.22 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/3a
 * arr of No.22 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/3a


 * 561/3a (*561bis/3)
 * Mut
 * Mut
 * Mut
 * Mut


 * pf
 * 1839
 * 2nd (ossia) version of S.561/3
 * 2nd (ossia) version of S.561/3


 * 561/4
 * AHS 050/HS 04
 * Die Post
 * Die Post
 * Die Post


 * pf
 * 1838
 * arr of No.13 from the cycle Winterreise, D.911 by Franz Schubert; 1st published separately 1838 by Haslinger (Vienna)
 * arr of No.13 from the cycle Winterreise, D.911 by Franz Schubert; 1st published separately 1838 by Haslinger (Vienna)


 * 561/5
 * AHS 050/HS 05
 * Erstarrung
 * Erstarrung
 * Erstarrung


 * pf
 * 1839
 * arr of No.4 from the cycle Winterreise, D.911 by Franz Schubert
 * arr of No.4 from the cycle Winterreise, D.911 by Franz Schubert


 * 561/6
 * AHS 050/HS 06
 * Wasserflut
 * Wasserflut
 * Wasserflut


 * pf
 * 1839
 * arr of No.6 from the cycle Winterreise, D.911 by Franz Schubert
 * arr of No.6 from the cycle Winterreise, D.911 by Franz Schubert


 * 561/7
 * AHS 050/HS 07
 * Der Lindenbaum
 * Der Lindenbaum
 * Der Lindenbaum


 * pf
 * 1839
 * arr of No.5 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/7a
 * arr of No.5 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/7a


 * 561/7a (*561bis/7)
 * Der Lindenbaum
 * Der Lindenbaum
 * Der Lindenbaum
 * Der Lindenbaum


 * pf
 * 1839
 * 2nd (ossia) version of S.561/7
 * 2nd (ossia) version of S.561/7


 * 561/8
 * AHS 050/HS 08
 * Der Leiermann
 * Der Leiermann
 * Der Leiermann


 * pf
 * 1839
 * arr of No.24 from the cycle Winterreise, D.911 by Franz Schubert
 * arr of No.24 from the cycle Winterreise, D.911 by Franz Schubert


 * 561/9
 * AHS 050/HS 09
 * Täuschung
 * Täuschung
 * Täuschung


 * pf
 * 1839
 * arr of No.19 from the cycle Winterreise, D.911 by Franz Schubert
 * arr of No.19 from the cycle Winterreise, D.911 by Franz Schubert


 * 561/10
 * AHS 050/10
 * Das Wirtshaus
 * Das Wirtshaus
 * Das Wirtshaus


 * pf
 * 1839
 * arr of No.21 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/10a
 * arr of No.21 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/10a


 * 561/10a (*561bis/10)
 * Das Wirtshaus
 * Das Wirtshaus
 * Das Wirtshaus
 * Das Wirtshaus


 * pf
 * 1839
 * 2nd (ossia) version of S.561/10
 * 2nd (ossia) version of S.561/10


 * 561/11
 * AHS 050/11
 * Der stürmische Morgen
 * Der stürmische Morgen
 * Der stürmische Morgen


 * pf
 * 1839
 * arr of No.18 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/11a
 * arr of No.18 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/11a


 * 561/11a (*561bis/11)
 * Der stürmische Morgen
 * Der stürmische Morgen
 * Der stürmische Morgen
 * Der stürmische Morgen


 * pf
 * 1839
 * 2nd (ossia) version of S.561/11
 * 2nd (ossia) version of S.561/11


 * 561/12
 * AHS 050/12
 * Im Dorfe
 * Im Dorfe
 * Im Dorfe


 * pf
 * 1839
 * arr of No.17 from the cycle Winterreise, D.911 by Franz Schubert
 * arr of No.17 from the cycle Winterreise, D.911 by Franz Schubert


 * 561a (*561/2bis) (*561/2a)
 * Die Nebensonnen – Albumblatt (Fr. Schubert)
 * pf
 * A major
 * 1839 or later
 * based on S.561/2; manuscript 1 page consisting of 1st paragraph of the Schubert song in Liszt's transcription; unpublished
 * 1839 or later
 * based on S.561/2; manuscript 1 page consisting of 1st paragraph of the Schubert song in Liszt's transcription; unpublished


 * 562
 * AHS 073
 * Franz Schuberts [4] Geistliche Lieder:
 * pf
 * 1840
 * published 1841 as Vol.2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert (with S.467 as Vol.1) by Schuberth (Leipzig) (with ossia for No.3)
 * 1840
 * published 1841 as Vol.2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert (with S.467 as Vol.1) by Schuberth (Leipzig) (with ossia for No.3)


 * 562/1
 * AHS 073/1
 * Litanei, auf das Fest aller Seelen
 * Litanei, auf das Fest aller Seelen
 * Litanei, auf das Fest aller Seelen


 * pf
 * 1840
 * arr of the song Am Tage Aller Seelen, D.343a by Franz Schubert
 * arr of the song Am Tage Aller Seelen, D.343a by Franz Schubert


 * 562/2
 * AHS 073/2
 * Himmelsfunken
 * Himmelsfunken
 * Himmelsfunken


 * pf
 * 1840
 * arr of the song Himmelsfunken, D.651 by Franz Schubert
 * arr of the song Himmelsfunken, D.651 by Franz Schubert


 * 562/3
 * AHS 073/3
 * Die Gestirne
 * Die Gestirne
 * Die Gestirne


 * pf
 * 1840
 * arr of the song Die Gestirne, D.444 by Franz Schubert; 1st version of S.562/3a
 * arr of the song Die Gestirne, D.444 by Franz Schubert; 1st version of S.562/3a


 * 562/3a (*562/3bis)
 * Die Gestirne
 * Die Gestirne
 * Die Gestirne
 * Die Gestirne


 * pf
 * c1840?
 * 2nd (ossia) version of S.562/3
 * 2nd (ossia) version of S.562/3


 * 562/4
 * AHS 073/4
 * Hymne "Geisterchor aus Rosamunde"
 * Hymne "Geisterchor aus Rosamunde"
 * Hymne "Geisterchor aus Rosamunde"


 * pf
 * 1840
 * arr of No.4 from the incidental music to Rosamunde, D.797 by Franz Schubert
 * arr of No.4 from the incidental music to Rosamunde, D.797 by Franz Schubert


 * 563
 * A109
 * 6 Melodien von Franz Schubert:
 * pf
 * 1844
 * published 1844 by Richault (Paris) (with ossia for No.6)
 * 1844
 * published 1844 by Richault (Paris) (with ossia for No.6)


 * 563/1
 * A109/1
 * Lebe wohl!
 * Lebe wohl!
 * Lebe wohl!


 * pf
 * 1844
 * arr of the song by Hans von Weyrauch (not Schubert)
 * arr of the song by Hans von Weyrauch (not Schubert)


 * 563/2
 * A109/2
 * Mädchens Klage
 * Mädchens Klage
 * Mädchens Klage


 * pf
 * 1844
 * arr of the song Des Mädchens Klage, D.191b by Franz Schubert
 * arr of the song Des Mädchens Klage, D.191b by Franz Schubert


 * 563/3
 * A109/3
 * Das Sterbeglöcklein "Das Zügenglöcklein" (La cloche des agonisants)
 * Das Sterbeglöcklein "Das Zügenglöcklein" (La cloche des agonisants)
 * Das Sterbeglöcklein "Das Zügenglöcklein" (La cloche des agonisants)


 * pf
 * 1844
 * arr of the song Das Zügenglöcklein, D.871b by Franz Schubert
 * arr of the song Das Zügenglöcklein, D.871b by Franz Schubert


 * 563/4
 * A109/4
 * Trockne Blumen
 * Trockne Blumen
 * Trockne Blumen


 * pf
 * 1844
 * arr of No.18 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert
 * arr of No.18 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert


 * 563/5
 * A109/5
 * Ungeduld
 * Ungeduld
 * Ungeduld


 * pf
 * F major
 * 1844
 * arr of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/6, S.565c/6


 * 563/6
 * A109/6
 * Die Forelle
 * Die Forelle
 * Die Forelle


 * pf
 * 1844
 * arr of the song Die Forelle, D.550d by Franz Schubert; 1st (concert arrangement) version of S.563/6a, S.564
 * arr of the song Die Forelle, D.550d by Franz Schubert; 1st (concert arrangement) version of S.563/6a, S.564


 * 563/6a (*563/6bis)
 * Die Forelle
 * Die Forelle
 * Die Forelle
 * Die Forelle


 * pf
 * 1844
 * 2nd (ossia) version of S.563/6, S.564, with less virtuosic penultimate stanza
 * 2nd (ossia) version of S.563/6, S.564, with less virtuosic penultimate stanza


 * 564
 * A127
 * Die Forelle – Lied von Fr. Schubert
 * pf
 * 1846
 * 3rd version of S.563/6, S.563/6a; published 1846 by Diabelli (Vienna)
 * 1846
 * 3rd version of S.563/6, S.563/6a; published 1846 by Diabelli (Vienna)


 * 565
 * A128
 * 6 Mélodies favorites de La Belle Meunière de François Schubert:
 * pf
 * 1846
 * 1st version of S.565c; published 1847 by Diabelli (Vienna) (with ossia for No.2)
 * 1846
 * 1st version of S.565c; published 1847 by Diabelli (Vienna) (with ossia for No.2)


 * 565/1
 * A128/1
 * Das Wandern
 * Das Wandern
 * Das Wandern


 * pf
 * 1846
 * arr of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/1
 * arr of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/1


 * 565/2
 * A128/2
 * Der Müller und der Bach
 * Der Müller und der Bach
 * Der Müller und der Bach


 * pf
 * 1846
 * arr of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/2a, S.565c/2
 * arr of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/2a, S.565c/2


 * 565/2a
 * Der Müller und der Bach
 * Der Müller und der Bach
 * Der Müller und der Bach
 * Der Müller und der Bach


 * pf
 * c1846
 * 2nd (ossia) version of S.565/2, S.565c/2
 * 2nd (ossia) version of S.565/2, S.565c/2


 * 565/3
 * A128/3
 * Der Jäger
 * Der Jäger
 * Der Jäger


 * pf
 * 1846
 * arr of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/3
 * arr of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/3


 * 565/4
 * A128/4
 * Die böse Farbe
 * Die böse Farbe
 * Die böse Farbe


 * pf
 * 1846
 * arr of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/4
 * arr of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/4


 * 565/5
 * A128/5
 * Wohin?
 * Wohin?
 * Wohin?


 * pf
 * 1846
 * arr of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/5
 * arr of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/5


 * 565/6
 * A128/6
 * Ungeduld
 * Ungeduld
 * Ungeduld


 * pf
 * B♭ major
 * 1846
 * arr of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd version of S.563/5, S.565c/6


 * 565a
 * U14/1
 * Grosse Fantasie von Franz Schubert
 * pf
 * C major
 * c1868
 * edited with additions to the Fantasie in C major, D.760 by Franz Schubert
 * edited with additions to the Fantasie in C major, D.760 by Franz Schubert


 * 565b
 * U14/2
 * (2) Impromptus von F. Schubert
 * pf
 * c1868
 * edited, with additions to Nos.2 and 3 of Impromptus, D.899 by Franz Schubert
 * c1868
 * edited, with additions to Nos.2 and 3 of Impromptus, D.899 by Franz Schubert


 * 565c (*565bis)
 * [6] Müllerlieder von Franz Schubert:
 * pf
 * c1879
 * 2nd version of S.565; published 1879 by Cranz (Hamburg)
 * c1879
 * 2nd version of S.565; published 1879 by Cranz (Hamburg)
 * 2nd version of S.565; published 1879 by Cranz (Hamburg)


 * 565c/1 (*565bis/1)
 * Das Wandern
 * Das Wandern
 * Das Wandern
 * Das Wandern


 * pf
 * c1879
 * 2nd version of S.565/1
 * 2nd version of S.565/1


 * 565c/2 (*565bis/2)
 * Der Müller und der Bach
 * Der Müller und der Bach
 * Der Müller und der Bach
 * Der Müller und der Bach


 * pf
 * c1879
 * 3rd version of S.565/2, S.565/2a
 * 3rd version of S.565/2, S.565/2a


 * 565c/3 (*565bis/3)
 * Der Jäger
 * Der Jäger
 * Der Jäger
 * Der Jäger


 * pf
 * c1879
 * 2nd version of S.565/3
 * 2nd version of S.565/3


 * 565c/4 (*565bis/4)
 * Die böse Farbe
 * Die böse Farbe
 * Die böse Farbe
 * Die böse Farbe


 * pf
 * c1879
 * 2nd version of S.565/4
 * 2nd version of S.565/4


 * 565c/5 (*565bis/5)
 * Wohin?
 * Wohin?
 * Wohin?
 * Wohin?


 * pf
 * c1879
 * 2nd version of S.565/5
 * 2nd version of S.565/5


 * 565c/6 (*565bis/6)
 * Ungeduld
 * Ungeduld
 * Ungeduld
 * Ungeduld


 * pf
 * B♭ major
 * c1879
 * 3rd version of S.563/5, S.565/6


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я566–570
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schumann

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 566
 * A133
 * Liebeslied (Widmung von Robert Schumann)
 * pf
 * 1848
 * arr of No.1 of Myrthen, Op.25 by Robert Schumann; 1st version of S.566a
 * 1848
 * arr of No.1 of Myrthen, Op.25 by Robert Schumann; 1st version of S.566a


 * 566a
 * A133
 * Liebeslied (Widmung von Robert Schumann)
 * pf
 * 1850–59?
 * 2nd version of S.566, more literal transcription; sketch only
 * 1850–59?
 * 2nd version of S.566, more literal transcription; sketch only


 * 567
 * A212
 * Lieder von Robert Schumann:
 * pf
 * 1861
 * 1861
 * 1861


 * 567/1
 * A212/1
 * An den Sonnenschein
 * An den Sonnenschein
 * An den Sonnenschein


 * pf
 * 1861
 * arr of No.4 of 6 Gedichte, Op.36 by Robert Schumann
 * arr of No.4 of 6 Gedichte, Op.36 by Robert Schumann


 * 567/2
 * A212/2
 * Rotes Röslein
 * Rotes Röslein
 * Rotes Röslein


 * pf
 * 1861
 * arr of No.2 of Lieder und Gesänge, Vol.I, Op.27 by Robert Schumann
 * arr of No.2 of Lieder und Gesänge, Vol.I, Op.27 by Robert Schumann


 * 568
 * A257
 * Frühlingsnacht (Lied von Robert Schumann)
 * pf
 * 1872
 * arr of No.12 of Liederkreis by Robert Schumann
 * 1872
 * arr of No.12 of Liederkreis by Robert Schumann


 * 569
 * A264a
 * (10) Lieder von Robert und Clara Schumann:
 * pf
 * 1874
 * 1874
 * 1874


 * 569/1
 * A264a/1
 * Weihnachtslied
 * Weihnachtslied
 * Weihnachtslied


 * pf
 * 1874
 * arr of No.16 of Liederalbum für die Jugend, Op.79 by Robert Schumann
 * arr of No.16 of Liederalbum für die Jugend, Op.79 by Robert Schumann


 * 569/2
 * A264a/2
 * Die wandelnde Glocke
 * Die wandelnde Glocke
 * Die wandelnde Glocke


 * pf
 * 1874
 * arr of No.17 of Liederalbum für die Jugend, Op.79 by Robert Schumann
 * arr of No.17 of Liederalbum für die Jugend, Op.79 by Robert Schumann


 * 569/3
 * A264a/3
 * Frühlings Ankunft
 * Frühlings Ankunft
 * Frühlings Ankunft


 * pf
 * 1874
 * arr of No.19 of Liederalbum für die Jugend, Op.79 by Robert Schumann
 * arr of No.19 of Liederalbum für die Jugend, Op.79 by Robert Schumann


 * 569/4
 * A264a/4
 * Des Sennen Abschied
 * Des Sennen Abschied
 * Des Sennen Abschied


 * pf
 * 1874
 * arr of No.22 of Liederalbum für die Jugend, Op.79 by Robert Schumann
 * arr of No.22 of Liederalbum für die Jugend, Op.79 by Robert Schumann


 * 569/5
 * A264a/5
 * Er ist's
 * Er ist's
 * Er ist's


 * pf
 * 1874
 * arr of No.23 of Liederalbum für die Jugend, Op.79 by Robert Schumann
 * arr of No.23 of Liederalbum für die Jugend, Op.79 by Robert Schumann


 * 569/6
 * A264a/6
 * Nur wer die Sehnsucht kennt
 * Nur wer die Sehnsucht kennt
 * Nur wer die Sehnsucht kennt


 * pf
 * 1874
 * arr of No.3 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Robert Schumann
 * arr of No.3 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Robert Schumann


 * 569/7
 * A264a/7
 * An die Türen will ich schleichen
 * An die Türen will ich schleichen
 * An die Türen will ich schleichen


 * pf
 * 1874
 * arr of No.5 of 'Lieder und Gesänge aus Wilhelm Meister'', Op.98a by Robert Schumann
 * arr of No.5 of 'Lieder und Gesänge aus Wilhelm Meister'', Op.98a by Robert Schumann


 * 569/8
 * A264b/1
 * Warum willst du and're fragen
 * Warum willst du and're fragen
 * Warum willst du and're fragen


 * pf
 * 1874
 * arr of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann
 * arr of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann


 * 569/9
 * A264b/2
 * Ich hab' in deinem Auge
 * Ich hab' in deinem Auge
 * Ich hab' in deinem Auge


 * pf
 * 1874
 * arr of No.5 of 6 Lieder, Op.13, by Clara Schumann
 * arr of No.5 of 6 Lieder, Op.13, by Clara Schumann


 * 569/10
 * A264b/3
 * Geheimes Flüstern hier und dort
 * Geheimes Flüstern hier und dort
 * Geheimes Flüstern hier und dort


 * pf
 * 1874
 * arr of No.3 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann
 * arr of No.3 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann


 * 570
 * A306
 * Provenzalisches Minnelied (von Robert Schumann)
 * pf
 * 1881
 * arr of No.4 of Des Sängers Fluch, Op.139 by Robert Schumann
 * 1881
 * arr of No.4 of Des Sängers Fluch, Op.139 by Robert Schumann


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я570a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Smetana

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 570a
 * V16
 * Polka de salon (Einleitung und Coda zu Smetanas Polka)
 * pf
 * F♯ major
 * 1885
 * additions and revisions to No.1 of 3 Polkas de salon, Op.7 by Bedřich Smetana
 * additions and revisions to No.1 of 3 Polkas de salon, Op.7 by Bedřich Smetana


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я571
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Spohr

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 571
 * A275
 * Die Rose (Romanze von Louis Spohr)
 * pf
 * 1876
 * arr of Zemire's romance from the opera Zemire und Azor, by Louis Spohr
 * 1876
 * arr of Zemire's romance from the opera Zemire und Azor, by Louis Spohr


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я571a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Strauss/Tausig

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 571a (*167a)
 * V15
 * Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)
 * pf
 * 1880
 * additions and revisions (Introduction and Coda) to Valse-Caprice No.3 d'après J. Strauss by Karl Tausig
 * 1880
 * additions and revisions (Introduction and Coda) to Valse-Caprice No.3 d'après J. Strauss by Karl Tausig


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я572
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Szabadi/Massenet

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 572
 * A292
 * Revive Szegedin! (Marche hongroise de Szabady)
 * pf
 * 1879
 * arr of Jules Massenet's orchestration (Marche héroïque de Szabady) of the Marche turque-hongroise by Ignác Szabadi Frank
 * 1879
 * arr of Jules Massenet's orchestration (Marche héroïque de Szabady) of the Marche turque-hongroise by Ignác Szabadi Frank


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я573
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Széchényi

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 573
 * A258
 * Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl )
 * pf
 * 1872
 * based on the Ungarischer Marsch by Imre Széchényi
 * 1872
 * based on the Ungarischer Marsch by Imre Széchényi


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я573a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Tirindelli

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 573a (*754)
 * A297
 * Seconda Mazurka di Tirindelli
 * pf
 * 1880
 * additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli
 * 1880
 * additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я574–576a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Weber

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 574
 * A122
 * Ouvertüre zur Webers Oper Oberon
 * pf
 * 1846
 * arr of the overture from the opera Oberon, J.306 by Carl Maria von Weber
 * 1846
 * arr of the overture from the opera Oberon, J.306 by Carl Maria von Weber


 * 575
 * A129
 * Ouvertüre aus Webers Oper Der Freischütz
 * pf
 * 1846
 * arr of the overture from the opera Der Freischütz, Op.77 by Carl Maria von Weber
 * 1846
 * arr of the overture from the opera Der Freischütz, Op.77 by Carl Maria von Weber


 * 576
 * A121
 * Webers Jubelovertüre
 * pf
 * 1846
 * arr of the Jubel-Ouvertüre, Op.59 by Carl Maria von Weber
 * 1846
 * arr of the Jubel-Ouvertüre, Op.59 by Carl Maria von Weber


 * 576a
 * Konzertstück (von Weber)
 * pf
 * c1868
 * arr of the Konzertstück, Op.79 by Carl Maria von Weber; see also S.367a
 * c1868
 * arr of the Konzertstück, Op.79 by Carl Maria von Weber; see also S.367a
 * arr of the Konzertstück, Op.79 by Carl Maria von Weber; see also S.367a


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я576b–577
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Vielgorsky

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 576b (*577bis)
 * Любила я! [Lyubila ya] (I Loved!) "Romance"
 * pf
 * 1842?
 * arr of the romance I Loved! by Mikhail Vielgorsky; 1st version of S.577i, S.577i/a, S.577ii; see also S.167l
 * 1842?
 * arr of the romance I Loved! by Mikhail Vielgorsky; 1st version of S.577i, S.577i/a, S.577ii; see also S.167l
 * arr of the romance I Loved! by Mikhail Vielgorsky; 1st version of S.577i, S.577i/a, S.577ii; see also S.167l


 * 577i
 * AHS 087
 * I Loved (Romanze von Wielhorski)
 * pf
 * 1842
 * 2nd version of S.576b, S.577i/a, S.577ii; see also S.167l
 * 1842
 * 2nd version of S.576b, S.577i/a, S.577ii; see also S.167l


 * 577i/a (*577ter)
 * Любила я! [Lyubila ya] (I Loved!) "Romance"
 * pf
 * 1843?
 * 3rd version of S.576b, S.577i, S.577ii; see also S.167l
 * 1843?
 * 3rd version of S.576b, S.577i, S.577ii; see also S.167l
 * 3rd version of S.576b, S.577i, S.577ii; see also S.167l


 * 577ii
 * AHS 087
 * Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky)
 * pf
 * 1843
 * 4th version of S.576b, S.577i, S.577i/a; see also S.167l
 * 1843
 * 4th version of S.576b, S.577i, S.577i/a; see also S.167l


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я577a–634b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano four-hands

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я577a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Field

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 577a
 * T33
 * 12 Nocturnes (John Field):
 * pf4h
 * 1877
 * 1877
 * 1877


 * 577a/HS 01
 * T33/HS 01
 * Nocturne No. 1
 * Nocturne No. 1
 * Nocturne No. 1


 * pf4h
 * 1877
 * arr of Nocturne No.1 in E♭ major, H.24, by John Field
 * arr of Nocturne No.1 in E♭ major, H.24, by John Field


 * 577a/HS 02
 * T33/HS 02
 * Nocturne No.2
 * Nocturne No.2
 * Nocturne No.2


 * pf4h
 * 1877
 * arr of Nocturne No.2 in C minor, H.25, by John Field
 * arr of Nocturne No.2 in C minor, H.25, by John Field


 * 577a/HS 03
 * T33/HS 03
 * Nocturne No.3
 * Nocturne No.3
 * Nocturne No.3


 * pf4h
 * 1877
 * arr of Nocturne No.3 in A♭ major, H.26, by John Field
 * arr of Nocturne No.3 in A♭ major, H.26, by John Field


 * 577a/HS 04
 * T33/HS 04
 * Nocturne No.4
 * Nocturne No.4
 * Nocturne No.4


 * pf4h
 * 1877
 * arr of Nocturne No.4 in A major, H.36, by John Field
 * arr of Nocturne No.4 in A major, H.36, by John Field


 * 577a/HS 05
 * T33/HS 05
 * Nocturne No.5
 * Nocturne No.5
 * Nocturne No.5


 * pf4h
 * 1877
 * arr of Nocturne No.5 in B♭ major, H.37, by John Field
 * arr of Nocturne No.5 in B♭ major, H.37, by John Field


 * 577a/HS 06
 * T33/HS 06
 * Nocturne No.6
 * Nocturne No.6
 * Nocturne No.6


 * pf4h
 * 1877
 * arr of Nocturne No.6 in F major, H.40, by John Field
 * arr of Nocturne No.6 in F major, H.40, by John Field


 * 577a/HS 07
 * T33/HS 07
 * Nocturne No.7
 * Nocturne No.7
 * Nocturne No.7


 * pf4h
 * 1877
 * arr of Pastorale in A major, H.14, by John Field
 * arr of Pastorale in A major, H.14, by John Field


 * 577a/HS 08
 * T33/HS 08
 * Nocturne No.8
 * Nocturne No.8
 * Nocturne No.8


 * pf4h
 * 1877
 * arr of Romance in E♭ major, H.30, by John Field
 * arr of Romance in E♭ major, H.30, by John Field


 * 577a/HS 09
 * T33/HS 09
 * Nocturne No.9
 * Nocturne No.9
 * Nocturne No.9


 * pf4h
 * 1877
 * arr of Nocturne No.8 in E minor, H.46, by John Field
 * arr of Nocturne No.8 in E minor, H.46, by John Field


 * 577a/10
 * T33/10
 * Nocturne No. 10
 * Nocturne No. 10
 * Nocturne No. 10


 * pf4h
 * 1877
 * arr of Nocturne No.17 in E major, H.65, by John Field
 * arr of Nocturne No.17 in E major, H.65, by John Field


 * 577a/11
 * T33/11
 * Nocturne No. 11
 * Nocturne No. 11
 * Nocturne No. 11


 * pf4h
 * 1877
 * arr of Nocturne No.11 in E♭ major, H.56, by John Field
 * arr of Nocturne No.11 in E♭ major, H.56, by John Field


 * 577a/12
 * T33/12
 * Nocturne No. 12
 * Nocturne No. 12
 * Nocturne No. 12


 * pf4h
 * 1877
 * arr of Nocturne No.18 in E major ("Midi"), H.13, by John Field
 * arr of Nocturne No.18 in E major ("Midi"), H.13, by John Field


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я578–626
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 578
 * B27
 * Die Legende von der Heiligen Elisabeth:
 * pf4h
 * 1862–66?
 * arr of extracts from S.2
 * 1862–66?
 * arr of extracts from S.2


 * 578/1
 * B27/1
 * Orchester Einleitung
 * Orchester Einleitung
 * Orchester Einleitung


 * pf4h
 * 1862–66?
 * arr of Introduction from S.2
 * arr of Introduction from S.2


 * 578/2
 * B27/2
 * Marsch der Kreuzritter
 * Marsch der Kreuzritter
 * Marsch der Kreuzritter


 * pf4h
 * 1862–66?
 * arr of No.3e from S.2
 * arr of No.3e from S.2


 * 578/3
 * B27/3
 * Der Sturm
 * Der Sturm
 * Der Sturm


 * pf4h
 * 1862–66?
 * arr of No.4d from S.2
 * arr of No.4d from S.2


 * 578/4
 * B27/4
 * Interludium
 * Interludium
 * Interludium


 * pf4h
 * 1862–66?
 * arr of No.6a from S.2
 * arr of No.6a from S.2


 * 579
 * B30
 * (2) Orchestersätze aus dem Oratorium Christus:
 * pf4h
 * 1866–73?
 * arr of Nos.4 and 5 from S.3
 * 1866–73?
 * arr of Nos.4 and 5 from S.3


 * 579/1
 * B30/1
 * Hirtengespiel an der Krippe
 * Hirtengespiel an der Krippe
 * Hirtengespiel an der Krippe


 * pf4h
 * 1866–73?
 * arr of No.4 from S.3
 * arr of No.4 from S.3


 * 579/2
 * B30/2
 * Die heiligen drei Könige
 * Die heiligen drei Könige
 * Die heiligen drei Könige


 * pf4h
 * 1866–73?
 * arr of No.5 from S.3
 * arr of No.5 from S.3


 * 580
 * B42
 * Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)
 * pf4h
 * 1874
 * arr of prelude from S.6
 * 1874
 * arr of prelude from S.6


 * 581
 * B31
 * Aus der Ungarischen Krönungsmesse:
 * pf4h
 * 1869
 * arr of Nos.5 and 7 from S.11
 * 1869
 * arr of Nos.5 and 7 from S.11


 * 581/1
 * B31/1
 * Benedictus
 * Benedictus
 * Benedictus


 * pf4h
 * 1869
 * arr of No.5 from S.11
 * arr of No.5 from S.11


 * 581/2
 * B31/2
 * Offertorium
 * Offertorium
 * Offertorium


 * pf4h
 * 1869
 * arr of No.7 from S.11
 * arr of No.7 from S.11


 * 582
 * B53
 * O Lamm Gottes!
 * pf4h
 * 1878–79
 * arr of S.504b/7
 * 1878–79
 * arr of S.504b/7


 * 583
 * B52
 * Via Crucis (Les 14 stations de la croix)
 * pf4h
 * 1878–79
 * arr of S.53
 * 1878–79
 * arr of S.53


 * 584
 * BHS 06
 * Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn
 * pf4h
 * 1845
 * arr of S.67
 * 1845
 * arr of S.67


 * 585
 * B24
 * Pastorale (Schnitterchor aus dem Entfesselten Prometheus)
 * pf4h
 * 1861
 * arr of No.4 from S.69ii
 * 1861
 * arr of No.4 from S.69ii


 * 586
 * B34
 * Gaudeamus igitur (Humoreske)
 * pf4h
 * 1870?
 * arr of S.71
 * 1870?
 * arr of S.71


 * 587
 * BHS 07
 * Marche héroique
 * pf4h
 * 1848?
 * arr of S.510
 * 1848?
 * arr of S.510


 * 588
 * B16
 * Weimars Volkslied
 * pf4h
 * 1857
 * arr of S.313
 * 1857
 * arr of S.313


 * 589
 * B37
 * Ce qu'on entend sur la montagne (Symphonic Poem No. 1)
 * pf4h
 * 1874
 * arr of S.95iv
 * 1874
 * arr of S.95iv


 * 590
 * B20
 * Tasso: Lamento e Trionfo (Symphonic Poem No. 2)
 * pf4h
 * 1858
 * arr of S.96iv
 * 1858
 * arr of S.96iv


 * 591
 * B12
 * Les préludes (Symphonic Poem No. 3)
 * pf4h
 * 1853–58
 * arr of S.97iv
 * 1853–58
 * arr of S.97iv


 * 592
 * B17
 * Orpheus (Symphonic Poem No. 4)
 * pf4h
 * 1858
 * arr of S.98
 * 1858
 * arr of S.98


 * 593
 * B18
 * Prometheus (Symphonic Poem No. 5)
 * pf4h
 * 1858?
 * arr of S.99
 * 1858?
 * arr of S.99


 * 594
 * B38
 * Mazeppa (Symphonic Poem No. 6)
 * pf4h
 * 1874
 * arr of S.100ii
 * 1874
 * arr of S.100ii


 * 595
 * B13
 * Festklänge (Symphonic Poem No. 7)
 * pf4h
 * 1854–61
 * arr of S.101ii
 * 1854–61
 * arr of S.101ii


 * 596
 * B39
 * Hungaria (Symphonic Poem No. 9)
 * pf4h
 * 1874
 * arr of S.103
 * 1874
 * arr of S.103


 * 596a
 * B49
 * Héroïde funèbre (Symphonic Poem No. 8)
 * pf4h
 * 1877
 * arr of S.102
 * 1877
 * arr of S.102


 * 596b
 * B51
 * Hunnenschlacht (Symphonic Poem No. 11)
 * pf4h
 * 1877
 * arr of S.105
 * 1877
 * arr of S.105


 * 596c
 * B44
 * Die Ideale (Symphonic Poem No. 12)
 * pf4h
 * 1874–77
 * arr of S.106 by Liszt and Giovanni Sgambati
 * 1874–77
 * arr of S.106 by Liszt and Giovanni Sgambati


 * 597
 * B40
 * Hamlet (Symphonic Poem No. 10)
 * pf4h
 * 1874
 * arr of S.104ii
 * 1874
 * arr of S.104ii


 * 598
 * B55
 * Von der Wiege bis zum Grabe (From the Cradle to the Grave) (Symphonic Poem No. 13)
 * pf4h
 * 1881
 * arr of S.512i; arr for orch as S.107
 * 1881
 * arr of S.512i; arr for orch as S.107


 * 599
 * B15
 * 2 Episoden aus Lenaus Faust:
 * pf4h
 * 1861–62
 * arr of S.110
 * 1861–62
 * arr of S.110


 * 599/1
 * B15/1
 * Der nächtliche Zug
 * Der nächtliche Zug
 * Der nächtliche Zug


 * pf4h
 * 1861–62
 * arr of S.110/1
 * arr of S.110/1


 * 599/2
 * B15/2
 * Der Tanz in der Dorfschenke (Mephisto Walzer)
 * Der Tanz in der Dorfschenke (Mephisto Walzer)
 * Der Tanz in der Dorfschenke (Mephisto Walzer)


 * pf4h
 * 1861–62
 * arr of S.110/2a
 * arr of S.110/2a


 * 600
 * B54
 * Mephisto Waltz No.2
 * pf4h
 * 1880–81
 * arr of S.515
 * 1880–81
 * arr of S.515


 * 601–603
 * B23
 * (3) Odes funèbres:
 * pf4h
 * 1860–69
 * arr of S.112
 * 1860–69
 * arr of S.112


 * 601
 * B23/1
 * Les morts
 * Les morts
 * Les morts


 * pf4h
 * 1860
 * arr of S.112/1
 * arr of S.112/1


 * 602
 * B23/2
 * La notte
 * La notte
 * La notte


 * pf4h
 * 1866
 * arr of S.112/2
 * arr of S.112/2


 * 603
 * B23/3
 * Le triomphe funèbre du Tasse
 * Le triomphe funèbre du Tasse
 * Le triomphe funèbre du Tasse


 * pf4h
 * 1866–69
 * arr of S.112/3
 * arr of S.112/3


 * 604i
 * B28/1
 * Boze coś Polskę
 * pf4h
 * 1863
 * arr of S.113i
 * 1863
 * arr of S.113i


 * 604ii
 * B28/2
 * Salve Polonia (Interludium aus dem Oratorium St. Stanislaus)
 * pf4h
 * 1884
 * arr of S.113ii
 * 1884
 * arr of S.113ii


 * 605i (*605)
 * B22
 * Künstler-Festzug zur Schillerfeier 1859
 * pf4h
 * 1859
 * arr of S.114; 1st version of S.605ii
 * 1859
 * arr of S.114; 1st version of S.605ii


 * 605ii
 * B22
 * Künstlerfestzug zur Schillerfeier 1859
 * pf4h
 * by 1865
 * 2nd version of S.605i
 * by 1865
 * 2nd version of S.605i


 * 606i (*606)
 * B19
 * Fest-Marsch zur Göthe Jubiläum-Feier
 * pf4h
 * 1858?
 * arr of S.115iii; 1st version of S.606ii
 * 1858?
 * arr of S.115iii; 1st version of S.606ii


 * 606ii
 * B19
 * Fest Marsch zur Göthe Jubiläum Feier
 * pf4h
 * by 1870
 * 2nd version of 606i
 * by 1870
 * 2nd version of 606i


 * 607
 * B21
 * Festmarsch nach Motiven von E.H.z.S.-C.-G.
 * pf4h
 * 1858–59
 * arr of S.116
 * 1858–59
 * arr of S.116


 * 608
 * B33
 * Rákóczi-Marsch
 * pf4h
 * 1870
 * arr of S.117
 * 1870
 * arr of S.117


 * 609
 * B32
 * Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867
 * pf4h
 * 1870
 * arr of S.118
 * 1870
 * arr of S.118


 * 610
 * B46
 * Ungarischer Sturmmarsch (Hungarian Battle March)
 * pf4h
 * 1875
 * arr of S.119
 * 1875
 * arr of S.119


 * 611
 * WHS 07
 * Epithalam (zu Eduard Reményi's Vermählungsfeier)
 * pf4h
 * 1872
 * arr of S.129; Liszt's authorship doubtful
 * 1872
 * arr of S.129; Liszt's authorship doubtful


 * 612
 * B36
 * Elegy No. 1
 * pf4h
 * 1874
 * arr of S.196
 * 1874
 * arr of S.196


 * 612a
 * B43
 * Weihnachtsbaum:
 * pf4h
 * 1875?
 * arr of S.185a; 1st version of S.613
 * 1875?
 * arr of S.185a; 1st version of S.613


 * 612a/1
 * B43/1
 * Psallite (Altes Weihnachten)
 * Psallite (Altes Weihnachten)
 * Psallite (Altes Weihnachten)


 * pf4h
 * 1875?
 * arr of S.185a/1; 1st version of S.613/1
 * arr of S.185a/1; 1st version of S.613/1


 * 612a/2
 * B43/2
 * O heilige Nacht!
 * O heilige Nacht!
 * O heilige Nacht!


 * pf4h
 * 1875?
 * arr of S.185a/2; 1st version of S.613/2
 * arr of S.185a/2; 1st version of S.613/2


 * 612a/3
 * B43/3
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")


 * pf4h
 * 1875?
 * arr of S.185a/3; 1st version of S.613/3
 * arr of S.185a/3; 1st version of S.613/3


 * 612a/4
 * B43/4
 * Adeste fideles (gleichsam als Marsch der heiligen drei Konige)
 * Adeste fideles (gleichsam als Marsch der heiligen drei Konige)
 * Adeste fideles (gleichsam als Marsch der heiligen drei Konige)


 * pf4h
 * 1875?
 * arr of S.185a/4; 1st version of S.613/4
 * arr of S.185a/4; 1st version of S.613/4


 * 612a/5
 * B43/5
 * Scherzoso
 * Scherzoso
 * Scherzoso


 * pf4h
 * 1875?
 * arr of S.185a/5; 1st version of S.613/5
 * arr of S.185a/5; 1st version of S.613/5


 * 612a/6
 * B43/6
 * Reveille-Matin (Wecker)
 * Reveille-Matin (Wecker)
 * Reveille-Matin (Wecker)


 * pf4h
 * 1875?
 * arr of S.185a/6; 1st version of S.613/6
 * arr of S.185a/6; 1st version of S.613/6


 * 612a/7
 * B43/7
 * Schlummerlied
 * Schlummerlied
 * Schlummerlied


 * pf4h
 * 1875?
 * arr of S.185a/7; 1st version of S.613/7
 * arr of S.185a/7; 1st version of S.613/7


 * 612a/8
 * B43/8
 * (Alt-provenzalisches Noel)
 * (Alt-provenzalisches Noel)
 * (Alt-provenzalisches Noel)


 * pf4h
 * 1875?
 * arr of S.185a/8; 1st version of S.613/8
 * arr of S.185a/8; 1st version of S.613/8


 * 612a/9
 * B43/9
 * (Abendglocken)
 * (Abendglocken)
 * (Abendglocken)


 * pf4h
 * 1875?
 * arr of S.185a/9; 1st version of S.613/9
 * arr of S.185a/9; 1st version of S.613/9


 * 612a/10
 * B43/10
 * (Ehemals)
 * (Ehemals)
 * (Ehemals)


 * pf4h
 * 1875?
 * arr of S.185a/10; 1st version of S.613/10
 * arr of S.185a/10; 1st version of S.613/10


 * 612a/11
 * B43/11
 * Ungarisch
 * Ungarisch
 * Ungarisch


 * pf4h
 * 1875?
 * arr of S.185a/11; 1st version of S.613/11
 * arr of S.185a/11; 1st version of S.613/11


 * 612a/12
 * B43/12
 * Polnisch
 * Polnisch
 * Polnisch


 * pf4h
 * 1875?
 * arr of S.185a/12; 1st version of S.613/12
 * arr of S.185a/12; 1st version of S.613/12


 * 613
 * B43
 * Weihnachtsbaum:
 * pf4h
 * 1876–81
 * arr of S.186; 2nd version of S.612a
 * 1876–81
 * arr of S.186; 2nd version of S.612a


 * 613/1
 * B43/1
 * Altes Weihnachten (Psalite)
 * Altes Weihnachten (Psalite)
 * Altes Weihnachten (Psalite)


 * pf4h
 * 1876–81
 * arr of S.186/1; 2nd version of S.612a/1
 * arr of S.186/1; 2nd version of S.612a/1


 * 613/2
 * B43/2
 * O heilige Nacht!
 * O heilige Nacht!
 * O heilige Nacht!


 * pf4h
 * 1876–81
 * arr of S.186/2; 2nd version of S.612a/2
 * arr of S.186/2; 2nd version of S.612a/2


 * 613/3
 * B43/3
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")
 * Die Hirten an der Krippe ("In dulci jubilo")


 * pf4h
 * 1876–81
 * arr of S.186/3; 2nd version of S.612a/3
 * arr of S.186/3; 2nd version of S.612a/3


 * 613/4
 * B43/4
 * Adeste fideles (Gleichsam als Marsch der heiligen drei Konige
 * Adeste fideles (Gleichsam als Marsch der heiligen drei Konige
 * Adeste fideles (Gleichsam als Marsch der heiligen drei Konige


 * pf4h
 * 1876–81
 * arr of S.186/4; 2nd version of S.612a/4
 * arr of S.186/4; 2nd version of S.612a/4


 * 613/5
 * B43/5
 * Scherzoso (Man zündet die Kerzen des Baumes an)
 * Scherzoso (Man zündet die Kerzen des Baumes an)
 * Scherzoso (Man zündet die Kerzen des Baumes an)


 * pf4h
 * 1876–81
 * arr of S.186/5; 2nd version of S.612a/5
 * arr of S.186/5; 2nd version of S.612a/5


 * 613/6
 * B43/6
 * Carillon
 * Carillon
 * Carillon


 * pf4h
 * 1876–81
 * arr of S.186/6; 2nd version of S.612a/6
 * arr of S.186/6; 2nd version of S.612a/6


 * 613/7
 * B43/7
 * Schlummerlied
 * Schlummerlied
 * Schlummerlied


 * pf4h
 * 1876–81
 * arr of S.186/7; 2nd version of S.612a/7
 * arr of S.186/7; 2nd version of S.612a/7


 * 613/8
 * B43/8
 * Altes provenzalisches Weihnachtslied
 * Altes provenzalisches Weihnachtslied
 * Altes provenzalisches Weihnachtslied


 * pf4h
 * 1876–81
 * arr of S.186/8; 2nd version of S.612a/8
 * arr of S.186/8; 2nd version of S.612a/8


 * 613/9
 * B43/9
 * Abendglocken
 * Abendglocken
 * Abendglocken


 * pf4h
 * 1876–81
 * arr of S.186/9; 2nd version of S.612a/9
 * arr of S.186/9; 2nd version of S.612a/9


 * 613/10
 * B43/10
 * Ehemals
 * Ehemals
 * Ehemals


 * pf4h
 * 1876–81
 * arr of S.186/10; 2nd version of S.612a/10
 * arr of S.186/10; 2nd version of S.612a/10


 * 613/11
 * B43/11
 * Ungarisch
 * Ungarisch
 * Ungarisch


 * pf4h
 * 1876–81
 * arr of S.186/11; 2nd version of S.612a/11
 * arr of S.186/11; 2nd version of S.612a/11


 * 613/12
 * B43/12
 * Polnisch
 * Polnisch
 * Polnisch


 * pf4h
 * 1876–81
 * arr of S.186/12; 2nd version of S.612a/12
 * arr of S.186/12; 2nd version of S.612a/12


 * 614
 * B50
 * Dem Andenken Petöfis
 * pf4h
 * 1877
 * arr of S.349
 * 1877
 * arr of S.349


 * 615
 * BHS 01
 * Grande valse di bravura (La bal de Berne)
 * pf4h
 * 1836
 * arr of S.209
 * 1836
 * arr of S.209


 * 615a
 * Mephisto Waltz No.3
 * pf4h
 * 1883
 * arr of S.216
 * 1883
 * arr of S.216
 * arr of S.216


 * 616
 * BHS 02
 * Grand galop chromatique
 * pf4h
 * 1838
 * arr of S.219
 * 1838
 * arr of S.219


 * 617
 * B56
 * Csárdás macabre
 * pf4h
 * 1881–82
 * arr of S.224 (by Liszt and János Végh?)
 * 1881–82
 * arr of S.224 (by Liszt and János Végh?)


 * 618
 * W11
 * Csárdás obstiné
 * pf4h
 * 1884?
 * arr of S.225/2; Liszt's authorship uncertain
 * 1884?
 * arr of S.225/2; Liszt's authorship uncertain


 * 618a
 * B14
 * Vom Fels zum Meer! (Deutscher Siegesmarsch)
 * pf4h
 * 1853–56?
 * arr of S.229
 * 1853–56?
 * arr of S.229


 * 619
 * B59
 * Bülow-Marsch
 * pf4h
 * 1883
 * arr of S.230
 * 1883
 * arr of S.230


 * 619a (*255)
 * B48
 * Festpolonaise
 * pf4h
 * 1876
 * arr of S.230a
 * 1876
 * arr of S.230a


 * 620
 * BHS 03
 * Hussitenlied (Aus dem 15. Jahrhundert)
 * pf4h
 * 1840–41
 * arr of S.234
 * 1840–41
 * arr of S.234


 * 621
 * B41
 * (6) Hungarian Rhapsodies:
 * pf4h
 * 1857–60
 * arr of S.359
 * 1857–60
 * arr of S.359


 * 621/1
 * B41/1
 * Hungarian Rhapsody No. 1
 * Hungarian Rhapsody No. 1
 * Hungarian Rhapsody No. 1


 * pf4h
 * F minor
 * 1860
 * arr of S.359/1


 * 621/2
 * B41/2
 * Hungarian Rhapsody No. 2
 * Hungarian Rhapsody No. 2
 * Hungarian Rhapsody No. 2


 * pf4h
 * C♯ minor
 * 1860
 * arr of S.359/2


 * 621/3
 * B41/3
 * Hungarian Rhapsody No. 3
 * Hungarian Rhapsody No. 3
 * Hungarian Rhapsody No. 3


 * pf4h
 * D major
 * 1860
 * arr of S.359/3


 * 621/4
 * B41/4
 * Hungarian Rhapsody No. 4
 * Hungarian Rhapsody No. 4
 * Hungarian Rhapsody No. 4


 * pf4h
 * D minor
 * 1860
 * arr of S.359/4


 * 621/5
 * B41/5
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
 * Hungarian Rhapsody No. 5 (Héroïde-élégiaque)


 * pf4h
 * E minor
 * 1860
 * arr of S.359/5


 * 621/6
 * B41/6
 * Hungarian Rhapsody No. 6 (Pesther Carneval)
 * Hungarian Rhapsody No. 6 (Pesther Carneval)
 * Hungarian Rhapsody No. 6 (Pesther Carneval)


 * pf4h
 * E♭ major
 * 1860
 * arr of S.359/6


 * 622
 * B57
 * Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten
 * pf4h
 * 1882
 * arr of S.244/16ii
 * 1882
 * arr of S.244/16ii


 * 623
 * W12
 * Hungarian Rhapsody No. 18
 * pf4h
 * 1885
 * arr of S.244/18; Liszt's authorshop doubtful
 * 1885
 * arr of S.244/18; Liszt's authorshop doubtful


 * 623a
 * W13
 * Hungarian Rhapsody No. 19
 * pf4h
 * 1885?
 * arr of S.244/19; Liszt's authorshop doubtful
 * 1885?
 * arr of S.244/19; Liszt's authorshop doubtful


 * 624
 * BHS 08
 * Fantasie und Fuge über den Choral Ad nos, ad salutarem undam
 * pf4h
 * 1850
 * arr of S.259; see also S.414/4
 * 1850
 * arr of S.259; see also S.414/4


 * 625
 * B29
 * Der Papsthymnus
 * pf4h
 * 1865
 * arr of S.261
 * 1865
 * arr of S.261


 * 626
 * B60
 * Magyar király-dal (Ungarisches Königslied)
 * pf4h
 * 1883
 * arr of S.340
 * 1883
 * arr of S.340


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я627
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bellini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 627
 * BHS 09
 * Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula
 * pf4h
 * 1852
 * arr of S.393
 * 1852
 * arr of S.393


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я628
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Berlioz

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 628
 * B10
 * Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz)
 * pf4h
 * 1852–53
 * arr of S.396
 * 1852–53
 * arr of S.396


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я628a–628b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Donizetti

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 628a
 * Réminiscences de Lucia di Lammermoor
 * pf4h
 * 1836–40
 * arr of S.397; lost?; performed by Liszt
 * 1836–40
 * arr of S.397; lost?; performed by Liszt
 * arr of S.397; lost?; performed by Liszt


 * 628b (*628a)
 * BHS 05
 * Marche et Cavatine de Lucia di Lammermoor
 * pf4h
 * 1844?
 * arr of S.398
 * 1844?
 * arr of S.398


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я628c
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Egressy/Erkel

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 628c (*628b)
 * Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)
 * pf4h
 * 1873
 * arr of S.353; Liszt's authorship doubtful
 * 1873
 * arr of S.353; Liszt's authorship doubtful
 * arr of S.353; Liszt's authorship doubtful


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я629
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Glinka

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 629
 * B45
 * Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla
 * pf4h
 * 1875
 * arr of S.406ii
 * 1875
 * arr of S.406ii


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я630
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Meyerbeer

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 630
 * WHS 02
 * Réminiscences de Robert le diable (Valse infernale)
 * pf4h
 * 1841–43
 * arr of S.413; Liszt's authorship doubtful
 * 1841–43
 * arr of S.413; Liszt's authorship doubtful


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я631
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Raff

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 631
 * B11
 * Andante Finale und Marsch aus der Oper König Alfred:
 * pf4h
 * 1853?
 * arr of S.421
 * 1853?
 * arr of S.421


 * 631/1
 * B11/1
 * Andante
 * Andante
 * Andante


 * pf4h
 * 1853?
 * arr of S.421/1
 * arr of S.421/1


 * 631/2
 * B11/2
 * Marsch
 * Marsch
 * Marsch


 * pf4h
 * 1853?
 * arr of S.421/2
 * arr of S.421/2


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я632
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 632
 * B35
 * Franz Schuberts (4) Märsche:
 * pf4h
 * 1859–70
 * arr of S.363
 * 1859–70
 * arr of S.363


 * 632/1
 * B35/1
 * Grande marche
 * Grande marche
 * Grande marche


 * pf4h
 * B minor
 * 1859–70
 * arr of S.363/1


 * 632/2
 * B35/2
 * Trauermarsch
 * Trauermarsch
 * Trauermarsch


 * pf4h
 * E♭ minor
 * 1859–70
 * arr of S.363/2


 * 632/3
 * B35/3
 * Reitermarsch
 * Reitermarsch
 * Reitermarsch


 * pf4h
 * C major
 * 1859–70
 * arr of S.363/3


 * 632/4
 * B35/4
 * Ungarischer Marsch
 * Ungarischer Marsch
 * Ungarischer Marsch


 * pf4h
 * C minor
 * 1859–70
 * arr of S.363/4


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я633
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Allegri/Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 633
 * B26
 * HS A la ChapelleÀ la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)
 * pf4h
 * 1865
 * arr of S.461ii
 * 1865
 * arr of S.461ii


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я634
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Beethoven

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 634
 * BHS 04
 * Grand septuor de Beethoven
 * pf4h
 * 1840–42
 * arr of S.465
 * 1840–42
 * arr of S.465


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я634a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 634a
 * B47
 * Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse)
 * pf4h
 * 1875–81?
 * arr of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart
 * 1875–81?
 * arr of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я634b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Wagner

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 634b
 * B25
 * (2) Stücke aus Tannhäuser und Lohengrin:
 * pf4h
 * 1862?
 * arr of S.445
 * 1862?
 * arr of S.445


 * 634b/1
 * B25/1
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg
 * Einzug der Gäste auf der Wartburg


 * pf4h
 * 1862?
 * arr of S.445/1a
 * arr of S.445/1a


 * 634b/2
 * B25/2
 * Elsas Brautzug zum Münster
 * Elsas Brautzug zum Münster
 * Elsas Brautzug zum Münster


 * pf4h
 * 1862?
 * arr of S.445/2
 * arr of S.445/2


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я635–657b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Two pianos

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я635–652a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 635
 * CHS 09
 * Ce qu'on entend sur la montagne (Symphonic Poem No. 1)
 * 2pf
 * 1854–56
 * arr of S.95iv
 * 1854–56
 * arr of S.95iv


 * 636
 * C10
 * Tasso: Lamento e Trionfo (Symphonic Poem No.2)
 * 2pf
 * 1854–56
 * arr of S.96iv
 * 1854–56
 * arr of S.96iv


 * 637
 * C11
 * Les préludes (Symphonic Poem No.3)
 * 2pf
 * 1855?
 * arr of S.97iv
 * 1855?
 * arr of S.97iv


 * 638
 * C12
 * Orpheus (Symphonic Poem No.4)
 * 2pf
 * 1855–56
 * arr of S.98
 * 1855–56
 * arr of S.98


 * 639
 * C14
 * Prometheus (Symphonic Poem No.5)
 * 2pf
 * 1855–56
 * arr of S.99
 * 1855–56
 * arr of S.99


 * 640
 * C13
 * Mazeppa (Symphonic Poem No.6)
 * 2pf
 * 1855
 * arr of S.100ii
 * 1855
 * arr of S.100ii


 * 641
 * CHS 07
 * Festklänge (Symphonic Poem No.7)
 * 2pf
 * 1853
 * arr of S.101i
 * 1853
 * arr of S.101i


 * 642
 * C15
 * Héroïde funèbre (Symphonic Poem No.8)
 * 2pf
 * 1854–56
 * arr of S.102
 * 1854–56
 * arr of S.102


 * 643
 * C16
 * Hungaria (Symphonic Poem No.9)
 * 2pf
 * 1855–56
 * arr of S.103
 * 1855–56
 * arr of S.103


 * 644
 * C22
 * Hamlet (Symphonic Poem No. 10)
 * 2pf
 * 1858–60
 * arr of S.104ii
 * 1858–60
 * arr of S.104ii


 * 645
 * C21
 * Hunnenschlacht (Symphonic Poem No. 11)
 * 2pf
 * 1857–60
 * arr of S.105
 * 1857–60
 * arr of S.105


 * 646
 * C17
 * Die Ideale (Symphonic Poem No. 12)
 * 2pf
 * 1857–58
 * arr of S.106
 * 1857–58
 * arr of S.106


 * 647
 * C19
 * Faust Symphony (Eine Faust-Symphonie)
 * 2pf
 * 1856
 * arr of S.108i
 * 1856
 * arr of S.108i


 * 648
 * C20
 * Dante Symphony (Eine Symphonie zu Dantes Divina Commedia)
 * 2pf
 * 1856–57
 * arr of S.109
 * 1856–57
 * arr of S.109


 * 649
 * CHS 06
 * Fantasie über Motiven aus Beethovens Ruinen von Athen
 * 2pf
 * 1852
 * arr of S.122ii
 * 1852
 * arr of S.122ii


 * 650
 * CHS 08
 * Piano Concerto No. 1
 * 2pf
 * E♭ major
 * 1853–56?
 * arr of S.124
 * arr of S.124


 * 651
 * C23
 * Piano Concerto No. 2
 * 2pf
 * A major
 * 1859
 * arr of S.125
 * arr of S.125


 * 652
 * C24
 * Totentanz
 * 2pf
 * 1859–65?
 * arr of S.126ii
 * 1859–65?
 * arr of S.126ii


 * 652a
 * C25
 * Rákóczi-Marsch
 * 2pf
 * 1870
 * arr of S.117
 * 1870
 * arr of S.117


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я653
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 653
 * CHS 05
 * Franz Schuberts Grosse Fantasie
 * 2pf
 * C major
 * 1851–62?
 * arr of S.366
 * arr of S.366


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я654–655
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bellini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 654i
 * CHS 02
 * Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)
 * 2pf
 * 1840
 * arr of S.392; 1st version of S.654ii
 * 1840
 * arr of S.392; 1st version of S.654ii


 * 654ii
 * CHS 02
 * Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)
 * 2pf
 * 1870?
 * 2nd version of S.654i
 * 1870?
 * 2nd version of S.654i


 * 655
 * CHS 03
 * Réminiscences de Norma
 * 2pf
 * 1845–74?
 * arr of S.394
 * 1845–74?
 * arr of S.394


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я656
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 656
 * C26
 * Réminiscences de Don Juan (Grande fantaisie)
 * 2pf
 * 1876–77
 * arr of S.418
 * 1876–77
 * arr of S.418


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я657–657a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Beethoven

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 657
 * CHS 04
 * Symphony No. 9 de Beethoven
 * 2pf
 * D minor
 * 1851
 * arr of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr for pf as S.464/9
 * arr of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr for pf as S.464/9


 * 657a
 * C27–29
 * 3 Beethoven Piano Concertos
 * 2pf
 * 1878–79
 * 1878–79
 * 1878–79


 * 657a/1
 * C27
 * Piano Concerto No. 3
 * Piano Concerto No. 3
 * Piano Concerto No. 3


 * 2pf
 * C minor
 * 1878–79
 * arr of the Piano Concerto No.3, Op.37 by Ludwig van Beethoven; includes new cadenza for 1st mvt, S.389a


 * 657a/2
 * C28
 * Piano Concerto No. 4
 * Piano Concerto No. 4
 * Piano Concerto No. 4


 * 2pf
 * G major
 * 1878–79
 * arr of the Piano Concerto No.4, Op.58 by Ludwig van Beethoven


 * 657a/3
 * C29
 * Piano Concerto No. 5
 * Piano Concerto No. 5
 * Piano Concerto No. 5


 * 2pf
 * E♭ major
 * 1878–79
 * arr of the Piano Concerto No.5, Op.73 by Ludwig van Beethoven


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я657b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano eight-hands

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я657b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 657b
 * C30
 * Bülow-Marsch
 * 2pf8h
 * 1884
 * arr of S.230
 * 1884
 * arr of S.230


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я658–676
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Organ or Harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я658
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Allegri/Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 658
 * E15
 * Evocation à la Chapelle Sixtine
 * org/harm
 * 1862–65?
 * arr of S.461ii
 * 1862–65?
 * arr of S.461ii


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я659
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Dietsch

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 659
 * E14
 * Ave Maria d'Arcadelt
 * org/harm
 * 1862–63
 * arr of S.183/2
 * 1862–63
 * arr of S.183/2


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я660–661
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Bach

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 660
 * EHS 09,5
 * Introduction, Fugue, and Andante after Bach
 * org/harm
 * 1856–66
 * 1856–66
 * 1856–66


 * 660/1
 * EHS 09
 * Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis)
 * Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis)
 * Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis)


 * org/harm
 * 1860–66
 * arr of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
 * arr of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach


 * 660/2
 * EHS 05
 * Andante (Aus tiefer Not)
 * Andante (Aus tiefer Not)
 * Andante (Aus tiefer Not)


 * org/harm
 * 1856–60?
 * arr of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38 by Johann Sebastian Bach
 * arr of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38 by Johann Sebastian Bach


 * 661
 * E13
 * Adagio vom Bach
 * org/harm
 * 1861–63
 * arr of the 3rd mvt of Violin Sonata No. 4, BWV 1017 by Johann Sebastian Bach
 * 1861–63
 * arr of the 3rd mvt of Violin Sonata No. 4, BWV 1017 by Johann Sebastian Bach


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я662
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chopin

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 662
 * E16
 * 2 Preludes by Chopin
 * org
 * 1862–63?
 * arr of two of the Preludes, Op.28 by Frédéric Chopin
 * 1862–63?
 * arr of two of the Preludes, Op.28 by Frédéric Chopin


 * 662/1
 * E16/1
 * Prelude
 * Prelude
 * Prelude


 * org
 * E minor
 * 1862–63?
 * arr of No.4 of the Preludes, Op.28 by Frédéric Chopin


 * 662/2
 * E16/2
 * Prelude
 * Prelude
 * Prelude


 * org
 * E major
 * 1862–63?
 * arr of No.9 of the Preludes, Op.28 by Frédéric Chopin


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я663
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Lassus

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 663
 * E21
 * Regina coeli laetare
 * org/harm
 * 1865
 * arr of the motet Regina coeli laetare by Orlande de Lassus
 * 1865
 * arr of the motet Regina coeli laetare by Orlande de Lassus


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я663a–674c
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 663a
 * E25
 * Einleitung zur Legende von der heiligen Elisabeth
 * org/harm
 * 1872
 * arr by Liszt and Carl Müller-Hartung of the introduction from S.2
 * 1872
 * arr by Liszt and Carl Müller-Hartung of the introduction from S.2


 * 664i
 * E19b/1
 * Tu es Petrus aus dem Oratorio Christus
 * org/harm
 * 1867
 * arr of No.8 from S.3; 1st version of S.664ii
 * 1867
 * arr of No.8 from S.3; 1st version of S.664ii


 * 664ii
 * E19b/2
 * Tu es Petrus aus dem Oratorio Christus
 * org
 * 1867
 * 2nd (simplified) version of S.664i
 * 1867
 * 2nd (simplified) version of S.664i


 * 665
 * E35
 * San Francesco
 * org
 * 1880
 * arr of the prelude from S.4ii
 * 1880
 * arr of the prelude from S.4ii


 * 666
 * E26
 * Preludio (Excelsior!)
 * org (+ch)
 * 1874–75
 * arr of prelude from S.6; see also version for org without ch S.268a
 * 1874–75
 * arr of prelude from S.6; see also version for org without ch S.268a


 * 667
 * E23
 * Offertorium aus der Ungarischen Krönungsmesse
 * org/harm
 * 1868?
 * arr of No.5 from S.11
 * 1868?
 * arr of No.5 from S.11


 * 667a
 * Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
 * org
 * 1860
 * arr of S.14i
 * 1860
 * arr of S.14i
 * arr of S.14i


 * 667b/i
 * Gebet (Ave Maria I)
 * org
 * 1842?
 * arr of S.20i
 * 1842?
 * arr of S.20i
 * arr of S.20i


 * 667b/ii
 * EHS 04
 * Ave Maria I
 * org
 * 1856–59?
 * arr of S.20ii; incomplete sketch as S.701n
 * 1856–59?
 * arr of S.20ii; incomplete sketch as S.701n


 * 667c
 * E24
 * Ave Maria II
 * harm
 * D major
 * 1869
 * arr of S.38
 * arr of S.38


 * 668
 * E18
 * Slavimo slavno, Slaveni!
 * org
 * 1863
 * arr of S.33i
 * 1863
 * arr of S.33i


 * 668a
 * E27/2a
 * Ave maris stella
 * harm
 * 1871
 * arr of S.34; 1st version of S.669/2
 * 1871
 * arr of S.34; 1st version of S.669/2


 * 669
 * E27
 * (2) Kirchenhymnen:
 * org/harm
 * 1877
 * 1877
 * 1877


 * 669/1
 * E27/1
 * Salve Regina
 * Salve Regina
 * Salve Regina


 * org/harm
 * 1877
 * 1877


 * 669/2
 * E27/2b
 * Ave maris stella
 * Ave maris stella
 * Ave maris stella


 * org/harm
 * 1877
 * arr of S.34; 2nd version of S.668a
 * arr of S.34; 2nd version of S.668a


 * 669a
 * (7) Deutsche Kirchenlieder:
 * v ch pf/org
 * 1878–79
 * arr of selections from S.50
 * 1878–79
 * arr of selections from S.50
 * arr of selections from S.50


 * 669a/1
 * Es segne uns Gott
 * Es segne uns Gott
 * Es segne uns Gott
 * Es segne uns Gott


 * ch org
 * 1878–79
 * arr of S.50/1
 * arr of S.50/1


 * 669a/2
 * Gott sei gnädig (Der Kirchensegen)
 * Gott sei gnädig (Der Kirchensegen)
 * Gott sei gnädig (Der Kirchensegen)
 * Gott sei gnädig (Der Kirchensegen)


 * v/ch org
 * 1878–79
 * arr of S.50/2
 * arr of S.50/2


 * 669a/3
 * Nun ruhen alle Wälder
 * Nun ruhen alle Wälder
 * Nun ruhen alle Wälder
 * Nun ruhen alle Wälder


 * v org
 * 1878–79
 * arr of S.50/3
 * arr of S.50/3


 * 669a/4
 * O Haupt voll Blut und Wunden
 * O Haupt voll Blut und Wunden
 * O Haupt voll Blut und Wunden
 * O Haupt voll Blut und Wunden


 * v org
 * 1878–79
 * arr of S.50/4
 * arr of S.50/4


 * 669a/5
 * O Lamm Gottes!
 * O Lamm Gottes!
 * O Lamm Gottes!
 * O Lamm Gottes!


 * v pf/org
 * 1878–79
 * arr of S.50/5
 * arr of S.50/5


 * 669a/6
 * Was Gott tut, das ist wohlgetan
 * Was Gott tut, das ist wohlgetan
 * Was Gott tut, das ist wohlgetan
 * Was Gott tut, das ist wohlgetan


 * v org
 * 1878–79
 * arr of S.50/6
 * arr of S.50/6


 * 669a/7
 * Wer nur den lieben Gott läßt walten
 * Wer nur den lieben Gott läßt walten
 * Wer nur den lieben Gott läßt walten
 * Wer nur den lieben Gott läßt walten


 * v org
 * 1878–79
 * arr of S.50/7
 * arr of S.50/7


 * 669b
 * E31
 * Via Crucis (Les 14 stations de la croix)
 * org
 * 1876–79
 * arr of S.53
 * 1876–79
 * arr of S.53


 * 669c
 * O Roma nobilis
 * org
 * 1878–79
 * arr of S.54
 * 1878–79
 * arr of S.54
 * arr of S.54


 * 670
 * E34
 * Rosario:
 * org/harm
 * 1879
 * arr of selections from S.56
 * 1879
 * arr of selections from S.56


 * 670/1
 * E34/1
 * Mysteria gaudiosa
 * Mysteria gaudiosa
 * Mysteria gaudiosa


 * org/harm
 * 1879
 * arr of S.56/1
 * arr of S.56/1


 * 670/2
 * E34/2
 * Mysteria dolorosa
 * Mysteria dolorosa
 * Mysteria dolorosa


 * org/harm
 * 1879
 * arr of S.56/2
 * arr of S.56/2


 * 670/3
 * E34/3
 * Mysteria gloriosa
 * Mysteria gloriosa
 * Mysteria gloriosa


 * org/harm
 * 1879
 * arr of S.56/3
 * arr of S.56/3


 * 671
 * E40
 * In domum Domini ibimus (Zum Haus des Herrn ziehen wir)
 * org
 * 1884
 * arr of S.57
 * 1884
 * arr of S.57


 * 671a
 * J44
 * Zur Trauung
 * org
 * 1883?
 * arr of S.60
 * 1883?
 * arr of S.60


 * 672i
 * EHS 06/1
 * Weimars Volkslied
 * org
 * 1857–63?
 * arr of S.313; 1st version of S.672ii
 * 1857–63?
 * arr of S.313; 1st version of S.672ii


 * 672ii
 * EHS 06/2
 * Weimars Volkslied
 * org/harm
 * 1872–73?
 * 2nd version of S.672i
 * 1872–73?
 * 2nd version of S.672i


 * 672a
 * E11
 * Orpheus (Symphonic Poem No.4)
 * org/harm
 * 1860–72
 * arr of S.98
 * 1860–72
 * arr of S.98


 * 672b
 * EHS 08
 * Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia
 * org/harm
 * 1860
 * arr by Liszt (and Alexander Wilhelm Gottschalg?) of extracts from S.109
 * 1860
 * arr by Liszt (and Alexander Wilhelm Gottschalg?) of extracts from S.109


 * 672c
 * E30
 * Angelus! Prière aux anges gardiens
 * harm
 * 1882
 * 7th (final harm) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1
 * 1882
 * 7th (final harm) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1


 * 672d
 * E22
 * (4) Consolations:
 * org/harm
 * 1866–79
 * arr of selections from S.172
 * 1866–79
 * arr of selections from S.172


 * 672d/1
 * E22/1
 * (Lento placido)
 * (Lento placido)
 * (Lento placido)


 * org/harm
 * A major
 * 1879?
 * arr of S.172/3


 * 672d/2 (*759)
 * E22/2
 * (Adagio)
 * (Adagio)
 * (Adagio)


 * org/harm
 * D♭ major
 * 1866–67?
 * arr of S.172/4 by Liszt and Alexander Wilhelm Gottschalg


 * 672d/3
 * E22/3
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * org/harm
 * E major
 * 1872–73?
 * arr of S.172/5 by Liszt and Alexander Wilhelm Gottschalg


 * 672d/4
 * E22/4
 * (Trôstung)
 * (Trôstung)
 * (Trôstung)


 * org/harm
 * E major
 * 1879?
 * arr of S.172/6


 * 673
 * E17
 * Variationen über das Motiv von Bach
 * org
 * 1862–63
 * arr of S.180
 * 1862–63
 * arr of S.180


 * 674
 * E37
 * A magyarok Istene (Ungarns Gott)
 * org/harm
 * 1881
 * arr of S.339
 * 1881
 * arr of S.339


 * 674a/i (*674a)
 * E36
 * O sacrum convivium
 * org/harm
 * c1880
 * arr of S.58; ossia version as S.674a/ii
 * c1880
 * arr of S.58; ossia version as S.674a/ii


 * 674a/ii (*674a-bis)
 * O sacrum convivium
 * org/harm
 * c1880
 * ossia version of S.674a/i
 * c1880
 * ossia version of S.674a/i
 * ossia version of S.674a/i


 * 674b
 * Ave Maria IV
 * org/harm
 * 1881
 * arr of S.341
 * 1881
 * arr of S.341
 * arr of S.341


 * 674c
 * Nun danket alle Gott
 * org
 * 1884
 * arr of S.61
 * 1884
 * arr of S.61
 * arr of S.61


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я674d
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 674d
 * E42
 * Ave verum corpus de Mozart
 * org/harm
 * 1886
 * arr of S.461a
 * 1886
 * arr of S.461a


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я675
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Nicolai

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 675
 * EHS 02
 * Kirchliche Fest-Ouvertüre
 * org/pfped
 * 1852
 * arr of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai
 * 1852
 * arr of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я675a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Ritter

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 675a
 * V10
 * In der Christmette
 * vn org
 * 1873?
 * corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter
 * 1873?
 * corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я675b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schumann

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 675b
 * V18
 * Davidsbündlertänze
 * org
 * 1870?
 * arr by Alexander Wilhelm Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6 by Robert Schumann
 * 1870?
 * arr by Alexander Wilhelm Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6 by Robert Schumann


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я675c
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Verdi

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 675c/i
 * E29
 * Agnus Dei della Messa da Requiem di Giuseppe Verdi
 * org/harm
 * 1877–78
 * based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/ii; arr of S.437i
 * 1877–78
 * based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/ii; arr of S.437i


 * 675c/ii
 * E29
 * Agnus Dei della Messa da Requiem di Giuseppe Verdi
 * org/harm
 * 1883
 * 2nd version of S.675c/i; arr of S.437ii
 * 1883
 * 2nd version of S.675c/i; arr of S.437ii


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я676
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Wagner

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 676i
 * E10a
 * Chor der jüngeren Pilger (Der Gnade Heil)
 * org/harm
 * 1860
 * based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.676ii; arr of S.443i
 * 1860
 * based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.676ii; arr of S.443i


 * 676ii
 * E10b
 * Chor der jüngeren Pilger (Der Gnade Heil)
 * org/harm
 * 1862
 * 2nd version of S.676i; arr of S.443ii
 * 1862
 * 2nd version of S.676i; arr of S.443ii


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я677–679
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber with organ/harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я677–678
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 677
 * F2
 * Hosannah (Alleluja del Cantico del sol)
 * org (+tbn)
 * 1862–63
 * arr of 'Alleluja' from S.4i
 * 1862–63
 * arr of 'Alleluja' from S.4i


 * 677a
 * Cantico di San Francesco d'Assisi
 * tbn pf
 * 1862
 * arr of extract from S.4ii; published 2013
 * 1862
 * arr of extract from S.4ii; published 2013
 * arr of extract from S.4ii; published 2013


 * 678
 * F3
 * Aus der Ungarischen Krönungsmesse:
 * vn org/harm
 * 1871
 * arr of extracts from S.11
 * 1871
 * arr of extracts from S.11


 * 678/1
 * F3/1
 * Benedictus
 * Benedictus
 * Benedictus


 * vn org/harm
 * 1871
 * arr of S.11/5
 * arr of S.11/5


 * 678/2
 * F3/2
 * Offertorium
 * Offertorium
 * Offertorium


 * vn org/harm
 * 1871
 * arr of S.11/7
 * arr of S.11/7


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я679
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Rossini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 679
 * F1
 * Cujus animam aus Rossinis Stabat Mater
 * tbn org
 * 1860–70?
 * arr of S.553/1
 * 1860–70?
 * arr of S.553/1


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я680–682
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs with organ/harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я680–681a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 680
 * KHS 03
 * Ave maris stella
 * v org/harm
 * D major
 * 1868
 * arr of S.34ii
 * arr of S.34ii


 * 681
 * KHS 04
 * Ave Maria II
 * v org/harm
 * 1869
 * arr of S.38
 * 1869
 * arr of S.38


 * 681a
 * Jeanne d'Arc au bûcher (Scène dramatique)
 * v org
 * 1875?
 * arr of S.293ii; published 2013
 * 1875?
 * arr of S.293ii; published 2013
 * arr of S.293ii; published 2013


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я682
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Rossini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 682
 * KHS 05
 * Cujus animam aus Rossinis Stabat Mater
 * ten org
 * 1874?
 * arr of S.553/1
 * 1874?
 * arr of S.553/1


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я683–685
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я683
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Constantine

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 683
 * N57
 * Serbisches Lied (Ein Mädchen sitzt am Meeresstrand)
 * v pf
 * 1858?
 * arr of the song by F. W. Constantine, Prince of Hohenzollern-Hechingen
 * 1858?
 * arr of the song by F. W. Constantine, Prince of Hohenzollern-Hechingen


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я683a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Korbay

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 683a
 * K10
 * Gebet
 * v org
 * 1883?
 * arr of the song by Francis Korbay; arr for v orch as S.368/2
 * 1883?
 * arr of the song by Francis Korbay; arr for v orch as S.368/2


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я684
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Pantaleoni

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 684
 * NHS 02
 * Barcarole vénitienne de Pantaleoni (Venezianisches Gondellied)
 * v pf
 * 1840
 * arr of the song by Luigi Pantaleoni (collaborative composition: melody and lyrics by Pantaleoni, pf accompaniment by Liszt)
 * 1840
 * arr of the song by Luigi Pantaleoni (collaborative composition: melody and lyrics by Pantaleoni, pf accompaniment by Liszt)


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я685
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Pavlovna

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 685
 * N47
 * Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna)
 * v pf
 * 1849–54
 * arr of the song by Maria Pavlovna, Grand Duchess of Russia
 * 1849–54
 * arr of the song by Maria Pavlovna, Grand Duchess of Russia


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я686
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Recitations

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я686
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Draeseke

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 686
 * P4
 * Helges Treue
 * nar pf
 * 1860
 * arr of the ballad Helges Treue, Op.1 by Felix Draeseke
 * 1860
 * arr of the ballad Helges Treue, Op.1 by Felix Draeseke


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я687–701v
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Unfinished works or sketches

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я687
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Stage works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 687
 * Q13
 * Sardanapale
 * vv ch orch
 * 1846–55?
 * unfinished sketches (611 pages) for an opera based on Lord Byron's Sardanapalus
 * 1846–55?
 * unfinished sketches (611 pages) for an opera based on Lord Byron's Sardanapalus


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я688–689a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Choral works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я688–688a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Sacred

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 688
 * Q17
 * Die Legende vom heiligen Stanislaus
 * vv ch orch
 * 1869–85
 * unfinished oratorio; extracts used in S.16i, S.113ii, S.518, S.519; fragment arr for pf as S.688a
 * 1869–85
 * unfinished oratorio; extracts used in S.16i, S.113ii, S.518, S.519; fragment arr for pf as S.688a


 * 688a
 * Q17
 * Die Legende vom heiligen Stanislaus
 * pf
 * 1886?
 * arr of fragment from S.688; incomplete sketches
 * 1886?
 * arr of fragment from S.688; incomplete sketches


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я689–689a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Secular

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 689
 * Q14
 * Singe wem Gesang gegeben
 * mch orch
 * 1848?
 * orchestrated by Liszt and August Conradi; incomplete
 * 1848?
 * orchestrated by Liszt and August Conradi; incomplete


 * 689a
 * QHS 09
 * Manfred
 * ch orch
 * 1842–44
 * incomplete
 * 1842–44
 * incomplete


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я690–690e
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 690
 * QHS 01
 * Symphonie révolutionnaire
 * orch
 * 1830, 1848–53
 * incomplete sketches; 1st mvt 1849–50; 1st mvt 1st version of S.102; 5th mvt 1st version of S.703; 1st mvt possibly the same as S.710
 * 1830, 1848–53
 * incomplete sketches; 1st mvt 1849–50; 1st mvt 1st version of S.102; 5th mvt 1st version of S.703; 1st mvt possibly the same as S.710


 * 690a
 * Minuet
 * orch
 * 1830
 * sketch; may have been intended for S.690; lost
 * 1830
 * sketch; may have been intended for S.690; lost
 * sketch; may have been intended for S.690; lost


 * 690b
 * orch
 * orch
 * orch
 * orch


 * 690c
 * orch
 * orch
 * orch
 * orch


 * 690d
 * orch
 * orch
 * orch
 * orch


 * 690e
 * Magyar Dalok [No.6]
 * orch
 * 1840
 * arr of S.242/6; unfinished
 * 1840
 * arr of S.242/6; unfinished
 * arr of S.242/6; unfinished


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я691–692
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Concertante works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *691 (121a)
 * De Profundis
 * 1834
 * unfinished
 * 1834
 * unfinished
 * 1834
 * unfinished


 * 691a
 * Concerto for piano and strings
 * pf str
 * early 1830s
 * unfinished
 * early 1830s
 * unfinished
 * unfinished


 * 691b
 * QHS 08
 * Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais)
 * pf orch
 * 1841
 * arr of S.694; unfinished, lost
 * 1841
 * arr of S.694; unfinished, lost


 * 692
 * S49
 * Violin Concerto
 * vn orch
 * 1860
 * sketches only?; lost
 * 1860
 * sketches only?; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я692a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber music

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 692a (*719)
 * Q18
 * Die vier Jahreszeiten
 * 2vn va vc
 * 1880?
 * arr of Le Quattro Stagioni by Antonio Vivaldi; incomplete sketches
 * 1880?
 * arr of Le Quattro Stagioni by Antonio Vivaldi; incomplete sketches


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я692b–700e
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano solo

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 692b
 * S22
 * Anfang einer Jugendsonate (Beginning of a youthful Sonata)
 * pf
 * F minor
 * 1880
 * the first page of S.725/1 (14 bars) copied down from memory in 1880 by Liszt for his biographer Lina Ramann (the original composition was lost)
 * the first page of S.725/1 (14 bars) copied down from memory in 1880 by Liszt for his biographer Lina Ramann (the original composition was lost)


 * 692c (*136a)
 * AHS 008/13
 * Allegro Maestoso (Etude No. 13)
 * pf
 * F♯ major
 * 1826
 * incomplete sketches for No.13 of 48 exercises (No.1 of 2nd series) (with S.136 as the 1st series)
 * incomplete sketches for No.13 of 48 exercises (No.1 of 2nd series) (with S.136 as the 1st series)


 * 692d
 * Rákóczi-Marsch
 * pf
 * 1839–40
 * simplified arr of S.242a; incomplete sketches
 * 1839–40
 * simplified arr of S.242a; incomplete sketches
 * simplified arr of S.242a; incomplete sketches


 * 692e
 * Winzerchor aus den entfesselten Prometheus
 * pf
 * 1850?
 * arr of No.5 from S.69i; incomplete sketches
 * 1850?
 * arr of No.5 from S.69i; incomplete sketches
 * arr of No.5 from S.69i; incomplete sketches


 * 692f
 * Tasso: lamento e trionfo
 * pf
 * 1856
 * arr of S.96iv; abandoned
 * 1856
 * arr of S.96iv; abandoned
 * arr of S.96iv; abandoned


 * 692g
 * pf
 * pf
 * pf
 * pf


 * 692h
 * Sonata
 * pf
 * C minor
 * by early 1835
 * beginning only, rest lost; Schnapp.19
 * by early 1835
 * beginning only, rest lost; Schnapp.19


 * 692j
 * Untitled piano sketch
 * pf
 * 1829
 * sketch
 * 1829
 * sketch
 * sketch


 * 693
 * Q12
 * (2) Marches dans le genre hongrois:
 * pf
 * 1840?
 * incomplete sketches
 * 1840?
 * incomplete sketches


 * 693/1
 * Q12/1
 * March No. 1
 * March No. 1
 * March No. 1


 * pf
 * D minor
 * 1840?
 * incomplete sketches


 * 693/2
 * Q12/2
 * March No.2
 * March No.2
 * March No.2


 * pf
 * B♭ minor
 * 1840?
 * incomplete sketches


 * 693a
 * Die Legende von der Heiligen Elisabeth:
 * pf
 * 1862
 * arr of extracts from S.2; see also 498a
 * 1862
 * arr of extracts from S.2; see also 498a
 * arr of extracts from S.2; see also 498a


 * 693a/1
 * Das Rosenmirakel
 * Das Rosenmirakel
 * Das Rosenmirakel
 * Das Rosenmirakel


 * pf
 * 1862
 * arr of S.2/2c
 * arr of S.2/2c


 * 693a/2
 * Der Sturm
 * Der Sturm
 * Der Sturm
 * Der Sturm


 * pf
 * 1862
 * arr of S.2/4d
 * arr of S.2/4d


 * 694
 * QHS 08
 * Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais)
 * pf
 * 1841–42
 * based on the Allegro from the Overture to Messiah by George Frederick Handel, on See, the Conqu'ring Hero Comes! from Judas Maccabaeus by Handel, on Rule, Britannia! by Thomas Arne, and on the British national anthem God Save the Queen; arr for pf4h as S.755b, for pf orch as S.691b, for vn va vc pf as S.718e; basis for S.235, S.734a; unfinished, in fragments; assembled and completed by Leslie Howard as Fantasy on English Themes
 * 1841–42
 * based on the Allegro from the Overture to Messiah by George Frederick Handel, on See, the Conqu'ring Hero Comes! from Judas Maccabaeus by Handel, on Rule, Britannia! by Thomas Arne, and on the British national anthem God Save the Queen; arr for pf4h as S.755b, for pf orch as S.691b, for vn va vc pf as S.718e; basis for S.235, S.734a; unfinished, in fragments; assembled and completed by Leslie Howard as Fantasy on English Themes


 * 695
 * A100 (*Q10)
 * Klavierstück
 * pf
 * F major
 * 1843
 * 1843


 * *695a (171e)
 * Litanies de Marie
 * unfinished
 * Litanies de Marie
 * unfinished
 * unfinished
 * unfinished
 * unfinished


 * 695b
 * Zigeuner-Epos (11 pieces):
 * pf
 * 1848?
 * sketches
 * 1848?
 * sketches
 * sketches


 * 695b/1
 * (Lento)
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * C minor
 * 1848?
 * sketches


 * 695b/2
 * (Andantino)
 * (Andantino)
 * (Andantino)
 * (Andantino)


 * pf
 * C major
 * 1848?
 * sketches


 * 695b/3
 * (Sehr langsam)
 * (Sehr langsam)
 * (Sehr langsam)
 * (Sehr langsam)


 * pf
 * D♭ major
 * 1848?
 * sketches


 * 695b/4
 * (Animato)
 * (Animato)
 * (Animato)
 * (Animato)


 * pf
 * C♯ major
 * 1848?
 * sketches


 * 695b/5
 * (Tempo giusto)
 * (Tempo giusto)
 * (Tempo giusto)
 * (Tempo giusto)


 * pf
 * D♭ major
 * 1848?
 * sketches


 * 695b/6
 * (Lento)
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * G minor
 * 1848?
 * sketches


 * 695b/7
 * Tempo di marca
 * Tempo di marca
 * Tempo di marca
 * Tempo di marca


 * pf
 * A minor
 * 1848?
 * sketches


 * 695b/8
 * (Adagio sostenuto a capriccio)
 * (Adagio sostenuto a capriccio)
 * (Adagio sostenuto a capriccio)
 * (Adagio sostenuto a capriccio)


 * pf
 * D major
 * 1848?
 * sketches


 * 695b/9
 * (Andante cantabile quasi adagio)
 * (Andante cantabile quasi adagio)
 * (Andante cantabile quasi adagio)
 * (Andante cantabile quasi adagio)


 * pf
 * E♭ major
 * 1848?
 * sketches


 * 695b/10
 * (Lento)
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * F minor
 * 1848?
 * sketches


 * 695b/11
 * (Lento)
 * (Lento)
 * (Lento)
 * (Lento)


 * pf
 * A minor
 * 1848?
 * incomplete sketches


 * 695c
 * Q11b
 * (3) Romancero espagnol:
 * pf
 * 1845
 * incomplete sketches for S.252c, S.253
 * 1845
 * incomplete sketches for S.252c, S.253


 * 695c/1
 * Q11b/1
 * Introduction and Fandango with variations
 * Introduction and Fandango with variations
 * Introduction and Fandango with variations


 * pf
 * 1845
 * 1845


 * 695c/2
 * Q11b/2
 * Elaboration of an unidentified theme
 * Elaboration of an unidentified theme
 * Elaboration of an unidentified theme


 * pf
 * 1845
 * 1845


 * 695c/3
 * Q11b/3
 * Jota aragonesa and coda
 * Jota aragonesa and coda
 * Jota aragonesa and coda


 * pf
 * 1845
 * 1845


 * 695e (*695d)
 * Q21
 * Petite valse ("Nachspiel zu den drei vergessenen Walzer")
 * pf
 * 1884?
 * incomplete sketches; intended as a conclusion to the set of 3 waltzes S.215 (before No.4 was composed)
 * 1884?
 * incomplete sketches; intended as a conclusion to the set of 3 waltzes S.215 (before No.4 was composed)


 * 695f
 * Cadenza
 * pf
 * 1883–85?
 * for S.514
 * 1883–85?
 * for S.514
 * for S.514


 * 696
 * A337
 * Mephisto Waltz No.4
 * pf
 * 1885
 * 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b
 * 1885
 * 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b


 * 697
 * AHS 090
 * Fantasie über Themen aus Mozarts Figaro und Don Giovanni
 * pf
 * 1842
 * based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527 by Mozart; unfinished; completions by Ferruccio Busoni (omitting Giovanni material) and Leslie Howard
 * 1842
 * based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527 by Mozart; unfinished; completions by Ferruccio Busoni (omitting Giovanni material) and Leslie Howard


 * 698
 * Q19
 * La mandragore (Ballade de l'opera Jean de Nivelle)
 * pf
 * 1881
 * arr of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete
 * 1881
 * arr of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete


 * *699 (516a)
 * La notte
 * unfinished
 * La notte
 * unfinished
 * unfinished
 * unfinished
 * unfinished


 * 700i
 * A113
 * Grande Fantaisie sur des thèmes de Paganini
 * pf
 * 1845
 * based on the main theme of the last mvt of the Violin Concerto No.2, Op.7 by Niccolò Paganini and on Il carnevale di Venezia, Op.10 by Niccolò Paganini; unfinished; completed by Imre Mező; 1st version of S.700ii
 * 1845
 * based on the main theme of the last mvt of the Violin Concerto No.2, Op.7 by Niccolò Paganini and on Il carnevale di Venezia, Op.10 by Niccolò Paganini; unfinished; completed by Imre Mező; 1st version of S.700ii


 * 700ii
 * A113
 * Variations de bravoure sur des thèmes de Paganini
 * pf
 * 1845
 * 2nd version of S.700i
 * 1845
 * 2nd version of S.700i


 * 700a
 * QHS 07
 * Variations sur le Carnaval de Venise
 * pf
 * 1843?
 * based on Il carnevale di Venezia, Op.10 by Niccolò Paganini; incomplete
 * 1843?
 * based on Il carnevale di Venezia, Op.10 by Niccolò Paganini; incomplete


 * 700b
 * pf
 * pf
 * pf
 * pf


 * 700c
 * pf
 * pf
 * pf
 * pf


 * 700d
 * pf
 * pf
 * pf
 * pf


 * 700e
 * pf
 * pf
 * pf
 * pf


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я700f–701l
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Sketchbook 1

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я700f–701
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Vocal works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 700f
 * QHS 04
 * La belle en robe des Dimanches
 * v pf
 * 1830–39?
 * incomplete
 * 1830–39?
 * incomplete


 * 700g
 * J44
 * Zur Trauung
 * v 2pf
 * 1883–87?
 * arr of S.60
 * 1883–87?
 * arr of S.60


 * 700h
 * v pf (?)
 * v pf (?)
 * v pf (?)
 * v pf (?)


 * 700j
 * M14/1
 * Titan (Auf des Athos blauen Felsenspitzen)
 * v pf
 * 1842
 * 1st version of S.79i, S.79ii, S.79iii; pf part incomplete; unpublished
 * 1842
 * 1st version of S.79i, S.79ii, S.79iii; pf part incomplete; unpublished


 * 701
 * N15
 * Den Felsengipfel stieg ich einst hinan
 * v pf
 * 1843?
 * 1843?
 * 1843?


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я701a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 701a
 * QHS 02
 * Allegro di bravura
 * orch
 * 1830
 * arr of S.151 (by Liszt?); incomplete sketch; probably related to S.125a
 * 1830
 * arr of S.151 (by Liszt?); incomplete sketch; probably related to S.125a


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я701b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber music

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 701b
 * QHS 05
 * Marie-Poème
 * pf/(str?)
 * 1837
 * incomplete sketch
 * 1837
 * incomplete sketch


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я701c–701l
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano solo

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 701c
 * Andante sensibilissimo
 * pf
 * 1880–86
 * incomplete sketch
 * 1880–86
 * incomplete sketch
 * incomplete sketch


 * 701d
 * Q16
 * Melodie in Dorische Tonart (Prose des Morts)
 * pf
 * 1861
 * based on the Dies irae; incomplete sketch
 * 1861
 * based on the Dies irae; incomplete sketch


 * 701e
 * Album-Leaf ("Dante Sonata fragment")
 * pf
 * c1837?
 * incomplete sketch of the opening of S.158a
 * c1837?
 * incomplete sketch of the opening of S.158a
 * incomplete sketch of the opening of S.158a


 * 701f
 * Album-Leaf ("Glasgow fragment")
 * pf
 * 1841?
 * incomplete sketch
 * 1841?
 * incomplete sketch
 * incomplete sketch


 * 701g
 * A253
 * Polnisch
 * pf
 * 1876?
 * sketch
 * 1876?
 * sketch


 * 701h
 * 2 Album-Leaves (Opera sketches)
 * pf
 * 1841?
 * incomplete sketches on the same manuscript
 * 1841?
 * incomplete sketches on the same manuscript
 * incomplete sketches on the same manuscript


 * 701h/1
 * Operatic aria – and sketched variation (Album-Leaf)
 * Operatic aria – and sketched variation (Album-Leaf)
 * Operatic aria – and sketched variation (Album-Leaf)
 * Operatic aria – and sketched variation (Album-Leaf)


 * pf
 * 1841
 * arr of an unidentified operatic aria and one sketched variation; incomplete sketch; related to S.701h/2?
 * arr of an unidentified operatic aria and one sketched variation; incomplete sketch; related to S.701h/2?


 * 701h/2
 * Valse infernale (Meyerbeer) – theme
 * Valse infernale (Meyerbeer) – theme
 * Valse infernale (Meyerbeer) – theme
 * Valse infernale (Meyerbeer) – theme


 * pf
 * 1841?
 * arr of the theme from the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch; related to S.701h/1?
 * arr of the theme from the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch; related to S.701h/1?


 * 701j
 * Harmonie nach Rossini's Carità (La Charité)
 * pf
 * 1847
 * incomplete sketch for S.552a; originally intended for S.172a
 * 1847
 * incomplete sketch for S.552a; originally intended for S.172a
 * incomplete sketch for S.552a; originally intended for S.172a


 * 701k
 * Korrekturblatt
 * pf
 * 1882
 * incomplete sketch for S.199a
 * 1882
 * incomplete sketch for S.199a
 * incomplete sketch for S.199a


 * 701l
 * Album-Leaf ("Weimar fragment")
 * pf
 * 1886?
 * incomplete sketch
 * 1886?
 * incomplete sketch
 * incomplete sketch


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я701m–701v
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Sketchbook 2

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я701m
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber music

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 701m
 * Trio
 * vn vc pf
 * G minor
 * 1886?
 * incomplete sketch for 2 Harmonies poétiques et religieuses
 * 1886?
 * incomplete sketch for 2 Harmonies poétiques et religieuses


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я701n
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Organ or Harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 701n
 * Korrekturblatt
 * org
 * 1853?
 * incomplete sketch for S.667b/ii
 * 1853?
 * incomplete sketch for S.667b/ii
 * incomplete sketch for S.667b/ii


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я701o–701v
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano solo

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 701o
 * R1
 * Scherzo
 * pf
 * 1830 (1820s?)
 * incomplete; manuscript reproduced in July 1998 in an auction catalogue by J. A. Stargardt, Germany
 * 1830 (1820s?)
 * incomplete; manuscript reproduced in July 1998 in an auction catalogue by J. A. Stargardt, Germany


 * 701p
 * pf
 * pf
 * pf
 * pf


 * 701q
 * pf
 * pf
 * pf
 * pf


 * 701r
 * pf
 * pf
 * pf
 * pf


 * 701s
 * pf
 * pf
 * pf
 * pf


 * 701t
 * pf
 * pf
 * pf
 * pf


 * 701u
 * pf
 * pf
 * pf
 * pf


 * 701v
 * Marche de Prozinsky
 * pf
 * C♯ minor
 * 1846
 * incomplete sketch for S.171d
 * 1846
 * incomplete sketch for S.171d


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я702–768
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Doubtful or lost works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я702–708
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Choral works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я702–707
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Sacred

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 702
 * SHS 01
 * Tantum ergo
 * ch
 * 1821 or 22
 * lost or discarded; material used in S.42i
 * 1821 or 22
 * lost or discarded; material used in S.42i


 * 703
 * Q15
 * Psalm 2 (Quare fremuerunt gentes et populi)
 * ten ch orch
 * 1851
 * incomplete sketches; 2nd version of 5th mvt of S.690
 * 1851
 * incomplete sketches; 2nd version of 5th mvt of S.690


 * 704
 * Requiem (on the death of Emperor Maximilian of Mexico)
 * vv ch ?orch
 * 1867?
 * lost; see also S.162d, S.163/6 a funeral march in memory of Emperor Maximilian I of Mexico composed the same year
 * 1867?
 * lost; see also S.162d, S.163/6 a funeral march in memory of Emperor Maximilian I of Mexico composed the same year
 * lost; see also S.162d, S.163/6 a funeral march in memory of Emperor Maximilian I of Mexico composed the same year


 * 705
 * The Creation
 * vv ch ?orch
 * 1867?
 * lost
 * 1867?
 * lost
 * lost


 * 706
 * T45
 * Benedictus
 * ch
 * unrealized project
 * unrealized project
 * unrealized project
 * unrealized project


 * 707
 * Excelsior
 * ch?
 * unrealized project; arr of S.666 without org? (arr of prelude from S.6?)
 * ch?
 * unrealized project; arr of S.666 without org? (arr of prelude from S.6?)
 * unrealized project; arr of S.666 without org? (arr of prelude from S.6?)
 * unrealized project; arr of S.666 without org? (arr of prelude from S.6?)


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я708
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Secular

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 708
 * LHS 06
 * Rinaldo
 * ten mch orch/pf
 * 1848
 * cantata to text by Goethe, based on music by an unidentified composer (maybe Brahms?); Liszt's authorship doubtful; orchestrated by Liszt and August Conradi; unpublished
 * 1848
 * cantata to text by Goethe, based on music by an unidentified composer (maybe Brahms?); Liszt's authorship doubtful; orchestrated by Liszt and August Conradi; unpublished


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я709–712
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *709 (113i)
 * Salve Polonia
 * Salve Polonia
 * Salve Polonia


 * 710
 * S41
 * Funeral March
 * orch
 * 1850
 * lost; possibly the same as S.761 or 1st mvt of S.690
 * 1850
 * lost; possibly the same as S.761 or 1st mvt of S.690


 * 710a
 * Première Élégie
 * small-orch
 * 1874 or later
 * arr of S.130i; lost
 * 1874 or later
 * arr of S.130i; lost
 * arr of S.130i; lost


 * 711
 * S62
 * Csárdás macabre
 * orch
 * 1882?
 * lost; reconstruction by G. Darvos not based on authentic material; Schnapp.81
 * 1882?
 * lost; reconstruction by G. Darvos not based on authentic material; Schnapp.81


 * 711a
 * "Gretchen"
 * small-orch
 * 1861 or later
 * arr of S.377b; lost
 * 1861 or later
 * arr of S.377b; lost
 * arr of S.377b; lost


 * 712
 * WHS 09
 * Romance oubliée
 * orch
 * 1881
 * arr of S.527; Liszt's authorship doubtful
 * 1881
 * arr of S.527; Liszt's authorship doubtful


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я713–716
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano and orchestra

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 713
 * SHS 08
 * 2 Piano Concertos from 1825
 * pf orch
 * 1825?
 * both lost
 * 1825?
 * both lost


 * 713/1
 * SHS 08
 * Piano Concerto
 * Piano Concerto
 * Piano Concerto


 * pf orch
 * A minor
 * 1825?
 * lost


 * 713/2
 * SHS 09
 * Piano Concerto
 * Piano Concerto
 * Piano Concerto


 * pf orch
 * 1825?
 * lost
 * lost


 * 713a
 * Piano Concerto
 * pf orch
 * 1820s
 * lost
 * 1820s
 * lost
 * lost


 * 713b
 * Clochette Fantasy
 * pf orch
 * 1832 or later
 * arr of S.420; lost
 * 1832 or later
 * arr of S.420; lost
 * arr of S.420; lost


 * 713c
 * Niobe Fantasy
 * pf orch
 * 1835 or later
 * arr of S.419; lost
 * 1835 or later
 * arr of S.419; lost
 * arr of S.419; lost


 * 713d
 * El Contrabandista
 * pf orch
 * 1836 or later
 * arr of S.252; lost
 * 1836 or later
 * arr of S.252; lost
 * arr of S.252; lost


 * 713e
 * Puritani Fantasy
 * pf orch
 * 1836 or later
 * arr of S.390i; lost
 * 1836 or later
 * arr of S.390i; lost
 * arr of S.390i; lost


 * 713f
 * Heroischer Marsch in ungarischem Styl
 * pf orch
 * 1840 or later
 * arr of S.231; lost
 * 1840 or later
 * arr of S.231; lost
 * arr of S.231; lost


 * 714 (*126a) (*714)
 * Q20, W14
 * Ungarische Zigeunerweisen ("Konzert im ungarischen Styl") (Concerto in the Hungarian Style)
 * pf orch
 * 1885
 * by Liszt's pupil Sophie Menter, probably with Liszt's collaboration, orchestrated by Tchaikovsky in 1892
 * 1885
 * by Liszt's pupil Sophie Menter, probably with Liszt's collaboration, orchestrated by Tchaikovsky in 1892


 * 715
 * S19
 * Piano Concerto (in the Italian style)
 * pf orch
 * 1830–39?
 * lost
 * 1830–39?
 * lost


 * 716
 * Grande fantaisie symphonique
 * pf orch (?)
 * lost; maybe based on S.120?
 * pf orch (?)
 * lost; maybe based on S.120?
 * lost; maybe based on S.120?
 * lost; maybe based on S.120?


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я717–723b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber music

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *717 (126c)
 * Trio
 * 1825
 * Trio
 * 1825
 * 1825
 * 1825


 * 718
 * S11
 * Quintet
 * 2vn va vc db?
 * 1825
 * lost
 * 1825
 * lost


 * 718a
 * Duo on Rossini's Semiramide
 * vn pf
 * 1827
 * based on themes from the opera Semiramide by Gioachino Rossini; lost
 * 1827
 * based on themes from the opera Semiramide by Gioachino Rossini; lost
 * based on themes from the opera Semiramide by Gioachino Rossini; lost


 * 718b
 * The Fall of Paris, a Military Air with Variations
 * fl pf
 * 1827
 * jointly composed with the child flutist Antonio Minasi (c1815–1870); lost; performed by Minasi and Liszt in London on 5 June 1827
 * 1827
 * jointly composed with the child flutist Antonio Minasi (c1815–1870); lost; performed by Minasi and Liszt in London on 5 June 1827
 * jointly composed with the child flutist Antonio Minasi (c1815–1870); lost; performed by Minasi and Liszt in London on 5 June 1827


 * 718c
 * Un petit morceau
 * vn pf
 * 1829–31?
 * lost; see also S.718f
 * 1829–31?
 * lost; see also S.718f
 * lost; see also S.718f


 * 718d
 * "Sextetto"
 * 2vn 2va 2vc
 * c1835
 * lost
 * c1835
 * lost
 * lost


 * 718e
 * Grand Fantasie on God Save the Queen and Rule Britannia
 * vn va vc pf
 * 1841
 * arr of S.694; lost
 * 1841
 * arr of S.694; lost
 * arr of S.694; lost


 * 718f
 * "Petit morceau"
 * vc pf
 * 1829
 * lost; related to S.718c?
 * 1829
 * lost; related to S.718c?
 * lost; related to S.718c?


 * *719 (692a)
 * Die vier Jahreszeiten
 * Die vier Jahreszeiten
 * Die vier Jahreszeiten


 * 720
 * S18
 * Allegro moderato
 * vn pf
 * E major
 * 1829
 * lost
 * lost


 * 721
 * S63
 * Prelude
 * vn (+pf?)
 * 1882
 * lost; Schnapp.83
 * 1882
 * lost; Schnapp.83


 * *722 (377a)
 * La notte
 * 1864–66
 * La notte
 * 1864–66
 * 1864–66
 * 1864–66


 * *723 (378c)
 * Tristia
 * 1880?
 * Tristia
 * 1880?
 * 1880?
 * 1880?


 * 723a
 * WHS 06
 * Postlude (on a theme from Orpheus)
 * chamber-ensemble
 * 1871
 * based on S.98; spurious, now attributed to Leopold Alexander Zellner, but performed 16 Feb 1871 in Budapest by Liszt, Reményi, and others
 * 1871
 * based on S.98; spurious, now attributed to Leopold Alexander Zellner, but performed 16 Feb 1871 in Budapest by Liszt, Reményi, and others


 * 723b
 * chamber-ensemble
 * chamber-ensemble
 * chamber-ensemble
 * chamber-ensemble


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я723c–754
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano solo

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я723c–738
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Original works

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 723c
 * Rákóczi March
 * pf
 * 1823
 * original version of S.242a; lost, possibly never existed
 * 1823
 * original version of S.242a; lost, possibly never existed
 * original version of S.242a; lost, possibly never existed


 * 724
 * SHS 03–4
 * Rondo and Fantasia
 * pf
 * 1824
 * both lost
 * 1824
 * both lost


 * 724/1
 * SHS 03
 * Rondo
 * Rondo
 * Rondo


 * pf
 * 1824
 * lost; possibly same as S.152?
 * lost; possibly same as S.152?


 * 724/2
 * SHS 04
 * Fantasia
 * Fantasia
 * Fantasia


 * pf
 * 1824
 * lost
 * lost


 * 725
 * SHS 05–7
 * 3 Piano Sonatas from 1825
 * pf
 * 1825
 * all lost
 * 1825
 * all lost


 * 725/1
 * SHS 05
 * Piano Sonata
 * Piano Sonata
 * Piano Sonata


 * pf
 * F minor
 * 1825?
 * 3 mvts; lost; Schnapp.5; several bars copied down from memory later as S.692b


 * 725/2
 * SHS 06
 * Piano Sonata
 * Piano Sonata
 * Piano Sonata


 * pf
 * C minor
 * 1825
 * 3 mvts; lost; Schnapp.6; only three bars were copied down from memory in a letter from Liszt to his mother


 * 725/3
 * SHS 07
 * Piano Sonata
 * Piano Sonata
 * Piano Sonata


 * pf
 * 1825
 * 3 mvts; lost; Schnapp.7
 * 3 mvts; lost; Schnapp.7


 * 725a
 * Coda to a keyboard exercise by Charles Mayer
 * pf
 * 1820s
 * lost, possibly improvised and never written down
 * 1820s
 * lost, possibly improvised and never written down
 * lost, possibly improvised and never written down


 * 726
 * Etude
 * pf
 * lost
 * pf
 * lost
 * lost
 * lost


 * 726a
 * S23
 * Valse
 * pf
 * E major
 * 1835
 * lost
 * lost


 * *727 (166e)
 * Prélude omnitonique
 * Prélude omnitonique
 * Prélude omnitonique


 * *728 (192/5)
 * Sospiri!
 * Sospiri!
 * Sospiri!


 * 729
 * Tantum ergo
 * pf
 * 1869
 * arr of S.42ii; discovered, no longer lost (renumbered as ?)
 * 1869
 * arr of S.42ii; discovered, no longer lost (renumbered as ?)
 * arr of S.42ii; discovered, no longer lost (renumbered as ?)


 * *730 (195)
 * Dem Andenken Petöfis
 * Dem Andenken Petöfis
 * Dem Andenken Petöfis


 * *731 (210)
 * Valse élégiaque
 * Valse élégiaque
 * Valse élégiaque


 * *732 (215/4)
 * Valse oubliée No.4
 * Valse oubliée No.4
 * Valse oubliée No.4


 * *733 (233b)
 * Marche hongroise
 * Marche hongroise
 * Marche hongroise


 * *734 (211a)
 * Ländler
 * Ländler
 * Ländler


 * 734a
 * Rule Britannia (Paraphrase de concert)
 * pf
 * 1841–49
 * based on S.694; lost
 * 1841–49
 * based on S.694; lost
 * based on S.694; lost


 * *735 (249c)
 * Air cosaque
 * Air cosaque
 * Air cosaque


 * 736
 * W16
 * Kerepsi csárdás
 * pf
 * lost; Liszt's authorship doubtful
 * lost; Liszt's authorship doubtful
 * lost; Liszt's authorship doubtful
 * lost; Liszt's authorship doubtful


 * 737
 * W15
 * (3) Morceaux en style de danse ancien hongrois
 * pf
 * 1850
 * manuscript lost; Liszt's authorship doubtful
 * 1850
 * manuscript lost; Liszt's authorship doubtful


 * *738 (252c)
 * A114
 * Grosse Konzertfantasie über spanische Weisen
 * Grosse Konzertfantasie über spanische Weisen


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я739–754
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Arrangements

 * style="text-align: right"|&#91;INDEX↑&#93;


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я739–740
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Beethoven

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 739
 * S38
 * Corolian Overture
 * pf
 * 1846–47
 * arr of Coriolan, Op.62 by Ludwig van Beethoven; lost
 * 1846–47
 * arr of Coriolan, Op.62 by Ludwig van Beethoven; lost


 * 740
 * S39
 * Egmont Overture
 * pf
 * 1846–47
 * arr of the overture from the incidental music to Egmont, Op.84 by Ludwig van Beethoven; lost
 * 1846–47
 * arr of the overture from the incidental music to Egmont, Op.84 by Ludwig van Beethoven; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я741
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Berlioz

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 741
 * S37
 * Le carnaval romain
 * pf
 * 1844–49?
 * arr of the overture Le carnaval romain, H.95 by Hector Berlioz; lost
 * 1844–49?
 * arr of the overture Le carnaval romain, H.95 by Hector Berlioz; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я742
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Donizetti

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *742 (400a)
 * Duettino de La favorite
 * Duettino de La favorite
 * Duettino de La favorite


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я743
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Gounod

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 743
 * S55
 * Chœur des soldats de Faust
 * pf
 * 1864
 * arr of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost; Schnapp.68
 * 1864
 * arr of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost; Schnapp.68


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я743a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Halévy

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 743a
 * S31
 * Fantaisie sur des thèmes de l'opéra Guitarero
 * pf
 * 1841
 * based on themes from the opera Guitarrero by Fromental Halévy; lost
 * 1841
 * based on themes from the opera Guitarrero by Fromental Halévy; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я744
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Kullak

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 744
 * S36
 * Dom Sebastien (Paraphrase de concert)
 * pf
 * 1843–44?
 * based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost
 * 1843–44?
 * based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я745–747a
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Liszt

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *745 (226a)
 * Marche funèbre
 * 1827
 * Marche funèbre
 * 1827
 * 1827
 * 1827


 * 746
 * Andante maestoso
 * pf
 * lost
 * pf
 * lost
 * lost
 * lost


 * *747 (167c)
 * WHS 03
 * Poco adagio
 * 1847?
 * arr of extract from S.9; lost; Liszt's authorship uncertain
 * 1847?
 * arr of extract from S.9; lost; Liszt's authorship uncertain
 * arr of extract from S.9; lost; Liszt's authorship uncertain


 * 747a (*147a)
 * 5 Variationen über die Romanze aus der Oper Joseph von Méhul
 * pf
 * by 1820
 * spurious, incorrectly attributed to Liszt, actually by Franz Xaver Mozart, published as his Op.23 in 1820
 * by 1820
 * spurious, incorrectly attributed to Liszt, actually by Franz Xaver Mozart, published as his Op.23 in 1820
 * spurious, incorrectly attributed to Liszt, actually by Franz Xaver Mozart, published as his Op.23 in 1820


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я748
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Mozart

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 748
 * S35
 * Die Zauberflöte
 * pf
 * 1843?
 * arr of the overture to the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart; lost
 * 1843?
 * arr of the overture to the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я749
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Radovsky

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 749
 * S56
 * Preussischer Armeemarsch
 * pf
 * 1866?
 * arr of an unidentified composition, attributed to "Radovsky"; lost
 * 1866?
 * arr of an unidentified composition, attributed to "Radovsky"; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я750–751
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Rossini

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *750 (421a)
 * Introduction et variations sur une marche du Siège de Corinthe
 * 1830?
 * Introduction et variations sur une marche du Siège de Corinthe
 * 1830?
 * 1830?
 * 1830?


 * *751 (421b)
 * Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie)
 * Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie)
 * Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie)


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я752
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Rubinstein

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *752 (554/1)
 * S43
 * Gelb rollt
 * Gelb rollt


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я753
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Schubert

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 753
 * S42
 * Alfonso und Estrella
 * pf
 * 1850–51
 * arr of Act I of the opera Alfonso und Estrella, D.732 by Franz Schubert; lost
 * 1850–51
 * arr of Act I of the opera Alfonso und Estrella, D.732 by Franz Schubert; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я754
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Tirindelli

 * style="text-align: right"|&#91;INDEX↑&#93;


 * *754 (573a)
 * Seconda mazurka variata
 * Seconda mazurka variata
 * Seconda mazurka variata


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я755–755b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Piano four-hands

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 755
 * S10
 * Sonata
 * pf4h
 * 1825
 * lost; Schnapp.10
 * 1825
 * lost; Schnapp.10


 * 755a
 * W10
 * A magyarok Istene (Ungarns Gott)
 * pf4h
 * 1881
 * arr of S.339; Liszt's authorship doubtful
 * 1881
 * arr of S.339; Liszt's authorship doubtful


 * 755b
 * S30
 * Grosse Fantasie über God Save the Queen und Rule Britannia (Fantasie über englische Themen)
 * pf4h
 * 1841
 * arr of S.694; lost
 * 1841
 * arr of S.694; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я756–757
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Two pianos

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 756
 * WHS 05
 * Mosonyis Grabgeleit
 * 2pf
 * 1870
 * arr of S.194; Liszt's authorship uncertain
 * 1870
 * arr of S.194; Liszt's authorship uncertain


 * 757
 * S57
 * Le triomphe funèbre du Tasse
 * 2pf
 * 1866–69
 * arr of S.112/3; lost
 * 1866–69
 * arr of S.112/3; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я758–760
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Organ or Harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 758
 * S40
 * Die Orgel
 * org
 * 1850–59?
 * symphonic poem after Johann Gottfried Herder; lost
 * 1850–59?
 * symphonic poem after Johann Gottfried Herder; lost


 * *759 (672d/2)
 * E22/2
 * Adagio
 * Adagio


 * 760
 * S59
 * Cantico del sol di Francesco d'Assisi
 * org
 * 1881
 * arr of S.4ii; lost
 * 1881
 * arr of S.4ii; lost


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я761–761b
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Chamber with organ/harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 761
 * S51
 * Marche funèbre
 * vc pf org
 * 1860s
 * arr of the 3rd mvt from the Piano Sonata No.2, Op.35 by Frédéric Chopin; possibly the same as S.710
 * 1860s
 * arr of the 3rd mvt from the Piano Sonata No.2, Op.35 by Frédéric Chopin; possibly the same as S.710


 * 761a
 * chamber-ensemble org
 * chamber-ensemble org
 * chamber-ensemble org
 * chamber-ensemble org


 * 761b
 * chamber-ensemble org
 * chamber-ensemble org
 * chamber-ensemble org
 * chamber-ensemble org


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я761c–766
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 761c
 * 2 or more Songs
 * v pf
 * 1820s
 * lost
 * 1820s
 * lost
 * lost


 * 762
 * S46
 * Air de Chateaubriand
 * v (pf?)
 * 1858
 * lost; possibly the same as S.18/4
 * 1858
 * lost; possibly the same as S.18/4


 * 763
 * S47
 * Strophes de Herlossohn
 * v pf
 * 1858
 * lost
 * 1858
 * lost


 * 764
 * S48
 * Kränze pour chant
 * v pf
 * 1858
 * lost
 * 1858
 * lost


 * 765
 * S45
 * Die Glöckchen
 * v pf
 * 1857
 * intended as S.316/3; lost
 * 1857
 * intended as S.316/3; lost


 * 765a
 * S32
 * L'aube naît
 * v pf
 * 1842
 * lost
 * 1842
 * lost


 * 766
 * WHS 04
 * Der Papsthymnus
 * v pf
 * 1865?
 * based on S.261; arr for 2vv (+org) as S.36, for ch orch as S.3/8; Liszt's authorship doubtful
 * 1865?
 * based on S.261; arr for 2vv (+org) as S.36, for ch orch as S.3/8; Liszt's authorship doubtful


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я767
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Songs with organ/harmonium

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 767
 * WHS 08
 * Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)
 * v org
 * 1874
 * arr of prelude from S.6; Liszt's authorship doubtful
 * 1874
 * arr of prelude from S.6; Liszt's authorship doubtful


 * -style="background: #EBECF0; vertical-align: bottom"
 * style="text-align: center; font-size: 100%; border-right-color: #EBECF0"|HS Я768
 * style="border-right-color: #EBECF0" colspan="5"|HS Я

Recitations

 * style="text-align: right"|&#91;INDEX↑&#93;


 * 768
 * S60
 * Der ewige Jude
 * nar pf orch
 * 1881
 * melodrama to words by Christian Friedrich Daniel Schubart; lost; Schnapp.79
 * 1881
 * melodrama to words by Christian Friedrich Daniel Schubart; lost; Schnapp.79


 * }