User:Onihiro/sandbox

= Shigemi Inaga = Shigemi Inaga (稲賀 繁美 1957-) is a Japanese scholar. Specialized Fields are Comparative literature and culture, history of cultural exchange. Current Research Themes are explore the themes of “in-betweenness,” active and passive, mirror-image relationships, chirality, and the fusion of humanities and scientific knowledge. Keywords for Research are Modernism, Japonism, orientalism and cross-cultural communication.

A T.V. emission of the educational program, The Modernity of the Japanese Art History and its Exterior begins on spring 2018 in the Open University Japan, and will continue up until 2023. The textbook in Japanese of the same title is also available from 2018.

Education

 * 1979 B.A., University of Tokyo
 * 1981 M.A., University of Tokyo
 * 1988 Docteur ès Lettres,  l'Université Paris VII (Nouveau Régime)

Professional Experience

 * 1988 Assistant, Faculty of Liberal Arts, The University of Tokyo
 * 1990 Associate Professor, Mie University
 * 1997 Associate Professor, International Research Center for Japanese Studies
 * 2004 Professor, International Research Center for Japanese Studies
 * 2016 Professor, Deputy Director-General, International Research Center for Japanese Studies
 * 2018 Professor, International Research Center for Japanese Studies

Biography
Former Deputy Director-General (2016-2018) and professor (2004-) at the International Research Center for Japanese Studies, Kyoto as well as former Dean (2013-2015) at the Graduate University of Advanced Studies, Hayama. He majored in French 19th Century art history as well as comparative literature and culture. Since his Ph.D. in Paris (1988), he has developed his field of research into cultural anthropology and intercultural ethics. Co-founder of a small intellectual group Transcultura with Umberto Eco, Alain Rey, Alain le Pichon in 1987, he has lectured as visiting professor in New York and Paris (1999-2000), Heidelberg and Saarbrücken (2000), Beijing (2001), Salamanca (2002), São Paulo (2008) and New Delhi (2013-14). In 2006-7 he was appointed visiting scholar at the Kluge Center in the Library of Congress, Washington. D.C. USA.

2018

 * Modernity of Japanese Art History and its Exterior (Nihon Bijutsu no Kindai to sono Gaibu), Tokyo: NHK Publishing

2016

 * In Search of haptic Plasticity: Soul Touching each Other, Forms Interwoven (Sesshoku zoukeiron, Fureau Tamashii, Tsumugareru Katachi), Nagoya, The University of Nagoya Press

2014

 * Images on the Edge: A Historical Survey of East-Asian Trans-Cultural Modernities (kaiga no Rinkai : Kindai Higashi Azia Bijutushi no Shikkoku to Meiun), Nagoya, The University of Nagoya Press

1999

 * L’Orient de la peinture : de l’Orientalisme au Japonisme (Kaiga no Tôhô, Orientarizumu kara Jyaponisumu he) Nagoya, The University of Nagoya Press

1997

 * Le Crépuscule de la peinture; la lutte posthume d’Édouard Manet (Kaiga no Tasogare : Edowâdo Mane Botsugo no Tôsô), Nagoya, The University of Nagoya Press

2017

 * Pirate's View of the World History, A Reversed Perception of the Order of Things (Kaizoku-Shikan kara mita Sekaishi no Sai-Kôchiku), Kyoto: Shibunkaku Shuppan Ltd.

2013

 * Vocabulaire de la spatialité japonaise (Nihon no seikatsu kūkan), coédité avec Philippe Bonnin et Nishida Masatsugu (dir.), Paris, CNRS Éditions

2012

 * Oriental Consciousness between Reverie and Reality 1887-1953 (Tôyô-Ishiki, Musô to Genjitsu no Aida, 19887-1953), Kyoto, Minerva Publishing Co. Ltd.

2008

 * A Not-yet ending “Moderninty”: Yagi Kazuo and the Objet-Cuit (Owarikirenai “Kindai”-Yagi Kazuo to Obuje-yaki) Co-edited with Hida Toyorô, Tokyo, Bigaku Shuppan

2008

 * Books on Ukiyoe and Japanese Arts in English by Yone Noguchi, Tokyo, Edition Synapse (in 3 volumes)

2007

 * Traditional Japanese Arts & Crafts; A Reconsideration from Inside and Outside Kyoto (Dentô Kôgei Saikô, Kyô no Uchi-soto), Kyoto, Shibunkaku Shuppan Ltd.

2000

 * Toward an Ethics in Inter-Cultural Understanding (Ibunka Rikai no Rinri ni Mukete), Nagoya, The University of Nagoya Press

2016

 * A Pirate's View of World History--A Reversed Perception of the Order of Things From a Global Perspective. The 50th International Research Symposium：IRCJS

2013

 * Pour un Vocabulaire de la Spatialité Japonaise. The 43rd International Research Symposium (edited with Philippe Bonnin and Nishida Masatsugu), IRCJS

2011

 * Questioning Oriental Aesthetics and Thinking: Conflicting Visions of “Asia” under the Colonial Empires. The 38th International Research Symposium, IRCJS

2010

 * Artistic Vagabondage and New Utopian Projects: Transnational Poïetic Experience in East-Asian Modernity (1905-1960) :Selected Papers from the XIXth Congress of the International Comparative Literature Association, Seoul, 2010, Expanding the Frontiers of Comparative Literature, Kyoto, IRCJS, Uno Printing Ltd..

2007

 * Traditional Japanese Arts and Crafts in the 21st Century -Reconsidering the Future from an International Perspective (edited with Patricia Fister), International Research Symposium Proceedings 27: IRCJS

2001

 * Crossing Cultural Borders: Toward an Ethics of Intercultural Communication -Beyond Reciprocal Anthropology (edited with Kenneth L. Richard), International Research Symposium Proceedings 14, IRCJS

2018

 * Utsuwa-Utsushi, Symposium, 4 May, 2018, edited by Yuko Kikuchi and Hiroshi Onishi, IRCJS, TrAIN, London, University of the Arts London

2015

 * Réceptacle du passage, ou la vie transitoire des formes et ses empreintes, vers un nouveau paradigm de la transmission spirituelle des formes physiques, Maison de la Culture du Japon à Paris

2010

 * Monokeiro-Mono-sophy, edited by Kondô Takahiro and Ônishi Hiroshi, Tokyo, Bigaku Shuppan (bilingual edition)

2005

 * Depiction and Description: Morphology of Modern Visuality and Marketplace in Transition—Methodological Reflections, Art History Forum, special issue, Vol.20.

2002

 * The making of Art History, History of Architecture and Archaeology  ib Modernizing East-Asia, Nihon-Kenkyû, Bulletin of the International Research Center for Japanese Studies, No.26.

1993

 * Pierre Bourdieu, Ce que parler veut dire, économie des échanges lingusitiques (en japonais), as Hanasu to iukoto, Gengoteki Kôkan no Ekonomi, Tokyo, Fujiwara Shoten Ltd.

1991

 * Rachel Burns, Edgar Degas (into Japanese), as Doga, Tokyo, Nikkei Pocket Gallery

Articles
Refer to the Website http://www.nichibun.ac.jp/~aurora/inaga/

2000

 * Watsuji Tetsuro Culture Award


 * 1998
 * Suntory Prize for Social Sciences and Humanities


 * 1998
 * Ringa Art Incentive Award


 * 1997
 * Special Award, Shibusawa-Claudel Prize


 * 1980
 * Japonaiserie Study Society Award





Academic Society Membership

 * Association for Asian Studies
 * European Association of Japanese Studies
 * International Comparative Literature Association
 * Word and Image, Sociologie de l'art
 * Japonisme Research Society
 * Société franco-Japonaise d'art et d'archéologie
 * Japan Comparative Literature Association
 * Meiji Art Association
 * Japan Art History Society

Website
http://www.nichibun.ac.jp/~aurora/inaga/