User:Orangesky6791/sandbox

In 1918, O'Keeffe agreed to move to New York in order to become an. They developed a professional and personal relationship that led to their marriage in 1924. During this time and well into the 1950's, O'Keefe started painting close-ups of flowers at a large scale, including the Red Canna paintings. In the late 20's O'Keeffe produce works depicting Lake George and New York City Skyscrapers, including the {Radiator Building}. By the end of the decade, O'Keeffe began spending part of the year in the Southwest, which served as inspiration for her paintings of New Mexico landscapes and images of animal skulls, such as Cow's Skull: Red, White, and Blue and Ram's Head White Hollyhock and Little Hills.

In 1949, O'Keeffe established New Mexico as her permanent home. O'Keeffe would split her time between her two homes, one in Ghost Ranch and the Georgia O'Keeffe Home and Studio in Abiquiú. O'Keeffe continued using oils and her home as inspiration for her art Ladder to the Moon. For two decades starting in the 1950's O'Keeffe would travel the world from Peru to Japan. O'Keeffe's travels inspired her Sky Above the Clouds series in the 60's, including her largest painting, Sky Above Clouds IV. Starting in the 1970s O'Keeffe started losing her eyesight to macular degeneration and briefly transitioned to pottery making. O'Keeffe's health kept declining

In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000. After her death, the Georgia O'Keeffe Museum was established in Santa Fe.

that many found to represent vulvas, though O'Keeffe consistently denied that intention. The imputation of the depiction of women's sexuality was also fueled by explicit and sensuous photographs of O'Keeffe that Stieglitz had taken and exhibited