User:Peter Donald Tindal/sandbox

Just after the first single was recorded which was "Running Wild" B/W "Moon In The Afternoon" on W@G records ,Barrie King left and Doug's mate Lindsay Morrison joined to replace Barrie. It was with this line-up They recorded the instrumental album "Here Come The Cherokees" with the front cover paid for by Rose Morris with one of their Golden Tone amps on the front. Now this was unheard of in those days for a local band to record an album, but Ron Tudor who had just been promoted to head of A&R gave the nod and so it was recorded and released. not long after Billy left due to marital commitments and bassist Pete Tindal was bought in to fill the gap on a temporary basis. Doug Trevor went from bass to lead guitar and I filled Doug's shoes. I came from a band called "The Scorpions" which had just recorded their first single "Buckskin" B/W "Flip" it got a few plays on Grantley Dee's radio show but that was about it. The band was playing at a venue called "Tenth Avenue" during lunch times and three evenings a week, pretty much full time, as well as playing other venues around Melbourne. The Cherokees" went into the studio and recorded "I've got something to tell you baby" on W@G records. this was a first because up until then the band only had recorded instrumentals, apart from what Barrie sang on the first album. This song went to number ten within a week or so and so the band was off and running. We used to play as did the Scorpions and every other band at Sunday afternoon shows at the Melbourne Festival Hall. The shows were run by a DJ from Melbourne radio 3DB. I was standing down in the audience chatting to some girls, when a three piece boy vocal group came on they were bottom of the bill and I stopped talking and listened they were great ha ha they were "The Bee Gees" how about that, we were top of the bill, they were bottom, how things were about to change. Ron Tudor joined up with some other people and started "GO" records and took us with him. And so a two year relationship started with the label, All in all it was a good label and it was the best label to be on in sixties OZ. The first single with them was "I've Been Trying" a bit of a mournful song from an "Impressions" B side I still wince when I hear the bass line. The song just managed to scrape into the charts and was a bit of a stiff really. The next single was a bit more like it "That's If You Want Me Too" which peaked at number 7, this song always worked at gigs and I thought was the direction the band ought to go in, "Full Tilt R'n'R", but it seems I was wrong and we headed off down the path of covering American soul artists which was OK in its self but not the be all and end all.. We went into a studio in St Kilda in Melbourne. An old theatre I can still remember the place, an engineer called Roger Savage did the recordings. "We recorded The Angels Listened In" by the "Crests" and "That’s If You Want Me To". We also recorded "I Can Tell", its really weird, I went home after a gig one night and wrote that song, but it turns out someone else wrote it, how about that, I had never heard the song before, it was as obscure as you can get, but well, there you go pretty bizarre stuff. we also recorded a song we all wrote called "Shame On You Baby". We went into Bill Armstrong's new studio next, it was one of those old Melbourne terraced houses and recorded "The Woman's Got Soul" B/W I'll Give You Love" Barrie did a great job on the drumming, he was a really good drummer. I would say one of the best around at the time and he had a great voice. But as luck would have it the song just bumbled along on the charts. I remember we did Brian Henderson's Bandstand in Sydney with another up and coming group called "The Bee Gees" You could see back then that they were world class. We used to stay at "The Sheraton Inn" and order the best steak sandwiches ever. From there we would go out and sample the delights of Sydney. One night Doug and I went down to the Whiskey a go go club one night to see Dion Warwick and we got to meet her, wow what a buzz and said she saw us on TV before she came to the gig. We were blown away by this beautiful black six foot woman. Things were going great ,we had it all, even though chart success eluded us ,our live performances were knocking them out, we were packing them in, Sydney, Brisbane, Melbourne, Adelaide, Perth, Tasmania, we were up there, with them all we played all over OZ. The band was in Broken hill in South Australia we had just driven from Adelaide and were we tired. We decided to try and get some sleep, but there was this piped muzak playing all over the hotel it was like Liberace on bad acid. Doug went out to the truck got a pair of pliers and went snip snip and we had some peace and quiet. There was a load of cowboys at the gig who then proceeded to pick fights with all and sundry, and so we had to pack up and go home. Back in the studio again and we recorded "Little Lover" B/W "The Thought Of You" with Barrie on vocals this again bumbled along the bottom of the charts it was strange, our live gigs were full houses but our record sales just enough to justify having a contract both were great songs how can you tell what will be a hit. Ron Tudor came up with an idea, that was to record a Ted Weems song called "Oh Monah" it was a kinda jug country Blues song which I thought was a bit of a joke as did we all, but we went in and recorded it and bang, off it went it sold like hot cakes how can you tell eh .we were back in the charts all over the country, and off we went again touring and carousing all over the place. Barrie got sick and was out of action so we had to get a stand in drummer real quick, by this time we had joined up with Carol West (bad decision) we were booked on a tour of South Australia, and with Barrie in hospital I had to cop all of the vocals. It tuned out ok with the stand in drummer who was adequate and fitted in well at short notice. but the question remained what to do about Barrie, who was still in hospital. Kim, our managers secretary was tour manager and held it all together. We had to make some sort of decision about Barrie, how can you sack your mate who's in hospital gasping and wheezing and here we are with a nationwide hit and no singer what a bummer. So we had it decided for us, Lindsay got the push, Doug went from lead to rhythm we bought in Marty van Wyk from the Throb and Kevin Smith from the D Coys on lead vocals and Pete 'Max' Bilney from the Secrets on drums. Now this was not all to my liking but we had no choice. Kevin and I were sharing an apartment in a Melbourne suburb called Northcote, and all was going fine so I suggested him for the band, Marty was a great guitar player he bought a new dimension to the band doing Hendrix stuff and the like, playing the guitar behind his head and all of that malarky, his party piece was to stand on a table at parties and do hambones and various other sexual high jinx. But Kevin’s rages saw the end of that and Marty left. Now we had another problem, we had just recorded the Cab Calloway song called "Minnie The Moocher" and it was taking off. We managed to get "THE MONKEES" tour as support and all was great, what a Buzz, but Marty had left so we got in Mike Macquire, who bumbled along with us, I never got to know the guy as we were from different planets, I guess I should of got in my space ship and visited. After the Tour we recorded one more single called "Sally," yet another mistake as it was in the same style as Minnie The Moocher. We broke up, another mistake and I took off for Perth for a while, then I found myself in Amsterdam, then to London and that was that. What a trip, that was one minute in a band in OZ ,next minute sitting in a club in Amsterdam. So here we are all those years later I am still doing it, three albums later and a new project on the go. The album “Black Denim Trousers” is being released by Crocodile Records in London and getting airplay, so I will be putting together a few gigs in the UK and hit the road to promote it.. Wrok down in OZ has aired an interview and the radio station has been playing “If I lived Here” So all in all its a good beginning again. The long awaited Cherokee film The Burger Van At The End Of The Gig is out on www.crocodilemusic.com Year 2020. I have been very busy this year, updating the studio with new programs and Apple computers. I now have a full video edit suite and recording studio; In which I have been very busy writing and recording new library music tracks and working on the new Chainsaw Sprocket Knucklehead and Tank album called  Road Hog Blues. This will be ready for release in August.

THE RIFF: I came up with the idea to produce a funky down home music show called the Riff. We have shot three shows but had to stop filming because of COVID19. But we will resume in April where we will shoot nine shows back to back. We will have a whole package of 12 shows plus a pilot to present to companies and TV stations for broadcast.