User:Petetindal

Pete Tindal (AKA) Rattlebone Pete, Is a Hard Blues Bottleneck Slide Player. His career started in Melbourne Australia In 1957 when he bought his first guitar for 10 shillings, in the case was a lap steel guitar slide and so it all started. His neighbour one Jock Burnside gave him a whole stack of 78 rpm blues and country on Regal Zonophone records and a wind up player, and that was it, in his fathers eyes his life was ruined and in his he was in Rock Blues heaven.

In 1960 he joined a local band called "Captain Cook and the Colonials" the band did one gig and broke up a few months later. He joined "The Rockin' Scorpions" and began to play at local dances. A year later the band graduated to Festival Hall shows on a Sunday afternoon. In time the band began to tour Victoria. he left in 1963 to join "The Cherokees" it was only supposed to be temporary, as Billy Dale was having personal problems. The gig became permanent. The first single was "I've Got Something To Tell You Baby / Hubblebubble, this was released on the W&G label. Other releases followed culminating in the Cab Calloway hit of "Minnie The Moocher" this proved to be a big hit all over the country.

THE Cherokees were formed in 1961 when Johnny Chester a local singer in Melbourne decided to downsize his band "The Chessmen" which had become too big, sporting up to three guitarists at one time. Johnny approached Billy Dale, one of the guitarists and said why not start a new band, Billy said that he preferred to play instrumentals, as that is what he did when he played with his first band "The Jaywoods" who went on to be "The Chessmen". Chess said no problem, start an instrumental group and I will book you at my venues, (Johnny ran several dances around Melbourne at the time). Johnny Chester suggested we hold a competition at Preston town hall in Melbourne which was THE prestige venue at the time, while the band was out and about that day they say a poster advertising a new iced lolly on the corner of Gilbert road and Bell street Preston. you guessed it it was called "THE CHEROKEE" icy pole...Billy said that's it, that's what I'm calling the band ,we are going to be called "THE CHEROKEES".. Billy went down and registered it at the Titles office the very next day. The first line up was with Billy Dale on guitar, Alan Chung on rhythm guitar, Mick Lynch on loan from the Chessmen, and David Thompson on Bass a few weeks later Barrie Windley stepped in on drums and Barrie King on rhythm guitar and vocals. the line up lasted quite a while until dave thompson left and Doug Trevor from another local band "The Marksmen" joined up. Just after the first single was recorded which was "Running WIld" B/W"Moon In The Afternoon" on W@G records ,Barrie King left and Doug's mate Lindsay Morrison joined to replace Barrie on rhythm guitar. It was with this line-up They recorded the instrumental album "Here Come The Cherokees" with the front cover paid for by Rose Morris with one of their Golden Tone amps on the front. Now this was unheard of in those days for a local band to record an album, but Ron Tudor who had just been promoted to head of A&R gave the nod and so it was recorded and released. not long after Billy left due to marital commitments and bassist Pete Tindal was bought in to fill the gap on a tempory basis. Doug Trevor went from bass to lead guitar and I filled Doug's shoes. I came from a band called "The Scorpions" which had just recorded their first single "Buckskin" B/W "Flip" it got a few plays on Grantley Dee's radio show but that was about it. The band was playing at a venue called "Tenth Avenue" during lunch times and three evenings a week, pretty much full time, as well as playing other venues around Melbourne.

"The Cherokees" went into the studio and recorded "I've got something to tell you baby" on W@G records. this was a first because up until then the band only had recorded instrumentals, apart from what Barrie sang on the first album. This song went to number ten within a week or so and so the band was off and running. We used to play as did the Scorpions and every other band at Sunday afternoon shows at the Melbourne Festival Hall. The shows were run by a DJ from Melbourne radio 3DB. I was standing down in the audience chatting to some girls, when a three piece boy vocal group came on they were bottom of the bill and I stopped talking and listened they were great ha ha they were "The Bee Gees" how about that, we were top of the bill, they were bottom, how things were about to change. Ron Tudor joined up with some other people and started "GO" records and took us with him. And so a two year relationship started with the label, All in all it was a good label and it was the best label to be on in sixties OZ. The first single with them was "I've Been Trying" a bit of a mournful song from an "Impressions" B side I still wince when I hear the bass line. The song just managed to scrape into the charts and was a bit of a stiff really. The next single was a bit more like it "That's If You Want Me Too" which peaked at number 7, this song always worked at gigs and I thought was the direction the band ought to go in, "Full Tilt R'n'R", but it seems I was wrong and we headed off down the path of covering American soul artists which was OK in its self but not the be all and end all.. We went into a studio in St Kilda in Melbourne. An old theatre I can still remember the place, an engineer called Roger Savage did the recordings. "We recorded The Angels Listened In" by the "Crests" and "Thats If You Want Me To". We also recorded "I Can Tell", its really weird, I went home after a gig one night and wrote that song, but it turns out someone else wrote it, how about that, I had never heard the song before, it was as obscure as you can get, but well, there you go..pretty bizarre stuff. we also recorded a song we all wrote called "Shame On You Baby". We went into Bill Armstrongs new studio next, it was one of those old Melbourne terraced houses and recorded "The Womans Got Soul" B/W I'll Give You Love" Barrie did a great job on the drumming, he was a really good drummer. I would say one of the best around at the time and he had a great voice. But as luck would have it the song just bumbled along on the charts. I remember we did Brian Hendersons Bandstand in Sydney with another up and coming group called "The Bee Gees" You could see back then that they were world class. We used to stay at "The Sheraton Inn" and order the best steak sandwiches ever. Doug and I went down to the Whiskey a gogo club one night to see Dion Warwick and we got to meet her, wow what a buzz and said she saw us on TV before she came to the gig. We were blown away by this beautiful black six foot woman. Things were going great ,we had it all, even though chart success eluded us ,our live performances were knocking them out, we were packing them in, Sydney, Brisbane, Melbourne, Adelaide, Perth, Tasmania, we were up there, with them all we played all over OZ. The band was in Broken hill in South Australia we had just driven from Adelaide and were we tired. They decided to try and get some sleep, but there was this piped muzak playing all over the hotel it was like Liberace on bad acid. Doug went out to the truck got a pair of plyers and went snip snip and we had some peace and quiet. There was a load of cowboys at the gig who then proceeded to pick fights with all and sundry, and so we had to pack up and go home. Back in the studio again and we recorded "Little Lover" B/W "The Thought Of You" with Barrie on vocals this again bumbled along the bottom of the charts it was strange, our live gigs were full houses but our record sales just enough to justify having a contract both were great songs how can you tell what will be a hit. Ron Tudor came up with an idea, that was to record a Ted Weems song called "Oh Monah" it was a kinda jug country Blues song which I thought was a bit of a joke as did we all, but we went in and recorded it and bang, off it went it sold like hot cakes how can you tell eh .we were back in the charts all over the country, and off we went again touring and carousing all over the place.

Barrie got sick and was out of action so we had to get a stand in drummer real quick, by this time we had joined up with Carol West we were booked on a tour of South Australia, and with Barrie in hospital I had to cop all of the vocals. It tuned out ok with the stand in drummer who was adequate and fitted in well at short notice. but the question remained what to do about Barrie, who was still in hospital. Kim, our managers secretary was tour manager and held it all together. vWe had to make some sort of decision about Barrie, how can you sack your mate who's in hospital gasping and wheezing and here we are with a nationwide hit and no singer what a bummer. So we had it decided for us, Lindsay got the push Doug went from lead to rhythm we bought in Marty van Wyk from the Throb and Kevin Smith from the D Coys on lead vocals and Pete 'Max' Bilney from the Secrets on drums. Now this was not all to my liking but we had no choice. He was a great front man and singer. Marty was a great guitar player he bought a new dimension to the band doing Hendrix stuff and the like, playing the guitar behind his head and all of that malarky, his party piece was to stand on a table at parties and do hambones and various other sexual high jinx. But Kevins rages saw the end of that and Marty left. Now we had another problem, we had just recorded the Cab Calloway song called "Minnie The Moocher" and it was taking off I managed to blag Marty to stay and we toured for a while but Kevin Flipped at Marty and that was that, no guitarist. We managed to get "THE MONKEES" tour as support and all was great, what a Buzz, but Marty had left so we got in Mike Macquire, who bumbled along with us, I never got to know the guy as we were from different planets, I guess I should of got in my space ship and visited. After the Tour we recorded one more single called "Sally," yet another mistake as it was in the same style as Minnie The Moocher. We broke up, another mistake and I took off for Perth for a while, then I found myself in Amsterdam, then to London and that was that. What a trip, that was one minute in a band in OZ ,next minute sitting in a club in Amsterdam.

I moved to the UK and played in various pub bands and played as session bassist then toured Europe as a blues singer in a duo.playing in clubs, busking on the street of various cities thruout the continent before returning to the UK and opening a recording studio in the Caledonion road in London.

In 1985 he moved back to Australia where he recorded the highly successful album "BLACK DENIM TROUSERS AND MOTORCYCLE BOOTS AND A BLACK LEATHER JACKET WITH AN EAGLE ON THE BACK" the video for this album got played on national TV and helped kick start the sales. He then returned to the UK and recorded the album STEEL ROAD in 1997 at the new Granary Studios in Lamberhurst Kent. a much more slicker production of Biker songs which sold well in several countries.

A new album "If I Lived here i would be home by now" is complete and was released in march 2013. it has been selling steadily in the USA and UK and will be released in Australia in Novembe 2013

Pete tindal has started doing radio shows for community radio stations in the UK and is currently recording new Cherokee album called "IF I LIVED HERE" with danni turner on drums and VOX Alice Rose and Pete tindal on Guitars and Lee Tarrant on Bass.