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Annika Ström
is a Swedish artist born 9th of November 1964 in Helsingborg. She is currently living in London & Hove in UK.

=== Studies in Copenhagen  ===

Ström studied at Royal danish Academy of Fine Arts Copenhagen, 91-97. During her second year [1993], she moved to Berlin and commuted to school. Despite her move she was active with the Danish art scene which was very vibrant at the time. Ström's Professor, Torben Christensen, supported her work early on, including her in a major video show, called Elektroniske Understrømme at Statens Museum for Art in Copenhagen. At the time Ström “represented” Denmark in one of the many “ Scandinavian" exhibitions taking place all over Europe in the mid-nineties.

=== First Performance work  ===

Ström's very first performance took place in 1995 with Anna Ström & Annika Ström at the Rupert Goldsworthy gallery space in Prenzlauerberg in Berlin. Her mother Anna was invited to work in the gallery, making portraits of her daughter over three days, which her mother then sold. Anna had not made a drawing for 43 years. Since the appearance of Anna Ström in her very first public work, Anna Ström has appeared in many of her films. In Collector (5 min 98) Anna shows her collection of Annika's early art school nude studies, as if they were old masterpieces. In 2008 Anna Ström developed severe Alzheimers which Ström depicted in I can hardly recognize myself (12 min 08), and the super8 films; Crystal Brain (1 min 10) and Sunshine Head (1 min 10).

Film and Soundtrack
In 1995 Ström did her first long-form video, Windowpillow- a Berlin habit  (13 min 95/97), about the East Berliner practice of leaning out of their windows, while resting their arms on pillows. The work included both film and pillows and was first shown at Saga Basement, an artist's run space. Having just graduated, this film contributed to her having her first solo show at Casey Kaplan gallery in New York 1997. From 1995 Ström began to do her own film soundtracks. Using only a simple keyboard she scored for, Summer 96, The Artist Live, The Artist musical, Ten New Love Songs, Six Songs For A Time Like This and 16 Minutes. In many of these films she acts out different characters, best known perhaps is Swedish Traveller (3 min 95) and performing the art songs in Artist Musical (13 min 1996). Ström has made over 35 films. In 2013 she directed the short film “The Swede” (13 min 13) featuring Gunnel Lindblom and Carina Westling. She is currently working on feature film scripts.

Performing the Soundtrack
With these films she began to perform her soundtracks live and as the songs were short so were the concerts, and many missed the concerts, this resulted in the film The Missed Concert (4:30 min 04). The Missed Concert is part of what the artist calls her “ Absent Films” including,  After Film Trailer (3:30 min 08) and Been in Video (2min 03), exploring the subjects of failure, loss and disappearance. She has published three vinyl records relating to the soundtrack to the films Summer96 (3 min 96), The Artist Live (13 min 97) and Ten New Love Songs (22 min 99).

Performance work
2005 she left Berlin and moved to the seaside town Hove in UK. In 2010 she made Ten Embarrassed Men at the London Frieze art fair where ten identically dressed men walked around together at the fair looking embarrassed. A comment to that so few works made by women, are represented at the commercial art fairs. This work gained much press attention worldwide. The work was followed by a series of other performances such as The Upset Man 2010, The Inept Five 2011, and the ongoing work of Seven Women Standing in the Way 2011-, where seven women in their 60s gently block the entrance of an art space, by talking, drinking and being oblivious to other visitor's attempts to enter the space. The performance work Look the other way at Winchester Great Hall and Shanty Clash' were 2013 commissioned by artSouth collaboration.

Text work
Since 2000 Ström has also worked extensively with text phrases, painted on both paper and canvas, of which many are in private and public collections. 2014 the Swedish Art Agency http://www.statenskonstrad.se/en/] commissioned her to do 10 texts works for the new build extension of LUX, the Humanities Department at Lund University. On the roof of the building a 10 meter long text in metal is saying, "men vänta nu". (Direct English translation is; "but wait now " meaning, “hold on”)

Teaching
Ström shared a Professorship with AK Dolven at the The Academy of Fine Art Oslo 2009-2010. There she created several workshops with titles such as Mamma or Pappa, ''How to Change the Situation by Statistical Information! ''A workshop about the representation of women artist at public museums. The statistics were then read by Ströms father in the film, Ragnar Ström Reading Statistics in his Garden 2009 (10 min). In the film, Ragnar, a former history teacher is reading statistics relating to his daughter profession in a dry, accusing manner. Another workshop Excuse me, I have to go the rest room, took place in public toilets around Oslo, as spaces for displaying art.

Museum representation
Her work is in international collections such as Moderna Museet, Stockholm Konst Museet, Malmö Art Museum, Statens Museum for Kunst, Copenhagen NBK, Neuer Berliner Kunstverein, Berlin Wiener Secession, Vienna. Museum of Contemporary Art, Belgrade, Migros Museum, Zürich. Le CNAP, National Center of Visual Arts, France, CCAC, Centro de Andaluz de Arte Contemporaneo, Seville. Sammlung Verbund, Vienna. Palais de Tokyo, Paris, Göteborgs Konstmuseum, Göteborg, Sweden

Gallery representation
Ström has been worked with numerous commercial galleries. Solo exhibitions were at Galleria Sonia Rosso 2000, 2004, 2010, Casey Kaplan, NY 1997, 1998, 2003, Galleri Charlotte Lund; Stockholm 2002, 2005, 2010, Gerhardsen Gerner, 1999, 2000, 2001, 2003, 2005, 2008, 2010, 2012 Galleri Drantmann, Brussels 2003, Mary Goldman gallery LA 2001, 2004 and Lautom, Oslo 2008. Several of these galleries are now closed down. She is represented by Gerhardsen Gerner Gallery Berlin and the art book publisher Onestar Press in Paris.

Monographs
Annika Ström, Secession, Vienna, 1999 Annika Ström. Manuscript song, Galleria Sonia Rosso, Pordenone, 2000 Annika Ström, Texts by Annika Ström, Onestar press, France 2005 Annika Ström, Call for a demonstration, Onestar press. 2007 Annika Ström Live! edited & designed by Christophe Boutin/ Onestar press/ Fälth&Hässler 2008

Catalouges on Group exhibitions & Publications
2013 artSOUTH collaborations, edited by Judy Adam

2013 Work, Museum für Gegenwartskunst Siegen, Siegen DE

2012 Good Life, 53rd October Salon curated by Mika Hannula & Branko Dimitrijevic Geodesic Institute Belgrade

2012 So on so fourth, Contemporary Art Center Riga, Latvia

2010 Failure, edited by Lisa Le Feuvre, White Chapel publications

2010 Frieze yearbook, Frieze, London

2010 You are scripted! Galerie Senn, Vienna

2010 Vidéothèque éphémère-Faux Amis Jeu de Paume

2010 Welt in der Hand/ World in your Hand, Galerie für Gegenwartskunst, Dresden

2009 Walls on the Street, Belgrade

2009 Trying to cope with things that arent human, David Cunningham projects, San Fransisco

2008 Intimacy, Australien Center for Contemporary Art, Melbourne

2008 Spa Port, International Annula Exhibition of Contemporary Art, Banja Luka

2007 Conversas, 6th Mercosul Biennale, Porto Alegre, Brazil

2007 [http://www.whitechapelgallery.org/shop/product/category_id/31/product_id/126 The artist´s joke, ed. by Jennifer Higgie, White Chapel]

Press
www.konsten.net

FriezeFrieze projects

Frieze commissionfrieze commision

Guardian/ Frieze art fair