User:Postcolumbian/sandbox

Les Petites Bon-Bons was a group of conceptual/life artists that originated in Milwaukee in the early 1970’s. Their activities spanned the nascent gay activist movement, the international correspondence network and the Hollywood glitter rock scene. They are known largely by the work of Jerry Dreva and Robert Lambert, aka Jerry and Boby Bonbon, and who achieved much of their fame by effectively manipulating major media outlets.

Early History

Les Petites Bon-Bons was originally coined as the name of a review to be staged by a group of young gay activist friends called the Radical Queens, veterans of the local Milwaukee counterculture and gay liberation scene, but it was never produced. In the hands of Dreva and Lambert the group identity became a vehicle for the synthesis of art, politics and sex that concerned them at the time.

Rock and Roll

Although other sub-identities became associated with the name, such as a fictional drum and bugle corps, the Bonbons became known mainly as a conceptual rock band. Although they had no musical abilities and had never played a concert, Jerry and Boby encouraged the notion among the rock journalists they befriended when they moved to Los Angeles, in June 1973 and January 1974, respectively. Personal links were formed with David Bowie, Iggy Pop, Lou Reed, Sylvester and many others in the rock world.

Correspondence Art Dreva and Lambert had begun sending art projects to artists and writers they admired in early 1971, generating responses from noted critic Jack Burnham, writer and gay activist Arthur Bell, and eventually generating an invitation to Richard Kostelanetz’s ASSEMBLING series, through which they became aware of the formal network of international artists known as The Eternal Network. These included Ray Johnson, the Western Front, General Idea and FILE megazine, Clemente Padin in Uruguay and COUM/Throbbing Gristle in the UK.