User:Preferwiki/sandbox/company

Theater Ganda
Performance Delivery Service Ganda hereinafter Ganda  is a regional theater company located in South Korea. It not only means 'going' when called, but also has the ambiguous meaning of performing a simple and diverse performance that can easily go anywhere. The CEO, director, and actor Min Jun-ho has created and led this theater company, starting with the unique play 'The Mirror Princess Pyeonggang Story', which was created using the actors' body language and a cappella music during the Hanyejong era.

'Ganda' is a combination of 'gan' (簡), which is brief, and 'many', which is diverse, and was named with the intention of performing a simple performance at any time rather than creating a grandiose performance. “We started with the intention of creating a brief but diverse performance. I insisted on performing a performance that could only be performed on stage. “I wanted to do ‘ganda-like’ works that convey the energy of youth.”

History

 * The Mirror Princess Pyeonggang Story. This work was originally created for school use with support of 1 million won from K-Arts in February of 2004. Although it was made in 2004 with only 1 million won, it received 350 million won in investment from CJ Entertainment based on positive reviews from the audience. This work was originally created for school use with support of 1 million won from K-Arts in February of 2004. Afterwards, he went to local cultural centers and local festivals, but was noticed by a performance planner and 'entered' Daehakro. In this work, which has no particular plot, eight actors move constantly on stage for one hour and 25 minutes without leaving the stage once. The characteristic feature is that the actor solves all problems with sound, including sound and sound effects. The shows featured a group of eight actors who remained on stage for the entire duration of 1 hour and 25 minutes, constantly moving without leaving. The actors created all the sound effects and audio elements themselves, using only their voices. This a cappella musical received 1 million KRW in support from Korea National University of Arts.
 * In September 2004, when Min Jun-ho registered Theater Ganda (극단 간다) as an official theater company, called "Pitdeongi", with the average age of the members being 25 years old. In September 2004, young people in their 20s came together under the goal of ‘pursuing simple, good, and diverse performances’. ‘theater troupe established of graduates of the Korea National University of Arts (Yejong), including Lee Jun-ho, Lee Jae-jun, Jin Seon-gyu, and Kim Ji-hyun. Although they were founded less than four years ago, they are creating a new wind in the performing arts world and attracting enthusiastic fans.
 * Founded by 9 people. five friends from K-Arts (drinking buddies). Oh Dae-seok, Min Jun-ho, Jin Seon-kyu, Sung, Lee Jun-ho. Three first founding member, Kim Ji-hyun, Jin Seon-kyu, Park Bo-kyung, Lee Jun-ho, Lee Jae-jun, Jin Seon-gyu, and Kim Ji-hyun. Later member Yang Kyung-won and Oh Eui-shik. The second batch of members included actors Kim Min-jae, Lee Hee-joon, Jeong Seon-ah, Park Min-jung, Jeong Yeon, Woo Ji-soon, and director Lee Jae-jun.
 * However, their first work, the 'A Cappella Musical - The Story of Princess Pyeonggang', was a success last year at Daehangno in Seoul. This work will be performed again as an encore at the small theater 'Festival' in Daehangno, Seoul, starting on the 25th (1588-7890). I visited 'Ganda', who is currently rehearsing in the basement of a detached house in Jeongneung-dong, Seongbuk-gu, Seoul
 * “The Story of Winter Princess Pyeonggang,” which will be performed by invitation at the Muju Arts and Culture Center on the 8th at 7:30 p.m., was produced by Jun-ho Min, CEO of the performance delivery service “Ganda,” sponsored by the Korea A Cappella Association, and presented by the Theater Company of the Korea National University of Arts. This is a work supported by Dolgot and is the official opening work of the 2004 A Cappella Festival, decorated with fresh and new ideas, and has received many favorable reviews from audiences at local festivals and arts centers across the country.
 * “Our troupe has been greatly influenced by Chai Mu (a troupe led by director Yi Sang-woo, which has produced many famous movie stars), so we want to do what our seniors have done. We support each other and provide stimulation. We are still acting to the point where we are sick of it. "We have a lot of greed for it. Even though we're older, we still have so much passion that we want to do that. It's a great strength. We respect each other, so there's a lot of synergy."
 * In February 2003, student graduation workshop at Korea National University of Arts, Oh! What do ‘While You Were Sleeping.
 * 2004, student graduation workshop at Korea National University of Arts. The first musical was Finding Mr. Destiny written by Jang Yoo-jung (class of 2000) and composed by Kim Hye-seong the production costs for "Finding Kim Jong-wook" were 100,000 KRW. The Story of the Mirror Princess Pyeonggang' was 1 million won. The first musical was Finding Mr. Destiny written by Jang Yoo-jung. The second musical was "The Story of Mirror Princess Pyeonggang," a production by Min Jun-ho (class of 1999).  In order to secure this support, Min Jun-ho established Theater Ganda, a theater study group, and Kim joined the group.
 * 'Mirror Princess...' is the first work of 'Performance Delivery Service - Ganda', a theater company created by graduates of King Yejong's Theater Academy, Dance Academy, and Conservatory of Music. ' swept the grand prize, directing award, and female acting award at this year's Miryang Theater Festival and received rave reviews as "a work that changed the paradigm of existing performances" (director Lee Yun-taek). ‘Mirror Princess… ', thanks to this popularity, will begin an indefinite long-term performance in Daehakro starting next year (2006).
 * The most notable move was the long-term rental of two small theaters in Daehakro. CJ Entertainment plans to rent the 280-seat and 220-seat theaters in the recently completed Daehakro Arts Plaza building for two years, respectively, and hold long-term performances and showcases. First, from April 7 to May 21, Ganda, a performance delivery service, will co-produce ‘The Story of Mirror Princess Pyeonggang’. ‘The Story of Mirror Princess Pyeonggang’ received favorable reviews from critics last year and was invited to various performing arts festivals in Korea. The ‘Our Musical Power’ special performance, which opened last February, recorded an audience occupancy rate of 106%. The new version of 'The Mirror Princess Pyeonggang Story', co-produced with CJ Entertainment, strengthened the actors' capabilities by reinforcing the stage and costumes and involving a vocal coach.
 * In the following year, Kim had the opportunity to reprise her role as the female protagonist in the graduation performance of the musical "Finding Kim Jong-wook" at Han Ye-jong's Black Box Theater. Directed by writer Jang Yu-jeong, Kim shared the stage with Jeon Byeong-wook, who portrayed Kim Jong-wook, and Min Jun-ho, who played Multiman. They even created a captivating poster and displayed it all over the campus. Their outstanding performance caught the attention of their professors, resulting in an official invitation to the 15th Istropolitana Project 2004, an international student theater festival held from June 26 to June 30, 2004.
 * In winter 2004, the Dolgochi Troupe (극단 돌곶이) performed an incubator performance for three days at the Jayu Theater in the Seoul Arts Center. During this period, Kim Ji-hyun showcased her talent in "The Mirror Princess Pyeonggang Story" from December 9th to the 19th. Additionally, she also took part in "Finding Kim Jong-wook" from December 17th to the 19th, 2004. The Story of Mirror Princess Pyeonggang expanded its performances to local cultural centers and regional festivals, drawing the attention of a performance planner. This eventually led to their "debut" in Daehangno, a performance district in Seoul.
 * In 2002, Korea National University of Arts Theater Institute (Director Kim Gwang-rim) founded its own theater company Dolgochi Troupe (극단 돌곶이). Dolgochi Troupe
 * Kim Ji-hyun. Finding Kim Jong-wook, which had a humble beginning as a school workshop performance in 2004. since 2006. she has appeared on the show every season except for one season.
 * Their debut work in 2004, 'The Story of Mirror Princess Pyeonggang', is an adaptation of the story of Princess Pyeonggang and Babo Ondal from the Three Kingdoms period into a love story between Princess Pyeonggang's maid Yeon and a wild boy. This work, well-known in Daehakro by the nickname 'Geopyeong', excludes any sound, lighting, and stage sets as if it were an 'a cappella musical,' and the actors not only use their voices to sing and perform sound effects such as accompaniment, but also use their gestures to create a swan cave. It creates various images such as trees and lakes. Although it was made in 2004 with only 1 million won, it received 350 million won in investment from CJ Entertainment based on positive reviews from the audience. 'Ganda' has been busy traveling with this work from a small school classroom in a mountain village to a movie theater in Apgujeong-dong, Seoul.
 * Created in 2004 by graduates of the Korea National University of Arts' Theater Institute, 'Ganda' has become known for its lively expressions and performances that bring out the emotions of everyday life. This year, the scale was expanded to include 7 performances as a parade. The first half of the year ‘goes realistically’. Introducing four plays. The new work ‘At our karaoke…’ It starts with ‘Shall we talk?’ (4th to April 6th, Daehakro Theater) and ends with ‘The End Room’. The second half of the year is ‘Going Singing’. They plan to perform two existing musicals and the new work ‘Once Upon a Time’.
 * 4th Anniversary of Ganda at newly opened Naeon Theater.
 * The a cappella musical ‘Mirror Princess Pyeonggang Story’ will be performed in the United States starting on the 26th. This work, which was premiered in 2004 by performance delivery service Ganda (hereinafter referred to as Ganda), was selected as the best content by the Korea National University of Arts and was performed to local audiences at The Crane Theater in New York on the 26th and 27th and at the Barnsdahl Gallery Theater in LA on October 3rd and 4th. Free performances for the audience.
 * Judo boy.

Inews24
Lee Chang-ho, CEO of iNews24, became the 7th president of the Korea Internet Newspaper Association.

Wikihash

Agency info

 * 1) Manager and Celebrity Relationship

The income distribution between a celebrity and their manager varies depending on whether the celebrity is a newcomer or a star. For newcomers, the agency typically takes a larger share, with ratios often being 60:40 or 70:30 in favor of the agency. For stars, the distribution shifts, with celebrities taking a larger share, typically around 20:80 or 30:70 in favor of the celebrity. There have been many issues regarding unclear contracts and unfair agreements with some agencies. A notable case involving financial disputes last year was that of singer Jo Kwan-woo. According to Philip Kim, a director at an agency, "It's unfair to always blame the manager when problems arise, especially considering the significant investment made to make someone a star, only for them to break the contract later."

Manager 52 hours/week.

Actor's running guarantee.

Star’s Helpers.

The Korea Management Association.

Recession.

Celebrity manager exam.

Popular culture art planning business.

Standard contract. 대중문화예술인 (연기자중심)표준전속계약서.

Old version.

Star actor contract.

Actor's agency profit sharing.

How many did the actor get.

Jang Dong-gun.

Entertainment industry=money-eating hippo.

The difference between management and agency.

https://m.khan.co.kr/culture/tv/article/201306092108035

Looking at the issue of rising appearance fees, it seems like management companies that manage actors would make a lot of money, but that’s not the case. Usually, management companies take 20% of an actor’s appearance fee minus management costs. “Even if an actor’s appearance fee increases by 100-200 million won per episode, the company’s profits won’t increase significantly,” explained CEO B of the management company. We also need to consider the fact that, unlike TV dramas in the past that were 16-20 episodes long, recent OTT dramas are produced in 6-10 episodes. B argued, “When the issue of guarantees comes up, certain star directors and actors are mentioned in the media. It’s true that we raised our guarantees to some extent, but Netflix had a big influence on the actual increase in guarantees.”

Unlike SM-YG-JYP, known as the top three entertainment companies, iHQ, which has a profit structure centered on actors, has boldly given up recruiting big actors unlike in the past because of the down payment-to-profit ratio. Entertainment companies pay an average of several billion won in exclusive contracts to famous celebrities, but the profit sharing ratio for activities such as advertising filming is only 9 to 1 on average.

Entertainment agencies usually take only 20% of the money earned and give the remaining 80% to the star. Profit distribution ranges from 9 to 1 or 10 to 0 depending on star rating.

Profit distribution, excluding fixed costs, is around 200 million won... When it comes to running guarantee, it’s a tax bomb.

끼워 팔기 배우 (Tie in).

배우 기획사 수익배분은

Writing contract.

2009 Fair Trade Commission prepares standard contract.

Rookie contract.

Discovering a new talent and turning him or her into a star involves enormous costs, including various training costs, clothing costs, hair care costs, vehicle costs, and promotional costs. According to Ajou University's report on 'Study on the Profit Structure of the Entertainment Management Industry', casting a star actor as the lead in a drama costs 10 million won per month for makeup and 6 million won for car lease and gas. Costs are fixed and do not go down significantly. In the case of rookies, it takes several months or years of 'upfront investment' even if there is no profit, so it costs billions of won to turn them into decent stars.

KBS unpaid.

Analysis of appearance fees for leading and minor roles in domestic dramas. / Representative Lee Sang-heon's office.

Minimum wage and the appearance fees of ‘A-list actors’.

TV appearance fee.

Is a one-person celebrity agency.

Musical actor agency.

Andmarq.

Lee Byung-hun was also sued by his current agency, Cyclone Entertainment, demanding compensation of 350 million won in November 2002 for pursuing an independent advertising contract regardless of the agency.

Han Ki-won is the president of Cyclone Entertainment, which includes top stars such as Lee Byung-Heon, Lee Jung-Jae, and Jang Jin-Young.

Salt Entertainment
S.A.L.T. Entertaintment or  (S.A.L.T) is a South Korean actors agency that was established in 2011. The roster includes actors Park Shin-hye, Kim Joo-hun, Kim Seon-ho, Hong Seung-bum and Park Jung-yeon.

Member of CEMA.

History
The company was founded on April 1, 2011, as 4HIM Entertainment, with a focus on talent management. Kim Jung-hwa and Park Shin-hye signed as actresses a few months later. At that time, the CEO of S.A.L.T. Entertainment was Lee Eun-young, who had previously served as the Dream Factory Manager in 2002 and became the first female manager at Sidus HQ in 2005.

On February 3, 2013, 4HIM Entertainment officially announced the name change to S.A.L.T. Entertainment through a press release regarding Park Shin-hye. The company changed its name to S.A.L.T. Entertainment, which stands for "Sharing," "Amusement," "Love," and "Trust," representing the core values of the agency. The company also relocated to Room 401, 4th Floor, No. 109-23, Cheongdam-dong, Gangnam-gu, Seoul.

S.A.L.T. Entertainment stated, "Starting from February 1, 2013 (Friday), only the company name has changed, and there will be no changes in our affiliated actors or management structure. We ask for your warm support for S.A.L.T. Entertainment and our affiliated actors as we embark on a new journey with our new name."

Current CEO is Park Eun-joo.

On November 21, 2019, the S.A.L.T. Entertainment office was relocated once again. The new address is ISA River House, B-908, 190 Gwangnaru-ro, Seongdong-gu, Seoul, 04791 (Lot number address: 908, 13-12, Seongsu-dong 1-ga, Seongdong-gu, Seoul, Korea).

Current Artists

 * Park Shin-hye (2011 to present)
 * Kim Joo-hun (2018 to present)
 * Kim Seon-ho (2018 to present)
 * Hong Seung-bum (2018 to present)
 * Jang Do-ha (2018 to present)
 * Park Jung-yeon (2022 to present)

Former artists

 * Kim Jung-hwa (2011–2022)
 * Park Hee-soon (2021–2023)
 * Park Se-young (2011–2014)
 * Kim Ji-an
 * Kim Kang-hyun (2017)
 * Choi Seong-eun (2019–2020)
 * Lee Jun-kyung
 * Kim Ji-won (2020–2021)

Red and Blue Entertainment
Aligator Company formerly Aligator Company is a South Korean theater company production that was established in 1998. Since its establishment in 1998, the Crocodile Company has been growing into a newspaper creative company through the development of various works and promotion activities based on the cultural industry to create world-class works.

CEO of Cho Haeng-deok, a crocodile company that changed the best box office drama in Daehak-ro, which was a monopoly on the import drama, into a creative drama last year. CEO Cho, who started as a jazz ballerina and became a theater actor, learned to plan a performance over the shoulder and became the top event in Daehak-ro after 18 years as an agency.

Purpose of Love.

History
Theater company Ladder Jeong Hyun-wook, Audi Musical Company Shin Chun-soo, Crocodile Company CEO Cho Haeng-deok, Managing Director Kim Jong-heon of PMC. Those who are active all over the way and are considered one of the box office makers in the performance industry recently are the same age as the 67-year-old sheep. It's already been 10 years since I ate a pot of rice in the performance industry. However, each other's activities are different, so we formed a 'Yangd' group at the beginning of this year.

Kim Seonho Rooftop Cat Season 10.

Romantic comedy plays hosted by the agency Crocodile Company are consistently successful.

Kiss of Spiderwoman.

True West Return.

Rakaji (La Cage aux Folles (musical) Korean Adaptation.

Feast of Daehakro Theater-Seoul Theater Festival  대학로 연극의 향연-서울연극제

Cho Haeng-deok, CEO of Crocodile Company, who has a thick bones in the theater industry, is a person who overcame difficulties with hard work and ambition.

I went to the preview despite the opposition of the family, and while walking on the road of Valerino, I saw 'Heo Jae-bi Nori' directed by Lee Yoon-taek by chance and turned to be an actor. When the play made with the money I lent to an acquaintance was ruined, I transformed from an actor to a producer and tasted the joy of success. He is a person who has never given up on 'play' even in the midst of hardship and adversity, and has always looked at it with warm eyes.

2010. The Stage is good.

Cho Haeng-deok, CEO of the drama festival 'The stage is good' planning.

"I think the reason the theater has been stagnant over the past decade is because it has lost the identity of the play, 'truth'. I want to revive the university road of 'Mecca of Theater' through performances that have been proven not just for the box office."

Crocodile Company CEO Cho Haeng-deok (46) is called 'Okjong' in the performing world. Once you start working, it's a style that sees the end. Everyone who has worked with him sticks out their tongues, saying, "He's a thorough person."

Crocodile Company has produced about 100 plays and 10 musicals. In particular, CEO Cho has high expectations for the musicals 'Singles' and 'Special Letter'.

[Interview] CEO Jo Haeng-deok, producer of the play 'Rooftop Cat'.

Culture Elite] Crocodile Company CEO Jo Haeng-deok "Exporting creative musicals abroad" (interview)

Former Artists

 * Kim Seon-ho (2015–2018)


 * Park Eun-sook

Repertoire

 * Closer
 * Closer 2010
 * Orphan
 * Rooftop Cat, [Interview] CEO Jo Haeng-deok, producer of the play 'Rooftop Cat'

Year 2007

 * November regular performance 40 play 
 * October regular performance 39 play 
 * October regular performance 38 musical 
 * September Regular Performance 37 
 * August Regular Performance 36 Play 
 * July Regular Performance 35 Children's Musical 
 * June Regular Performance 34 Musical 
 * May regular performance 33 play 
 * March Regular Performance 32 Play <2007 Closer>
 * February Regular Performance 31 Play 
 * January Regular Performance 30 Musical 

Year 2006

 * December regular performance 29 play 
 * November regular performance 28 play 
 * August regular performance 27 play 
 * July Regular Performance 26 Children's Musical 
 * June Regular Performance 25 Play 
 * May Regular Performance 24 Play 
 * April regular performance 23 play <Closure>
 * February Regular Performance 22 Play <Art of March>

Year 2005

 * December Regular Performance 21 Family Musical <Alchemist>
 * December regular performance 20 play <Our Bad Boy>
 * November regular performance 19 play <Gathering at Elephant Temple>
 * July Regular Performance 18 Children's Musical <Mirgaon>
 * June Regular Performance 17 Play <Art in June>
 * April Regular Performance 16 Play <Robin Hood and Friends>
 * February Regular Performance 15 Play <Closure>
 * February Regular Performance 14 Play <Proof>
 * January Regular Performance 13 Play

Year 2004

 * December Regular Performance 12 Musical <Travel in Sleeves - Nutcracker>
 * December regular performance 11 play <Winter Elephant Story>
 * November regular performance 10 play <Punchback, Richard III>
 * August regular performance 9 play
 * The 6th <Hamlet> of the theater's 8th regular performance in April.
 * March Regular Performance 7 Play Fever 4th <Men's Chungdong>

Year 2003

 * December Regular Performance 6 <Buzziner Monologue>
 * September Regular Performance 5 <Adult Golden Bat>
 * 06 month <Seoan Chemical Tea>
 * May regular performance 4 <Come to see me>
 * March <Train>

Year 2002

 * November Regular Performance 3 <Kaligula No. 1237>
 * November <Gwanghae Regret>
 * August <The Man With Flowers>
 * May <King Ye-In>
 * January I am Rousseau.>

Year 2001

 * December Regular Performance 2
 * November <UnChaeng Songma Team>
 * November <The shower of Hwang Soon-won> and after that...>
 * November <i>
 * November <Ch/I/C/>
 * October <Hit and Run>
 * September inaugural performance <Balloon Symphony>
 * September <Cocasus white ink garden>
 * August <Five senses>
 * July Musical < Azalea Blooming, Birds Crying>
 * June <One million, empty chair>
 * May <Song of Sadness>
 * May <Reincarnation Zone>
 * March <Three Sisters>
 * February Work-shop <Balloon Symphony>
 * Crocodile Company Established in January

Original Version
On October 17, 2021, a woman claiming to be the ex-girlfriend of "Actor K" (later revealed to be Kim) made allegations on a Korean internet forum that the actor had coerced her into getting an abortion while the two were dating. On October 20, 2021, in light of his ex-girlfriend's claims, he issued a public apology through his agency. As the ex-girlfriend's claims gathered public attention, a few companies such as Domino's Pizza quickly pulled their advertisements featuring Kim. Kim stepped down from being a permanent cast member of the KBS variety show 2 Days & 1 Night, and subsequently withdrew from film projects Dog Days and Lee Sang-geun's romantic comedy 2 O'Clock Date.

On October 20, 2021, Kim's ex-girlfriend issued a new statement, stating that there were some misunderstandings between them and that she has received an apology from him. She also apologised for causing unintentional damage. On October 26, 2021, a Korean media outlet published new evidence challenging the accusations of Kim's ex-girlfriend, citing sources from close acquaintances of both Kim and his ex-girlfriend. Screen-captures of chat conversations from acquaintances revealed that the ex-girlfriend had been the one to suggest the abortion, contrary to her claim. The pair then split up about a year after due to questionable circumstances surrounding the ex-girlfriend's personal life. Testimonies from acquaintances of both Kim and his ex-girlfriend continued to surface, refuting various claims previously made by the ex-girlfriend. Following new reports, most companies began resuming advertisements featuring Kim. The production team of the film Sad Tropics also announced their decision to proceed with their project and list Kim as the lead actor.

Proposed changed from TW
On October 17, 2021, a woman claiming to be the ex-girlfriend of "Actor K" (later revealed to be Kim) made allegations on a Korean internet forum that the actor had coerced her into getting an abortion while the two were dating. On October 20, 2021, in light of his ex-girlfriend's claims, he issued a public apology through his agency. As the ex-girlfriend's claims gathered public attention, a few companies such as Domino's Pizza quickly pulled their advertisements featuring Kim. Kim stepped down from being a permanent cast member of the KBS variety show 2 Days & 1 Night, and subsequently withdrew from film projects Dog Days and Lee Sang-geun's romantic comedy 2 O'Clock Date.

On October 20, 2021, Kim's ex-girlfriend issued a new statement, stating that there were some misunderstandings between them and that she has received an apology from him. She also apologised for causing unintentional damage. On October 26, 2021, a Korean gossip media Dispatch published testimonies challenging the abortion accusations of Kim's ex-girlfriend,[54], however no confirmation about this from either Kim Seon-ho or his ex-girlfriend. Following new reports, two companies began resuming advertisements featuring Kim. The production team of the film Sad Tropics also announced their decision to proceed with their project and list Kim as the lead actor. In July 2022, Kim Seon-ho later apologized for the controversies.

Disputes
Regarding issues about Kim Seon-ho’s page, as editor I respect consensus made on November 13, 2013. I didn’t do any edit of that section until December 29, 2022. My last edit was an attempt to reach compromise on the neutrality of the article. I respect administrator choice to lock the page and escalate the topic into dispute to reach another consensus. From hereafter I will refer to Kim Seon-ho as (Subject) and his ex girlfriend as A. Before my latest edit, other editor had concern about the existing article and made significant edit to the second paragraph. Summary as follow.

Context
As editor I adhere to WP:EVAL, always evaluate sources within the context of Wikipedia's content policies. Using published press coverage that refer to Dispatch, is FAIR base on WP:RSCONTEXT, that state sources which are generally unreliable may still be useful in some situations. WP:RSCONTEXT also stated that reliability of a source depends on Context. Each source must be carefully weighed to judge whether it is reliable for the statement being made in the Wikipedia article and is an appropriate source for that content. Considering weight, living persons have the highest of burden of proof the claims that editor is supporting, which should also be evaluated alongside the reliability of the sources cited. Section in discussion, cover how an accusation impact subject’s public image. So all the follow-up news coverages after the event must be reported. Paragraph one of the section describes the accusation and the consequences. Press coverages cited the accusation refer to material from Internet forum that unreliable per WP:UGC without proof accepted per WP:UBO. Paragraph two of the section served as Rebuttal of the accusation, for fairness, per WP:UBO, can use press coverage that refer to Dispatch. It necessary to describe why it’s False accusation, and how that’s turn of events changed public image of the subject. Per WP:UBO if Dispatch refer by many sources listed in WikiProject Korea/Reliable sources or Reliable sources, how accepted and high-quality reliable sources use a given source provides evidence, positive or negative, for its reliability and reputation. The more widespread and consistent this use is, the stronger the evidence.

Back to basic, checking sources by its definitions
Source must be judge with the basic according to SOURCEDEF. Dispatch articles must also be judge by these three concepts:
 * The piece of work itself
 * The creator of the work
 * The publisher of the work

The piece of work itself
The piece of works are exclusive reports from entertainment internet newspaper. Judging only with content of the piece of work, it’s clear that Dispatch did not base its report on rumor/anonymous sources. Dispatch did their own investigation with a team consist of two reporters (Article from October 26, 2021 ) & three reporters (Article from November 1, 2021 ). They have sources & witness which are acquaintances of Subject & A. Non disclosure of the sources (use of initial/term acquintances) is inline with journalism principle of reporter privilege of Source protection. It’s not the same with anonymous sources. Witnesses also provide proof in the form of chat screenshot. Their investigation suggested that Subject was victim of False accusation, in such accusations that are determined to be false based on corroborating evidence, of this type: an allegation that is false, in that it mixes descriptions of events that actually happened with other events that did not occur. This called citation attached from original report (Dispatch).

On afternoon of November 1, 2021, in SBS radio's "Current Affairs Task Force" (SBS라디오 ‘시사특공대’) episode 1101 SBS reporter Kang Kyung-yoon, appeared on to report her investigation. Her statement transcript according to Money Today as follow:

지금 '김선호가 나서서 언론플레이를 하고 있는 게 아니냐'는 얘기도 나오는데 제가 알기론 김선호씨는 전혀 대응을 하고 있지 않다"고 밝혔다. 김선호씨는 이 사태가 너무 충격적이어서 오히려 그냥 모든 것을 포기할 생각을 많이 하고 있다. 연예계 생활을 말씀드리는 거다. 신기한 건 지금 김선호 측이 나서는 게 아니라 A씨의 친구 분들이 나서는 것"이라고 말했다. 5~6명 정도의 친구들이 A씨와 주고 받았던 메시지나 A씨가 전달한 김선호씨의 문자 같은 걸 언론사에 제보하면서 '김선호의 지금 상황이 너무 안타깝다'고 주장하더라. 이런 상황은 처음 봐서 좀 신기하다.

Translation:

“There are people who say, "Isn't Kim Seon-ho taking lead in the media play?" but to my knowledge he's not taking any action at all. In fact he's so shocked by this whole situation that he's largely considering just giving up everything. I'm talking about his entertainment career. What's fascinating is that it's A's friends that are stepping up, not Kim Seon-ho's side. 5 to 6 of her friends tipped the media and handed over their texts exchanged with A and Kim Seon-ho's texts A sent to them, claiming 'Kim Seon-ho's current situation is too unfortunate.' I find it fascinating because I've never encountered such a situation.

This sources corroborates Dispatch on witnesses and text messages. Hence Korean press coverage published after November 1, 2021 refer to all three reports, then ask for statement from both parties. Regarding the Dispatch report, Kim's ex-girlfriend’s side told Chosun Ilbo that they were "confirming the content of the article" and had no particular position. Kim's agency SALT Entertainment refused to comment on the matter.

So in conclusion more updated press coverage by Korean medias covering this issue not only refer to one article but to five sources as follow: In journalism POV article that refer to five points above already adhere to fairness and accuracy in reporting.
 * 1) 1st Article: Dispatch Exclusive Report published on October 26, 2021
 * 2) 2nd Article: Dispatch Exclusive Report published on November 2, 2021
 * 3) SBS radio's "Current Affairs Task Force" (SBS라디오 ‘시사특공대’) episode 1101, that was broadcast on November 1, 2021, in afternoon with SBS reporter Kang Kyung-yoon. The broadcast is documented in SBS Network Website
 * 4) SALT Entertaintment statement (subject’s agency)
 * 5) Ms. A through her Legal Representative

Original content missed these details due relaying to only citation from SCMP. I propose to add citations from other reliable sources such as JoongAng Ilbo and Chosun Ilbo. Citing original pieces from Dispatch are also necessary because it gives reader access to the witness testimonies and proof. For the coherency of the contents, It’s important to include this information: Choiseon, a law firm, announced that on behalf of A they will take all possible legal measures against reports, posts, and comments of malicious content against A.

The creator of the work
Checking on the creator of the work, the journalist: "What do we know about that source's reputation?"


 * Dispatch reporter Team, Kim Ji-ho, Park Hye-jin, and Jung Tae-yoon. The three of them were Dispatch reporters who won the 386th Korea Journalists Association Press of the Month Award in 2022
 * Reporter Kang Kyung-yoon, is reporter of SBS, winner of Special Award the 354th Korea Journalists Association Press of the Month Award in 2019.

The publisher of the work
Checking on the publisher of the work. What do we know about that source's publisher (the original investigation).


 * Dispatch is a media company that obtained legal status as an Internet newspaper in March 2011 under the Newspaper Act. In January 2022, Dispatch was accepted into Korea Journalists Association.
 * SBS radio broadcast meet the necessary criteria to be considered as reliable sources as per WP:PUBLISHED because audio material that have been recorded then broadcast, distributed, or archived by a reputable party may also meet the necessary criteria to be considered reliable sources. SBS radio is a goverment owned and documented it’s broadcast in its official website: https://programs.sbs.co.kr/radio/sisahero/aods/65217

Random Notes
Then I’ll nominate the citation from Woman Chosun, part of The Chosun Ilbo. I mention seven companies. I hesitate to edit by myself because the source stated that the Japanese brand never privated their content. Not sure if I should edit it with most or seven.

Following new reports, seven companies began resuming advertisements featuring Kim.

Consider to add this to citation

Verifiability SOURCEDEF Wikipedia:Reliable sources

Wikipedia articles are required to present a neutral point of view. However, reliable sources are not required to be neutral, unbiased, or objective. Sometimes non-neutral sources are the best possible sources for supporting information about the different viewpoints held on a subject.