User:PrimaVista/Experiments

Franco-Flemish Polyphony
Capilla Flamenca specialises in Franco-Flemish polyphony, focusing on the music of around 1500. Multiple recordings and performances of religious and profane works by Pierre de la Rue, Josquin Desprez, Heinrich Isaac, Johannes Prioris, Jacob Obrecht, to name just a few, have been executed since the ensemble’s formation in the 1980’s. Over the years, the group’s interest has expanded to include earlier music, most notably the so-called Ars Nova and Ars Subtilior of the fourteenth century.

The group’s recordings and performances are characterised by thorough musicological research and by special attention to authentic performance. Capilla Flamenca's analysis is based on a careful study of the original sources, in co-operation with fellow musicologists. This includes solving the typical conondrums of early music, such as the use of musica ficta, the problem of text-setting, the correct use of mensural proportions, the decoding of canons and the authentic pronunciation of French, Flemish and Latin .

Summary

 * Sound sample from the song "Agnus Dei"
 * Song length: 4'11''
 * Reduced quality: Yes
 * Source : Pierre de la Rue. Missa Ave Maria, Vespera
 * Songwriter(s): Pierre de la Rue
 * Performed by: Capilla Flamenca and Psallentes
 * Producer(s): Musique en Wallonie
 * Copyright © 2005 MEW 0633

Rationale of fair use for “Agnus Dei” sample
This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:
 * It illustrates educational articles that discuss the authentic performance of early music, including the use of Latin regional pronunciation.
 * It is a sample of no more than 30 seconds from a much longer recording, and could not be used as a substitute for the original commercial recording or to recreate the original recording.
 * It is of a lower quality than the original recording.
 * It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
 * It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording.
 * The audio sample is a copyrighted work. U.S. copyright laws apply to this work. Should a free or public domain sample be located, it should be used in place of this audio sample.

Summary

 * Sound sample from the song "Belle sur toutes"
 * Song length: 6'11''
 * Reduced quality: Yes
 * Source : Canticum Canticorum. Eloge De L'amour. La Cantique Des Cantiques à la Renaissance,
 * Songwriter(s): Alexander Agricola
 * Performed by: Capilla Flamenca
 * Producer(s): Dirk Snellings
 * Copyright © 2004 Eufoda 1359

Rationale of fair use for Belle sur toutes sample
This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:
 * It illustrates an educational article that specifically discusses the Renaissance composer who composed this song.
 * It is a sample of no more than 30 seconds from a much longer recording, and could not be used as a substitute for the original commercial recording or to recreate the original recording.
 * It is of a lower quality than the original recording.
 * It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
 * It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording.
 * The audio sample is a copyrighted work. U.S. copyright laws apply to this work. Should a free or public domain sample be located, it should be used in place of this audio sample.

Summary

 * Sound sample from the song ""
 * Song length:
 * Reduced quality: Yes
 * Source : |
 * Songwriter(s):
 * Performed by:
 * Producer(s):
 * Copyright ©

Rationale of fair use for }}} | }} sample
This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:
 * It illustrates an educational article that specifically discusses the song from which this sample was taken. The section of music used is discussed in the article in relation to the song's lyrics, musical and vocal style, and may contain part of the song's chorus.
 * It is a sample of no more than 30 seconds from a much longer recording, and could not be used as a substitute for the original commercial recording or to recreate the original recording.
 * It is of a lower quality than the original recording.
 * It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
 * It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording.
 * The audio sample is a copyrighted work. U.S. copyright laws apply to this work. Should a free or public domain sample be located, it should be used in place of this audio sample.