User:Prosperosity/temp-sand

Music http://okmusic.jp/#!/i/collections/2203344 --> https://archive.is/RmtqT

Sakanalbum G-music= http://tieba.baidu.com/p/3544892168 http://jump.bdimg.com/mo/q---F3B2EB3C9DD7431DE3B18D003B793AA1%3AFG%3D1--1-3-0--2--wapp_1424050028989_450/m?kz=3553006265&is_bakan=0&lp=5010&pinf=1_1_0 http://www.webcitation.org/6duCXDgwj

Good-Bye vs. Eureka Chart Insight: http://www.billboard-japan.com/chart_insight/detail?kind=h100&date=2014-01-27&main=70476&sub=70478&sort=all#graph_sort=chartin_sales_radio_lookup_twitter&rank_or_point=rank&show_week=11 https://archive.is/2Ia4f

Hasu no Hana vs. Sayonara Chart Insight: http://www.billboard-japan.com/chart_insight/detail?kind=h100&date=2014-11-10&main=78194&sub=78579&sort=all#graph_sort=&rank_or_point=rank&show_week=11 https://archive.is/Z9UrB

=Data= GTTF+NF=Yamaguchi thought the album was quite pop-sounding, but the album wasn't received as pop, so tried to make their second album Night Fishing more accessable and pop. NF=more impressionist. Still not pop=opinions

http://web.archive.org/web/20110109071525/http://sakanaction.jp/news/archives_7.html 2010.05.29~2010.06.26 http://web.archive.org/web/20110109065641/http://sakanaction.jp/news/archives_6.html 2010.06.28~2010.07.09 http://web.archive.org/web/20110109064800/http://sakanaction.jp/news/archives_5.html 2010.07.10~2010.07.26 http://web.archive.org/web/20110109063346/http://sakanaction.jp/news/archives_4.html 2010.07.28~2010.08.20 http://web.archive.org/web/20110109002203/http://sakanaction.jp/news/archives_3.html 2010.08.25~2010.09.23 http://web.archive.org/web/20110108162831/http://sakanaction.jp/news/archives_2.html 2010.10.01~2010.11.30 http://web.archive.org/web/20110109002112/http://sakanaction.jp/news/archives.html 2010.12.09~2011.01.05

http://web.archive.org/web/20110501181743/http://sakanaction.jp/news/ 2011.03.18~2011.04.12

http://web.archive.org/web/20110726201822/http://sakanaction.jp/news/ 2011.07.14~2011.07.22 http://web.archive.org/web/20110808134350/http://sakanaction.jp/news/ 2011.07.20~2011.08.03 http://web.archive.org/web/20110826152101/http://sakanaction.jp/news/ 2011.08.11~2011.08.25 http://web.archive.org/web/20110927043132/http://sakanaction.jp/news/archives_3.html 2011.08.21~2011.08.29 http://web.archive.org/web/20110927043106/http://sakanaction.jp/news/archives_2.html 2011.08.29~2011.09.10 http://web.archive.org/web/20110925003634/http://sakanaction.jp/news 2011.09.15~2011.09.23

http://web.archive.org/web/20111107235041/http://sakanaction.jp/news 2011.10.25~2011.11.06 http://web.archive.org/web/20111209124637/http://sakanaction.jp/news 2011.11.06~2011.12.09

http://web.archive.org/web/20120120004251/http://sakanaction.jp/news/ 2011.12.21~2012.01.06 http://web.archive.org/web/20120303204157/http://sakanaction.jp/news/archives_3.html 2011.12.11~2011.12.21 http://web.archive.org/web/20120401085945/http://sakanaction.jp/news/archives_2.html 2012.02.03~2012.03.15 http://web.archive.org/web/20120423043434/http://sakanaction.jp/news 2012.03.20~2012.04.20 http://web.archive.org/web/20120513154231/http://sakanaction.jp/news/ 2012.04.20~2012.05.01 http://web.archive.org/web/20120703041836/http://sakanaction.jp/news 2012.05.26~2012.06.20

http://web.archive.org/web/20150226052556/http://sakanaction.jp/news/archives_20.html 2012.07.22~

http://web.archive.org/web/20150226052627/http://sakanaction.jp/news/archives_19.html 8.23~8.31

http://web.archive.org/web/20150226082759/http://sakanaction.jp/news/archives_18.html http://web.archive.org/web/20150226082827/http://sakanaction.jp/news/archives_17.html http://web.archive.org/web/20150226082851/http://sakanaction.jp/news/archives_16.html http://web.archive.org/web/20150226082919/http://sakanaction.jp/news/archives_15.html http://web.archive.org/web/20150226082940/http://sakanaction.jp/news/archives_14.html http://web.archive.org/web/20150226082959/http://sakanaction.jp/news/archives_13.html http://web.archive.org/web/20150226083017/http://sakanaction.jp/news/archives_12.html http://web.archive.org/web/20150226083030/http://sakanaction.jp/news/archives_11.html http://web.archive.org/web/20150226083035/http://sakanaction.jp/news/archives_10.html http://web.archive.org/web/20150226083040/http://sakanaction.jp/news/archives_9.html http://web.archive.org/web/20150226083044/http://sakanaction.jp/news/archives_8.html http://web.archive.org/web/20150226083047/http://sakanaction.jp/news/archives_7.html http://web.archive.org/web/20150226083052/http://sakanaction.jp/news/archives_6.html http://web.archive.org/web/20150226083056/http://sakanaction.jp/news/archives_5.html http://web.archive.org/web/20150226083147/http://sakanaction.jp/news/archives_4.html http://web.archive.org/web/20150226083150/http://sakanaction.jp/news/archives_3.html http://web.archive.org/web/20150226083154/http://sakanaction.jp/news/archives_2.html http://web.archive.org/web/20150226083230/http://sakanaction.jp/news/archives.html ~2015.02.10

Live
01."FISH ALIVE"30min., 1 sequence by 6 songs SAKANAQUARIUM 2009＠SAPPORO 2009 AME(B)～ライトダンス～インナーワールド～minnanouta～

4."FISH ALIVE chapter2" 1 sequence by 3 songs - SAKANAQUARIUM 2009 @ SAPPORO 2010 アドベンチャー

Identity single DVD//SAKANAQUARIUM 2010 "kikUUiki"-5.15.新木場STUDIO COAST- (CD-EXTRA) 1.21.1 2.明日から 3.Klee 4.Paradise of Sunny

2010年10月8日 日本武道館公演 (B) 1.Ame(B) 2.ライトダンス 4.アドベンチャー 5.Klee 6.フクロウ 7.涙ディライト 8.アンダー 9.シーラカンスと僕 10.マレーシア32~21.1~Paradise of Sunny 12.インナーワールド 16.enough 17.GO TO THE FUTURE 「SAKANAQUARIUM 2010“kikUUiki”」ツアーファイナルとなった2010年5月15日・新木場STUDIO COAST (C) 1.21.1　2.明日から 3.表参道２６時 5.アドベンチャー 6.Klee 7.YES NO 8.アンダー 9.シーラカンスと僕 10.Paradise of Sunny 11.ライトダンス 12.インナーワールド 16.壁 18.潮

SAKANAQUARIUM 2011 DocumentaLy　-LIVE at MAKUHARI MESSE- 01. RL 02. モノクロトウキョー 04. アドベンチャー 05. 仮面の街 06. Klee 07. アンタレスと針 08. years 09. 流線 13. DocumentaRy 17. ドキュメント

SAKANAQUARIUM 2013 sakanaction -LIVE at MAKUHARI MESSE 2013.5.19- 03.M 06.multiple exposure 07.mellow 08.ボイル 09.アルデバラン 10.なんてったって春 16.アドベンチャー 19.ストラクチャー 21.朝の歌 22.映画

SAKANATRIBE 2014 -LIVE at TOKYO DOME CITY HALL- 4. 表参道26時 5. 哀愁トレイン 6. Klee 8. シーラカンスと僕 9. 流線 12. インナーワールド 14. SAKANATRIBE 15. モノクロトウキョー 19. Ame(B) -SAKANATRIBE MIX-

LiveReports
2nd ALBUM TOUR 2008「NIGHT FISHING IS GOOD」 http://www.hmv.co.jp/en/news/article/805190140/

「SAKANAQUARIUM 2011 ZEPP ALIVE」Zepp Tokyo http://natalie.mu/music/news/52143

the telephones Presents "Last Party ～We are DISCO!!!～" http://natalie.mu/music/news/164965

SAKANAQUARIUM 2015－2016“NF Records launch tour” http://www.oricon.co.jp/special/48384/ http://natalie.mu/music/news/164420

http://www.nexus-web.net/column/20120211_version211/ http://www.nexus-web.net/column/joinalive2012/ http://www.nexus-web.net/live/future/sakanaction/ http://www.nexus-web.net/live/future/sakanaction_taiwan/ http://www.nexus-web.net/column/joinalive2013/ http://www.nexus-web.net/live/future/sakanatribe/ http://www.oricon.co.jp/special/542/ http://www.oricon.co.jp/special/48384/ http://web.archive.org/web/20150425001111/http://www.whatsin.jp/feature/sakanaquarium-2014-sakanatribe http://web.archive.org/web/20150425075600/http://www.whatsin.jp/feature/sakanaction-sakanactionlive http://web.archive.org/web/20150424234803/http://www.whatsin.jp/review/44484 http://www.hmv.co.jp/en/news/article/805190140/

Remix

 * Ame(B)-SAKANATRIBE×ATM version- (Sayonara 2014)
 * Eiga 映画（AOKI takamasa Remix） (Good-Bye 2014)
 * Eiga 映画 (コンテ 2012/11/16 17:24) [5:06] (Music 2012)
 * Go to the Future (2006 Ver.)" (Natsukashii Tsuki wa Atarashii Tsuki: Coupling & Remix Works 2015)
 * Light Dance ライトダンス YSST Remix 2011 (Remixed by Yoshinori Sunahara) (Bach 2011)
 * Light Dance YSST Remix 2015 (Remixed by Yoshinori Sunahara)" (Natsukashii Tsuki wa Atarashii Tsuki: Coupling & Remix Works 2015)
 * Structure(Extended Mix) (INORI EP 2013.06.26 )
 * YES NO（AOKI takamasa remix） (Identity 2010)

=Shin Takara Jima=

"Shin Takara Jima" (新宝島) is a song by Japanese band Sakanaction.

Background and development
-announced July 1 -Oct 3 roadshow. "strong upper tempo rock tune". -first work together as a band after Kusakari's pregnancy. -song was inspired by Bakuman and Shonen Jump's heyday. Theme was "drawing a line" -a musician sympathising with the "pain of making something", just like the characters. -also expressed his desire to find new ground for the band. -same title as Tezuka's 1947 manga. Y had not read much manga before, so researched for the part. Old manga left a strong impression on him. -lyrics took 6 months to write. -Ohne=wanted to create a film where music and film were closely linked in a way not seen before.

-having SKN as the musical artist was the first thing Ohne thought of when the film project was made, before the content or the cast. -first time it had taken him six months to write a song. When he couldn't write the lyrics, Ohne said "自分の線を引けるようになることが漫画家の一人前の証だ" (Being able to change yourself, just as you would draw a line, is the sign of adulthood in a mangaka." This made him wonder if he could link the idea of the "pain of producing" a musician feels with that of a mangaka's.

-SNG August 4. -title was directly inspired by Tezuka.

Writing and inspiration
http://sakanaction.jp/news/detail.php?id=802 http://music.emtg.jp/news/20150906335502854

http://natalie.mu/music/news/159844 http://natalie.mu/music/news/163177 http://natalie.mu/music/news/162030

SHINTAKA -lyrics took half a year to write. The band's two previous singles had introspective lyrics, and a slow tempo, and the songs were in a minor key. Yamaguchi thought that this style of song would not suit Bakuman, it would be too solemn. -When he was struggling with ideas, he asked Ohne, who gave him the theme of "a shameless graduation song, like its linking to the sequel" 次につながるような、あつかましくない卒業ソング -Yamaguchi didn't simply want a song that matched the film, he wanted a song that would also match SKN's story. Decided the "linking to the next" theme would work with the band's own activities. -Yamaguchi had to ask for an extension to finish writing the song, however Ohne was very happy with the results. He empathized with Yamaguchi, likening it to his own experience as a screenwriter, as he had taken six extra months to write the script of Bakuman.

Cover artwork
-two covers. -Takeshi Obata drawn special edition. Bakuman heroine Miho Azuki. Partially finished drawing, same style of uniform as Nana Komatsu wears in the film. -3 versions: CD only, CD/DVD and 2CD/DVD special version. second CD=Motion music of Bakuman.

Critical reception
http://music.emtg.jp/pickUp/20150906351c6862d http://www.liquidroom.net/review2/201510/%E6%96%B0%E5%AE%9D%E5%B3%B6/ http://artist.cdjournal.com/d/-/4115080203

Commercial reception
Rival sales tracking agency SoundScan Japan noted that the Bakuman Box version of the single was the most popular edition sold, with 13,000 physical copies tracked. The single's other two physical editions did not chart well enough to be noted in the top twenty releases that week.

Shiranami
-Shiranami. Hiroshi Kondō's directorial debut. Wanted to create sensory impressions, rather than a storyline.

Shiranami 04. 白波トップウォーター NIGHT FISHING IS GOOD TOUR 2008 in SAPPORO 18.白波トップウォーター 2010年10月8日 日本武道館公演 (B)

Slow Motion
-Slow Motion: inspired by the image of 1980s Japanese singers such as Junichi Inagaki and Akina Nakamori, similar to how Omotesando26-ji was.

http://sakanaction.jp/news/detail.php?id=604

Montage
Montage Dir=Daisuke Shimada (Qotori film) Cast: Sophie Hair/make-up Asami Nemoto Prod. Sojiro Kamatani, Azusa Toki, Miki Tanaka (qotori film)

-Montage. "visual music session". four blocks: montage sensibilité, latitude, exposition, multiple. Meant to be an experiment, fragmented pieces. (director/cameraman Daisuke Shimada, cast Sophie Agosta, hair & make-up Asami Nemoto, production company Qotori Film (Sōjirō Kamatani, Azusa Toki, Miki Tanaka

SentoRei
http://www.hotexpress.co.jp/news/ranking_081212/index.html http://news.livedoor.com/article/detail/3937662/ http://www.hotexpress.co.jp/news/ranking_081212/special.html

Years
http://sakanaction.jp/news/detail.php?id=602

Document (song)
-Document. A story of a female stalker in Yamaguchi's home. Shot in Yamaguchi's actual room, with his actual household items. (director, cameraman Yasuyuki Yamaguchi, cast Kanae Hoshiba, lighting Masatoshi Takizawa, stylist Yūya Maeda, hair & make-up Kenji Ishida, producer Hideyuki Nomura, production company OMB

Natsukashii
Rival sales tracking agency SoundScan Japan tracked the CD/Blu-ray edition as being more popular than the CD/DVD in the album's first week, with each edition selling 12,000 and 8,000 physical copies respectively. The 2CD edition, however, did not sell enough copies to chart in the top 20 releases for that week.

Yamaguchi feels that coupling tracks express the internal attitudes of musicians more than album tracks or leading songs in singles. For songs that do not suit the needs of commercial promotion like a B-side does, Yamaguchi feels that these types of songs express the artist as they are in that moment.

http://artist.cdjournal.com/d/-/4115061719

http://www.jvcmusic.co.jp/sakanaction/coupling_remix/

Years PV Felt the director made a beautiful PV based on the atmosphere and words of the song.

SM PV feels like Okumura subverted the song in a good way.

A-sides=what the band thinks the audience wants, or what their tie-up clients want. B-sides=personal. Feel SKN's existence. Songs were made to counter the A-side tracks. Remixes=picked musicians Yamaguchi respects. Wants to keep releasing singles, so that people can see both the hyou and ura sides of SKN. Reason why B-sides and remixes on singles. Felt the B-side disc was very dark. Goodbye NWR=asked to think of Japan in 2045 and make the music.

http://music.emtg.jp/pickUp/20150806104463840

Sakanaquarium DVD
http://ro69.jp/disc/detail/91996 http://www.whatsin.jp/review/44484 http://ro69.jp/news/detail/43560 http://ro69.jp/news/detail/46615

https://itunes.apple.com/jp/album/sakanaquarium-2012-zepp-alive/id573806197?l=en

Sakanaquarium 2013 http://music.emtg.jp/pickUp/201311030125a01f0

http://tower.jp/item/2824143/SAKANAQUARIUM-2010-(B)(C)(D)%EF%BC%9C%E5%88%9D%E5%9B%9E%E9%99%90%E5%AE%9A%E7%9B%A4%EF%BC%9E

http://tower.jp/item/3042130/SAKANAQUARIUM-2011-DocumentaLy--LIVE-at-MAKUHARI-MESSE-%EF%BC%9C%E9%80%9A%E5%B8%B8%E7%9B%A4%EF%BC%9E

http://tower.jp/item/3293856/SAKANAQUARIUM-2013-sakanaction--LIVE-at-MAKUHARI-MESSE-2013-5-19--%5bBlu-ray-Disc%EF%BC%8B%E8%B1%AA%E8%8F%AF%E3%83%96%E3%83%83%E3%82%AF%E3%83%AC%E3%83%83%E3%83%88%5d%EF%BC%9C%E5%88%9D%E5%9B%9E%E9%99%90%E5%AE%9A%E7%9B%A4%EF%BC%9E

Sakanarchive
http://tower.jp/item/2997247/SAKANARCHIVE-2007-2011~%E3%82%B5%E3%82%AB%E3%83%8A%E3%82%AF%E3%82%B7%E3%83%A7%E3%83%B3-%E3%83%9F%E3%83%A5%E3%83%BC%E3%82%B8%E3%83%83%E3%82%AF%E3%83%93%E3%83%87%E3%82%AA%E9%9B%86~

OTHER
http://www.barks.jp/news/?id=1000061561 http://ro69.jp/news/detail/46791 http://www.barks.jp/news/?id=1000069672 http://www.barks.jp/news/?id=1000075454 http://www.barks.jp/news/?id=1000081111 http://www.barks.jp/news/?id=1000111348 http://thefuturetimes.jp/archive/no04_extra/yamaguchi/ http://www.oricon.co.jp/special/626/ http://mnavi.roland.jp/sp/interview/201205_01.html

-felt that the band changed after Kurakari joined, suddenly groovier. -Yamaguchi feels influenced by Sleepy.ab, who included ambient aspects in their music.

-SKN rule: if the song can't be played on an acoustic guitar then it doesn't become a sakanaction song.

-during NF era, thought about becoming an instrumental band in the future. -wants to release songs as サカナクション, and instrumental songs overseas as "sakanaction".

-Used to make songs with temporary English lyrics, and afterwards put Japanese lyrics to songs, like "Shiranami Top Water" (誘惑　罠=wack wanna)

-asked Iwadera as he had free time. -Iwadera hated the name Sakanaction, but Yamaguchi wore him down until he eventually accepted. -Considered the name フィルムズ, due to how their early concerts always included a visual aspect, but decided against it because of the 1980s Japanese act featuring Chuji Akagi that already had used that name. -Ejima always used to go to Dutchman concerts.

http://web.archive.org/web/20150224042123/http://www.tfm.co.jp/lock/staff/onair/2010/0930/ Other kimino-me

Songwriting http://www.tfm.co.jp/lock/sakana/index.php?blogid=4&archive=2013-8-1

iTunes Japan Sound of 2009 techno rock technopop new wave house electronic

-band broke up when Yamaguchi wanted to add electronic elements to their music. Wasn't rock. -after performing as a DJ realised he wanted to perform electronic music in the style of rock. -Ejima=previous band's fan. Okazaki=coworker at the reocrd store where he worked. Kusakari=worked as a support bassist for many bands in Sapporo. -everyone became official members for the application process for RISING SUN ROCK FESTIVAL 2006 in EZO.

-feels like Hatos design team are members

EARLY BAND -Ejima=originally jazz and rock, didn't know club. "allergy" to four on the floor. -Okazaki=hard rock fan who did classical music.

feels like Sakanaction are a band that don't just express themselves artistically in music, but with music videos, live concerts and artworks too.

YAMAGUCHI -usually makes music before lyrics. Feels like his lyrics are haiku: puts word limits on the ideas he wants to express.

Yamaguchi lived in Gifu when he was very small.

- in 2013 expressed his desire to branch out and make a label/music channel/music program, due to his ear condition. Always sees himself as someone who'll make music.

GENERAL -two types of songs on Sakanaction singles: singles that put forward SKN's world views, and those that put forward a new Sakanaction sound. (StR, AA, ID)

1st era SKN=Yamaguchi DJed Iwaderi adlibbed guitar over top. SKN name=ichiro likes fishing, make the word "sakana" cool. majhor debut=not want to be famous, but want to experience the world of major label music in Japan. -Yamaguchi=biggest influence is Japanese literature. Got into music as a way to express the beautiful sentences he came across to a wider group. Feels that he is like a folk musician. -at his dad's cafe came across Kraftwerk YMO Beatles Simon and Garf.

MAGIC TIME (SMAP) -produced at the same time as the Identity single. Because it was such a rare opportunity for the band, Yamaguchi wanted to make something that he could not sing with the band. Wrote a delusional love song.

http://realsound.jp/2015/09/post-4601.html

Yuzu's "With You" d-melo was inspired by Sakanaction.