User:Quadrantdub

Film
For filmmakers and audiences alike, there is an unspoken appeal for disabled people on screen. Films have an impact in shaping society's views of specific groups. For films with disability, these views and stereotypes are drawn from social institutions and norms in Western culture. Several influential pieces of writing that predate film which include disability: These examples point to a reoccurring theme of disability in mainstream culture and in film, it is pervasive and often overlooked. One theory movie goers continue to watch films with disability is explained psychologically. In Sigmund Fraud's 1919 essay Uncanny, he attributes the fear of disability as a substitute for castration anxiety and veering from the norm Disability in film can be categorized into three eras: silent film to the 1930s, 1940s to the 1970s, and post 1970s.
 * Moby-Dick, Captain Ahab's sole purpose is to take revenge on the whale that made him disabled.
 * The Old Testament, disability as a punishment from God is found in several passages.
 * Richard III (play) by William Shakespeare, there is a character, Richard Crookback, whose disability and villainy are inseparable.

Silent films to the 1930s
One of the first disability films is Thomas Edison's Fake Beggar in 1898. This short film of fifty seconds, is about a fake beggar who poses as blind, but is eventually caught by the police. . Early depictions of the disabled involved criminality and freak shows. In this era, scientist tried to rationalize and catalog people’s abnormalities,for example Francis Bacon attempt in 1620 to Isidore Geoffroy Saint-Hillaire actualized catalog in the 1830s. In addition, Cesare Lombroso, a criminal anthropologist, drew a direct correlation between body and mind as a sign of degeneracy. This idea points to a common trope, one of the disabled criminal. Furthermore, these early films coincided with the accepted idea of eugenics at the time, leaning heavily towards the medical model of disability.
 * The Cabinet of Dr. Caligari contains the trope of the insane hypnotist, Dr. Caligari, as a criminal and villain. The disabled insane criminal in this film also touches on another stereotype, the one of the disabled person exacting revenge on the non-disabled world.  This reaction assumes the nefarious character also has a loss of humanity .  Also, the expressionist style of shooting, gives the viewer a distinct perspective of a mentally disabled person.
 * Freaks (film) is a exploitative film by definition. This is achieved through the use of real disabled and freak show actors in the film.  Though director Todd Browning is able to show the humanity of the freaks through marriage, birth, community, and other aspects of being a human, the second half of the film reverts to a dehumanizing revenge scene.  The abnormal bodies are a metaphor for a lack of emotional and spiritual capacity, that the latter part of the film displays .  The freak show characters are also placed in the center framing of many shots, as spectacles.

1940s to the 1970s
This era of disability films can be described as post-war films. The trope of the disabled alcoholic veteran in a wheelchair became passe. The WWII and the Vietnam War were publicly perceived and reacted to differently, therefore representations of disabled veterans from these respective wars were also different. Post-traumatic stress is a reoccurring theme in the 1970s, as actions films that previously upheld American culture and values, no longer did as a result of the Vietnam War.
 * The Men used paraplegic veterans of WWII. It documented the lives of returning veterans. This film is able to move past veterans bound by wheelchairs and to show another side of their lives.  However, there are instances of characters in the film who speak about their disability in spite
 * In The Conversation, private surveillance expert Harry Caul realizes that one of his recording jobs will result in a murder. As a result, Harry refuses to hand over the recordings.  This leads him into a spiral of helplessness, where Harry is no longer in control of his precious privacy.  This exemplifies PTSD, as the protagonist is betrayed by authority and in a position of powerlessness.
 * The Deer Hunter followed a group of returning veterans in varying conditions. However, the stereotype of the helpless disabled veteran is not evident in this film.  Though for the much of the film the disabled character, Steven, is in a place of powerlessness.  In the last scene, the group comes together singing God Bless America and toasting, representing his return to group society and away from the helpless disabled person.

Post 1970s
Contemporary films have attempted more nuanced and humanistic portrayals of the disabled. One particular movement, Dogme 95, attempted to change the standard narratives, aesthetics and productions of studio film. However, modern films sometimes also slip back to negative tropes, in example Hook (film), which brought back a stereotypical villain in Captain Hook.
 * Lars and the Real Girl is about a withdrawn young man who has a relationship with his sex doll, who is wheelchair bound. The townspeople are hesitant to accept Lars' companion, but eventually welcome her into the community.  The doll, Bianca, represents a wheelchair bound disabled person, who is accepted.  Furthermore, Lars' uses the doll for the community to accept his disability.
 * Julien Donkey Boy. Where director Harmony Korine attempts to film a character with untreated schizophrenia in a nuanced perspective .  Following the Dogme 95 movement, it is shot in an unfiltered manner and anti-hollywood style.  In addition, there are scene where disabled characters create artistic and creative performances, a divergence from disability tropes