User:Rakkaus-muki-2/ukiyo-e (outline)

''Mapping en:wikipedia articles in an outline format to see what is already there. Primarily for own use, possibly for later publishing in the mainspace when more complete. Hope this does not get removed as it is also the core structure of my contributions to Finnish Wikipedia.''

General

 * Ukiyo-e
 * List of ukiyo-e terms
 * Woodblock printing in Japan

Main genres
Ukiyo-e had six main genres.


 * Bijin-ga - ”Pictures of beautiful women”
 * Fukei-ga - Ladscape images
 * Kachō-e or Kachō-ga (花鳥画); paintings of flowers and birds - Flowers and birds
 * Musha-e (武者絵); warrior print
 * Shunga (春画, "spring image"); erotically-themed art
 * Yakusha-e (役者絵); prints of kabuki actors

Minor genres
There were numerous minor- or subgenres. Some were used during Edo-period, some are later classifications of works and styles.


 * Based on theme or content
 * Jōge-e (上下絵); prints that can be viewed from either top or bottom
 * Mitate-e
 * Muzan-e
 * Namazu-e (鯰絵); prints depicting the Japanese mythological giant catfish, the Namazu (鯰)
 * Senso-e (戰爭絵); prints depicting the Sino-Japanese and Russo-Japanese Wars
 * Shin-hanga (新版画, "New prints"); 20th century ukiyo-e revival prints
 * Shini-e
 * Sumo-e
 * Yūrei-zu
 * Based on printing medium
 * Kuchi-e
 * Uchiwa-e (団扇絵); prints on paddle-shaped hand fans (uchiwa)
 * Based on printing format
 * Hashira-e (柱絵, "pillar print"); a print size about 28 by 4.5 inches (71 cm × 11 cm)
 * Kakemono-e (掛物絵); an ōban diptych arranged one above the other (also a hanging scroll painting)
 * Based on printing technique
 * Aizuri-e (藍摺絵); "blue picture" Printed entirely or predominantly in Preussian blue
 * Aka-e (赤絵); "red picture" Printed entirely or predominantly in red
 * Benizuri-e (紅刷絵, "crimson picture"); primitive ukiyo-e style prints, usually printed in pink and green
 * Ishizuri-e
 * Kappazuri (合羽摺); prints of a single colour (usually black) coloured by stenciling. Prints produced entirely by stenciling, without woodblocks, are also called kappazuri.
 * Nishiki-e (錦絵); multi-coloured woodblock printing
 * Sumizuri-e
 * Tan-e
 * Urushi-e (漆絵); paintings painted with lacquer, and a printing style using ink that resembles the darkness and thickness of black lacquer
 * Based on compositional devices
 * Komochi-e (子持絵); prints with moveable parts
 * Megane-e
 * Ogao-e - Extereme close-ups showing full face
 * Ōkubi-e (大首絵); portrait prints, busts
 * Uki-e (浮絵, "floating picture"); a picture using linear perspective
 * Based on region
 * Kamigata-e
 * Nagasaki-e
 * Yokohama-e (横浜絵); prints depicting non-East Asian foreigners and scenes of Yokohama.

Paintings

 * Nikuhitsu-ga (肉筆画); a painting in the ukiyo-e style

Woodblock printing

 * Woodblock printing in Japan
 * Printing techniques
 * Bokashi (printing) (ぼかし); technique of applying a gradation of ink to a moistened block to vary lightness and darkness (value) of a single colour
 * Fudezaishiki (筆彩色); colouring with a paintbrush
 * Furikake (振り掛け); powdered minerals or metals sprinkled onto a print during the production process
 * Ishizuri-e (石摺絵); a print that mimics a stone rubbing, with uninked images or text on a dark, usually black, background
 * Ita-bokashi (板ぼかし, "block shading"); a technique for producing gradation achieved by sanding or abrading the edges of the carving
 * Kappazuri (合羽摺); prints of a single colour (usually black) coloured by stenciling. Prints produced entirely by stenciling, without woodblocks, are also called kappazuri.
 * Karazuri (空摺); dry printing, embossing
 * Kasure-bori (掠れ彫り, "scratch carving"); style of woodblock carving imitating dry brushstrokes
 * Kirazuri-e
 * Kojita-e (小下絵); a rough sketch
 * Shita-e (下絵); final preparatory drawing pasted onto the block for printing
 * Shomen-zuri (正面摺, "front-printing"); a polishing technique sometimes used to create a shiny surface on black areas in print
 * People working in the printing process
 * Horishi (彫師); a carver of woodblocks
 * Surishi (摺師); a printer
 * Tools and materials
 * Baren (馬連、馬楝); a tool used to rub the back of a sheet of paper to pick up ink from the block
 * Furikake (振り掛け); powdered minerals or metals sprinkled onto a print during the production process
 * Iro-ban (色板); a colour block
 * Washi (和紙); traditional Japanese paper
 * Identification found in prints
 * Aratame (改); "examined" character found in many censor seals
 * Censor seal; from 1790 until 1876 all woodblock prints had to be examined by official censors, and marked with their seals
 * Ganso (元祖); "founder" prefix, used on a print to indicate the publisher
 * Kakihan (書き判); the artist's tag, used on prints with (or instead of) a signature
 * Kiwame (極); "approved" character found in many censor seals
 * Print sizing
 * Chūban (中判); a print size about 7 by 10 inches (18 cm × 25 cm)
 * Chūtanzaku (中短冊判); a print size about 14 by 5 inches (36 cm × 13 cm)
 * Hosoban (細判); a print size about 13 by 5 inches (33 cm × 13 cm)
 * Mameban (豆判); a print size about 4.75 by 3.2 inches (12.1 cm × 8.1 cm), sometimes called a "toy print"
 * Ōban (大判); a print size about 15.5 by 10.5 inches (39 cm × 27 cm)
 * Shikishiban (色紙判); a print size about 8 by 7 centimetres (3.1 in × 2.8 in), often used for surimono
 * Print formats
 * Gafu (画譜); album
 * Hanga (版画); a print
 * Tate-e (縦絵); a print in vertical or "portrait" format
 * Yoko-e (横絵); a print in horizontal or "landscape" format

Books and book printing

 * E-hon (絵本); "picture book"

Schools of designers

 * Schools (流派): Schools of ukiyo-e artists
 * Kaigetsudō school
 * Katsukawa school
 * Torii school
 * Utagawa school
 * List of Utagawa school members

Designers and works
This classification follows a chronological structure. The division to smaller eras is based on developments in printing technique and the publishing industry and clear breaks created by government interventions through reforms. The eras are not based on the controversial classification introduced by early British writers on Ukiyo-e. Artists are classified to eras based on where they are usually classified in literature, years when active or date of birth.


 * The era of monochromatic and hand-colored prints (-1765)
 * Kanbun Master
 * Iwasa Matabei (1578–1650)
 * Hishikawa Moronobu (1618–1694)
 * Sugimura Jihei
 * Torii Kiyonobu I (c. 1664–1729)
 * Kaigetsudō Ando ( c.  1671–1743)
 * The introduction of color printing (1765–1780). With color ukiyo-e grew more popular. New themes and genres were introduced.
 * Okumura Masanobu (1686–1764)
 * Suzuki Harunobu (1725–1770)
 * Print series
 * Zashiki Hakkei
 * Katsukawa Shunshō (1726–1793)
 * Isoda Koryūsai (1735 – c.  1790)
 * Kitao Shigemasa (1739–1820)
 * Utagawa Toyoharu
 * High-end color printing (1780–1804). The era sometimes referred to as the peak period of ukiyo-e. Mature printing methods, specialized printing techniques and expensive prints for ecclectic audience.
 * Torii Kiyonaga (1752–1815)
 * Utagawa Toyokuni (1769–1825)
 * Individual prints
 * Eijudō Hibino at Seventy-one (Toyokuni I)
 * Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai (Toyokuni I)
 * Kitagawa Utamaro (1753–1806)
 * Print series
 * Fujin Sōgaku Jittai and Fujo Ninsō Juppin
 * Hokkoku Goshiki-zumi
 * Kasen Koi no Bu
 * Kasumi-ori Musume Hinagata
 * Kōmei Bijin Rokkasen
 * Seirō Jūnitoki
 * Sugatami Shichinin Keshō
 * Utamakura
 * Utamaro's pictures of abalone divers
 * Individual prints
 * Fujin Tomari-kyaku no Zu
 * Hari-shigoto
 * Kushi
 * Musashino
 * On Top and Beneath Ryōgoku Bridge
 * Three Beauties of the Present Day
 * Tsuitate no Danjo
 * Paintings
 * Shinagawa no Tsuki, Yoshiwara no Hana, and Fukagawa no Yuki
 * Tōshūsai Sharaku (1794–1795)
 * List of works by Sharaku
 * Chōbunsai Eishi (1756–1829)
 * Eishōsai Chōki
 * Late Edo Period (1804–1868). The expanding industry and introduction of new subject matter. Audiences of ukiyo-e expanded as prints and picture books became popular culture. They were produced in vast quantities for varied market segments at different price levels.
 * Katsushika Hokusai (1760–1849) expanded ukiyo-e subject matter to landscapes and introduced western elements
 * Print series
 * Oceans of Wisdom
 * Thirty-six Views of Mount Fuji
 * A Tour of the Waterfalls of the Provinces
 * Individual prints
 * Fine Wind, Clear Morning
 * Great Daruma
 * The Great Wave off Kanagawa
 * Kajikazawa in Kai Province
 * Sundai, Edo
 * Thunderstorm Beneath the Summit
 * Tiger in the Snow
 * A View of Mount Fuji Across Lake Suwa
 * Book illustrations
 * The Dream of the Fisherman's Wife
 * Hokusai Manga
 * One Hundred Views of Mount Fuji
 * Utagawa Hiroshige (1797–1858) is primarily known for his landscape series
 * Print series
 * The Fifty-three Stations of the Tōkaidō
 * The Sixty-nine Stations of the Kiso Kaidō
 * Eight Views of Ōmi
 * Famous Views of the Sixty-odd Provinces
 * One Hundred Famous Views of Edo
 * Thirty-six Views of Mount Fuji (Hiroshige)
 * Individual prints
 * Plum Park in Kameido
 * Sudden Shower over Shin-Ōhashi bridge and Atake
 * Katsukawa Shunchō
 * Keisai Eisen (1790–1848)
 * Print series
 * The Sixty-nine Stations of the Kiso Kaidō
 * Utagawa Kuniyoshi (1798–1861)
 * Individual prints
 * Takiyasha the Witch and the Skeleton Spectre
 * Utagawa Kunisada (1786–1865)
 * Individual prints
 * Fan print with two bugaku dancers
 * Female Ghost (Kunisada)

Meiji period (1868–)

 * Ohara Koson
 * Tsuchiya Koitsu
 * Imao Keinen

Publishers

 * Nishimura Yohachi
 * Tsutaya Jūzaburō

Hanmoto (版元); a publisher

Related themes

 * Surimono (摺物); privately commissioned prints for special occasions such as the New Year
 * Edo period (江戸時代, Edo jidai); dating from 1603 to 1868, the period when Japanese society was under the rule of the Tokugawa shogunate
 * Geisha (芸者); a common subject in ukiyo-e
 * Kamigata (上方); region of Japan referring to the cities of Kyoto and Osaka
 * Kisokaidō (中山道); one of the Five Routes of the Edo period
 * Mount Fuji (富士山, Fujisan); the highest mountain in Japan, a common subject
 * Tenpō Reforms (天保の改革, Tenpō no kaikaku); an array of economic policies introduced in 1842 by the Tokugawa Shogunate, precursor to Meiji Restoration
 * The Tales of Ise (伊勢物語, Ise monogatari); an uta monogatari, or collection of waka poems and associated narratives, dating from the Heian period
 * Tōkaidō (東海道); the most important of the Five Routes of the Edo period
 * Ukiyo (浮世, "the floating world"); the culture of Edo-period Japan (1600–1867)
 * Waka (和歌); Japanese poetry