User:Reading Beans/sandbox/

Content

 * "The Blue House" by Dilman Dila
 * "March Magic" by WC Dunlap
 * "IRL" by Steven Barnes
 * "The Deification of Igodo" by Joshua Omenga
 * "Mami Wataworks" by Russell Nichols
 * "Rear Mirror" by Nuzo Onoh
 * "Door Crashers" by Franka Zeph
 * "The Soul Would Have No Rainbow" by Yvette Lisa Ndlovu
 * "A Dream of Electric Mothers" by Wole Talabi
 * "Simbi" by Sandra Jackson-Opoku
 * "Housewarming for a Lion Goddess" by Aline-Mwezi Niyonsenga
 * "A Knight in Tunisia" by Alex Jennings
 * "The Devil Is Us" by Mirette Bahgat
 * "Cloud Mine" by Timi Odueso
 * "Ruler of the Rear Guard" by Maurice Broaddus
 * "Peeling Time (Deluxe Edition)" by Tlotlo Tsamaase
 * "The Sugar Mill" by Tobias S. Buckell
 * "The Carving of War" by Somto Ihezue Onyedikachi
 * "Ghost Ship" by Tananarive Due
 * "Liquid Twilight" by Ytasha Womack
 * "Once Upon a Time in 1967" by Oyedotun Damilola Muees
 * "A Girl Crawls in a Dark Corner" by Alexis Brooks de Vita
 * "The Lady of the Yellow-Painted Library" by Tobi Ogundiran
 * "When the Mami Wata Met a Demon" by Moustapha Mbacké Diop
 * "The Papermakers" by Akua Lezli Hope
 * "A Soul of Small Places" by Mame Bougouma Diene and Woppa Diallo
 * "Air to Shape Lungs" by Shingai Njeri Kagunda
 * "Hanfo Driver" by Ada Nnadi
 * "Exiles of Witchery" by Ivana Akotowaa Ofori
 * "The Taloned Beast" by Chinelo Onwualu
 * "Star Watchers" by Danian Darrell Jerry
 * "Biscuit & Milk" by Dare Segun Falowo

Reception
It is nominated for the 2023 NAACP Image Awards for Outstanding Literary Work – Fiction. NPR named it amongst their Best of the Year pick. Book Riot called it the Best SFF of the Year pick. It earned a starred review from Publishers Weekly and Booklist. In the Publishers Weekly review, it was called "a magnificent and wide-ranging anthology..." noting that it is "[A] must-read for all genre fans."

Booklist called it "a significant addition to the canon of modern speculative fiction." while Library Journal considered it "a welcome introduction to speculative writers from the African continent and the African diaspora." Isiah Lavender III in a review for Locus praised the work for an outstanding collection.