User:RebLAHIS/sandbox

project potential topic

adding Gender inequality in performance arts

Yoko Ono's Cut Piece (1964) responds to gender inequality
male gaze

Asia - Japan - Yoko Ono - Cut Piece

Bibliography:

Concannon, Kevin. “Yoko Ono’s Cut Piece: From Text to Performance and Back Again.” PAJ: A Journal of Performance & Art, vol. 30, no. 90, pp.81-93.

Hov, Live. “The First Female Performers: Tumblers, Girls, and Mime Actresses.” New Theatre Quarterly, vol. 31, no. 2, pp. 129-143.

Rhee, Jieun. “Performing the Other: Yoko Ono’s Cut Piece.” Art History, vol. 28, no. 1, pp. 96-118.

Feminist Performance Art History
Performance art on theatre started in Greek and Rome, and later in England. Performers in the Roman Imperial age were referred as 'mimes', as a way regarding to their gender - by 'mime actors' and 'mime actresses'.