User:Rewanthcool/sandbox

REWANTHCOOL

HE IS THE EDITOR OF VFX AND PHOTOSHOP THE SHORTFILM KING

THE PROFICTION IS MAINTED IN A VERY HUGE GOOD IN EVERYTHING

Visual Effects (abbreviated VFX) is the processes by which imagery is created or manipulated outside the context of a live action shot in film making.

Visual effects involve in the integration of live-action footage and generated imagery to create environments which look realistic, but would be dangerous, expensive, impractical, or impossible to capture on film. Visual effects using computer-generated imagery have recently become accessible to the independent filmmaker with the introduction of affordable and easy-to-use animation and compositing software.

HE IS A KING IN THAT VFX SO HE THE MAIN TETY OF IT
 * Matte paintings and stills: digital or traditional paintings or photographs which serve as background plates for 3D characters, particle effects, digital sets, backgrounds.
 * Digital effects (commonly shortened to digital FX or FX) are the various processes by which imagery is created or manipulated with or from photographic assets. Digital effects often involve the integration of still photography and computer-generated imagery (CGI) to create environments which look realistic but would be dangerous, costly, or impossible to capture in camera. FX is usually associated with the still photography world in contrast to visual effects which is associated with motion film production.


 * Another branch of visual effects is called Motion Capture or Mo-Cap for short. It’s the process of recording the movements of objects and or people. In a session of motion capture, the subject whose motion is being captured is recorded and sampled many times per second by different scanners placed all over the environment. There are different types of systems that read the actor’s movement. One of which is the optical method that uses tracking cameras that lock onto specialized markers placed over the actor’s motion capture suit. The other type of method is called the non-optical method where instead of capturing the markers location in space, it recorders and measures the inertia and mechanical motion in the area. This type of motion capture doesn’t just apply to the body, but can used to track the facial movements and expressions of an actor and transfer them to a 3d model later on in the pipeline. The same type of concept of using markers to track motion is used, but more often than not, the actor’s face will have painted dots on their face rather than ball shaped markers. Not only is the actor’s movements recorded in this process, but the movement of the camera is also recorded, which allows editors to use this data to enhance the environment the motion captured set is imagined in. Once all of this is captured, the motion captured data is mapped to a virtual skeleton using software such as Autodesk’s MotionBuilder or other software of choice.
 * SO HE THE MAIN TOP IT
 * REWANTHCOOL BORN 1998-11-2 HE IS an SHORTFILM  acter and model
 * study at bbhs school and sr clg
 * editing is a passion of him
 * An editor-in-chief, also known as lead editor, chief editor, managing or executive editor, is a publication's editorial leader who has final responsibility for its operations and policies
 * Autumn-Field-.jpg editorial cartoon, also known as a political cartoon, is a drawing containing a commentary expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist.
 * They typically combine artistic skill, hyperbole and satire in order to question authority and draw attention to corruption, political violence and othe
 * A pocket cartoon is a form of cartoon which generally consists of a topical political gag/joke and appears as a single-panel single-column drawing. It was introduced by Osbert Lancaster in 1939 at the Daily Express. A 2005 obituary by The Guardian of its pocket cartoonist David Austin said "Newspaper readers instinctively look to the pocket cartoon to reassure them that the disasters and afflictions besetting them each morning are not final. By taking a sideways look at the news and bringing out the absurd in it, the pocket cartoonist provides, if not exactly a silver lining, then at least a ray of hope

The Attitude series of books is a series of anthologies of alternative comics, photos and artists' interviews edited by Universal Press Syndicate editorial cartoonist Ted Rall. The books were designed by J. P. Trostle, news editor of EditorialCartoonists.com. Two sequels and three spin-off titles have been published to date. A group of cartoonists featured in the Attitude series formed the organization Cartoonists With Attitude in June 2006; the group hosts slideshow and panel events around the country to promote the series and alternative political cartooning. Ted Rall created the compilation with the intention of publishing artists who were hard-up for work or otherwise had difficulties relating to the public.


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