User:Rix2009

Laurance Rudic (born 10 September 1952) is a theatre actor and explorer of creative process. He is best known for his long association as a leading member of Giles Havergal's Glasgow Citizens Theatre repertory company where he worked from 1972-1996. In 2000, he moved to Egypt where he began creating workshops, exploring a process-based approach to acting as pure embodied awareness.He lived and taught in Cairo for over twenty years and now lives in Berlin.

Beginnings
Rudic began acting in amateur dramatics at an early age and by the time he reached his teens was entirely stage-struck. His early experience as a schoolboy working as a dresser at a professional variety theatre in Glasgow - Jimmy Logan's Metropole Theatre left him with a deep and enduring fascination for the potential of theatre as a space of presence, immediacy and impermanence. Intent on becoming a dramatic actor, he left school at the age of 15 and worked as an office boy at the BBC. While acting in an amateur staff play, he was chosen to play the name role in The Boy Who Wanted Peace (1969), part of the BBC's Wednesday Play series. Despite the attention, he was unimpressed with the experience of filming, referring to it as "technically top-heavy and a deeply fragmenting experience".

Acting School and Lindsay Kemp
At the age of seventeen, he began formal actor training at the Royal Scottish Academy of Music and Drama in Glasgow (1969–1972) and within a very short time found himself dying a death until he met and began working with his life-long inspiration: the celebrated dancer, choreographer and mime, Lindsay Kemp (1938 - 2018) Kemp, was muse to many artists including singer David Bowie (1947-2016) and Rudic began living a double life between Kemp's genuinely creative and liberating world of Total theatre: a mix of dance, burlesque, corporeal mime artists from Paris, method actors, drag queens and strip-tease artists; and the deadly world of acting school: fragmented, mechanistic, academic, plastered-on and disembodied. Through his work with Kemp, he succeeded in the beginnings of a psycho-physical self-liberation, but was left with the problem of finding an organic discipline which would allow him to live with awareness on stage each night. There was no switching on and off - it was a full-time, raw and all-or-nothing approach, intimately tied in with his subjective emotional life. His work with Kemp in Flowers based on the novel Our Lady of the Flowers by Jean Genet and Woyzeck by George Buchner at the Traverse Theatre in Edinburgh, led to his being accepted as a member of the newly-established Citizens Theatre Company. At that time (1972) he was one of only three Scots actors to be accepted into the young company who were predominantly English.

Giles Havergal's Glasgow Citizens Repertory Theatre Company
For 34 years, (1969–2004) 'The Citz ' was Britain's foremost repertory theatre, internationally-renowned for it's creatively-innovative treatment of rare Jacobean plays and classical European works. The company was run by a trio of creative directors: Giles Havergal (artistic director, actor) Philip Prowse (director, designer) and Robert David MacDonald (director, dramaturg, translator, playwright, composer). MacDonald, who had worked in Berlin with revolutionary theatre director, Erwin Piscator, regularly wrote new works for the company such as Camille, Chinchilla, A Waste of Time and ''Webster. He'' also translated plays by Goethe, Schiller, Gogol, Mikhail Lermontov, Goldoni, Sartre, Karl Kraus, Alfred de Musset, Rolf Hochhuth, de Sade and Bertolt Brecht. For many years, the Citz was 'finishing school' and creative home to many now-famous actors including Tim Curry, Pierce Brosnan, Gary Oldman, Rupert Everett, Sean Bean, Tim Roth, Celia Imrie, Ciarán Hinds and Mark Rylance.

Travels in the East
Throughout his years at the Citz, Rudic travelled frequently to cultures beyond Europe in order to understand more about holistic process in the oral performance tradition. In 1975, on his first visit to the Dalai Lama's refugee headquarters-in-exile in the Himalayas, he was invited by the Dalai Lama's private office to teach acting to the young refugee performers of the Tibetan Institute of Performing Arts (T.I.P.A.) who were preparing for the first Tibetan cultural tour of Europe and the Americas. IN 1978, he also experienced life as a Kathakali acting student at the leading school for Kathakali actors in Kerala, South India - the Kerala Kalamandalum. These travels and others in cultures with strong oral traditions in music, dance and storytelling (Iran, Egypt, Afghanistan, Pakistan, Morocco),contributed greatly to an understanding of his own intuitive process.

In 2000, intent on developing himself as a ‘stand-up’ theatre artist, he was awarded a Ford Foundation Grant to travel to Egypt and observe the dying tradition of epic storytelling. As part of his research, he based himself with El Warsha Theatre Company, a group of young Egyptian actors, dancers and singers, working in downtown Cairo. Through the company he came to know the old generation of traditional performance artists such as Sayed El Dawy the improvising epic storyteller from Upper Egypt, and Hassan Khanufa, a traditional street performer and Aragoz puppeteer from Cairo, who died in 2005 at the age of 74.

Recent projects
In 2006, working with Scottish theatre practitioner Andrew McKinnon, he returned from Cairo to Glasgow to perform a solo improvising "Stand-Up Theatre" piece - And God Created - at his old theatre, 'The Citz'. The entertainment, improvised around a theme of autobiographical stories about acting and travel, deals with universal themes such as Time, the search for identity beyond society and culture, and the role of thought and memory in consciousness.

In October 2008, he returned once again to Glasgow, this time to direct and feature in The Parade, an early work by the American playwright, Tennessee Williams. The actors were encouraged to work within the action through an ongoing use of sensory awareness. There was no fixing of character and throughout the twelve performances, the life between the text was always in a state of flux, which meant that each night was considerably different from the other. This was the European and UK premiere of the work which was played at the Glasgow Citizens Theatre in the Circle Studio.

During his years in Egypt, he has continued to refine and expand his Somatic approach to consciousness in theatre in which the actor works out of a dual extemporising reality as both storyteller and story.

Royal Scottish Academy of Music and Drama

 * Traditional/James Bridie 'Punch and Judy/The Baikie Charivari' Frederick Robbins 'Beadle/Policeman/Mr Copper' 1970
 * Anton Chekhov Uncle Vanya Colin Chandler Vanya 1971
 * William Shakespeare King Lear Peter De Souza The Fool 1972

Giles Havergal's Glasgow Citizens Theatre Company

 * 1971
 * Jean Genet The Balcony Giles Havergal The Tramp
 * 1972–1973
 * Shakespeare Timon of Athens Keith Hack Lucullus Abbey TheatreFestival
 * Molière Tartuffe Giles Havergal M. Loyal Edinburgh International Festival
 * Peter Weiss Marat/Sade Steven Dartnell Karl
 * Miles Rudge/John Gould Puss in Boots Giles Havergal Puss
 * Christopher Marlowe Tamburlaine the Great Keith Hack Celebinus Edinburgh International Festival
 * Nikolai Gogol The Government Inspector Robert David McDonald Bobchinski
 * Jack Gelber The Connection Steven Dartnell Leech


 * 1973–1974
 * Bertolt Brecht Happy End RD McDonald Wilbur
 * John Whiting The Devils Havergal Mannoury
 * Miles Rudge/John Gould Dick Whittington Havergal King Rat
 * Shakespeare The Taming of the Shrew Havergal Baptista (Hamburg Festival)
 * Robert David McDonald Camille RD McDonald Dr Korev
 * Edward Bond Early Morning Prowse Disraeli
 * Bertolt Brecht Saint Joan of the Stockyards McDonald Criddle
 * Shakespeare Coriolanus Scicinius


 * 1974–1975
 * Arthur Kopit Indians Malcolm McKay Chief Joseph of the Nez Percés
 * Tennessee Williams Camino Real Prowse Esmeralda
 * Nikolai Gogol The Government Inspector McDonald Inspector Of Schools
 * John Webster The Duchess of Malfi Prowse Rodrigo (Belgrade, Ljubljana, Zagreb)
 * Shakespeare Romeo and Juliet David Hayman Benvolio
 * Robert David McDonald The De Sade Show RD McDonald The Bishop


 * 1975–1976
 * Shakespeare Hamlet Prowse Rosencrantz
 * Falkland Cary Sailor Beware Havergal Carnoustie Bligh
 * Robert David McDonald The De Sade Show Prowse Madame de Martaine
 * Carlo Goldoni Mirandolina McDonald Conte de Albafiorita
 * Georg Büchner Woyzeck McDonald Karl


 * 1981–1982
 * John Byrne Babes in the Wood Havergal Friar Tuck
 * Robert David McDonald Chincilla Prowse Socrate (Amsterdam, Rotterdam, The Hague)
 * Robert David McDonald A Waste of Time Prowse Jupien (Caracas International Theatre Festival)
 * Shakespeare Hamlet McDonald Rossencraft/Player King
 * John Dryden Marriage à la mode Havergal Alexas
 * Bertolt Brecht Mr Puntila and his Man Matti Havergal The Attaché


 * 1982–1983
 * Jean Genet The Balcony Prowse The General
 * Jean Genet The Screens Prowse The Arab Voice Prowse
 * Jean Genet The Blacks Prowse The General
 * Philip Massinger The Roman Actor Aretinus
 * Seán O'Casey Red Roses for Me Havergal Rev. Clinton
 * Bertolt Brecht The Mother McDonald Rybin
 * Carlo Goldoni The Impresario of Smyrna McDonald Ali the Impresario (Turin Festival)
 * Shakespeare The Merchant of Venice Prowse Gratiano (Turin Festival)
 * George Bernard Shaw Arms and the Man Havergal Major Petkoff
 * Marquis de Sade The Philosophy of the Boudoir Prowse Dolmance (Festival Di Parma)
 * Noël Coward Sirocco Prowse Angelo
 * Robert David McDonald Webster McDonald Jeeper


 * 1983–1984
 * Karl Kraus The Last Days of Mankind McDonald A Man of Iron (Edinburgh International Festival)
 * Hugo von Hofmannsthal Der Rosenkavalier Prowse Herr von Faninal (Edinburgh International Festival)
 * Seán O'Casey Juno and the Paycock Havergal Needle Nugent
 * Thomas Southerne Oroonoko Prowse Aboan
 * Noël Coward Private Lives Prowse Louis
 * Ernst Toller The Machine Wreckers Havergal Jim Cobbitt
 * Jean-Paul Sartre Altona McDonald Franz
 * Oliver Goldsmith She Stoops to Conquer Havergal Diggory
 * Oscar Wilde A Woman of No Importance Prowse Mr Kelvill MP
 * Rolf Hochhuth Judith (Hochhuth) McDonald Tiresius
 * Jacques Offenbach French Knickers (La Vie parisienne) Prowse Bob


 * 1986
 * Oscar Wilde An Ideal Husband Prowse Vicomte De Nanjac
 * Rolf Hochhuth The Representative McDonald The Doctor


 * 1987
 * Friedrich Schiller Joan of Arc McDonald Charles VII
 * Richard Brinsley Sheridan The School for Scandal McDonald


 * 1988
 * John Ford Tis Pity She's a Whore Prowse Friar Bonaventura'
 * Oscar Wilde Lady Windermere's Fan Prowse Cecil Graham
 * William Congreve The Way of the World McDonald


 * 1989
 * Ben Jonson The Alchemist McDonald Face
 * Friedrich Schiller Mary Stuart Prowse Lord Burleigh
 * Charles Dickens (adaptation) A Tale of Two Cities Prowse Dr Manette


 * 1990
 * Bertolt Brecht Mother Courage Prowse Cook (Mermaid Theatre)with Glenda Jackson
 * Nicholas Rowe Jane Shore Prowse Richard III


 * 1991
 * The Rivals
 * Eugene O'Neill Mourning Becomes Electra Prowse Ezra/Orin
 * Noël Coward Design for Living Prowse Ernest (Theatre Royal Richmond)


 * 1992
 * Frank Wedekind Lulu John Pope Dr Goll/Casti-Piani
 * Craig Raine 1953 Prowse Eberhard
 * Bertolt Brecht ''Edward II Prowse Edward II/III Prowse


 * 1996
 * Eugene O'Neil Long Day's Journey into Night Stewart Laing James Tyrone

WORKS AS GUEST ARTIST AT CITIZENS THEATRE:


 * 2006
 * Laurance Rudic And God Created... solo work created by Laurance Rudic. Creative Advisor Andrew McKinnon

Tennessee Williams The Parade Laurance Rudic Don European and UK premiere
 * 2008

Other theatre

 * Traverse Theatre Edinburgh 1971
 * Woyzeck by Georg Buchner (Lindsay Kemp Company) Karl
 * Guildford Theatre Royal 1973
 * Shakespeare Measure for Measure (Robert David McDonald) Abwhoreson
 * Welsh National Theatre 1976
 * Carlo Goldoni It Happened in Venice (Ian Stewart) Beppe
 * Shaw Theatre London 1976
 * Shakespeare Romeo and Juliet (James Rhoose-Evans) Friar Lawrence
 * Derby Playhouse 1977
 * Shelagh Delaney A Taste of Honey (Patrick Lau) Geoffrey
 * Royal Court 1979
 * The Young Writer's Festival - Six new Plays directed by Philip Hedley
 * 7:84 Scotland 1980/81
 * John McGrath Blood Red Roses (John McGrath) John (Scottish Tour and Theatre Royal Stratford East)
 * Ena Lamont Stewart Men Should Weep (Giles Havergal) Alex (Scottish Tour)
 * Scottish Theatre Company 1981
 * Tom McGrath Animal (Kenny Ireland)
 * Ian McKellen-Edward Petherbridge Company at Royal National Theatre (Paris, Aberdeen, Chicago) 1985/86
 * Richard Brinsley Sheridan The Critic (Sheila Hancock) Mr Hopkins
 * John Webster The Duchess of Malfi (Philip Prowse) Death
 * Anton Chekhov The Cherry Orchard (Mike Alfreds) Trofimov
 * Mermaid Theatre London 1990
 * Bertolt Brecht Mother Courage (Philip Prowse) Cook
 * Richmond Theatre London 1991
 * Noël Coward Design for Living (Philip Prowse) Ernest
 * Almeida Theatre London 1993
 * Aleksander Griboyedov Chatsky (Jonathan Kent) Mr D
 * Edinburgh Festival The Assembly Hall 1995
 * Alasdair Gray Lanark (Tony Graham) Lanark
 * Pitlochry Festival Theatre 1996
 * Travels with My Aunt stage play by Giles Havergal adapted from the novel by Graham Greene (Richard Baron) O'Toole et al.
 * Robert McLellan The Flouers o Edinburgh (Clive Perry) Nabob
 * Agatha Christie And Then There Were None (Joan Knight) Captain Lombard
 * James Bridie Mr Bolfrey (Joan Knight) Cohen

Film and TV

 * BBC
 * George Friel The Boy Who Wanted Peace 1969 The Wednesday Play Pharic McLaren Percy Phinn
 * The Spirit of Asia India documentary BBC 1978 directed by Michael McKintyre
 * Dennis Potter Blackeyes Dennis Potter Commercials Director BBC2
 * Breast Is Best Manager BBC2 1989
 * Poppylands Johnny BBC2 1989
 * In Between the Lines Gilan


 * STV
 * Journey's End Raleigh directed by Tina Wakerell
 * Martha Doctor directed by Tina Wakerell
 * Dr. Finlay's Casebook Sewell


 * FILM
 * Defence of the Realm 1985 Charlie directed by David Drury
 * Being Human Solus 1992 directed by Bill Forsyth
 * Savage Play Christopher Sykes 1994
 * Ring of Truth Priest
 * Knights Muslim Chronicler 1997
 * The Guest by Albert Camus Monsieur Daru