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ballet companies and competitions
Dansecyclopedie


 * ABT
 * Australian Ballet
 * Bayerisches Staatsballet – München
 * Ballet West
 * Béjart Ballet - Lausanne
 * Berlin - Staatsballett
 * Birmingham Royal Ballet
 * Bolshoi Ballet
 * Bordeaux - Ballet National
 * Boston Ballet
 * Capitole – Toulouse
 * Dresden – Semperoper Dresden Ballet
 * English National Ballet
 * Hamburg Ballet
 * Het Ballet - Dutch National Ballet
 * Houston Ballet
 * Joffrey Ballet
 * Mariinsky Ballet
 * Miami City Ballet
 * Mikhailovski Ballet - Mikhailovsky Ballet
 * National Ballet of Canada
 * NYCB
 * Northern Ballet
 * Opéra de Paris
 * Pacific Northwest Ballet
 * Royal Ballet of London
 * Royal Danish Ballet
 * San Francisco Ballet
 * Scottish Ballet
 * Stuttgart Ballet
 * Teatro alla Scala
 * Washington Ballet - TWB
 * Wiener Staatsoper Ballet
 * Chausson d’Or
 * Concours de Grasse
 * Prix de Lausanne
 * Youth America Grand Prix
 * Golden Mask

Le bon roi Dagobert
Good King Dagobert Has put his pants backwards; The great St. Eloi Said: O my King! your Majesty Sassy evil. It is true, said the king, I will return to the place.

As he handed He discovered a little; The great St. Eloi Said: O my King! You skin Blacker than raven. Bah, bah, said the king, The Queen was much darker than me.

Good King Dagobert Was putting his beautiful green coat; The great St. Eloi Said: O my King! Your coat trimmed Elbow is pierced. It is true, said the king, Yours is good, lend me.

The good King Dagobert The stockings were eaten worms; The great St. Eloi Said: O my King! Your two low cadets Do see your calves. It is true, said the king, Yours are new, give them to me.

Good King Dagobert Was little beard in winter; The great St. Eloi Said: O my King! It takes soap For your chin. It is true, said the king, Have you two pennies? Lend them to me.

The good King Dagobert The wig was crooked; The great St. Eloi Said: O my King! The barber You wrong wearing! It is true, said the king, I take your wig for me.

Good King Dagobert Wore short coat in winter; The great St. Eloi Said: O my King! your Majesty Is shortened. It is true, said the king, Do it extend two fingers.

The good King Dagobert Hat wore like a deer; The great St. Eloi Said: O my King! The horn in the middle Would suit you better. It is true, said the king, I modeled on you.

King wrote verses But he was wrong; The great St. Eloi Said: O my King! Let goslings Make songs. Well, said the king, It is you who will bring them to me.

Good King Dagobert Hunting in the plains of Antwerp; The great St. Eloi Said: O my King! your Majesty Is breathless. It is true, said the king, A rabbit ran after me.

Good King Dagobert Went hunting woodpecker; The great St. Eloi Said: O my King! Hunting cuckoos Better for you. Well, said the king, I shoot, beware.

Good King Dagobert Had a large sword of iron The great St. Eloi Said: O my King! your Majesty Could get hurt. It is true, said the king, Give me a wooden sword.

Dogs Dagobert Scabies were all covered; The great St. Eloi Said: O my King! To clean Would drown. Well, said the king, Going to drown with you.

Good King Dagobert Fought wrongly through; The great St. Eloi Said: O my King! your Majesty Will be killed. It is true, said the king, Put yourself in front of me quickly.

Good King Dagobert Wanted to conquer the universe; The great St. Eloi Said: O my King! Travel so far Gives tintoin. It is true, said the king, It would be better to stay home.

The king made ​​war But he was in winter; The great St. Eloi Said: O my King! your Majesty Will freeze. It is true, said the king, I go back home.

Good King Dagobert Wanted to embark on the sea; The great St. Eloi Said: O my King! your Majesty Will drown. It is true, said the king, Can be shouting, "The King drinks! ".

Good King Dagobert Was an old iron chair; The great St. Eloi Said: O my King! Your old chair Gave me in the eye. Well, said the king, Do quickly take you home.

Queen Dagobert Petted a gallant enough green; The great St. Eloi Said: O my King! You are horned I am convinced. That's good, 'said the king, My father was before me.

Good King Dagobert Ate in gluttonous dessert; The great St. Eloi Said: O my King! You are greedy, Do not eat so much. Bah, bah, said the king, I am not as you.

Good King Dagobert Having drunk, was wrong; The great St. Eloi Said: O my King! your Majesty Go all out. Well, said the king, When you're gray, you walking right?

A Saint Eloi, they say Dagobert offered a turkey. "A turkey for me! said Saint Eloi, your Majesty was too good. " "Take therefore, said the king, That's remember me. "

Good King Dagobert Afraid of going to hell; The great Saint Eloi Said: O my King! I believe my faith You will go straight. It is true, said the king, Do not you want to pray for me?

When Dagobert died The devil came at once; The great St. Eloi Said: O my King! Satan will pass, Should you confess. Alas, said the king, Could you die for me?

La Bayadère

 * 1991 Royal Ballet, choreography by Natalia Makarova with Altynai Asylmuratova, Irek Mukhamedov, Darcey Bussell, Anthony Dowell, and David Drew.
 * 1992 Paris Opera Ballet, choreography by Rudolf Nureyev with, , and Élisabeth Platel.

Baryshnikov

 * Laguna


 * Ek


 * Wednesday, May 14, 6:45 p.m.

Boccerini

 * Quintets for two cellos
 * Cello Concertos
 * Cello Concerto No. 2 in D major
 * Cello Concerto No. 8 in C major
 * Cello Concerto No. 9 in B flat Major

Belgian ales

 * Trois Pistoles, Canada
 * Lindeman's Lambic
 * Kriek
 * Framboise
 * Gulden Draak
 * Piraat

Ben B enson
Category:Ballets designed by Ben Benson and List of ballets designed by Ben Benson and redirects Ballets designed by Ben Benson and Ben Benson

444&sid= &searchMethod= &current= &stagings= &refs= 1&tvs= 1 - 14k
 * George Balanchine Catalogue New Productions by Balanchine Companies: 1983, New York City Ballet: New costumes by Ben Benson (commissioned by Balanchine before his death). ...

407 - 10k
 * George Balanchine Catalogue Production: Costumes by Ben Benson. Lighting by Ronald Bates. Premiere: January 12, 1978, New York City Ballet, New York State Theater. ...

382 - 10k
 * George Balanchine Catalogue New Productions by Balanchine Companies: 1979, New York City Ballet: New costumes by Ben Benson. See also: *194 349. Stagings: show. ...

419 - 9k
 * George Balanchine Catalogue Production: Costumes by Ben Benson. Premiere: June 13, 1981, New York City Ballet, New York State Theater. Conductor: Robert Irving. ...

412 - 10k
 * George Balanchine Catalogue New Productions by Balanchine Companies: 1982, New York City Ballet: Performed without décor; costumes by Ben Benson (from Introduction and Fugue [J. Duell] ...

369 - 11k
 * George Balanchine Catalogue Production: Scenery and costumes by Nicolas Benois; costumes for TEMA CON VARIAZIONI later redesigned by Ben Benson. Lighting by Ronald Bates. ...

Ronald B ates
Category:Ballets designed by Ronald Bates and List of ballets designed by Ronald Bates and redirects Ballets designed by Ronald Bates and Ronald Bates


 * George Balanchine Catalogue Production: Scenery and costumes by Rouben Ter-Arutunian ( from Tricolore, PAS DEGAS [409]), lighting by Ronald Bates. Premiere: May 8, 1980, New York City ... 412 - 10k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: February 5, 1970, New York City Ballet, New York State Theater. Conductor: Robert Irving. Pianist on opening night ... 368 - 12k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: January 12, 1978, New York City Ballet, New York State Theater. Conductor: Robert Irving. ( Preview : Opening Night New ... 407 - 10k


 * George Balanchine Catalogue Production: Lighting by Ronald Bates. Premiere: May 6, 1971 ( Annual New York City Ballet Gala Benefit ), New York City Ballet and Dance Theatre of Harlem, ... 370 - 9k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: January 12, 1973, New York City Ballet, New York State Theater. Conductor: Robert Irving. Pianist: Gordon Boelzner. ... 382 - 10k


 * George Balanchine Catalogue New Productions by Balanchine Companies: 1971, New York City Ballet: Costumes by Karinska; lighting by Ronald Bates. Archival Video: George Balanchine ... 333 - 11k


 * George Balanchine Catalogue Production: Lighting by Ronald Bates. Premiere: January 22, 1976, New York City Ballet, New York State Theater. Conductor: Robert Irving. ... 400 - 12k


 * George Balanchine Catalogue ... settings created by Johnson/Burgee for the Tchaikovsky Festival of 1981, arranged and lighted by Ronald Bates. (See FESTIVALS DIRECTED BY BALANCHINE.) ... 421 - 9k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: November 23, 1968, New York City Ballet, New York State Theater. Conductor: Robert Irving. ... 364 - 10k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: June 21, 1972, New York City Ballet, New York State Theater. Conductor: Hugo Fiorato. Cast: Karin von Aroldingen, ... 377 - 10k


 * George Balanchine Catalogue Production: Lighting by Ronald Bates. Premiere: July 2, 1982, New York City Ballet, New York State Theater. Conductor: Robert Irving. Cast: Suzanne Farrell. ... 425 - 10k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 17, 1973, New York City Ballet, New York State Theater. Conductor: Robert Irving. ( Preview : Annual New York City ... 384 - 10k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: July 30, 1975, New York City Ballet, Saratoga Performing Arts Center, Saratoga Springs, New York. ... 398 - 10k


 * George Balanchine Catalogue Production: Scenery and lighting by David Hays (1960); lighting by Ronald Bates (1974). Premiere: November 16, 1960, New York City Ballet, City Center of ... 334 - 10k


 * George Balanchine Catalogue Costumes executed by Karinska and Barbara Matera, Ltd. Lighting by Ronald Bates. Premiere: July 17, 1974, New York City Ballet, Saratoga Performing Arts ...  387 - 13k


 * George Balanchine Catalogue Lighting by Jean Rosenthal; David Hays (1964-70); Ronald Bates (from 1971). Premiere: March 1, 1956, New York City Ballet, City Center of Music and Drama, ... 312 - 10k


 * George Balanchine Catalogue New York City Ballet: 1948, costumes uncredited, lighting by Jean Rosenthal; 1952, costumes by Karinska; 1964, lighting by Ronald Bates. ... 141 - 13k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: April 21, 1966, New York City Ballet, New York State Theater. Conductor: Robert Irving. ( Preview : Annual New York City ... 354 - 10k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 22, 1980, New York City Ballet, New York State Theater. Conductor: Robert Irving. Cast: M. Jourdain, Frank Ohman; ... 414 - 10k


 * George Balanchine Catalogue 2), staged without scenery, with new costumes by Karinska (classical tutus replaced by chiffon skirts), and lighting by Ronald Bates. ... 194 - 12k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: June 21, 1972, New York City Ballet, New York State Theater. Conductor: Robert Irving. ... 453&sid= &searchMethod= &current= &stagings= &refs= 1&tvs=  - 12k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 13, 1976, New York City Ballet, New York State Theater. Conductor: Robert Irving (Preview: Annual New York City ... 401 - 12k


 * George Balanchine Catalogue ... with movable ranks of translucent plastic cylinders by Philip Johnson and John Burgee, in arrangements and with lighting designs by Ronald Bates. ... 417 - 11k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 29, 1975, New York City Ballet, New York State Theater. Conductor: Robert Irving. Violinist: Lamar Alsop. ... 394 - 10k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: December 3, 1970, New York City Ballet, New York State Theater. Conductor: Robert Irving. ... 369 - 11k


 * George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 28, 1970, New York City Ballet, New York State Theater. Conductor: Robert Irving. Cast: The Firebird, Gelsey Kirkland; ... 368.1 - 11k

Ballet Russe de Monte Carlo
Copyright 1994-2008 Britannica Concise Encyclopedia |  From: Britannica Concise Encyclopedia  |  Date: 2007

... ballet company founded in Monte-Carlo in 1932. The name Ballets Russes had been used by the impresario Sergey Diaghilev for his company, which revolutionized ballet in the first three decades of the 20th century. Under the direction of Colonel W. de Basil, the Ballet Russe de Monte Carlo brought to audiences new compositions by Léonide Massine and George Balanchine, with such dancers as Aleksandra Danilova, Leon Woizikowki, and David Lichine. Ballet Russe de Monte Carlo divided into new competitive companies in 1938, one under de Basil, the other under Massine. De Basil renamed his company the Royal Covent Garden Ballet Russe and finally the Original Ballet Russe (1939); the company toured internationally before dissolving in 1948. Massine, with René Blum, formed another Ballet Russe de Monte Carlo with the dancers Danilova, Tamara Toumanova, Dame Alicia Markova, Mia Slavenska, Serge Lifar, Igor Youskevitch, and André Eglevsky and new choreography by Massine. This company performed principally in the U.S., produced traditional revivals and works by U.S. choreographers, and featured U.S. dancers, including Maria Tallchief. The company declined in the 1950s and ceased producing in 1963; its ballet school was maintained in New York City for a time. Massine and Sergei Denham organized the new Ballets de Monte Carlo in 1966 under the patronage of Prince Rainier III of Monaco. www.britannica.com/eb/article-9012004/Ballet-Russe-de-Monte-Carlo

Ballet Russe de Monte Carlo |  Ballet company formed in Monte Carlo in 1932. The name derived from Sergey Diaghilev's Ballets Russes, which dissolved after his death in 1929. Under René Blum and Col. W. de Basil, the company presented works by Léonide Massine and George Balanchine and featured Alexandra Danilova, André Eglevsky, and David Lichine. In 1938 clashes split the company into two groups: the Original Ballet Russe (led by de Basil), which toured internationally before dissolving in 1948; and the Ballet Russe de Monte Carlo (led by Massine), which toured mainly in the U.S. with Danilova, Alicia Markova, and Maria Tallchief until 1963. www.encyclopedia.com/doc/1B1-356456.html

Maria Tallchief |  (born Jan. 24, 1925, Fairfax, Okla., U.S.) U.S. ballet dancer of Native American descent. Tallchief studied with Bronislava Nijinska before joining the Ballet Russe de Monte Carlo (1942–47). She joined the New York City Ballet in 1948 and became its prima ballerina, creating leading roles in many ballets choreographed for her by George Balanchine (her husband from 1946 to 1952), including Symphonie concertante (1947), Caracole (1952), and Pas de dix (1955). She left the company in 1965, became artistic director of the Lyric Opera Ballet in Chicago, and founded the Chicago City Ballet in 1980. www.encyclopedia.com/doc/1B1-380179.html

Bronislava Nijinska |  [orig. Bronislava Fominitshna Nizhinskaya] (born Jan. 8, 1891, Minsk, Russia—died Feb. 21, 1972, Pacific Palisades, Calif., U.S.) Russian-born U.S. dancer, choreographer, and teacher. She trained at the Imperial Ballet School in St. Petersburg and joined the Mariinsky Theatre company in 1908. She danced with the Ballets Russes in Paris from 1909, as did her brother, Vaslav Nijinsky. She choreographed several ballets for the company, including Les Noces (1923), The Blue Train (1924), and Les Biches (1924). During the 1920s and 1930s she created works for other companies, including her own (1932–37). In 1938 she moved to Los Angeles, where she opened a school, and she continued to work as a guest choreographer into the early 1960s. www.encyclopedia.com/doc/1B1-373497.html

Ballets Russes |  Ballet company founded in Paris in 1909 by Sergey Diaghilev. Considered the source of modern ballet, the company employed the most outstanding creative talent of the period. Its choreographers included Michel Fokine, Léonide Massine, Bronislava Nijinska, and George Balanchine, and among its dancers were Yekaterina Geltzer, Tamara Karsavina, and Vaslav Nijinsky. Music was commissioned from composers such as Igor Stravinsky, Maurice Ravel, Darius Milhaud, Sergey Prokofiev, and Claude Debussy, and ballets featured stage designs by artists Alexandre Benois, Pablo Picasso, Georges Rouault, Henri Matisse, and André Derain. www.encyclopedia.com/doc/1B1-356457.html

Sergey (Pavlovich) Diaghilev |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born March 31, 1872, Novgorod province, Russia—died Aug. 19, 1929, Venice, Italy) Russian impresario, founder-director of the Ballets Russes. After studying law at the University of St. Petersburg (1890–96), he cofounded and edited (1899–1904) the avant-garde magazine Mir Iskusstva (“World of Art”). He then left Russia for Paris to present productions of Russian ballet and opera, to wide acclaim. In 1909 he established the Ballets Russes, in which he achieved a stunning synthesis of dance, art, and music by bringing together superb choreographers, dancers, composers, and artists and set designers. He led the company until his death. www.encyclopedia.com/doc/1B1-362657.html

Michel Fokine |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  [orig. Mikhail Mikhaylovich Fokine] (born April 23, 1880, St. Petersburg, Russia—died Aug. 22, 1942, New York, N.Y., U.S.) Russian-born U.S. dancer and choreographer. He trained at the Imperial Ballet School in St. Petersburg and debuted at the Mariinsky Theatre at age 18. Following his creation of The Dying Swan for Anna Pavlova in 1905, he was in demand as a choreographer. When his ambitious scenario for a ballet on the story of Daphnis and Chloe was rejected, Sergey Diaghilev in 1909 engaged Fokine at the Ballets Russes in Paris, where he choreographed works such as The Firebird (1910), Petrushka (1911), and Daphnis and Chloe (1912). In these ballets he strove for a greater dramatic and stylistic unity than had been previously known. He moved to New York City in 1923 and thereafter choreographed works for companies in the US and Europe. www.encyclopedia.com/doc/1B1-364626.html

Léonide Massine |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  [orig. Leonid Fyodorovich Miassin] (born Aug. 9, 1896, Moscow, Russia—died March 15, 1979, Cologne, W.Ger.) Russian-born French dancer, teacher, and choreographer. He joined the Ballets Russes in 1914 and produced his first ballet, Midnight Sun, in 1915; this was followed by Parade (1917), The Three-Cornered Hat (1919), and Pulcinella (1920). He extended Michel Fokine's reforms by enriching the characterization of many roles. During 1932–38 he was principal dancer and choreographer for the Ballet Russe de Monte Carlo. His ballets Les Présages (1933), Choreartium (1933), and Rouge et noir (1939) displayed innovative choreography and set designs and were among the first dances based on symphonies. In 1938–42 he directed his re-formed Ballet Russe de Monte Carlo, and he became artistic director of a new Ballet de Monte Carlo in 1966. www.encyclopedia.com/doc/1B1-371494.html

George Balanchine |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  [orig. Georgy Melitonovich Balanchivadze] (born Jan. 22, 1904, St. Petersburg, Russia—died April 30, 1983, New York, N.Y., U.S.) Russian-born U.S. choreographer. After studying at the Imperial Ballet School, he left the Soviet Union in 1925 to join the Ballets Russes, where his choreography of Apollo (1928) exemplified the spare neoclassical style that became his trademark. His work impressed the impresario Lincoln Kirstein, who in 1933 invited “Mr. B.” to form the School of American Ballet and its performing group, the American Ballet. The group became the Metropolitan Opera's resident company (1935–38) but disbanded in 1941. In 1946 Kirstein and Balanchine founded the Ballet Society, from which emerged the New York City Ballet in 1948. Balanchine created more than 150 works for the company, including The Nutcracker (1954), Don Quixote (1965), and Jewels (1967), and he also choreographed musicals and operas. He collaborated closely with the composer Igor Stravinsky, setting more than 30 works to his music. Balanchine's work remains in the repertoires of many companies worldwide, and he is widely considered the greatest choreographer of the 20th century. www.encyclopedia.com/doc/1B1-356413.html

New York City Ballet |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  Preeminent U.S. ballet company. The company is descended from the American Ballet, which was founded by George Balanchine and Lincoln Kirstein in 1935 and revived as the Ballet Society in 1946; it assumed its current name in 1948. Under Balanchine's artistic direction, the company became the leading U.S. ballet troupe, combining European classical ballet with American characterization and innovation and exerting enormous influence on American dance. It moved to its permanent home, the New York State Theater at Lincoln Center, in 1964. Later artistic directors Jerome Robbins and Peter Martins contributed numerous works to its repertoire. Its leading dancers have included Maria Tallchief, Edward Villella, Jacques d'Amboise, and Suzanne Farrell. www.encyclopedia.com/doc/1B1-373411.html

Lincoln (Edward) Kirstein |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born May 4, 1907, Rochester, N.Y., U.S.—died Jan. 5, 1996, New York, N.Y.) U.S. dance authority, impresario, and writer. He graduated from Harvard, where he founded the literary magazine Hound & Horn. Financially independent, he focused his artistic interests on ballet and in 1933 persuaded the choreographer George Balanchine to move to the U.S. to found a ballet school and company. The School of American Ballet opened in 1934; Kirstein was its director from 1940 to 1989. He and Balanchine jointly established a series of ballet companies, culminating in the New York City Ballet (1948), of which he served as general director until 1989. He wrote seven books on ballet, including the classic history Dance (1935). www.encyclopedia.com/doc/1B1-369252.html

Yekaterina (Vasilyevna) Geltzer |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born Nov. 14, 1876, Moscow, Russia—died Dec. 12, 1962, Moscow) Russian prima ballerina of the Bolshoi Ballet. She graduated from the Bolshoi Theatre's ballet school in 1894 and joined the company, becoming prima ballerina in 1901. She was known for dramatic roles, including that of the heroine of The Red Poppy (1927), in a career that lasted more than 40 years. After the 1917 Revolution, she and her husband, Vasily Tikhomirov, helped preserve the classical technique and repertoire of the Imperial Russian ballet. www.encyclopedia.com/doc/1B1-365361.html

Vasily (Dmitrievich) Tikhomirov |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born March 30, 1876, Moscow, Russia—died June 20, 1956, Moscow) Russian ballet dancer and teacher. After training at the Bolshoi school, he joined the Bolshoi Ballet in 1893. He soon became its principal dancer and created roles in a vigorous, athletic style that he later taught to students at the Bolshoi school. He was influential there as a teacher (from 1896) and as director (1924–37). With his wife, Yekaterina Geltzer, he helped preserve the classic ballets and techniques after the Russian Revolution of 1917. www.encyclopedia.com/doc/1B1-380764.html

Tamara (Platonovna) Karsavina |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born March 9/10, 1885, St. Petersburg, Russia—died May 26, 1978, Beaconsfield, Buckinghamshire, Eng.) Russian-born British dancer. She trained at the Imperial Ballet School in St. Petersburg and joined the Mariinsky Theatre company in 1902. She joined the Ballets Russes at its formation in 1909; dancing with Vaslav Nijinsky until 1913, she created most of the leading roles in Michel Fokine's neo-Romantic repertoire, including Les Sylphides, Carnaval, Le Spectre de la rose, and The Firebird. She settled in London, where she helped found the Royal Academy of Dancing in 1920 and the Camargo Society in 1930 and later coached Margot Fonteyn. www.encyclopedia.com/doc/1B1-368956.html

Alexandra (Dionisyevna) Danilova |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born Nov. 20, 1903, Peterhof, Russia—died July 13, 1997, New York, N.Y., U.S.) Russian-born U.S. ballet dancer and teacher. She attended the Imperial Ballet School in St. Petersburg and became a soloist at the Mariinsky Theatre. In 1924 she joined the Ballets Russes. From 1938 to 1952 she danced with the Ballet Russe de Monte Carlo, touring worldwide as its prima ballerina. She created leading roles in The Triumph of Neptune, Gaîté Parisienne, Swan Lake, and Coppélia. After retiring in 1957 she became a full-time faculty member at the School of American Ballet (1964–89). She was instrumental in bringing classical and modern Russian repertoires to the US. www.encyclopedia.com/doc/1B1-362241.html

André Eglevsky |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born Dec. 21, 1917, Moscow, Russia—died Dec. 4, 1977, Elmira, N.Y., U.S.) Russian-born U.S. ballet dancer and teacher. He left Russia as a child and studied in Paris, becoming a lead dancer with the Ballet Russe de Monte Carlo at age 14. He moved to the U.S. in 1937 and danced with a number of companies before joining the New York City Ballet (1951–58). There he created leading roles in several of George Balanchine's ballets, including Scotch Symphony and Caracole. He also taught at the School of American Ballet. In 1958 he opened his own ballet school, and in 1961he established the Eglevsky Ballet. www.encyclopedia.com/doc/1B1-363460.html

Dame Alicia Markova |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  [orig. Lilian Alicia Marks] (born Dec. 1, 1910, London, Eng.—died Dec. 2, 2004, Bath) British ballerina. She made her debut with Sergey Diaghilev's Ballets Russes in 1924 and became a leading ballerina noted for her ethereal lightness. At the Vic-Wells Ballet (1931–35; now the Royal Ballet) she became the first English dancer to dance the lead in Giselle. With her frequent partner Anton Dolin, she formed and directed several Markova-Dolin companies (1935–38) and the Festival Ballet (1950–52; now the English National Ballet). She continued to dance as a guest artist with many companies worldwide, admired for her interpretations of roles in Les Sylphides and Swan Lake, among others. She retired from the stage in 1963 and served as director of the Metropolitan Opera Ballet (1963–69). www.encyclopedia.com/doc/1B1-371357.html

Sir Anton Dolin |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  [orig. Sydney F.P.C. Healey-Kay] (born July 27, 1904, Slinfold, Sussex, Eng.—died Nov. 25, 1983, Paris, Fr.) British dancer and choreographer. In 1921 he joined the Ballets Russes, where he created leading roles as a soloist. In the 1930s and 1940s he helped form several ballet companies; in 1949 he and his partner Alicia Markova founded the forerunner of London's Festival Ballet, of which he was artistic director and premier dancer until 1961. He created leading roles in Le Train bleu, Job, and Bluebeard, choreographed works such as Capriccioso (1940), The Romantic Age (1942), and Variations for Four (1957), and wrote several books on dance. www.encyclopedia.com/doc/1B1-362923.html

Maria Tallchief |  From: Britannica Concise Encyclopedia  |  Date: 2007  |  (born Jan. 24, 1925, Fairfax, Okla., U.S.) U.S. ballet dancer of Native American descent. Tallchief studied with Bronislava Nijinska before joining the Ballet Russe de Monte Carlo (1942–47). She joined the New York City Ballet in 1948 and became its prima ballerina, creating leading roles in many ballets choreographed for her by George Balanchine (her husband from 1946 to 1952), including Symphonie concertante (1947), Caracole (1952), and Pas de dix (1955). She left the company in 1965, became artistic director of the Lyric Opera Ballet in Chicago, and founded the Chicago City Ballet in 1980. www.encyclopedia.com/doc/1B1-380179.html

<dance misc.

Les B allets
... Paris-based chamber ballet company which survived only one season ... was notable for having Balanchine as its sole choreographer. Specially commissioned scores were written by Darius Milhaud and Kurt Weill, while André Derain, Christian Bérard and Caspar Neher were the designers. Ballets performed at the Théâtre des Champs-Elysées in Paris and at the Savoy Theatre in London included Fastes, Les Songes, L'Errante, Mozartiana and The Seven Deadly Sins. The company owed its existence to the patronage of a wealthy Englishman, Edward James, who was married to the Viennese dancer Tilly Losch. She created leading roles in both L'Errante and The Seven Deadly Sins. One of the most historic meetings in all ballet, that of Balanchine and Lincoln Kirstein, took place during the company's appearance in London.

choronogical
This is a chronological list of ballets made by New York City Ballet co-founder and balletmaster George Balanchine:


 * 1928 Apollo
 * 1929 Le Bal
 * 1929 Prodigal Son
 * 1935 Serenade
 * 1941 Concerto Barocco
 * 1941 Ballet Imperial
 * 1946 La Sonnambula
 * 1946 The Four Temperaments
 * 1947 Haieff Divertimento
 * 1947 Symphonie Concertante
 * 1947 Symphony in C
 * 1947 Theme and Variations
 * 1948 Orpheus
 * 1948 Pas de Trois (Minkus)
 * 1949 Bourrée Fantasque
 * 1949 The Firebird
 * 1950 Sylvia Pas de Deux
 * 1951 A La Françaix
 * 1951 La Valse
 * 1951 Swan Lake act II
 * 1952 Concertino
 * 1952 Harlequinade Pas de Deux
 * 1952 Metamorphoses
 * 1952 Scotch Symphony
 * 1954 Ivesiana
 * 1954 The Nutcracker
 * 1954 Western Symphony
 * 1955 Pas de Dix
 * 1955 Pas de Trois (Glinka)
 * 1956 Allegro Brillante
 * 1956 Divertimento No. 15
 * 1957 Agon
 * 1957 Square Dance
 * 1958 Gounod Symphony
 * 1958 Stars and Stripes
 * 1959 Episodes
 * 1960 Donizetti Variations
 * 1960 Liebeslieder Walzer
 * 1960 Monumentum Pro Gesualdo
 * 1960 Tschaikovsky Pas de Deux
 * 1961 Raymonda Variations
 * 1962 A Midsummer Night's Dream


 * 1963 Bugaku
 * 1963 Meditation
 * 1963 Movements for Piano and Orchestra
 * 1964 Clarinade
 * 1964 Tarantella
 * 1965 Don Quixote
 * 1965 Harlequinade
 * 1966 Brahms-Schoenberg Quartet
 * 1967 Divertimento Brillante
 * 1967 Valse-Fantaisie
 * 1968 La Source
 * 1968 Slaughter on Tenth Avenue
 * 1970 Tschaikovsky Suite No. 3
 * 1970 Who Cares?
 * 1972 Divertimento from “Le Baiser De La Fée”
 * 1972 Duo Concertant
 * 1972 Pulcinella
 * 1972 Scherzo à la Russe
 * 1972 Stravinsky Violin Concerto
 * 1972 Symphony in Three Movements
 * 1973 Cortège Hongrois
 * 1974 Coppélia
 * 1974 Variations Pour une Porte et un Soupir
 * 1975 Le tombeau de Couperin
 * 1975 Pavane
 * 1975 Sonatine
 * 1975 The Steadfast Tin Soldier
 * 1975 Tzigane
 * 1976 Chaconne
 * 1976 Union Jack
 * 1977 Etude for Piano
 * 1977 Vienna Waltzes
 * 1978 Ballo della Regina
 * 1978 Kammermusik No. 2
 * 1979 Le Bourgeois Gentilhomme
 * 1980 Ballade
 * 1980 Robert Schumann's “Davidsbündlertänze”
 * 1980 Walpurgisnacht Ballet
 * 1981 Garland Dance
 * 1981 Hungarian Gypsy Airs
 * 1981 Mozartiana
 * 1982 Elégie

alphabetical
This is an alphabetical list of ballets by New York City Ballet co-founder and balletmaster George Balanchine.

part one

 * A La Françaix Jean Francaix, 15 mins., 3 dancers with costumes without scenery
 * Allegro Brillante Peter Ilyitch Tschaikovsky, 16 mins., 10 dancers with costumes without scenery


 * Ballet Imperial (Piano Concerto No.2) Peter Ilyitch Tschaikovsky, 36 mins., 29 dancers with costumes and scenery
 * Ballo della Regina Giuseppe Verdi, 17 mins., 18 dancers with costumes without scenery
 * Bourrée Fantasque Emmanuel Chabrier, 24 mins., 42 dancers with costumes and scenery
 * Brahms-Schoenberg Quartet Johannes Brahms and Arnold Schoenberg, 44 mins., 55 dancers with costumes and scenery


 * Capriccio for Piano and Orchestra Igor Stravinsky, 19 mins., 15 dancers with costumes and scenery
 * Chaconne Christoph Willibald Gluck, 30 mins., 27 dancers with costumes without scenery
 * Clarinade Morton Gould, 23 dancers with costumes without scenery
 * Concertino Jean Francaix, 12 mins., 3 dancers with costumes without scenery
 * Concerto Barocco Johann Sebastian Bach, 18 mins., 11 dancers without costumes or scenery
 * Coppélia Léo Delibes, 96 mins., 65 dancers with costumes and scenery
 * Cortège Hongrois Alexander Glazounov, 34 mins., 36 dancers with costumes and scenery


 * Davidsbündlertänze Robert Schumann, 41 mins., 8 dancers with costumes and scenery
 * Diamonds (from Jewels) Peter Ilyitch Tschaikovsky, 30 mins., 34 dancers with costumes and scenery
 * Divertimento Brillante Mikhail Glinka, 7 mins., 2 dancers with costumes and scenery
 * Divertimento from "Le Baiser De La Fée" Igor Stravinsky, 23 mins., 14 dancers with costumes without scenery
 * Divertimento No. 15 Wolfgang Amadeus Mozart, 33 mins., 16 dancers with costumes and scenery
 * Don Quixote Nicolas Nabokov, 125 mins. with costumes and scenery
 * Donizetti Variations Gaetano Donizetti, 25 mins., 11 dancers with costumes without scenery
 * Duo Concertant Igor Stravinsky, 17 mins., 2 dancers without costumes or scenery


 * Elégie Igor Stravinsky, 4 mins., 1 dancers with costumes without scenery
 * Emeralds (from Jewels) Gabriel Faure, 32 mins., 17 dancers with costumes and scenery
 * Episodes Anton von Webern, 27 mins., 32 dancers without costumes or scenery
 * Etude for Piano Alexander Scriabin, 3 mins., 2 dancers with costumes and scenery


 * Firebird Igor Stravinsky, 29 mins., 56 dancers with costumes and scenery


 * Garland Dance Peter Ilyitch Tschaikovsky, 5 mins., 57 dancers with costumes and scenery
 * Gounod Symphony Charles Gounod, 25 mins., 32 dancers with costumes and scenery


 * Haieff Divertimento Alexei Haieff, 14 mins., 10 dancers without costumes or scenery
 * Harlequinade Riccardo Drigo, 80 mins., 57 dancers with costumes and scenery
 * Harlequinade Pas de Deux Riccardo Drigo, 15 mins., 2 dancers with costumes without scenery
 * Hungarian Gypsy Airs Sophie Menter and Peter Ilyitch Tschaikovsky, 14 mins., 10 dancers with costumes without scenery


 * Ivesiana Charles Ives, 19 mins., 41 dancers without costumes or scenery


 * Jewels Gabriel Faure, Igor Stravinsky and Peter Ilyitch Tschaikovsky, 81 mins., 66 dancers with costumes and scenery
 * Jewels: Diamonds Peter Ilyitch Tschaikovsky, 30 mins., 34 dancers with costumes and scenery
 * Jewels: Emeralds Gabriel Faure, 32 mins., 17 dancers with costumes and scenery
 * Jewels: Rubies (Capriccio for Piano and Orchestra) Igor Stravinsky, 19 mins., 15 dancers with costumes and scenery


 * Kammermusik No. 2 Paul Hindemith, 20 mins., 12 dancers without costumes or scenery


 * La Sonnambula Vittorio Rietti and Vincenzo Bellini, 31 mins., 27 dancers with costumes and scenery
 * La Source Léo Delibes, 27 mins., 11 dancers with costumes without scenery
 * La Valse Maurice Ravel, 29 mins., 34 dancers with costumes and scenery
 * Le Bal Vittorio Rieti, 39 dancers with costumes and scenery
 * Le Bourgeois Gentilhomme Richard Strauss, 31 mins., 24 dancers with costumes and scenery
 * Le tombeau de Couperin Maurice Ravel, 18 mins., 16 dancers without costumes or scenery
 * Liebeslieder Walzer Johannes Brahms, 49 mins., 8 dancers with costumes and scenery


 * Meditation Peter Ilytch Tschaikovsky, 8 mins., 2 dancers with costumes and scenery
 * Metamorphoses Paul Hindemith, 27 dancers with costumes and scenery
 * Monumentum Pro Gesualdo Igor Stravinsky, 8 mins., 14 dancers without costumes or scenery
 * Movements for Piano and Orchestra Igor Stravinsky, 9 mins., 8 dancers without costumes or scenery
 * Mozartiana Peter Ilyitch Tschaikovsky, 28 mins., 7 dancers with costumes without scenery


 * Orpheus Igor Stravinsky, 30 mins., 41 dancers with costumes and scenery


 * Pas de Dix Alexander Glazounov, 20 mins., 10 dancers with costumes without scenery
 * Pas de Trois (Glinka) Mikhail Glinka, 12 mins., 3 dancers with costumes without scenery
 * Pas de Trois (Minkus) Leon Minkus, 8 mins., 3 dancers with costumes without scenery
 * Pavane Maurice Ravel, 7 mins., 1 dancers with costumes without scenery
 * Prodigal Son Sergei Prokofiev, 35 mins., 16 dancers with costumes and scenery
 * Pulcinella Igor Stravinsky, 37 mins., 54 dancers with costumes and scenery


 * Raymonda Variations Alexander Glazounov, 27 mins., 14 dancers with costumes and scenery
 * Robert Schumann's "Davidsbündlertänze" Robert Schumann, 41 mins., 8 dancers with costumes and scenery
 * Rubies (from Jewels) Igor Stravinsky, 19 mins., 15 dancers with costumes and scenery


 * Scherzo à la Russe Igor Stravinsky, 3 mins., 18 dancers with costumes without scenery
 * Scotch Symphony Felix Mendelssohn, 23 mins., 19 dancers with costumes and scenery
 * Serenade Peter Ilyitch Tschaikovsky, 33 mins., 26 dancers with costumes without scenery
 * Slaughter on Tenth Avenue Richard Rodgers and Hershy Kay, 25 mins., 21 dancers with costumes and scenery
 * Sonatine Maurice Ravel, 12 mins., 2 dancers with costumes without scenery
 * Square Dance Antonio Vivaldi and Arcangelo Corelli, 23 mins., 14 dancers without costumes or scenery
 * Stars and Stripes John Philip Sousa and Hershy Kay, 29 mins., 41 dancers with costumes and scenery
 * Stravinsky Violin Concerto Igor Stravinsky, 23 mins., 20 dancers without costumes or scenery
 * Swan Lake (Act II) Peter Ilyitch Tschaikovsky, 36 mins., 34 dancers with costumes and scenery
 * Sylvia Pas de Deux Léo Delibes, 13 mins., 2 dancers with costumes without scenery
 * Symphonie Concertante Wolfgang Amadeus Mozart, 29 mins., 25 dancers with costumes without scenery
 * Symphony in C Georges Bizet, 33 mins., 52 dancers with costumes without scenery
 * Symphony in Three Movements Igor Stravinsky, 22 mins., 32 dancers without costumes or scenery


 * Tarantella Louis Moreau Gottschalk and Hershy Kay, 6 mins., 2 dancers with costumes without scenery
 * The Four Temperaments Paul Hindemith, 30 mins., 25 dancers without costumes or scenery
 * The Nutcracker Peter Ilyitch Tschaikovsky, 91 mins., 85 dancers with costumes and scenery
 * The Steadfast Tin Soldier Georges Bizet, 11 mins., 2 dancers with costumes and scenery
 * Theme and Variations Peter Ilyitch Tschaikovsky, 30 mins., 26 dancers with costumes and scenery
 * Tschaikovsky Pas de Deux Peter Ilyitch Tschaikovsky, 10 mins., 2 dancers with costumes without scenery
 * Tschaikovsky Piano Concerto No. 2 Peter Ilyitch Tschaikovsky, 36 mins., 29 dancers with costumes and scenery
 * Tschaikovsky Suite No. 3 Peter Ilyitch Tschaikovsky, 42 mins., 52 dancers with costumes and scenery
 * Tzigane Maurice Ravel, 9 mins., 10 dancers with costumes without scenery


 * Union Jack Hershy Kay, 58 mins., 74 dancers with costumes and scenery


 * Valse-Fantaisie Mikhail Glinka, 9 mins., 6 dancers with costumes without scenery
 * Variations Pour une Porte et un Soupir Pierre Henry, 24 mins., 2 dancers with costumes and scenery
 * Vienna Waltzes Johann Jr. Strauss, Franz Lehar and Richard Strauss, 45 mins., 100 dancers with costumes and scenery


 * Walpurgisnacht Ballet Charles Gounod, 17 mins., 25 dancers with costumes without scenery
 * Western Symphony Hershy Kay, 28 mins., 36 dancers with costumes and scenery
 * Who Cares? George Gershwin and Hershy Kay, 41 mins., 24 dancers with costumes and scenery

part two

 * A Midsummer Night's Dream Felix Mendelssohn, 96 mins., 82 dancers with costumes and scenery
 * Agon Igor Stravinsky, 27 mins., 12 dancers without costumes or scenery
 * Apollo Igor Stravinsky, 30 mins., 7 dancers with scenery without costumes


 * Ballade Gabriel Faure, 13 mins., 12 dancers with costumes and scenery
 * Bugaku Toshiro Mayuzumi, 25 mins., 10 dancers with costumes and scenery


 * Capriccio for Piano and Orchestra Igor Stravinsky, 19 mins., 15 dancers with costumes and scenery
 * Chaconne Christoph Willibald Gluck, 30 mins., 27 dancers with costumes without scenery
 * Clarinade Morton Gould, 23 dancers with costumes without scenery
 * Concertino Jean Francaix, 12 mins., 3 dancers with costumes without scenery
 * Concerto Barocco Johann Sebastian Bach, 18 mins., 11 dancers without costumes or scenery
 * Coppélia Léo Delibes, 96 mins., 65 dancers with costumes and scenery
 * Cortège Hongrois Alexander Glazounov, 34 mins., 36 dancers with costumes and scenery


 * Davidsbündlertänze Robert Schumann, 41 mins., 8 dancers with costumes and scenery
 * Diamonds Peter Ilyitch Tschaikovsky, 30 mins., 34 dancers with costumes and scenery
 * Divertimento Brillante Mikhail Glinka, 7 mins., 2 dancers with costumes and scenery
 * Divertimento from "Le Baiser De La Fée" Igor Stravinsky, 23 mins., 14 dancers with costumes without scenery
 * Divertimento No. 15 Wolfgang Amadeus Mozart, 33 mins., 16 dancers with costumes and scenery
 * Don Quixote Nicolas Nabokov, 125 mins. with costumes and scenery
 * Donizetti Variations Gaetano Donizetti, 25 mins., 11 dancers with costumes without scenery
 * Duo Concertant Igor Stravinsky, 17 mins., 2 dancers without costumes or scenery


 * Elégie Igor Stravinsky, 4 mins., 1 dancers with costumes without scenery
 * Emeralds Gabriel Faure, 32 mins., 17 dancers with costumes and scenery
 * Episodes Anton von Webern, 27 mins., 32 dancers without costumes or scenery
 * Etude for Piano Alexander Scriabin, 3 mins., 2 dancers with costumes and scenery


 * Firebird Igor Stravinsky, 29 mins., 56 dancers with costumes and scenery


 * Garland Dance Peter Ilyitch Tschaikovsky, 5 mins., 57 dancers with costumes and scenery
 * Gounod Symphony Charles Gounod, 25 mins., 32 dancers with costumes and scenery


 * Haieff Divertimento Alexei Haieff, 14 mins., 10 dancers without costumes or scenery
 * Harlequinade Riccardo Drigo, 80 mins., 57 dancers with costumes and scenery
 * Harlequinade Pas de Deux Riccardo Drigo, 15 mins., 2 dancers with costumes without scenery
 * Hungarian Gypsy Airs Sophie Menter and Peter Ilyitch Tschaikovsky, 14 mins., 10 dancers with costumes without scenery


 * Ivesiana Charles Ives, 19 mins., 41 dancers without costumes or scenery


 * Jewels Gabriel Faure, Igor Stravinsky and Peter Ilyitch Tschaikovsky, 81 mins., 66 dancers with costumes and scenery
 *  Diamonds Peter Ilyitch Tschaikovsky, 30 mins., 34 dancers with costumes and scenery
 *  Emeralds Gabriel Faure, 32 mins., 17 dancers with costumes and scenery
 *  Rubies Igor Stravinsky, 19 mins., 15 dancers with costumes and scenery


 * Kammermusik No. 2 Paul Hindemith, 20 mins., 12 dancers without costumes or scenery


 * La Sonnambula Vittorio Rietti and Vincenzo Bellini, 31 mins., 27 dancers with costumes and scenery
 * La Source Léo Delibes, 27 mins., 11 dancers with costumes without scenery
 * La Valse Maurice Ravel, 29 mins., 34 dancers with costumes and scenery
 * Le Bal Vittorio Rieti, 39 dancers with costumes and scenery
 * Le Bourgeois Gentilhomme Richard Strauss, 31 mins., 24 dancers with costumes and scenery
 * Le tombeau de Couperin Maurice Ravel, 18 mins., 16 dancers without costumes or scenery
 * Liebeslieder Walzer Johannes Brahms, 49 mins., 8 dancers with costumes and scenery


 * Meditation Peter Ilytch Tschaikovsky, 8 mins., 2 dancers with costumes and scenery
 * Metamorphoses Paul Hindemith, 27 dancers with costumes and scenery
 * Monumentum Pro Gesualdo Igor Stravinsky, 8 mins., 14 dancers without costumes or scenery
 * Movements for Piano and Orchestra Igor Stravinsky, 9 mins., 8 dancers without costumes or scenery
 * Mozartiana Peter Ilyitch Tschaikovsky, 28 mins., 7 dancers with costumes without scenery


 * Orpheus Igor Stravinsky, 30 mins., 41 dancers with costumes and scenery


 * Pas de Dix Alexander Glazounov, 20 mins., 10 dancers with costumes without scenery
 * Pas de Trois Mikhail Glinka, 12 mins., 3 dancers with costumes without scenery
 * Pas de Trois Leon Minkus, 8 mins., 3 dancers with costumes without scenery
 * Pavane Maurice Ravel, 7 mins., 1 dancers with costumes without scenery
 * Prodigal Son Sergei Prokofiev, 35 mins., 16 dancers with costumes and scenery
 * Pulcinella Igor Stravinsky, 37 mins., 54 dancers with costumes and scenery


 * Raymonda Variations Alexander Glazounov, 27 mins., 14 dancers with costumes and scenery
 * Robert Schumann's "Davidsbündlertänze" Robert Schumann, 41 mins., 8 dancers with costumes and scenery
 * Rubies Igor Stravinsky, 19 mins., 15 dancers with costumes and scenery


 * Scherzo à la Russe Igor Stravinsky, 3 mins., 18 dancers with costumes without scenery
 * Scotch Symphony Felix Mendelssohn, 23 mins., 19 dancers with costumes and scenery
 * Serenade Peter Ilyitch Tschaikovsky, 33 mins., 26 dancers with costumes without scenery
 * Slaughter on Tenth Avenue Richard Rodgers and Hershy Kay, 25 mins., 21 dancers with costumes and scenery
 * Sonatine Maurice Ravel, 12 mins., 2 dancers with costumes without scenery
 * Square Dance Antonio Vivaldi and Arcangelo Corelli, 23 mins., 14 dancers without costumes or scenery
 * Stars and Stripes John Philip Sousa and Hershy Kay, 29 mins., 41 dancers with costumes and scenery
 * Stravinsky Violin Concerto Igor Stravinsky, 23 mins., 20 dancers without costumes or scenery
 * Swan Lake Peter Ilyitch Tschaikovsky, 36 mins., 34 dancers with costumes and scenery
 * Sylvia Pas de Deux Léo Delibes, 13 mins., 2 dancers with costumes without scenery
 * Symphonie Concertante Wolfgang Amadeus Mozart, 29 mins., 25 dancers with costumes without scenery
 * Symphony in C Georges Bizet, 33 mins., 52 dancers with costumes without scenery
 * Symphony in Three Movements Igor Stravinsky, 22 mins., 32 dancers without costumes or scenery


 * Tarantella Louis Moreau Gottschalk and Hershy Kay, 6 mins., 2 dancers with costumes without scenery
 * The Four Temperaments Paul Hindemith, 30 mins., 25 dancers without costumes or scenery
 * The Nutcracker Peter Ilyitch Tschaikovsky, 91 mins., 85 dancers with costumes and scenery
 * The Steadfast Tin Soldier Georges Bizet, 11 mins., 2 dancers with costumes and scenery
 * Theme and Variations Peter Ilyitch Tschaikovsky, 30 mins., 26 dancers with costumes and scenery
 * Tschaikovsky Pas de Deux Peter Ilyitch Tschaikovsky, 10 mins., 2 dancers with costumes without scenery
 * Tschaikovsky Piano Concerto No. 2 Peter Ilyitch Tschaikovsky, 36 mins., 29 dancers with costumes and scenery
 * Tschaikovsky Suite No. 3 Peter Ilyitch Tschaikovsky, 42 mins., 52 dancers with costumes and scenery
 * Tzigane Maurice Ravel, 9 mins., 10 dancers with costumes without scenery


 * Union Jack Hershy Kay, 58 mins., 74 dancers with costumes and scenery


 * Valse-Fantaisie Mikhail Glinka, 9 mins., 6 dancers with costumes without scenery
 * Variations Pour une Porte et un Soupir Pierre Henry, 24 mins., 2 dancers with costumes and scenery
 * Vienna Waltzes Johann Jr. Strauss, Franz Lehar and Richard Strauss, 45 mins., 100 dancers with costumes and scenery


 * Walpurgisnacht Ballet Charles Gounod, 17 mins., 25 dancers with costumes without scenery
 * Western Symphony Hershy Kay, 28 mins., 36 dancers with costumes and scenery
 * Who Cares? George Gershwin and Hershy Kay, 41 mins., 24 dancers with costumes and scenery

missing info.

 * Metamorphoses


 * Le Bal


 * Don Quixote


 * Clarinade