User:Ronaa22/sandbox

Practicing citations
The source is useful because it communicates the themes and narrative devices employed by Shikibu such as scent and how they construct and explain Kaoru as a character.

Their editorial policy differs from Wikipedia in that it “includes a more rigorous article selection process, editorial review process, and its wholesome value orientation”.

For those who are not well-versed in premodern (Heian) history and classical Japanese and Chinese poetry, coupled by the nature of Heian literature and poetry in which the author does not refer to characters by name, Tyler added footnotes to clarify chapter events for ease of understanding.

For example, he mentions Paul G. Schalow’s book, “A Poetics of Courtly Male Friendship in Heian Japan” which has conflicting ideas with Tyler.

The publisher, the International Research Centre for Japanese Studies, National Institute for the Humanities (Nichibunken) is an inter-university research institute funded by a government grant to further the study of Japanese culture and history with international cooperation.

Answers to Module 7 Questions
https://commons.wikimedia.org/wiki/File:Callala_Beach_-_Jervis_Bay.jpg

Media Description
My media is a photograph.

Is it your own work?
Yes. It was a photograph I took.

What is the file format?
Photograph: JPEG

What license have you chosen?
The file is licensed under the Creative Commons Atrribution-Share Alike 4.0 International license.

What category/gallery will you add to it?
Beaches, Jervis Bay, Sunset.

How will you describe the file?
A photograph of Callala Beach in Jervis Bay during sunset.

External links:
The Diary of Murasaki Shikibu - The British Museum Calligraphy set of nine 'maki' (handscrolls).

References:
"Murasaki Shikibu has a try, and many will say succeeds, at a most extraordinary thing, the creation of the first antihero in the literature of the world."

Mentions Seidensticker's Introduction:
"The anti-hero is Kaoru," - Hoffman, M. 1998, "Heian's modern merits", Japan Quarterly, vol. 45, no. 1, pp. 70-78.

"Seidensticker finds each an imaginative leap beyond its predecessor, culminating in "the creation of the first anti-hero in the literature of the world"