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Wanderer above the Sea of Fog[a] is a painting by German Romantic artist Caspar David Friedrich made in 1818.[2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.

It has been considered one of the masterpieces of the Romantic movement and one of its most representative works. The painting has been widely interpreted as an emblem of self-reflection or contemplation of life's path, and the landscape is widely considered to evoke the sublime. Friedrich was a common user of Rückenfigur (German: Rear-facing figure) in his paintings; Wanderer above the Sea of Fog is perhaps the most famous Rückenfigur in art due to the subject's prominence. The painting has also been interpreted as an expression of Friedrich's German liberal and nationalist feeling.

While Friedrich was respected in German and Russian circles, Wanderer above the Sea of Fog and Friedrich's work in general were not immediately regarded as masterpieces. Friedrich's reputation improved in the early 20th century, and in particular during the 1970s; Wanderer became particularly popular, appearing as an example of "popular art" as well as high culture on books and other works. The provenance of the artwork after its creation is unknown, but by 1939 was on display in the gallery of Wilhelm August Luz in Berlin, and was acquired by the Hamburger Kunsthalle in Hamburg, Germany in 1970 where it has been displayed ever since.

Description In the foreground, a man stands upon a rocky precipice with his back to the viewer. He is wrapped in a dark green overcoat, and grips a walking stick in his right hand.[3] His hair caught in a wind, the wanderer gazes out on a landscape covered in a thick sea of fog. In the middle ground, several other ridges, perhaps not unlike the ones the wanderer himself stands upon, jut out from the mass.[4] Through the wreaths of fog, forests of trees can be perceived atop these escarpments. In the far distance, faded mountains rise in the left, gently leveling off into lowland plains in the right. Beyond here, the pervading fog stretches out indefinitely, eventually commingling with the horizon and becoming indistinguishable from the cloud-filled sky.[3]

The painting is composed of various elements from the Elbe Sandstone Mountains in Saxony and Bohemia, sketched in the field but in accordance with his usual practice, rearranged by Friedrich himself in the studio for the painting. In the background to the right is the Zirkelstein.[5] The mountain in the background to the left could be either the Rosenberg or the Kaltenberg. The group of rocks in front of it represent the Gamrig near Rathen. The rocks on which the traveler stands are a group on the Kaiserkrone.[6]