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Rivane Neuenschwander (born 1967) is a Brazilian artist, who has become widely regarded for ephemeral and engaging work that explores language, nature, geography, the passing of time and social interactions. At times her works are interactive involving viewers in spontaneous and participatory actions. In her installations, films and photographs, Rivane Neuenschwander employs fragile unassuming materials to create mesmerising aesthetic experiences, a process she describes as "ethereal materialism". “When I was starting off, I was very interested in the ephemeral, in quotidian materials that disappear or are subject to entropy, which is how my art got stuck with labels like ‘ethereal materialism,’" she says about her own work.

Biography
Neuenschwander was born in 1967 in Belo Horizonte, Brasil. She graduated from the Federal University of Minas Gerais, Brazil in 1993 and completed her MFA at the Royal College of Art in London 1998.

Winner of the Yanghyun Prize in South Korea in 2013 and shortlisted for the Guggenheim Museum’s Hugo Boss Prize in 2004, the artist has exhibited her work internationally throughout the past twenty years. In 2010, the New Museum in New York presented Rivane Neuenschwander: A Day Like Any Other, a major survey exhibition that traveled to the Mildred Lane Kemper Art Museum in St. Louis, followed by the Scottsdale Museum of Contemporary Art in Arizona, Miami Art Museum, and the Irish Museum of Modern Art in Dublin through 2012.

Other important solo presentations include shows at Museu de Arte Moderna de São Paulo (MAM-SP) in Brazil (2014), Malmö Konsthall in Sweden (2010), St. Louis Art Museum in Missouri (2007), Carnegie Museum of Art in Pittsburgh (2007) Hirshhorn Museum and Sculpture Garden in Washington, DC (2007), Palais de Tokyo in Paris (2003), the Walker Arts Center in Minneapolis (2002) and Portikus in Frankfurt (2001).

Rivane Neuenschwander has developed a unique practice within the vein of Brazilian conceptualism, incorporating influences from Brazil's rich history of art movements over the past fifty years. Neuenschwander has become widely regarded for her ephemeral, engaging work that explores narratives about language, nature, geography, the passing of time and social interactions. To do so, the artist frequently employs external forces – both people and natural processes – to produce a series of dynamic, autonomous results. Often her works are interactive, as in Story of an Other (2005), which was created for the 2005 Venice Biennale and shown again in her New York solo début, ‘Other Stories and Stories of Others’.

Currently Neuenschwander’s work can be found in the collections of the Museum of Modern Art in New York, Tate Modern, Solomon R. Guggenheim Museum, Inhotim Centro de Arte Contemporânea in Brazil, Museum Boijmans Van Beuningen in Rotterdamn, The Israel Museum, Museum of Modern Art in Sao Paulo, Seattle Art Museum, and the Walker Art Center, among others.

Education
BA, Fine Art, Federal University of Minas Gerais, Brazil

MA, Royal College of Art, London, England

Exhibitions
=== Solo Exhibitions (selected)  === 2015: Children's Commission 2015: Rivane Neuenschwander, Whitechapel Gallery, London, England; Rivane Neuenschwander: The fever, the sewing box and a ghost, Tanya Bonakdar Gallery, New York, USA

2014: Rivane Neuenschwander: mal-entendidos/misunderstandings, São Paulo Museum of Modern Art, São Paulo, Brazil; Quarta-feira de cinzas/Epilogue, Wexner Center for the Arts, Columbus, Ohio, USA

2013: POST - The Order and the Method, Kunsthal Charlottenborg, Copenhagen, Denmark

2012: Caos e Ordem, Fabrica ASA, Guimarães, Portugal; The Spiral and The Square. Exercises in Translatability, Trondheim Kunstmuseum, Trondheim, Norway; Galpão Fortes Vilaça, São Paulo, Brazil; Kadist Art Foundation, San Francisco, USA

2011: A Day Like Any Other, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, USA; travelling to Miami Art Museum, Miami, USA, Irish Museum of Modern Art, Dublin, Ireland; Rivane Neuenschwander und Haegue Yang, Kunsthalle Lingen, Berlin, Germany

2010: A Day Like Any Other, New Museum, New York, USA; travelling to Mildred; Kemper Art Museum, Saint Louis, USA; At a Certain Distance, Malmö Konsthall, Malmö, Sweden; Dominó Caníbal [PAC MURCIA 2010]: Rivane Neuenschwander, Sala Verónicas, Murcia, Spain

2008: Rivane Neuenschwander: Suspension Point, South London Gallery, London, England; Rivane Neuenschwander, Stephen Friedman Gallery, London, England

2007: Coisa de Ninguém. Coisa de Todos, Galeria Fortes Vilaça, São Paulo, Brazil; Forum 60, Carnegie Museum of Art, Pittsburgh, USA; Black Box, Hirshhorn Museum and Sculpture Garden, Washington D.C, USA; Eu desejo o seu desejo/ I wish your wish, Sfeir-Semler Gallery, Beirut, Lebanon; Joe Carioca, St. Louis Art Museum, Missouri, USA

2006: Other Stories and Stories of Others, Tanya Bonakdar Gallery, New York, USA

2005: Galerie Klosterfelde, Berlin, Germany

2004: Currents 93: Rivane Neuenschwander, St Louis Art Museum, Gallery 337, Missouri, USA

2003: Eu Desejo o seu Desejo, Galeria Fortes Vilaça, São Paulo, Brazil; Superficial Resemblance, Palais de Tokyo, Paris, France; Aloisio Magalhaes Modern Art Museum, Recife, Brazil

2002: To/From: Rivane Neuenschwander, Walker Arts Center, Minneapolis, USA (catalogue); Museu de Arte da Pampulha, Belo Horizonte, Brazil; Stephen Friedman Gallery, London, England

2001: Spell, Portikus, Frankfurt, Germany, (catalogue); The Americas Society, New York, USA, (brochure); Artpace Foundation, San Antonio, Texas, USA

2000: Syndrome, IASPIS, International Artists Studio Program, Stockholm, Sweden (brochure); Galeria Fortes Vilaça, São Paulo, Brazil; Douglas Hyde Gallery, Dublin, Ireland

1999: Stephen Friedman Gallery, London, England

1997: Stephen Friedman Gallery, London, England

1996: Casa Triângulo, São Paulo, Brazil

1992; Itaú Galeria, Belo Horizonte, Brazil; Itaú Galeria, São Paulo, Brazil

=== Group Exhibitions (selected) === 2016: Fear Nothing, She Says, Museo Nacional de Escultura Valladolid, Valladolid, Spain; The Campaign for Art: Contemporary Art, San Francisco Museum of Modern Art, San Francisco, USA

2015-2016: Scenes for a New Heritage: Contemporary Art from the Collection, Museum of Modern Art, New York, USA; Fear Nothing, she says, Museo Nacional de Escultura, Valladoli, Spain

2015: Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England (catalogue); Images Moving Out Onto Space, Tate St. Ives, Cornwall, UK

2014-2015: What makes a home? National Gallery of Denmark, Copenhagen, Denmark

Huna, Hunak/ Here, There, Al Riwaq Exhibition Space, Doha, Qatar

2014: Imagine Brasil, Musée d'Art Contemporain de Lyon, Lyon, France; touring to DHC/Art, Montreal, Canada; do it, Garage Museum of Contemporary Art, Moscow, Russia

2013- 2014: Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA; Inhabiting Time, Museo Jumex, Mexico City, Mexico

2013: More Love: Art, Politics and Sharing Since the 1990s, Cheekwood, Nashville, USA; Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway

2012-2013: Planos de Fuga - Uma Exposicao em Obras, Centro Cultural Banco do Brasil, Sao Paolo, Brazil; The Unspecific Index, curated by Erin Sickler, 601 Artspace, New York, USA

2012: Explosion! Painting as Action, Moderna Museet, Stockholm, Sweden; Mexico: Expected/Unexpected, Katzen Arts Centre, Washington D.C., USA

2011-2012: The Spiral and the Square. Exercises in Translatability, Bonniers Konsthall, Stockholm, Sweden

2011: Paradise Lost, Istanbul Museum of Art, Istanbul, Turkey (catalogue); The Luminous Interval, Guggenheim Museum Bilbao, Bilbao, Spain

2010-2011: Keeping it Real: An Exhibition in Four Acts: The D. Daskalopoulos Collection, Whitechapel Gallery, London, England; Twenty First Century: Art in the First Decade, Gallery of Modern Art, Queensland, Australia

2010: Adaptation: Between Species, The Power Plant, Toronto, Canada; Dominó Caníbal, Proyecto de Arte Contemporáneo, Murcia, Spain; SERPENTINE CINEMA: CINACT, The Gate, Serpentine Gallery, London, England

2009 - 2010: After Utopia: A View on Brasilian Contemporary Art, Centro per l'arte contemporanea Luigi Pecci, Prato, Italy; Mexico: Expected/Unexpected Current Alliances in Art, Stedelijk Museum Schiedam, Schiedam, Netherlands (catalogue)

2009: Brasil Contemporary, Contemporary Art, Architecture and Visual Culture, Museum Boijmans van Beuningen, Rotterdam; Rivane Neuenschwander, 2a Trienal Poli/Gráfica de San Juan: América Latina y el Caribe, Instituto de Cultura Puertorriqueña Antiguo Arsenal de la Marina Española, San Juan, Puerto Rico (Publication project organised by Jens Hoffman)

2008: Library, UOVO Open Office Berlin, Berlin, Germany; 50 Moons of Saturn, 2ndTorino Triennale, Torino, Italy

2007: Kunstkammer, Berkeley Art Museum & Pacific Film Archive, Berkeley, USA; Collection Display, Idea and Object Wing, Tate Modern, London, England

2006: Water, Water Everywhere..., Contemporary Art Center of Virginia, Virginia Beach, USA (catalogue)

2005: Experiencing Duration, Biennale d'art Contemporain de Lyon, Lyon, France; Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England

2004: Artist's Favourites Act II, Institute of Contemporary Art, London, England; Never Never Landscape, Atle Gerhardsen, Berlin, Germany

2003: Land Land! Helen Mirra, Rivane Neuenschwander, Katja Strunz, Kunsthalle Basel, Switzerland (catalogue); Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo, Japan

2002: poT, II Liverpool Biennal of Contemporary Art, Liverpool, UK

2001: Trans Sexual Express, Centro D'Art Santa Monica, Barcelona, Spain

2000: Friends and Neighbours, Limerick City Gallery of Art, Limerick, Ireland

1999: Au-Delà, Galerie Klosterfelde, Berlin, Germany

1998: Bili Bidjoka, Los Carpinteros, New Museum of Contemporary Art, New York, USA

1997: Trade Routes : History and Geography II Johannesburg Biennale, Johannesburg, South Africa

1996: Cercanias, Geto Gráfico, Belo Horizonte, Brazil

1995: Os náugragos, Sala Corpo de Exposições, Belo Horizonte, Brazil

1994: A Imagem Não Virtual, Casa Triãngulo, São Paulo, Brazil

1993: Estandartes, Parque Municipal, Belo Horizonte, Brazil

1992: Utopias Contemporâneas, Palácio das Artes Belo Horizonte, Brazil

1991: 15.000 kg, Palácio das Artes, Belo Horizonte, Brazil

Public Collections
The Guggenheim, New York, USA

The Museum of Modern Art, New York, USA

Thyssen-Bornemisza Art Contemporary, Vienna, Austria

Museu de Arte da Pampulha, Belo Horizonte, Brazil

Inhotim Centro de Arte Contemporânea, Brumadinho, Brazil

MAM - Museu de Arte Moderna de São Paulo, São Paulo, Brazil

Atlanta Kulturstiftung im Sinclair-Haus, Bad Homburg, Germany

Ellipse Foundation, Alcoitão, Brazil

Espacio 1414, Santurce, San Juan, Puerto Rico

Museu d´Art Contemporani de Barcelona - MACBA, Barcelona, Spain

Musac - Museo de Arte Contemporáneo de Castilla y León, Léon, Spain

Tate, London, England

Contemporary Art Center of Inhome, Brazil

The Israel Museum, Jerusalem, Israel

Seattle Art Museum, Seattle, USA

Walker Art Center, Minneapolis, USA

Museum of Contemporary Art, North Miami, Florida, USA

Centre Pompidou, Paris, France

Fundación "la Caixa", Barcelona, Spain

Fundación Arco, Madrid, Spain

La Fundacion Jumex, Mexcio City, Mexico

Gandar Collection, Geneva, Switzerland

Kunst Verein Lingen Kunsthalle, Lingen, Germany

Queensland Art Gallery, Brisbane, Australia

Projects and Awards
2013 Yanghyun Prize, Seoul Museum, Seoul, South Korea

2004 Shortlisted Hugo Boss Prize, Guggenheim Museum, New York, USA

2003 Bursary Vitae de Artes

2002 Honourable Mention, UFMG University, Belo Horizonte, Brazil

2001 Resident Delfina Studios, London;  ArtPace residency, San Antonio, Texas, USA

2000 IASPIS residency, Stockholm, Sweden

1999 ‘The Quiet in the Land 2: Everyday Life, Contemporary Art and Projeto Axé', art residency organised by France Morin, Bahia, Brazil

1996 Antarctica Artes com a Folha, São Paulo, Brazil

1993 Prêmio Marc Ferrez de Fotografia, ‘Ex-Votos' - (Objeto Fotográaficos), Brasilian Institute of Contemporary Art, Rio de Janeiro, Brazil

== Bibliography == 2015: Ellis, Phillipa, What Impact Is London Life Having On Kids?, Londonist, 6 July; Johnson, Ken, Review: ‘Scenes for a New Heritage' at the Museum of Modern Art, The New York Times, 26 March

2014: Mazzucchelli, Kiki, Linguagem Fraturada. Revista Select, 11 October; Wright, Karen, Rivane Neuenschwander. The Independent, 18 September; Gazire, Nina, A brincadeira da arte, Harper's Bazaar Brasil Art, September

2013: Prêmio coreano, artista mineira. O Globo, Segundo Caderno, 23 September; Rigby, Claire, The Insides Are on the Outside, Art Review, June; Racy, Sonia, Tipo exportação, O Estado de S. Paulo, 26 January; Molina, Camila, Identidade da Videoarte, O Estado de S. Paulo, Caderno 2, 21 January; Miller, Earl, Prefix Photo: Continental Drift and Cartographic Shifts, Toronto, Prefix Institute of Contemporary Art; Rabello, Tânia, The Feminine Side of the Most Important Contemporary and Modern Art Collection, Arte! Brasiliros, May/June

2012: Sherwin, Skye, Ten Brasilian Artists to Meet, 10 Magazine, November 2012, pp.92 - 97; Profiled: A look at six artists...who are shaping Brasil's contemporary art scene, Art Review Supplement, September, pp. 30-38; Clancy, Luke, Rivane Neuenschwander: A Day Like Any Other, Art Review, March; Collins, Tryn, The Cage Effect Today: Rivane Neuenschwander, Notations, March; Krish, Andrea, theartblog, 24 January; Modjeska, Drusilla, Sydney gets a laneway, The Monthly, April; Clement, Tracy, The New MCA: Making Every Second Count, Art Guide Australia, March/April

2011: Dunne, Aidan, When you wish upon a ribbon...you're making art, The Irish Times, 7 December; Dunne, Aidan, A Day Like Any Other, The Irish Times, 11 November; Clark, Robert & Sherwin, Skye, This week's exhibitions, The Guardian, 13 November; Baldon, Diana, Polly wants a punctuation mark, Texte Zur Kunst, 10 January; Adam, Georgina, Collecting Special: Flying Time, Financial Times, 27 May; Eltham, Ben, In the World of Art, Everything New is Popular Again, Crikey, 8 April; Hwang, Kellie, First Love at SMoCA, azcentral.com, 8 February; Guggenheim in Bilbao presents The Luminous Interval: The D. Daskalopoulos Collection, Art Daily, 19 April; Fox, Dan, On Nature, Frieze, March

2010: Rother, Larry, A Brasilian Makes Playful but Serious Art, The New York Times, 21 June; Wilson, Michael, Time Out New York, Issue 775, 5-11 August; Paist, Janet; Scharr, Julian, Polish Sketch Artist Captures Your First Love, CNN New York, 21 July; Douglas, Sara, Modern Painters, 1 July; Rooney, Kara L., The Brooklyn Rail, September; Wilson, Michael, As You Wish, Artforum Diary, 23 June; New Museum Presents First Survey of Brasilian Artist Rivane Neuenschwander, Art Daily, 25 June; Malone, Meredith, Neuenschwander and Influence, Ethiopian Review, 24 November; Small, Irene V., Artforum, November

2009: Thorne, Sam, Signs of Life, frieze, January; Herbert, Martin, Art Review, January-February; Escalante, Mireya and Claudia san Agostin, Mexico: Expected/Unexpected Collection Isabel et Agustin Coppel. Paris, La Maison Rouge

2008: Modern Painters, October; Milliard, Coline, Ashes to Ashes, Dust to Dust, Art Review, October; Hubbard, Sue, Rivane Neuenschwander: Suspension Point, South London Gallery

The Independent, 20 November; Cork, Richard, Royal Academy of Arts Magazine, Autumn; Kulture Flash, 27 November; Punj, Rajesh, Flash Art, June; Glover, Michael, Now you see it, now you don't, The Independent, 20 March; Fite-Wassilak, Chris, Artforum online, March

2007: Jones, Kristin M., Rivane Neuenschwander, Frieze, Issue 104, January-February; Comic Abstraction: Image-Breaking, Image-Making, Museum of Modern Art, New York, USA, catalogue cover, pp. 25-26, 96-101; Sheets, Hilarie M., Waves of Light, ArtNews, March; Kunitz, Daniel, Blossoms, Bubbles & Beauty, The New York Sun, 29 March, p. 21

2006: Fuenmayor, Jesús, ed., Arte da América Do Sul, Ponto de Viragem 1989, Colecçâo de Arte Comtemporânea Público Serralves 08; Smith, Roberta, Other Stories and Stories of Others, The New York Times, 22 September, p. E31; Linden, Liz, ed. The Best Surprise is No Surprise, JRP Ringier, Zürich, Switzerland

2005: Rivane Neuenschwander, Ici lá-bas aqui acolá, Rona Editora, Belo Horizonte, Brazil; Hughes, Jeffrey, Art Papers, March/April; Haq, Nav, Magasin 3, Autumn, Stockholm, Sweden Artists Salute Artpace, Artpace San Antonio, Benefit Auction at Christie's, New York; Burghart, Tara, Tropicalia exhibit features art for all the senses, The Indianapolis Star, 6 November

2004: Currents 93: Rivane Neuenschwander, St. Louis Art Museum, St. Louis; Taylor, Betsy, The Enquirer, 23 December, Cincinnati; Friswold, Paul, Riverfront Times, 8-10 December, St. Louis

2003: Land Land! Helen Mirra, Rivane Neuenschwander, Katja Strunz, Kunsthalle Basel, Basel, Switzerland; Birnbaum, Daniel, Feast for the Eyes, Artforum, May, pp. 142-146; Cordeiro, Veronica, Rivane Neuenschwander, Art Nexus, no. 47, vol. 1, pp. 100-102

2002: Rivane Neuenschwander, to/from, Walker Art Center, Minneapolis; Vivencias, Dialogues between Brasilian Artists from 1960's to 2002, The New Art Gallery, Walsall Hoffmann, Jens, Ethereal Materialism, Flash Art, October, pp. 90-92; Timmons, Matthew, Rivane Neuenschwander at Walker Art Center, Pulse, 11 September; Miskowiec, Jay, Brasilian artist brings her maps of Experience to the Walker, La Prensa de Minnesota, 26 September - 2 October, p. 4; Review, Artforum, May; Review, Wall Street Journal, 2 August; Review, Sculpture, September; Kanjo, Kathryn, ARCO, Autumn, no. 25, p. 6; Schwabsky, Barry, review, Artforum, April, p. 147; In the line of beauty, Sunday Herald Tribune, 3 March; Coomer, Martin, Review, Time Out, 20-27 February, p. 51; Buhr, Elke, Orangenalphabet, Frankfurter Rundschau, 10 December, p. 21; Kunstzeitung, No.6 5, January, p. 7

2001: Absences, Riksutstillingar; Rivane Neuenschwander, Spell, Portikus, Frankfurt am Main; Hansson, Annika, Make Magazine, issue 90, December, p. 90; Clark, Robert, The Guardian Guide, 23 December - 5 January; Review, Visual Arts, 11 January; Review, The Slate, January; Daly, Catherine, review, The Sunday Times, 14 January; Hierholzer, Michael, Ein Labyrinth aus Pappe und Orangen, Frankfurter Allgemeine Zeitung, 8 December; Hoffman, Jens, Powerful Circles, Rivane Neuenschwander, The Americas Society; Rivane Neuenschwander, Shazia Sikander, Tony Villejo: Artpace, Sculpture, vol. 20, no. 8, October, pp. 77-78; Rivane Neuenschwander: Galeria Camargo Vilaça, Art Nexus, no. 40, May-July, pp. 125, 156; Preview, Art Review, December-January

2000: Rivane Neuenschwander, Stephen Friedman Gallery, London, Galeria Camargo Vilaça, São Paulo, Brazil and Douglas Hyde Gallery, Dublin; Moroney, Mic, IVenus, December; Dunne, Aidan, Art bubbles with Originality, Visual Art, December; Hartigan, Marianne, All at a snails pace, The Sunday Tribune, 9 December; Suely, Rolnik, Truce for the soul in ‘The Quiet in the land 2: Everyday Life, ‘Contemporary Art and Projecto Axe', Museu de Arte Moderna da Bahia, Salvador

1999: Powder, Aspen Art Museum, Aspen, CO; Rivane Neuenschwander, Untitled, no. 19, Summer, pp. 32-3; Kent, Sarah, Time Out, 19-26 May, p. 43

1998: Rivane Neuenschwander, XXIV Bienal de São Paulo, Stephen Friedman Gallery and Galeria Fortes Vilaça, São Paulo, Brazil; Fortes, Marcia, Bili Bidjocka, Rivane Neuenschwander, Frieze, September/October, pp.101-102; Cream: 10 curators, 10 writers, 100 artists, Phaidon Press

1997: Lagnado, Lisette, Rivane Neuenschwander, Immersion in Time in ‘5th International Istanbul Biennial', pp. 162-63; Herbert, Martin, Rivane Neuenschwander, Time Out, 28 May, p. 47; Fioravante, Celso, Vazio Escultórico, Vogue Brasil, May; Material Whirl, State of the Arts, April, p. 8; Murria, Alicia, Arco y Latinoamerica, Art Nexus magazine, no. 24, April-June, pp.105-107; Papastergiadis, Nikos, Material Immaterial, Art/Text, August-October; Genocchio, Benjamin, Material Immaterial, Look-Art Gallery Society of New South Wales Magazine, March; Genocchio, Benjamin, Concrete Poetry, World Art, no. 12; Material Immaterial, Art Gallery of New South Wales, Sydney; Smee, Sebastian, Smells Like Art, The Sydney Morning Herald, 14 March; Murria, Alicia, Arco y Lationoamerica, Art Nexus magazine, no. 24, April-June, pp. 105, 107; Material Whirl, State of the Arts, April; Fioravante, Celso, Vazio Escultorico, Vogue Brasil, May; Smee, Sebastian, Asking the Right Questions, Art Monthly Australia, no. 99, May; Bifulco, Adriana, Formigas que Viram Arte, Jornal da tarde, 2 July; Fioravante, Celso, Aristas Brasileiros vao a Australia, Folha de São Paulo, 23 January; ARCO ‘97, Casa Triângula, February, p. 100; Brasileiros Conquistam o Mundo, Celso Fioravante, Folha de São Paulo, 10 February

1996: Fioravante, Celso, Rivane Exibe o Seu Barroco Minimo, Folha de São Paulo, 2 July; Guimaraes, Cao, Rivane Neuenschwander, Casa Triângula, exhibition folder; Santiago, Alberto, Casa Triangulo Mostra as Delicadezas de Rivane, Shopping News, 6 July; Claudio, Ivan, Objeto Nao Identificado, rivista IstoE, 17 July; Fioravante, Celso, Antartica Artes com a Folha Seleciona 62 Artistas, Folha de São Paulo, 1 August; Escolhidos-Antartica Artes come a Folha, ediçao especial Folha de São Paulo, 22 September; Fioravante, Celso, Antartica Escolhe os Seus Premiados, Folha de São Paulo, 2 October; Raridade, Um ano em 15 Minutos-Retrospectiva Revista da Folha, 29 December

1994: Rivane Neuenschwander in ‘Abjeto', Centro Cultural da UFMG, Belo Horizonte, Brazil, pp. 7, 20, 21, 28, 29, 33