User:Scribd24/Ed Mirza

reEd Mirza 'Renaissance man of the second wave, paints, sings, performs and writes a post-colonial critique of the coming age in which eastern ideas will again enliven western thought and the human spirit will embrace its newest development.'

Ed Mirza's ideas principally revolve around those of animism as an alternative view to the nature of semiotics. Of Pakistani/Anglo origin, Ed Mirza may be seen to contribute ideas which draw on eastern sources but which are applied to western thought structures such as those of Neurology.

Ed Mirza's ideas extend to those of draftsmanship and it's relevance in art-history; the nature of Bel-canto singing, as fabulously derived from Renaissance Florence, and it's relation to singing cultures in general, such as soul, Jazz, Blues and Pop, to the historiography of these various genres and their cultural impact; also to the relation of Greek metaphysics to archaic Mesopotamian sources and the relevance of these to the above; and in particular, how these philosophical shifts may be seen to have an effect socially. It is seen that society is the pivotal register of these shifts and the place where their effect is most efficacious, where it is mediated, and principally, the primary cause of wanting to change them.

Ed Mirza may be seen to maintain that the western viewpoint on the ego is subject to an erroneous concept of time, and that this is the starting point of a string of misconceptions leading them to an almost completely irreversible social stance which can only be modified by the application of certain ideas - as outlined in his general philosophical and historiographical passages.