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Sheila Hill is an English artist, writer and theatremaker.

Career
She was a columnist and feature writer for the Guardian newspaper, before focusing on theatre, and art installations.

A spinal injury, in her early 30s, removed her from normal life, but Atkinson Morley Hospital’s intensive rehabilitation programme started to turn things around, despite the fact that regaining a functional level of strength took several years.

Sheila wrote about this period in a series of newspaper articles, and also in her theatre work, Crocodile Looking At Birds - selected as one of the Observer newspaper Arts Events of the Year.

As an artist, she draws on real voices, transcribing and editing these into short, poetic testimonies, which she uses as her starting material.

Sheila also founded and curated Tabernacle Folk, a four year, progressive, commissioning, international festival (2010-2013). This was voted Critics Choice Best Gig in London, by Time Out.

Works

 * Eye to Eye, The Dome, Brighton Festival, 2019
 * Him, Royal Festival Hall/Glasgow’s Tramway/Birmingham Rep/Edinburgh Traverse, 2016
 * The Question Room, Science Museum, London, 2009
 * I See Your Beating Heart, Chelsea and Westminster Hospital, London, 2001
 * Crocodile Looking At Birds, Lyric Hammersmith, London, 1995
 * My Parents Never Talk To White People, ICA, London, 1994
 * Check King Coal, Oval House, London, 1985