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Transnational cinema
Transnational cinema is a developing concept within film studies that encompasses a range of theories relating to the effects of globalization upon the cultural and economic aspects of film. It incorporates the debates and influences of postnationalism, postcolonialism, consumerism and Third cinema, amongst many other topics.

Key Debates
A key argument of Transnational cinema is the necessity for a redefinition, or even refutation, of the concept of a national cinema. National identity has been posited as an 'imaginary community' that in reality is formed of many seperate and fragmented communities defined more by social class, economic class, sexuality, gender, generation, religion, ethnicity, political belief and fashion, than nationality.

The increasingly transnational practices in film funding, production and distribution combined with the 'imagined community' thus provide the basis for an argued necessity for a greater use of transnational, rather than national, perspectives within film studies. Global communication through the internet has also resulted in changes within culture and has further resulted in film transcending perceived national boundaries.

Ongoing definition
The broad scope of topics relating to Transnational cinema have raised some criticisms over its exact definition, as Mette Hjort notes:

"(...) to date the discourse of cinematic transnationalism has been characterized less by competing theories and approaches than by a tendency to use the term ‘transnational’ as a largely self-evident qualifier requiring only minimal conceptual clarification."

Subsequently, Hjort, John Hess and Patricia Zimmerman, amongst others, have attempted to clearly define the utilisation and implementation of Transnational cinema theories. To assist the ongoing discussions, Transnational Cinemas, the first Academic Journal dedicated to the ongoing debates, has been announced by Intellect for publication in 2010.