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Charles Frederick Hall was an English musician, conductor, and actor. He is best remembered today as the father of Charles King Hall (1845-1895), English composer and organist and for helping arrange Jenny Lind's singing engagement in the city of Norwich in 1847.

Charles Frederick Hall was born 18 December 1815 in Norwich, Norfolk, England, the son of William Frederick Hall and Jane Greenfield. He died 12 February 1874 in Liverpool, England.

In 1852, George Dubourg, an English writer and musician, published this summary of the professional career of 37-year old Charles Frederick Hall.

"Charles Frederick Hall, five years a member of Her Majesty’s Theatre, and the present Musical Director of the Royal Marionette Theatre, London, was born at Norwich, in 1820.

When a mere child, his melodious voice attracted the attention of the Norwich denizens; but his early predilection for the stage induced his family to accept an engagement for him from Elliston, in 1829, for the purpose of bringing him out in juvenile operas (at the Surrey Theatre, London), in which Master Burke, Miss Coveney, Miss Vincent, and Master Henry Russell, &c. shared with our youthful vocalist the favours of the public. Eighteen months after this period, his friends recalled him to his birth-place, and articled him to Mr. Noverre, a dancing-master in high repute, by whose advice he immediately commenced the study of the Violin—upon which instrument he made such rapid progress, that his friends were urged to cancel their agreement with Noverre, and destine the youth exclusively for the musical profession.

Although his attainments in singing, as well as on the piano and violin, seemed to point with sufficient clearness to his proper path, a passion for the stage developed itself in 1833, when he appeared on the boards of the Norwich Theatre, in the character of 'Little Pickle,' in the farce of the Spoiled Child; by which personation he attracted such notice, that the manager of the Theatre engaged him to appear in that character at all the theatres belonging to the Norwich Circuit.

The family of our youthful musician, being anxious to wean him from a theatrical career, usually so trying to the principles of a young mind, placed him with a German Violinist (Herr Müller), of whose experience he availed himself to such extent as to become, in 1835, (when only 15 years of age) the Leader of the Norwich Theatre.

While on a tour with the Norwich Company, our young Violinist made acquaintance with Edmund Kean; and, but for the sudden demise of that rare but very rambling genius, would, in all probability, have been so fascinated by his society, as to have relinquished the steady pursuit of music. Soon after this event, however (in 1837), we find him residing at Norwich, as a Professor of the Violin, Piano, Guitar, and Singing, in which accomplishments he had the honour of instructing several families of distinction. He was also appointed Organist of one of the churches, and became the most eminent solo violinist of his own county, and its neighbourhood. The Rev. R. F. Elwin (for many years sole manager of the Norwich Festivals, and a great admirer of musical talent), was influential in placing the youthful Violinist at the head of the musical department in his native city.

Anxious to emulate the best musicians of the capital, Charles Hall, much against the wish of his family, repaired to London, in 1840, and became a student at the Royal Academy of Music, in which establishment he availed himself of the valuable instruction of the best masters belonging to the institution.

The late Mr. T. Cooke, when Musical Director of Drury Lane Theatre, induced Mr. Hall to accept an engagement there as Leader of the Ballets and Pantomimes, in which position he continued for the space of five years.

In 1844, this enterprising artist wrote and delivered some entertaining Musical Lectures at the Holborn Literary Institution, under the title of 'Poesy and Minstrelsy.'

Mr. Balfe, the Composer and Musical Director of Her Majesty’s Theatre, being much pleased with Mr. Hall’s performance on the violin during the Jenny Lind Concerts, took great notice of him, and engaged him for five years at that large and fashionable establishment. In the first year of this engagement, Mr. Hall offered the “Swedish Nightingale” the sum of £1000 to sing at two Concerts in Norwich. That enchanting warbler accepted the offer—the Concerts were given, upon the most liberal scale—and our adventurous artist cleared nearly £800 by the speculation. The Lord Bishop of Norwich appropriated his palace to the use of the Queen of Song, and the whole city was a scene of excitement and rejoicing, during the lady’s sojourn. After recording Mr. Hall’s well-deserved profits on this occasion, it must be added, with regret, that a large musical speculation, in 1848, deprived him of the chief portion of what he had so acquired.

With an undaunted spirit, our persevering artist wrote another musical entertainment, entitled 'The Romance of Village Life,' which he gave, in 1850, at various London Literary Institutions, and which was warmly applauded on each occasion. Mr. Hall is the author of an amusing burlesque description of the well-known opera of The Bohemian Girl. He is also the author and composer of several favourite ballads: and some of the finest musicians of the day, among whom are Mr. Balfe and Mr. Wallace, have wedded his verse to music. His last production, now in course of publication, is entitled'Sacred Lays on the Ten Commandments.'”.