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Bobbi Kozinuk (born 1962) is a Vancouver based media and performance & installation artist whose work often includes topics of trans-identity, queer identity, male-dominated hegemony, low-power radio, technology and sexuality.[1 rip][2-radio][3-][4]

She has a B.Science in Engineering Physics from the University of British Columbia (UBC). She is currently the Wearable Interactive Products Lab Technician and part-time faculty at Emily Carr University of Art and Design.[5=bobbi's work web page] Contents

1 Career 2 Works 3 References 4 External links

Career

An iconoclastic trans-womyn media artist, Kozinuk has worked with a number of notable Vancouver media art centers: Video Inn/Video Out (VIVO), Western Front, grunt gallery, and SUM, Pride in Art's permanent art space in Vancouver's historic Chinatown in the ArtSpace Sun Wah.

She has performed in # of the Western Front art events:  list

Her work has been shown internationally.[11]

Bobbi has also won numerous other awards, and has received funding for video projects from the Canada Council and the BC Arts Council.

Her body often figures prominently in her performances, such as V&B return from the Future to save the Seas at the Surrey Art Gallery, as part of Ground Signals, a group show examining our relationship to the landscape.

Kozinuk is a media artist who mixes projections, video, low-power radio, installation blended with performance-based practices where she performs directly for the camera, often combining this technique with remix practices, such as in references needed here..

Works

Performance Art

2017 - V&B return from the Future to save the Seas, Surrey Art Gallery 2015 - HTMlles##, Solar Power for a Story?, Studio XX, Montreal 2015 - Encuentro IX "Manifestation", Future Solar Stories, Montreal 2004 - FemHack, TechnoMisogynyHackAttack, FouFemme & Studio XX, Montreal 2003 - what did you do at grunt? 2001 - sound art piece on salt spring island

Videos/Workshops

2015 - Build Your Own Solar Charger, Studio XX, Montreal 2010 - low power radio workshop at Western Front 2010 - got more? 2009 - another one? 1999 - What was your first video presented and where

References

Cowan, T.L. (Spring 2011). "Dayna McLeod's Post-nationalist Beaver and the Cabaret Phenomenology of Putting Out". TOPIA: Canadian Journal of Cultural Studies (25): 230–239. Retrieved 16 October 2016. Lavoie, Rébecca (2014). "Queer and Feminist Art Practices in Video Art : Post?-Identity Political Proposals". Recherches féministes. 27 (2): 171–189. Gingras-Olivier, Marie-Claude (2014). " Retrieved 2016-03-12..... Canadian Theatre Review (149): 36–39. Retrieved 16 October 2016.

example: Guertin, Carolyn (2012). Digital Prohibition: Piracy and Authorship in New Media Art. New York: Continuum. Retrieved 16 October 2016.

External links

Biography portal LGBT portal

gruntgallery.ca   westernfront.org vivo.org