User:Shinmizutani/sandbox

Shin Mizutani (水谷 晨) is a pianist and composer, born in 1991 in Tokyo. He has studied music composition and electronic music with Richard Barrett (7 Nov 1959 - ), Robin de Raaff (5 Dec 1968 - ), and Hitomi Kaneko (金子 仁美) (2 Nov 1965 - ). He has been employed professionally with The Piano Teacher’s National Association of Japan as an arranger and orchestrator.

1, Biography and influences Shin Mizutani's mother Chikako Mizutani, who is also a pianist, had a significant influence on him when he was a child. Shin Mizutani studied violin as an adult, and Gérard Grisey's spectral music had an impact on him while he was completing his Bachelor of Composition. Shin Mizutani has developed skills as a jazz pianist and composer associated with contemporary music. His academic background includes studies at Berklee College of Music, a bachelor's degree in the Netherlands, and a master's degree from Japan. Shin Mizutani's compositions have been performed in Brazil, the USA, Europe, and Asia. Attending Darmstadt, for instance, was a fantastic chance to learn about the compositional practices of other young composers. Shin Mizutani gave a presentation on his compositional works at the Darmstädter Ferienkurse in 2016 and participated in seminars with Mark Andre, Matthias Spahlinger, and Brian Ferneyhough. In Shin Mizutani's wake, one can find other instructors who have made substantial contributions to compositional and performances development, such as Richard Barrett, Robin de Raaff, Stefano Gervasoni, Claus-Steffen Mahnkopf, Milica Djordjević, Philippe Hurel, Daniel d'Adamo, Dimitri Papageorgiou, Panayiotis Kokoras, Rand Steiger, Kees Tazelaar, Rene Uijlenhoet, Rijnhard Bokelmann, Frans de Berg, Theo Verbey, Arie Boers, Marcel Zijlstra, Francesca Tanksley, Tom Dommisse.

His compositions are distinguished by the accuracy and clarity of the scores, which enable instrumentalists to develop secure performances with organized freedom. When Shin Mizutani's scores and calligraphy were also displayed at museums and exhibitions, such as the "Northern Disease Exhibition" (2016) in Japan and "Musica con Vista" (2016) in Italy, his multidisciplinary proposals found acceptance in different artistic settings. As a dedicated composer, Shin Mizutani had the chance to collaborate with numerous internationally famous ensembles and performers, including Klangforum Wien (Austria), Mivos Quartet (USA), Ensemble Dal Niente (USA), Oerknal Ensemble (the Netherlands, Ensemble Phace (Austria) Ensemble Suono Giallo (Italy), Ensemble Linea (France), Moscow Contemporary Music Ensemble (Russia), Wood Quintet Rosier (Japan), Sapporo Kreis Quartet (Japan) and Tacet(i) Ensemble (Thailand), etc.

The brilliant career of Shin Mizutani has also been characterized by his involvement in contemporary music aesthetics and philosophies. He uses a variety of noise-making techniques. When Mizutani was younger, he attempted to incorporate electronic music approaches into authentic acoustic instrumental music, but as his career progressed, his compositions grew more and more abstract. The dialectic between the present and memories, as well as time itself, captured Mizutani's attention. The readings of Henri-Louis Bergson and Bin Kimura's works support this aesthetic predisposition. Mizutani has recently been attempting to include phenomenological philosophy in his compositional methods.

Shin Mizutani is a significant voice in the post-pandemic Japanese Contemporary Music scene thanks to his global perspective, aesthetic engagement, audacity, compositional innovation, and critical thinking about what is produced in Japan as far as compositions go.

２, Academic Education 2012、Entered Rotterdam Conservatory (Codarts) 2016、Entered Master's program in Sonology at the Royal Conservatory of The Hague 2020、Entered master's program at Toho College of Music（ https://www.fukusima-fnd.or.jp/doku.php?id=graduate:past-recipient ） 2022、Completed a master's degree at Toho College of Music（ https://note.com/shinmizutanicomp/n/n979545f0ce3c ）

３． Main works. ・A Study of Difference and Repetition（2015-2016）: for string quartet （ https://webshop.donemus.com/action/front/sheetmusic/21207 ） ・Harpocrates（2019） : for ensemble（ https://webshop.donemus.com/action/front/sheetmusic/21206/Harpocrates ） etc.

4. Participation in Music Festivals The premiere of "A Study of Difference and Repetition (2015-2016), Opus 2" and public lecture at the "VIPA Festival 2016" in Valencia, Spain, 5-16 July 2016.

Quintet for Flute, Clarinet in A, Piano, Violin and Violoncello (2016) and public lecture of the piece at the "Darmstadt Summer Course in Contemporary Music 2016 in Darmstadt", Germany7 July- Aug. 18, 2016.

Commissioned premiere of Trio for Flute, Bass Clarinet in Bb, and Piano and public lecture at the "Delian Academy for New Music (2017)", in Mykonos, Greece, 12-19 June 2017.

"Composition Academy Philippe Manoury - Musica festival" The work was performed at the "Composition Academy Philippe Manoury - Musica festival" in Strasbourg, France, re-performed "A Study of Difference and Repetition (2015-2016), Opus 2" and a public lecture was given on the work from the period of study.

Piano Piece I (2015-2019) for Solo Piano, Opus 1" was premiered at the "ilSUONO 4th International Contemporary Music Week" and a public lecture on the piece "Piano Piece I (2015-2019) for Solo Piano, Opus 1". And the public lecture was given on "Flamenco Sketches (2017) for Solo Viola, Opus 4" Città di Castello, Italy, 13-21 July 2022.

At "The São Paulo Contemporary Composers Festival" Bachianas Americano (2022) for Flute/Piccolo, Clarinet in Bb/Bass Clarinet in Bb, Percussion, Piano, Harp, Violin, Viola, and, Violoncello, Opus 9" premiered Bachianas Americano (2022) for Flute/Piccolo, Clarinet in Bb/Bass Clarinet in Bb, Percussion, Piano, Harp, Violin, Viola and, Violoncello, Opus 9" in São Paulo, Brazil. 29 Sep.-8 Oct.

5． Awards ・2018 1st Special Prize at the 12th International Composition Competition “Città di Udine”, Solo and Ensemble Composition Category (Italy). （https://www.taukay.it/data1/index.php?option=com_content&view=article&id=868&Itemid=539&lang=en ） ・ In 2019, first prize special prize in the solo composition category and second prize in the orchestral composition category at the Academia Musica Vienna International Music Competition (Austria). （https://note.com/shinmizutanicomp/n/ne64316bba740 ） ・In 2020, 2nd prize in Sergei Slonimsky International Composition Competition (Russia). （https://en.remusik.org/news-20200725/ ） ・In 2020, second prize in the International “Città di Barletta” Competition for Young Musicians (Italy) in the ensemble composition category, as well as prizes in two other categories of the same competition. （https://note.com/shinmizutanicomp/n/ne64316bba740 ） ・In 2022, specially mentioned in the “Andrea Cesaro" Rome Award（https://note.com/shinmizutanicomp/n/nd29a23d017d9 ） ・In 2022, his work was selected with the most votes by the jury at ICE Music Week 2022 in Germany. (https://www.tempus-konnex.com/participants/ ) ５． Magazines The Music Today (音楽現代) vol.52 No.5 May-2022（ https://note.com/shinmizutanicomp/n/n29291490b2db?from=notice ）

６． Links Official Website https://shinmizutani.site Twitter https://twitter.com/smizutanicomp Publisher: Donemus Publishing https://webshop.donemus.com/action/front/composer/Mizutani%2C+Shin Interview https://www.youtube.com/watch?v=28d4H9GitkA

Shin Mizutani (水谷 晨) ist ein Pianist und Komponist, geboren 1991 in Tokio. Er hat Musikkomposition und elektronische Musik bei Richard Barrett (7. November 1959 - ), Robin de Raaff (5. Dezember 1968 - ) und Hitomi Kaneko (金子 仁美) (2. November 1965 - ) studiert. Er war beruflich bei der The Piano Teacher's National Association of Japan (Nationaler Verband der Klavierlehrer in Japan) als Arrangeur und Orchestrator tätig.

1, Biografie und Einflüsse Shin Mizutanis Mutter Chikako Mizutani, die ebenfalls Pianistin ist, hat ihn schon als Kind stark beeinflusst. Als Erwachsener studierte Shin Mizutani Violine, und die spektrale Musik von Gérard Grisey beeinflusste ihn, als er seinen Bachelor in Komposition absolvierte. Shin Mizutani hat seine Fähigkeiten als Jazzpianist und Komponist im Bereich der zeitgenössischen Musik entwickelt. Sein akademischer Hintergrund umfasst Studien am Berklee College of Music, einen Bachelor-Abschluss in den Niederlanden und einen Master-Abschluss in Japan. Shin Mizutanis Kompositionen sind in Brasilien, den USA, Europa und Asien aufgeführt worden. So war der Besuch in Darmstadt eine fantastische Gelegenheit, die kompositorische Praxis anderer junger Komponisten kennenzulernen. Shin Mizutani hielt 2016 bei den Darmstädter Ferienkursen einen Vortrag über sein kompositorisches Schaffen und nahm an Seminaren mit Mark Andre, Matthias Spahlinger und Brian Ferneyhough teil. In Shin Mizutanis Gefolge finden sich weitere Dozenten, die wesentliche Beiträge zur kompositorischen und performativen Entwicklung geleistet haben, wie Richard Barrett, Robin de Raaff, Stefano Gervasoni, Claus-Steffen Mahnkopf, Milica Djordjević, Philippe Hurel, Daniel d'Adamo, Dimitri Papageorgiou, Panayiotis Kokoras, Rand Steiger, Kees Tazelaar, Rene Uijlenhoet, Rijnhard Bokelmann, Frans de Berg, Theo Verbey, Arie Boers, Marcel Zijlstra, Francesca Tanksley, Tom Dommisse. Mizutanis Kompositionen zeichnen sich durch die Genauigkeit und Klarheit der Partituren aus, die es Instrumentalisten ermöglichen, sichere Aufführungen mit organisierter Freiheit zu entwickeln. Als Shin Mizutanis Partituren und Kalligrafien auch in Museen und Ausstellungen wie der "Northern Disease Exhibition" (2016) in Japan und "Musica con Vista" (2016) in Italien gezeigt wurden, fanden seine multidisziplinären Vorschläge in verschiedenen künstlerischen Kontexten Anklang. Als engagierter Komponist hatte Shin Mizutani die Gelegenheit, mit zahlreichen international bekannten Ensembles und Interpreten zusammenzuarbeiten, darunter das Klangforum Wien (Österreich), das Mivos Quartett (USA), das Ensemble Dal Niente (USA), das Oerknal Ensemble (Niederlande), das Ensemble Phace (Österreich), das Ensemble Suono Giallo (Italien), das Ensemble Linea (Frankreich), das Moscow Contemporary Music Ensemble (Russland), das Wood Quintet Rosier (Japan), das Sapporo Kreis Quartet (Japan) und das Tacet(i) Ensemble (Thailand) usw. Die vielversprechende Karriere von Shin Mizutani ist auch durch seine Auseinandersetzung mit zeitgenössischer Musikästhetik und -Philosophie gekennzeichnet. Er verwendet eine Vielzahl von Geräuschtechniken. Als Mizutani jünger war, versuchte er, Ansätze elektronischer Musik in authentische akustische Instrumentalmusik einzubringen, doch mit fortschreitender Karriere wurden seine Kompositionen immer abstrakter. Die Dialektik zwischen der Gegenwart und den Erinnerungen sowie die Zeit selbst erregten Mizutanis Aufmerksamkeit. Die Lektüre von Henri-Louis Bergson und Bin Kimuras Werken unterstützt diese ästhetische Neigung. In jüngster Zeit hat Mizutani versucht, die phänomenologische Philosophie in seine Kompositionsmethoden einzubeziehen. Shin Mizutani ist dank seiner globalen Perspektive, seines ästhetischen Engagements, seiner Kühnheit, seiner kompositorischen Innovation und seines kritischen Denkens über das, was in Japan kompositorisch produziert wird, eine bedeutende Stimme in der post-pandemischen japanischen zeitgenössischen Musikszene.

２, Akademische Ausbildung 2012、 Eintritt in das Rotterdamer Konservatorium (Codarts) 2016、 Eintritt in den Masterstudiengang Sonologie am Königlichen Konservatorium von Den Haag 2020、Beginn des Masterstudiengangs am Toho College of Music（ https://www.fukusima-fnd.or.jp/doku.php?id=graduate:past-recipient ） 2022、Abschluss eines Masterstudiums am Toho College of Music（ https://note.com/shinmizutanicomp/n/n979545f0ce3c ）

３． Hauptwerke. ・A Study of Difference and Repetition（2015-2016）: für Streichquartett （ https://webshop.donemus.com/action/front/sheetmusic/21207 ） ・Harpocrates（2019） : für Ensemble（ https://webshop.donemus.com/action/front/sheetmusic/21206/Harpocrates ） usw.

4. Teilnahme an Musikfestivals Uraufführung von "A Study of Difference and Repetition (2015-2016), Opus 2" und öffentlicher Vortrag beim "VIPA Festival 2016" in Valencia, Spanien, 5-16 Juli 2016.

Quintett für Flöte, Klarinette in A, Klavier, Violine und Violoncello (2016) und öffentlicher Vortrag des Stücks bei den "Darmstädter Ferienkursen für zeitgenössische Musik 2016 in Darmstadt", Deutschland7. Juli- 18. August 2016.

Uraufführung des Auftragswerkes Trio für Flöte, Bassklarinette in B und Klavier und öffentlicher Vortrag bei der "Delian Academy for New Music (2017)", in Mykonos, Griechenland, 12-19 Juni 2017.

"Composition Academy Philippe Manoury - Musica festival" Aufführung des Werks "A Study of Difference and Repetition (2015-2016), Opus 2" und öffentlicher Vortrag über das Werk aus der Studienzeit bei der "Composition Academy Philippe Manoury - Musica festival" in Straßburg, Frankreich.

Im Rahmen der "ilSUONO 4th International Contemporary Music Week" wurde "Piano Piece I (2015-2019) for Solo Piano, Opus 1" uraufgeführt und ein öffentlicher Vortrag über das Werk gehalten. Und der öffentliche Vortrag wurde über "Flamenco Sketches (2017) für Solo-Viola, Opus 4" Città di Castello, Italien, 13-21 Juli 2022 gehalten.

Beim "The São Paulo Contemporary Composers Festival" wurde Bachianas Americano (2022) für Flöte/Piccolo, Klarinette in B/Bassklarinette in B, Schlagzeug, Klavier, Harfe, Violine, Viola und Violoncello, Opus 9" uraufgeführt. Bb/Bassklarinette in B, Schlagzeug, Klavier, Harfe, Violine, Viola und Violoncello, Opus 9" in São Paulo, Brasilien. 29 Sep.-8 Okt.

5． Auszeichnungen ・2018, 1. Sonderpreis beim 12. Internationalen Kompositionswettbewerb "Città di Udine", Kategorie Solo- und Ensemblekomposition (Italien). （https://www.taukay.it/data1/index.php?option=com_content&view=article&id=868&Itemid=539&lang=en ） ・ 2019, erster Preis Sonderpreis in der Kategorie Solokomposition und zweiter Preis in der Kategorie Orchesterkomposition beim Internationalen Musikwettbewerb der Academia Musica Wien (Österreich). （https://note.com/shinmizutanicomp/n/ne64316bba740 ） ・Im Jahr 2020, 2. Preis beim Internationalen Sergei Slonimsky Kompositionswettbewerb (Russland). （https://en.remusik.org/news-20200725/ ） 2020: Zweiter Preis beim Internationalen Wettbewerb für junge Musiker "Città di Barletta" (Italien) in der Kategorie Ensemblekomposition sowie Preise in zwei weiteren Kategorien desselben Wettbewerbs. （https://note.com/shinmizutanicomp/n/ne64316bba740 ） ・Im Jahr 2022, besondere Erwähnung im "Andrea Cesaro" Rom Preis（https://note.com/shinmizutanicomp/n/nd29a23d017d9 ） ・Im Jahr 2022 wurde sein Werk von der Jury der ICE Music Week 2022 in Deutschland mit den meisten Stimmen ausgewählt. (https://www.tempus-konnex.com/participants/ ) ５． Zeitschriften The Music Today (音楽現代) vol.52 No.5 May-2022（ https://note.com/shinmizutanicomp/n/n29291490b2db?from=notice ）

６． Links Offizielle Website https://shinmizutani.site Twitter https://twitter.com/smizutanicomp Verlag: Donemus Verlag https://webshop.donemus.com/action/front/composer/Mizutani%2C+Shin Vorstellungsgespräch https://www.youtube.com/watch?v=28d4H9GitkA

Shin Mizutani (水谷 晨)  é um pianista e compositor, nascido em 1991 em Tóquio. Ele estudou composição musical e música eletrônica com Richard Barrett (7 Nov 1959 - ), Robin de Raaff (5 Dez 1968 - ), e Hitomi Kaneko (金子 仁美) (2 Nov 1965 - ). Ele tem trabalhado profissionalmente com a Associação Nacional de Professores de Piano do Japão, como arranjador e orquestrador.

1, Biografia e influências A mãe de Shin Mizutani, Chikako Mizutani, que também é pianista, teve uma influência significativa sobre ele quando ele era criança. Shin Mizutani estudou violino quando adulto, e a música espectral de Gérard Grisey teve um impacto sobre ele quando ele estava completando seu Bacharelado em Composição. Shin Mizutani desenvolveu competências como pianista de jazz e compositor associado à música contemporânea. Sua formação acadêmica incluem estudos no Berklee College of Music,  bacharelado na Holanda e mestrado do Japão. As composições de Shin Mizutani têm sido apresentadas no Brasil, nos EUA, Europa e Ásia. A participação em Darmstadt, por exemplo, foi uma oportunidade fantástica para aprender sobre as práticas composicionais de outros jovens compositores. Shin Mizutani fez uma apresentação sobre suas obras de composição no Darmstädter Ferienkurse em 2016 e participou de seminários com Mark Andre, Matthias Spahlinger, e Brian Ferneyhough. No rastro artístico de Shin Mizutani, pode-se encontrar outros instrutores que fizeram contribuições substanciais para o desenvolvimento da composição e da performance, tais como Richard Barrett, Robin de Raaff, Stefano Gervasoni, Claus-Steffen Mahnkopf, Milica Djordjević, Philippe Hurel, Daniel d'Adamo, Dimitri Papageorgiou, Panayiotis Kokoras, Rand Steiger, Kees Tazelaar, Rene Uijlenhoet, Rijnhard Bokelmann, Frans de Berg, Theo Verbey, Arie Boers, Marcel Zijlstra, Francesca Tanksley, Tom Dommisse. Suas composições se distinguem pela precisão e clareza das partituras, que permitem aos instrumentistas desenvolverem performances seguras com liberdade organizada. Quando as partituras e a caligrafia de Shin Mizutani também foram expostas em museus e exposições, como a "Northern Disease Exhibition" (2016) no Japão e "Musica con Vista" (2016) na Itália, suas propostas multidisciplinares encontraram aceitação em diferentes cenários artísticos. Como compositor engajado, Shin Mizutani teve a oportunidade de colaborar com inúmeros conjuntos e intérpretes internacionalmente famosos, incluindo Klangforum Wien (Áustria), Mivos Quartet (EUA), Ensemble Dal Niente (EUA), Oerknal Ensemble (Holanda, Ensemble Phace (Áustria) Ensemble Suono Giallo (Itália), Ensemble Linea (França), Moscow Contemporary Music Ensemble (Rússia), Wood Quintet Rosier (Japão), Sapporo Kreis Quartet (Japão) e Tacet(i) Ensemble (Tailândia), etc. A promissora carreira de Shin Mizutani também tem sido caracterizada por seu envolvimento na estética e filosofias da música contemporânea. Ele usa uma variedade de técnicas de fazer ruído. Quando Mizutani era mais jovem, ele tentou incorporar abordagens de música eletrônica na música instrumental acústica autêntica, mas à medida que sua carreira progredia, suas composições se tornaram cada vez mais abstratas. A dialética entre o presente e as memórias, assim como o próprio tempo, captou a atenção de Mizutani. As leituras das obras de Henri-Louis Bergson e Bin Kimura apóiam esta predisposição estética. Mizutani recentemente vem tentando incluir a filosofia fenomenológica em seus métodos de composição. Shin Mizutani é uma voz significativa na cena musical contemporânea japonesa pós-pandêmica graças à sua perspectiva global, engajamento estético, audácia, inovação composicional e pensamento crítico sobre o que é produzido composicionalmente no Japão.

２ Educação Acadêmica 2012、Ingressou no Conservatório de Rotterdam (Codarts) 2016、Ingressou no Programa de mestrado em Sonologia no Conservatório Real de Haia 2020、Ingressou no programa de mestrado no Toho College of Music （ https://www.fukusima-fnd.or.jp/doku.php?id=graduate:past-recipient ） 2022 Concluiu um mestrado na Faculdade de Música de Toho https://note.com/shinmizutanicomp/n/n979545f0ce3c ）

3 Obras principais. ・O Estudo da diferença e Repetition（2015-2016）: para quarteto de cordas （ https://webshop.donemus.com/action/front/sheetmusic/21207 ）

Harpocrates（2019): para ensemble（https://webshop.donemus.com/action/front/sheetmusic/21206/Harpocrates ） etc.

4. Participação em festivais de música A estréia de "A Study of Difference and Repetition (2015-2016), Opus 2" e palestra pública no "VIPA Festival 2016" em Valência, Espanha, 5-16 de julho de 2016.

Quinteto de Flauta, Clarinete em A, Piano, Violino e Violoncelo (2016) e palestra pública sobre a peça no "Curso de Verão de Música Contemporânea de Darmstadt 2016" em Darmstadt, Alemanha7 de julho a 18 de agosto de 2016.

Estréia comissionada do Trio de Flauta, Clarinete Baixo em Bb e Piano e palestra pública na "Delian Academy for New Music (2017)", em Mykonos, Grécia, 12-19 de junho de 2017.

"Academia de Composição Philippe Manoury - Festival de Música" O trabalho foi apresentado na "Academia de Composição Philippe Manoury - Festival de Música", em Estrasburgo, França, reelaborado "A Study of Difference and Repetition (2015-2016), Opus 2". Este trabalho foi exposto através de uma palestra pública.

Piano Peça I (2015-2019) para Piano Solo, Opus 1" que foi estreada na "ilSUONO 4th International Contemporary Music Week" e uma palestra pública sobre a peça "Piano Peça I (2015-2019) para Piano Solo, Opus 1". E a palestra pública foi focada no conteúdo da obra "Flamenco Sketches (2017) para Solo Viola, Opus 4" Città di Castello, Itália, 13-21 de julho de 2022.

Estréia da obra Bachianas Americana (2022) para Flauta/Piccolo, Clarinete em Bb/Baixo Clarinete em Bb, Percussão, Piano, Harpa, Violino, Viola, e, Violoncelo e “Opus 9” no "The São Paulo Contemporary Composers Festival" em São Paulo, Brasil entre 29 de setembro e 8 de outubro.

5． Prêmios ・2018 1º Prêmio Especial no 12º Concurso Internacional de Composição "Città di Udine", Categoria Composição Solo e Ensemble (Itália). https://www.taukay.it/data1/index.php?option=com_content&view=article&id=868&Itemid=539&lang=en ） ・ Em 2019, primeiro prêmio especial na categoria composição solo e segundo prêmio na categoria composição orquestral no Concurso Internacional de Música da Academia Musica Viena (Áustria). （https://note.com/shinmizutanicomp/n/ne64316bba740 ） ・Em 2020, 2º prêmio no Concurso Internacional de Composição Sergei Slonimsky (Rússia). （https://en.remusik.org/news-20200725/ ） ・Em 2020, segundo prêmio no Concurso Internacional "Città di Barletta" para Jovens Músicos (Itália) na categoria composição de conjuntos, bem como prêmios em duas outras categorias do mesmo concurso. （https://note.com/shinmizutanicomp/n/ne64316bba740 ） ・Em 2022, especialmente mencionado no Prêmio "Andrea Cesaro" Roma https://note.com/shinmizutanicomp/n/nd29a23d017d9（ ） ・Em 2022, seu trabalho foi selecionado com o maior número de votos pelo júri na ICE Music Week 2022 na Alemanha. (https://www.tempus-konnex.com/participants/ ) 6． Revistas The Music Today (（ https://note.com/shinmizutanicomp/n/n29291490b2db?from=notice ) vol.52 No.5 No.5 Maio-2022（ 音楽現代 ）（

7． Links Página oficial https://shinmizutani.site Twitter https://twitter.com/smizutanicomp Editora: Donemus Publishing https://webshop.donemus.com/action/front/composer/Mizutani%2C+Shin Entrevista https://www.youtube.com/watch?v=28d4H9GitkA