User:Shivastar1111/Barbara Ann Teer

Dr. Barbara Ann Teer 1937-2008.
Dr. Teer was born in East St. Louis, Illinois — an all-Black community - to Fred L. and Lila B. Teer. She was nurtured by a loving family, well-known as dedicated educators and tireless community leaders. Early in her life, Barbara demonstrated extraordinary gifts and talents. At 15, she graduated from Lincoln High School in East St. Louis. At 19, she graduated Magna Cum Laude with a Bachelor’s degree in dance education from the University of Illinois and immediately travelled to study dance with Antoine Decroaux in Paris and with Mary Wigman in Berlin.

Following her international travels, Barbara came to New York where she pursued a career as a professional dancer. She studied with Alwin Nikolais at the Henry Street Playhouse and Syvilla Fort (Katherine Dunham Technique). She toured with the legendary Alvin Ailey Dance Company, Louis Johnson Dance Company and the Pearl Bailey Las Vegas Revue. In 1961, Barbara made her Broadway debut as dance captain in the Tony award-winning musical Kwamina, which was choreographed by Agnes de Mille. She performed in the film version of Ossie Davis’ stage play Purlie Victorious. After a knee injury in 1962, Barbara switched her primary artistic focus from dance to theatre. She studied with acting luminaries such as Sanford Meisner, Paul Mann, Lloyd Richards, and Phillip Burton. Barbara crafted a lucrative and successful acting career receiving numerous accolades, including a Drama Desk Award and several Obie Awards.

In 1963, Barbara co-founded The Group Theatre Workshop with Robert Hooks, which later became the Negro Ensemble Company. Between 1961 and 1966, she continued to perform on and off-Broadway as well as in television and film. In 1968, with the emerging cultural consciousness of the African experience, Barbara decided to found a new theatrical institution committed to cultural transformation, social change, and historical innovation within African American communities. Leaving a flourishing career, and following in the activist footsteps of her older sister and best friend, Fredrica, she founded the National Black Theatre (NBT) whose mission was self-empowerment, liberation, truth and training for a new generation of artists and creative entrepreneurs. Over five decades, Barbara was an agent of change and an eminent curator of the African cultural heritage.

Her representation of authentic cultural traditions of people of African descent born in America was unprecedented. She fashioned a new cultural paradigm by organizing a spiritual and artistic community of people who were conscious of their responsibility as “institution builders.”

In addition to her role as a pioneer of Black theatre that reached beyond America, she developed a groundbreaking methodology taught exclusively at the National Black Theatre called “TEER: The Technology of Soul.” TEER Technology utilized the symbolism, rituals, and mythology of authentic West African traditions. It shifted the traditional paradigm of Western theatre from a “self-conscious” art form to “God-conscious” art, allowing artistic expression which thrived on audience participation and was based on “call and response” dialogue embodied in the Black church. The creative process removed the two-dimensional “psychic distance” existing between the artist on stage and the audience. She called it a “Ritualistic Revival — theatre art that flows from the heart.”

During the 1970s, NBT continued to be a fertile training ground for actors, singers, dancers, and musicians within the Harlem community and beyond. In 1974, Barbara founded the Children’s School for the Development of Intuitive and God-Conscious Art (CSDIG). Having recently become a mother, she wanted to create a nurturing, loving, and empowering environment in which the children of NBT staff could grow, learn, and thrive in a self-affirming and unfettered manner. A concept ahead of its time, CSDIG enabled the NBT staff to bring their children to work with them and provided them with a priceless education.

Barbara wrote, directed and produced a substantial and impressive body of work, including ritualistic revivals (plays) and interactive artistic reviews. She believed theatre and artistic expression were sublime sources of healing and nurturing for the Black community and, in fact, for all of humanity.

Her unwavering commitment to exploring African artistic expression was complemented by the belief that artists should also be owners/entrepreneurs within the communities where they live, work and serve. Barbara viewed artistic expression and ownership as a formidable power source for generating social and political change. In that vein, she purchased a city block of property in Central Harlem on a major business corridor at 125th Street and Fifth Avenue. The National Black Theatre was the sponsoring developer for a 64,000 square feet real estate project that became the first revenue generating Black Theatre Arts Complex in the country.

For her decades of inspiration and cultural advocacy, Barbara was the recipient of an Honorary Doctorate of Law degree from the University of Rochester and an Honorary Doctorate of Humane Letters degree from the University of Southern Illinois. Dr. Teer was the extraordinarily proud mother of two children — her son, Michael F. “Omi” Lythcott and daughter, Barbara A. “Sade” Lythcott. She leaves the continuation of her legacy to a multitude of cherished family, dear friends, loyal staff and a flourishing Harlem community.

Barbara’s love of the Yoruba culture resulted in numerous visits to Nigeria. Recently, she was given the incredible honor of being named an African Chieftain by the Ooni of Ife. She was a passionate patron of Yoruba artists and commissioned works of art that currently surround the NBT cultural and business complex. Today, NBT houses the largest New Sacred Yoruba Art collection in the Western Hemisphere.

Fundamental to NBT’s mission is the vigorous mentorship and advocacy for education and artistic exposure for the next generation of young people. To that end, Barbara Ann Teer created a blueprint for transforming communities, revitalizing and nourishing souls, and creating new cultural paradigms for future generations.