User:ShubhanTelang/Course 1

< User:ShubhanTelang/In the World of Tabla (Tabla course)

After you have read the course Introduction carefully, it will be easy for you to do these courses. In this section, we are going to learn all about Teental and its material like Kismas, Kaydas, Tukadas, Mukadas, Chakradhar, Tripalis, Tihais, Parans, Laggis, Paribhashas (definitions), etc. For each tala there are different bols and different Kismas, Kaydas, Tukadas, Mukadas, Chakradhar, Tripalis, Tihais, Parans, Laggis. But the definations for all these materials for all talas are the same.

Teental (alternatively spelled Tintal, Teentaal, and also called Trital; Hindi: तीन ताल) is the most common tala of Hindustani music, and is used for drut (fast-tempo) Khyal. The structure of tintal is so symmetrical that it presents a very simple rhythmic structure against which a performance can be laid. It is played on Tabla as well as on Percussion instruments.

Information about Teental
Tintal has sixteen (16) beats in four equal divisions (Vibhag). The period between every two beats is equal. The first beat out of 16 beats is called sam and the 9th beat is called khali ('empty'). To count the Teental, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly again claps on the 13th beat; these three claps (Hindi tin 'three' + tāl 'clap') give the rhythm its name.

Uses
Tintal can be used for both accompaniment and solo. There are various Kaidas and Parans for it. Tintal is the widely used tal. The Tintal is mostly used in the drut laya and Zhalas. When Tintal is played at a fast rate or in the drut laya then it sounds as if tintal is played in the reverse i.e. the reverse of tintal would be

Dhin Dhin Dha Dha |

Dhin Dhin Dha Dha |

Tin Tin  Ta  Ta   |

Dhin Dhin Dha Dha |

Theka
मात्रा भाग : ४-४-४-४. धा धिं धिं धा - धा धिं धिं धा - धा तिं तीं ता - ता धिं धीं धा It has a characteristic pattern of bols (theka).

This can also be shown using the following figure

Note the bols used for the first beat of each division: Dhaa, a bol involving both hands, is played at the beginning of the first, second and final divisions; for the khali section, Naa – a right hand bol – is used to indicate that the division is open. There are some pedagogical variations as to the actual syllables pronounced when reciting the bol, most of which occur in the final two vibhags. Also note that this variation is from Lucknow Style.

Course 1
This was the information about Tala Teental. Once you now how to play Tala Teental at a constant speed, may be it slow, very slow , fast or very fast, then we now will be learning the materials all related to Teental. But for that you need to know the concepts and definitions which were there in the Course Introduction and you should be able to know Teental for this course. Once you satisfy these conditions then you have strengthened your base of Tabla and Tala Teental. Now you are officially and classically allowed now to enter In the World of Tabla !!......