User:ShubhanTelang/Kayda 4

<User:ShubhanTelang/In the World of Tabla (Tabla course)

The 4th Kayda which we will be learning is the Kayda in the Tisra Jati (in the multiple of 3). This Kayda is the Dha Ge Dhin Na Ge Dha Tirakita Taka Tirakita Kayda. It goes like this (you can choose the language in which you want the Kayda written) :

Things to ponder
The Bols that are to be practiced in this Kayda are,


 * Dha (धा): combination of Na and (Ghe or Ge). This is a bol that uses both hands. It is a combination of Ta and Ga. There are at least four ways to play this bol; however the two most common versions are the Delhi (Dilli) style and the Purbi style.
 * Ge (गे): (on bayan) holding wrist down and arching the fingers over the syahi; the middle and ring-fingers then strike the maidan (resonant).
 * Na (ना): (on dayan) striking the edge of the syahi with the last two fingers of the right hand.
 * Ke (के): (on bayan) striking with the flat palm and fingers (non resonant).
 * Ta (ता) : (on dayan) striking sharply with the index finger against the rim while simultaneously applying gentle pressure to the edge of the syahi with the ring finger to suppress the fundamental vibration mode.
 * Dhin (धीं): combination of Tin and (Ghe or Ge). Dhin is a simultaneous playing of Ga and Tin. There are at least four different ways to play Dhin.
 * Te/Tet (ती/तीत): (on the dayan) striking the center of the syahi with the middle finger first.
 * Tirakita (तिरकीट): (on both the dayan and the bayan) first striking the center of the syahi with the middle finger and then the index finger on the syahi, producing Ti and Ra respectively (here Ra and Ta are the same, in short the first 2 syllables Tira are played just like TeTa). Then striking with the flat palm and fingers (non resonant) which would produce Ki (Ka). Then playing the last syllable Ta by again striking the center of the syahi.
 * Taka (तक): (on both the dayan and the bayan) first striking the center of the syahi with the middle finger and then striking with the flat palm, producing Ta and fingers (non resonant), producing Ka.

These Bols are then repeated as per the Bols of the Kayda.