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Ida May Park was born in Los Angeles, California on December 28th, 1879 and deceased on June 13th, 1954. She was an American writer and director in the early 20th century. Her work spans from 1914 to 1930 where she mainly worked with her husband, Joseph De Grasse making films for Universal Studios. In total, she directed fourteen films and wrote fifty shorts, scenarios, or features.

Early life
Ida May Park got her start in the entertainment industry when she was fifteen years old. She started off as an actress which is where she met her future husband, Joseph De Grasse. When he joined the Pathé in 1909, that is around the same time that Ida May Park started to dabble in writing. She started her career in the film industry in 1914 when she began working for Universal Studios alongside De Grasse.

Film Work
The first screenplay that she wrote was titled A Gypsy Romance which was developed into a short scenario by director Wallace Reid. He also directed the next scenario that she wrote, The Man Within, however, following that piece, Ida May Park worked with started to work with director Joseph De Grasse who shot the next several pieces that she wrote. The two worked on multiple shorts and scenarios together for several years. The first project they worked on together was a short dubbed ''Her Bounty. After that, the two quickly moved to make their first feature length together called Father and The Boys (1915). ''Most of the titles that the two worked on was for Bluebird, which fell under Universal Studios. They duo frequently switched in producing some of the shorts for Bluebird, but Ida May Park didn't get her solo directing start until 1917. Ida May Park made her way into directing with her first film The Flashlight (1917 ) which starred Dorothy Phillips, who at the time, was a renowned actress at Universal. The production of this movie had scenes that took place outdoors, which caused Ida May Park and the rest of her crew to remain outdoors for majority of production. She found herself in streams and climbing obstacles to get shots that she needed. After her first piece, Ida May Park went on to direct thirteen additional pieces. Many of those pieces were deemed as "women's features" based on passage in Moving Picture World. Ida May Park “made herself an essential place, equal to that of most men in creating features for a program of the first class". Her and her husband continued to strive at Universal studios before the couple left in 1919 for reasons unknown. After the two departed from Universal, they directed two independent feature length films together . De Grasse went on to direct while Ida May Park continued to write for the screen. She wrote an additional two films before she left the industry altogether. The last feature film that she wrote was The Playthings of Hollywood. The piece was about three sisters and their quests to find love and triumph under different professions ranging from department store sales woman, to a motion picture extra. This piece was written for Willis Kent Productions in 1930.

After Her Career
One of the last notable things that Ida May Park accomplished after her work in the film industry was a passage that she wrote for Careers For Women. In the novel Women Film Directors: An International Bio-critical Dictionary the author, Gwendolyn Foster, speaks about the passage that Park wrote. Foster paraphrases Park in saying that her passage encourages other women to venture into the entertainment industry. In Foster's summary, she claims that May cations her audience that with becoming a director, one will have to sacrifice their own personal time. In the book, A Feminist Reader in Early Cinema Ida May Park is quoted in saying "[f]or the first time in six years I am taking a ten-day vacation..." Despite this, she suggest that her female spectators strive to become directors because “the superiority of [a woman’s] emotional and imaginative faculties [her] a great advantage [in film production]”. Foster goes on to say that Ida May Park's passage was “an interesting example of feminist intervention and community mindedness”. Following this passage, here is little information about what she did after her career in the entertainment industry. The former writer and director passed away on June 13th, 1954.

Awards
In 1916 the Motion Picture News Studio Directory recognized Ida May Park with twelve years of screen experience at Pathé and the Universal Film Manufacturing Company according to the Women's Pioneer Project.

Selected Filmography

 * A Gypsy Romance (1914)
 * The Man Within (1914)
 * Her Bounty (1914)
 * All for Peggy (1915)
 * The Grind (1915)
 * The Girl of the Night (1915)
 * Steady Company (1915)
 * Bound on the Wheel (1915)
 * Mountain Justice (1915)
 * Alas and Alack (1915)
 * A Mother's Atonement (1915)
 * Lon of Lone Mountain (1915)
 * The Millionaire Paupers (1915)
 * Father and the Boys (1915)
 * Dolly's Scoop (1916)
 * The Grip of Jealousy (1916)
 * Tangled Hearts (1916)
 * The Gilded Spider (1916)
 * Bobbie of the Ballet (1916)
 * The Grasp of Greed (1916)
 * If My Country Should Call (1916)
 * The Place Beyond the Winds (1916)
 * The Price of Silence (1916)
 * The Piper's Price (1917)
 * Hell Morgan's Girl (1917)
 * The Girl in the Checkered Coat (1917)
 * The Flashlight (1917), directed
 * Fires of Rebellion (1917), directed
 * The Rescue (1917), directed
 * The Grand Passion (1918), directed
 * Broadway Love (1918), directed
 * Bonnie May (1920)
 * Playthings of Hollywood (1930)

Published Work

 * Careers for Women published in 1920. The author who was credited for the book was Catherine Filene, however, Ida May Park wrote a piece for the novel.