User:Sizzle Flambé/Human disguise

A human disguise is a concept in computer science, fantasy, folklore, mythology, religion, literary tradition, iconography and science fiction whereby non-human beings such as aliens, angels, demons, gods, monsters, robots, Satan or shapeshifters are disguised to seem human. The deception has been depicted in storylines as a means used to blend in with people, and in science fiction to raise questions about what it means to be human.

In religion, mythology, and folklore
In pagan religions, deities very often took on the form of a human disguise for various tasks. The gods "of whom the minstrels sang" in Homer's Iliad watched the "human spectacle" as partisans, and came down to Earth invisible or in human disguise to interfere, sometimes to protect their favorites from harm (compare deus ex machina). Their human disguises sometimes extended to them getting hurt in conflicts. Zeus's human disguises have been compared to Plato's use of communicating through alternate characters as a means to express that the "essential philosophical nature is divine rather than human" and "cannot be represented without some element of human "disguise".

In the Torah, angels only appeared to men in a human disguise, and never without one. In the Old Testament apocryphal Book of Tobit, the Archangel Raphael takes on human disguise and the name of Azarias. The Book of Genesis tells of three angels visiting Abraham in human disguise (Gen.18), and two visiting Lot in Sodom (Gen.19). Philosophy professor Peter Kreeft has asserted that when an angel is wearing its human disguise, human beings cannot penetrate the disguise due to the superior abilities angels possess; Kreeft cites as proof Hebrews 13:2: "... some people have entertained angels without knowing it."

St. Augustine and Christian scholars of that age agreed that the Devil could manipulate a person's senses to create illusions in the mind; fake human bodies would be made from particles of air, that seemed quite real to those who saw them. John Milton's poem Paradise Regained has Satan disguised as an old man. The Christian heresy of docetism held that Jesus was not a human but was, instead, a divine spirit in the guise of a human.

Monsters like vampires and werewolves could purportedly take human form at certain times, and lore gave advice as to how to detect or drive away these seemingly human creatures. Even Red Riding Hood's Wolf (though presumably not a werewolf) could disguise himself as her grandmother. Stories are also told of mermaids walking in human form, such as Hans Christian Andersen's Little Mermaid, which is based on many such legends. Changelings are often described in Western European folklore as a type of legendary creature, left in place of a human infant, for a variety of reasons. They are usually not able to mimic the human perfectly, thus there are various ways to reveal them.

Religions such as Hinduism, Buddhism, and native American beliefs have traditions where gods and spirits are said to descend to earth in human form to help or hinder humanity. In native American myths "the sun, moon, and morning star seem free to take human form and roam the earth, seeking love and other adventures."

In Japanese mythology, kitsune, or legendary foxes, often take on a human disguise; most frequently taking the form of an elderly man, attractive women, or child. Kitsune can also replicate the exact appearance of a specific person. In medieval Japan, the belief that any beautiful women met alone at dusk was a kitsune was prevalent. In some legends, kitsune cannot fully transform, but maintain a tail or other foxlike characteristic such as long red hair. Some kitsune in disguise prey on humans through sexual contact, much like the succubus.

Other Japanese animals that (according to myth) can take human disguise include the bakeneko (ghost-cat), tanuki (raccoon dog), mujina (badger), and jorōgumo (spider). The category of such shapeshifting creatures is called obake or bakemono.

The wandering Stranger (ijin, 異人) in Japanese folklore may turn out to be a secret prince or priest... "And he can also be an avowedly supernatural being, outside the human race. The Wardens of certain pools, for example, who are believed to be snakes, and to be ready to lend lacquer cups and bowls to those who wish to borrow them for a party, are referred to as ijin. So are the uncanny yamabito or 'mountain people', said to be seven or eight feet tall, to be covered with hair or leaves, and to live deep in the mountains beyond human habitation. .... The Stranger is... possessed of powerful magic, but he is disguised as a filthy beggar. Be careful therefore how you treat strangers...."

Selkie are seals who can shed their skin and turn into humans. They are mentioned in Faroese, Icelandic, Irish, and Scottish mythology, as well as myths of the Chinook people, and are the premise of the film The Secret of Roan Inish.

Art iconography
Roland Mushat Frye discusses a common iconographic tradition of Satanic disguise  as a "falsus frater, as an old Franciscan friar, or as a hermit, often with a rosary, as Botticelli represented him in his Sistine Chapel frescoes".

In literary criticism
In a study of multi-cultural literary traditions Quint traces examples of the recurring literary archetype of a disguised supernatural visitor: for example in Virgil's Aeneid and in Torquato Tasso's  Gerusalemme liberata.

Supernatural creatures
Fiction may feature disguise for dramatic or comedic considerations. For instance, besides the aerial-daemonic Asmodeus and the undead-human Dracula, consider the plight of the the nonhuman-primate, in fact prosimian, vampire, trying to get by in a human world: The Changeover: a Supernatural Romance, a young adult novel by the New Zealand novelist Margaret Mahy, features a vampiric lemur named Carmody Braque who masquerades as a human antique dealer.

Aliens
Gary Westfahl wrote that Stanislaw Lem and other writers use a standard argument: that "science fiction writers, as human beings, are inherently incapable of imagining truly alien beings, meaning that all aliens in science fiction are nothing but disguised humans."

Examples
Various works of science fiction have described aliens disguised in human form.

The theme of alien infiltration in human form appeared commonly during the Cold War. Jack Finney's 1955 novel The Body Snatchers, and the films made from it, involve aliens not only looking generally human, but replacing specific human beings, an intensely frightening prospect because one's own neighbors, friends, and family must now be suspected. It has been suggested that this conveyed the paranoia of the McCarthy era.

The various incarnations of Star Trek had numerous aliens capable of impersonating humans, e.g. the Salt Vampire of "The Man Trap", Trelane the Squire of Gothos, the Organians in "Errand of Mercy", the re-created historical combatants in "The Savage Curtain", among others from the original series; the Changelings (Odo's people) in Deep Space Nine; and the Suliban in Enterprise.

David Buxton's Avengers to Miami Vice discusses the use of human disguise in The Invaders. , suggesting that though it might at first glance appear to be an extraterrestrial representation of the communist threat the show also picks up on deeper doubts regarding the American value-system.

The theme of infiltration continued in popularity into the the closing stages of the Cold War in the 1980s. In the science fiction series V, the reptilian aliens wear human suits to pass as humans, trying to make humans feel more comfortable around them. They Live deviated from the cold war fear of communists by having its alien infiltrators be the capitalist elite, exploiting mindnumbed consumers while The Thing featured a more visceral biological horror, with an alien that would infect and duplicate hosts. In the 1982 British Sci-fi film Xtro, an alien spaceship abducts a father and an alien returns disguised as him. The alien rapes the man's wife and she gives birth to a fully grown man in what author Barbara Creed describes as being a primal "phantasy" where man is born fully grown and completely independent of its mother.

Recently DC: The New Frontier returned to the cold war theme, using the character of the Martian Manhunter, "a shape-changing alien who adopts human disguise because he knows his alien form would scare people", to look back at cold war paranoia and fear of outsiders.

In Pandemic's 1950s-themed Destroy All Humans video game, the Furon character Crypto, a gray-skinned alien, uses a holographic human disguise to infiltrate  suburban America. "In human form he cannot use weapons but is still able to use his mental powers to hurl objects and hypnotize people into becoming obedient slaves."

Some authors portray the mannerisms of aliens using human disguises as awkward, indicating that the aliens do not feel comfortable in their false skins, for instance Vincent D'Onofrio's portrayal of an alien "Bug" wearing a human suit in Men In Black.

Aliens in human disguise do not always have sinister motives: in Meet Dave, a group of aliens arrive in a spaceship shaped like a human being, and pilot it, to interact with the humans without getting noticed. In Star Man, the alien appears in human form, explaining it was so "you not be a little bit jumpy." In the Men in Black movie and comic book, alien immigrants disguised as humans inhabit the Earth; the alien prince of the Arquillian Empire lives as a human being with a pet cat.

Galaxy Quest and Third Rock from the Sun also use the meme. Third Rock from the Sun features a group of aliens given human bodies to observe aspects of human society.

An episode of Buffy the Vampire Slayer incorporates a praying mantis in human disguise, posing as a substitute high-school teacher who seduces her students before eating them. The mantis in disguise serves as a metaphor to suggest to younger viewers that being unprepared and rushing into becoming sexually active can result in being "devoured".

In the film Mimic, insects native to Earth are genetically modified to stop a cockroach-borne disease, but as a side-effect later evolve in size and shape to mimic and prey upon human beings.

In Marvel Comics the Skrull, a race of aliens, commonly disguise themselves as humans to move about unnoticed on Earth.

A particularly notable and riveting form of human disguise appears in Larry Niven's Ringworld, specifically in the minor religion practiced by the Kdaptists, a religous order of Kzin who believe that the pinnacle of creation is not Kzin but man, and adopt a mask of human skin during prayer to attempt to trick God into thinking they are His children.

Robots
In the movies A.I. Artificial Intelligence, and the Alien series, robots are made to look and act human. In The Terminator, Arnold Schwarzenegger played a cyborg that wore a human disguise.

Isaac Asimov considered humanoid robots (androids) in the novel Robots and Empire and the short stories "Evidence" and "The Tercentenary Incident", in which robots are crafted to fool people into believing that the robots are human. Some of Asimov's robots respond to human distrust and antipathy by passing as human and influencing human development for its own good. In Asimov's novella The Bicentennial Man, the robot Andrew gradually replaces his mechanical body with organic components, but only on the 200th anniversary of the start of his organic conversion, when he allows his positronic brain to "decay" and thus abandons his immortality, does he become accepted as "human".

The various Star Treks also had persuasive androids, for instance in the original series episodes "What Are Little Girls Made Of?", "Shore Leave", "I, Mudd", and "Requiem for Methuselah".

In Star Trek: the Next Generation, the android Data's desire to become more human became an ongoing source of commentary on the human condition. (Data's positronic brain is a nod to Asimov's stories.) An earlier pilot film by Star Trek's creator Gene Roddenberry, The Questor Tapes, had featured an android left on 20th century Earth as the last of a series of advanced alien technology, with the same subtext.

In the movie Bladerunner, the replicants are biological robots indistinguishable from humans except by specialised testing. Similarly in the remade series Battlestar Galactica, robots known as the Cylons have evolved to be able to make bodies that appear quite human. When killed, they transfer their consciousness from one body to an identical model elsewhere. This seeming immortality, the uncertainty of who is really human and who is Cylon, and the love between characters who are revealed to be human or Cylon, are used for discussion of what it means to be human.

Cartoons
Human disguises sometimes occur in animation for cartoon characters. In a short story by Haitham Chehabi, Trix, a cartoon rabbit, wears a human disguise. Cartoons sometimes portray aliens drawn in human disguise.

Examples outside fiction
Commentators may use the concept of human disguise as a metaphor for a lack of humanity. Former Kenyan Prime Minister Jomo Kenyatta was described by a Kenyan judge as a "monster in human disguise". Doug Parker, chairman of US Airways, was described as a "Klingon in a human disguise", after he "vaporized much of what was left of USAirways in Pittsburgh." [sic] The human disguise does not always carry negative connotations - in the US, a well regarded murder victim has been described as "an angel running round with a human suit on",  while Manoel de S. Antonio, (Bishop of Malacca between 1701 and 1723) was refered to as an "angel in human disguise" for his conversion of 10,000 people to Christianity.

Some conspiracy theorists such as David Icke believe that aliens have assumed human form and control the world by masquerading as human leaders such as Queen Elizabeth II, George Bush and Tony Blair.

As a test of machine intelligence, Alan Turing proposed an imitation game in which a computer would pretend to be human and an interrogator would then try to determine by conversation whether they were human or not. Descartes supposed that automata would never be able to pass as human, but programs such as ELIZA have had some success in convincing people that they are human. Subterfuges include the use of a teletype as the medium of communication and deliberate pauses to simulate human performance at tasks such as arithmetic.