User:Sophiegrindon/Choose an Article

Article Selection
Please list articles that you're considering for your Wikipedia assignment below. Begin to critique these articles and find relevant sources.

Option 1

 * Article title
 * Charlotte Osgood Mason


 * Article Evaluation
 * features only biography section, needs to be fleshed out.


 * Sources
 * Story, Ralph D. “PATRONAGE AND THE HARLEM RENAISSANCE: YOU GET WHAT YOU PAY FOR.” CLA Journal, vol. 32, no. 3, 1989, pp. 284–295. JSTOR, www.jstor.org/stable/44322029. Accessed 26 Oct. 2020.
 * Irma McClaurin. “Zora Neale Hurston: Enigma, Heterodox, and Progenitor of Black Studies.” Fire!!!, vol. 1, no. 1, 2012, pp. 49–67. JSTOR, www.jstor.org/stable/10.5323/fire.1.1.0049. Accessed 26 Oct. 2020.
 * Parascandola, Louis J., et al. “Eric Walrond and the Varying Dynamics of White Patronage During the Harlem Renaissance.” The Langston Hughes Review, vol. 24, 2010, pp. 103–111. JSTOR, www.jstor.org/stable/26434688. Accessed 26 Oct. 2020.
 * Susan Van Dyne. “‘Abracadabra’: Intimate Inventions by Early College Women in the United States.” Feminist Studies, vol. 42, no. 2, 2016, pp. 280–310. JSTOR, www.jstor.org/stable/10.15767/feministstudies.42.2.0280. Accessed 26 Oct. 2020.
 * Rachel Pietka. “There Is No Me Like My Statue: Life and Text in Zora Neale Hurston's Dust Tracks on a Road.” Pacific Coast Philology, vol. 49, no. 1, 2014, pp. 99–111. JSTOR, www.jstor.org/stable/10.5325/pacicoasphil.49.1.0099. Accessed 26 Oct. 2020.

Option 2

 * Article title
 * James A. Porter


 * Article Evaluation
 * no exploration of specific pieces, add more about his time abroad in Haiti


 * Sources
 * https://americanart.si.edu/artist/james-porter-3843
 * https://thejohnsoncollection.org/james-porter/
 * Thompson, Krista A. “Preoccupied with Haiti: The Dream of Diaspora in African American Art, 1915–1942.” American Art, vol. 21, no. 3, 2007, pp. 74–97. JSTOR, www.jstor.org/stable/10.1086/526481. Accessed 26 Oct. 2020.
 * https://dh.howard.edu/cgi/viewcontent.cgi?article=1000&context=portercolloquium_28

Option 3

 * Article title
 * African art in Western Collections


 * Article Evaluation
 * Add to both African art in ethnological collections section, African art and Western Modernism section, and Problems of display section.


 * Sources
 * Deliss, Clémentine. “‘Against the Mono-Disciplinarity of Ethnographic Museums.’” Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial, edited by Margareta Von Oswald and Jonas Tinius, Leuven University Press, Leuven (Belgium), 2020, pp. 130–141. JSTOR, www.jstor.org/stable/j.ctv125jqxp.12. Accessed 26 Oct. 2020.
 * Snoep, Nanette. “‘Suggestions for a Post-Museum.’” Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial, edited by Margareta Von Oswald and Jonas Tinius, Leuven University Press, Leuven (Belgium), 2020, pp. 324–335. JSTOR, www.jstor.org/stable/j.ctv125jqxp.22. Accessed 26 Oct. 2020.
 * Gunsch, Kathryn Wysocki. “Art and/or Ethnographica?: The Reception of Benin Works from 1897-1935.” African Arts, vol. 46, no. 4, 2013, pp. 22–31. JSTOR, www.jstor.org/stable/43306188. Accessed 26 Oct. 2020.
 * Meier, Prita. “AUTHENTICITY AND ITS MODERNIST DISCONTENTS: THE COLONIAL ENCOUNTER AND AFRICAN AND MIDDLE EASTERN ART HISTORY.” The Arab Studies Journal, vol. 18, no. 1, 2010, pp. 12–45. JSTOR, www.jstor.org/stable/27934077. Accessed 26 Oct. 2020.
 * Thompson, Krista. “A Sidelong Glance: The Practice of African Diaspora Art History in the United States.” Art Journal, vol. 70, no. 3, 2011, pp. 6–31. JSTOR, www.jstor.org/stable/41430735. Accessed 26 Oct. 2020.

Option 4

 * Article title
 * Article Evaluation
 * Sources
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Option 5

 * Article title
 * Article Evaluation
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