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[[File:Michael Korovkin.jpg|thumb| Michael Korovkin

Born 29 December, 1948, Moscow, Russia

Occupation Anthropologist, Writer ]]

Michael Korovkin
Canadian/ Italian socio-cultural anthropologist and writer

Michael Korovkin (born December 28, 1948 in Russia) is a socio-cultural anthropologist, novelist and poet. His academic work revolves around medical anthropology and European and Mediterranean studies. His literary work covers a diverse range of sociocultural milieus and psychological perspectives, extending cultured and incisive insights into the human condition. He lives in Bomarzo, Italy, with his wife, artist Stephanie Morin www.s-morin.com and their son Justin Alexander.

Fields of research
Korovkin specializes in medical anthropology of stress, political and economic patronage, symbolic expression and social organization. His articles have been published in journals that include Epistemology and Philosophy of Science Journal (2011), European Journal of Sociology (1988), Comparative Studies in Society and History (1987), Language in Society (1987) and Current Anthropology (1986). Over the years, he has consulted on political and economic processes, power dynamics of social groupings and immigration policies for various government and private institutions including the UN, both in Italy and Canada.

Formation
In Russia Korovkin studied biology and medicine at the University of Moscow (MSPI) and at the Moscow Medical College. He specialized in neurophysiology and during his internship he worked at the Scientific Research Neurosurgery Institute in the department directed by his uncle, Prof. Samuel M. Blinkov, author of the seminal work The Human Brain in Figures and Tables (1964).

He emigrated from Russia in 1976 at the age of 27 and went to Canada where he studied cultural and social anthropology under Judith Nagata at York University. After winning a Doctoral Fellowship from Canada's Social Sciences and Humanities Research Council, he spent a year at the London School of Economics and went on to complete his studies the University of Amsterdam School for Social Science Research under Jeremy Boissevain.

Theoretical approach
In his anthropological work Korovkin’s treatment of the socio-cultural process can be seen as a concerted effort to “reconcile the irreconcilable” namely – structuralism and phenomenology. This leads him to a “fractal approach” or to what he calls the “quantum mechanics of symbols” by analogy with Heisenberg’s “principle of determination” where the more is known about the meaning of the symbol the less is known about its entity, and vice-versa.

Medical Anthropology
In the field of medical anthropology Korovkin propones his particular cross disciplinary “parabiotic” approach (i.e. Cannon, Richter, et al) to coping with stress primarily in terms of its sociocultural and physiological dynamics; teaching individuals and groups to develop analytical strategies of resilience and thus deal with stress competently rather than attempt to eliminate it www.stressalternative.org. He is co-author with P. Stephenson of Zombie Factory: Culture, Stress & Sudden Death (2010). His treatment of stress falls within the canons of neuroanthropology: the anthropological aspect concerns primarily the role values play in the perception of stressors and somatization of stress. The neurophysiologal treatment of the issue emphasizes the patterns of stress rather than its intensity as a measurable physiological symptom.

Academic Career
He taught social and medical anthropology in Canada at McMaster University, the University of British Columbia and the University of Victoria. At the end of the 1980s he settled in Italy where he taught at the Università di Bari, Università di Perugia, Università degli Studi della Tuscia, and Università di Roma LUMSA. He was Professor of Sociology and Communication Studies at ESE - European School of Economics, where he served as Academic Dean from 2001-2004 at the Rome and Naples campuses. Currently he is Professor of Social Sciences at USAC - University Studies Abroad Consortium.

Literary work
In 1991, the late Indro Montanelli, Editor-in-Chief of the leading Italian national daily Il Giornale, offered Korovkin a column on the newspaper’s cultural page Terza pagina. Montanelli was seeking to divulge a view on Russian political culture that would provoke a dialectical challenge to the “radical-chic” notions dominant among european intellectual elites. With this in mind, he approached Korovkin with a plan to publish a pseudo Samizdat, which Korovkin agreed to write. Montanelli sent him to Russia as a special envoy in order to gather ethnographical material for the job at hand. For both Korovkin and Montanelli this “editorial operation” was not merely a gratuitous literary scherzo: it fronted a well considered notion that they shared but could hardly expect to present personally, both due to their known ideological stands (“elegant right” Montanelli and “elegant left” Korovkin) and their geographically vicarious position. The idea sustaining the novel is that Russia is a culturally feudal and idiosyncratically monarchic society, loving to hate their strong czars and falling apart under the weak ones, where the tyrant is as much a necessary product, simulacrum and even an “existential victim” of his own subject-people. The novel’s original title in English is Voice from the Orphanage: Memories of the Man Between Seasons. It is a sui generis rejoinder to what has been regarded as one of the first ever Samizdat; A Voice from the Chorus (1976) by Abram Tertz (Andrei Sinyavsky). Korovkin’s reverts Tertz’ thesis by presenting Russians as Stalin’s post-perestroika orphans as opposed to repressed mass victims (chorus) of the Soviet regime. He correctly predicts what he saw would be the inevitable return of a strong authoritarian ruler. Montanelli personally wrote the introduction thus giving the work an imprimatur of “authenticity”; it was serialized in Il Giornale, and became the object of widespread interest and debate. Upon publication by Sperling & Kupfer the work, titled Orfani di Madre-Russia; Memorie di un Cinico (1992) written under the pseudonym Vadim Dubrovski, became a national bestseller. Following the success of “Orphans,” Korovkin was approached by the Italian publishing house Mondadori with a request to write another “Samizdat”; this time the memories of a Moscow courtesan. Korovkin accepted the challenge, seeing the offer as an opportunity to write what he called “the first-ever feminist novel written by a man”. The novel, titled Dancing with Fat Cats: Memories of a Moscow Call Girl, was written in English under the pseudonym Lena Volgina. It was translated into Italian by the writer Stefania Pergola and published by Mondadori as Memorie di Una Maitresse Moscovita (1994). Later, it was to be published under the original title in Russian translation by Aletheia (St Petersburg (2004), and then re-published in Moscow by AST Publishers as Diary of a Moscow Courtesan (2005). It came out to wide critical acclaim, but apart from Katerina Nistratova, critics treated it as anti-Soviet, while Korovkin himself intended it as primarily “anti-men”, with a Russian setting. The novel also provoked lively discussion on the Italian literary scene with Italian journalists eager to interview the mysterious “Maitress”. (L’Italia settimanale n. 28 anno III, 20 luglio 1994, Fabbio Andreola “Ciao Maschio, Anzi Addio” p.39-41)

Notwithstanding the prestigious backing and successful initial promotion, the publication of the Korovkin’s writings in Italy in the early 1990s proved untimely. This was the period when the nation underwent the clamorous fall of the First Republic as government corruption surfaced through the institutionalized graft scandal know as Tangentopoli (bribesville). Thus, in the wake of the nation’s moral upheaval further promotion of the “forged” novels was judiciously halted. Subsequently however, he published other three novels in Russia under his own name: Once a Good Man and Short Stories (2001), Terms of Estrangement: Diaries of A Paratrooper (2002) and Excursion: Adventures of Modigliani the Ghost (2005).

Critique
Korovkin is described as “a brilliant and ferocious poet whose furious, defiant but consistently classical and supremely elegant poetry, controlled and yet fluid, draws, without ever becoming heavy, on a very rich and varied cultural patrimony” (Franca Rovigatti, Roma Poesia 1998). His last book of poetry to-date is Fields of Vision: Selected Poems and The Soldier’s Tale(2014). It consists of 14 poems whose programmatic direction is best attested to by the title of the first piece of the volume: Looking for Faith. A large section of the book is occupied by The Soldier’s Tale: a completely new rendering of the fable used by Stravinsky for the homonymous suite and inspired by the latter. It bears a subtitle A Narcissus Variation – a topic (narcissism of the contemporary society) to which Korovkin repeatedly turns in both his poetry and prose.

In his poetic work, Korovkin often collaborates with American composer Jakov Jakoulov www.jakoulov.com. He also intensively collaborates with Stephanie Morin. Currently they are working together on preparing for the publication of Morin’s research for a book titled Gold Fish in a Blender: An Essay on Approaches to Communicating Contemporary Visual Art.

Academic Books

 * 1992: Patterns of Re-Engagement: Protestant Conversions in a Southern Italian Community (a monograph). Astrolabio-Ubaldini Editore, Rome.
 * 1995: Reflections on Russian Proverbs: Translation, Understanding and the Principle of Uncertainty. Red Hill Press, Berkeley & Los Angeles.
 * 2010: Zombie Factory: Culture, Stress & Sudden Death. with P. Stephenson, Green Frigate Press, Canada.

Novels

 * 1992: Dubrovski, Vadim. Orfani di Madre Russia: Diario di un Cinico, "Sperling & Kupfer", Milan.
 * 1994: Volgina, Lena. Memorie di una Maîtresse Moscovita, Mondadori, Milan.
 * 2001: Once a Good Man, Publishing House Hyperion, St. Petersburg.
 * 2002: Terms of Estrangement: Diaries of a Paratrooper, Aletheia, St. Petersburg.
 * 2003: Dancing With Fat Cats, Aletheia, St. Petersburg
 * 2005: Vospominania Moskovskoj Kurtizanki, AST, St. Petersburg
 * 2005: Excursion: Adventures of Modigliani the Ghost, Aletheia St. Petersburg.

Poetry

 * 1994: Caught On the Line (Illustrated by S. Morin), Union Printing Publishers, Viterbo.
 * 1996: Breviario (Illustrated by L Boille, T.Cascella, S. Morin), Juliet, Triest.
 * 2012: All in One At Once (Four Paintings by S. Morin, compositions for pianforte Jakov Jakoulov), University of Tuscia Press, Viterbo.
 * 2014: Fields of Vision; Selected Poems and The Soldier’s Tale Suite (Illustrated by S. Morin), Aletheia, St. Petersbrurg.