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Zheng Chongbin (born 1961, Shanghai) is an American contemporary visual artist, whose works use various artistic media, including ink and acrylic paintings, Light and Space installations and digital media. His practice is influenced by new materialism.

Zheng's works are located in museum and private collections in the USA, Europe and Asia, including New York’s Metropolitan Museum of Art, London’s British Museum and Hong Kong’s M+.

Early life and education
Zheng started his art training in 1970s Shanghai during the Cultural Revolution (1966-1976), taking private art classes run by artists Mu Yilin and Chen Jialing. During his formative years, China's art education system followed the principles of classic Chinese art and Soviet socialist realism. Influences by this environment, Zheng's graduation project focused on creating gongbi (refined brushwork) ink paintings, depicting scenes of Tibetan rural life and labour, observed during a five-month 1983 trip to Tibet.

Career
From 1984 to 1988 Zheng worked as a teacher in figurative Chinese ink painting at the Zhejiang Academy of Fine Arts. During the 1980s, China's Open Door Policy allowed access to previously forbidden art forms, including impressionism and American abstract expressionism.

In 1985, Zheng travelled to Beijing with artist Andreas Schmid to see an exhibition Rauschenberg Overseas Cultural Interchange at Beijing’s National Art Museum of China. These exposures impacted Zheng's early works, like Another State of Man (second half of the 1980s) in response to the socio-political transition during this time, where he combined ink and acrylic on paper to create anthropomorphic figures inspired by Francis Bacon and German expressionists such as Max Beckmann. In 1988 Zheng had a solo exhibition Chongbin Zheng, organised by the Shanghai Art Museum, which was featured on local television.

Zheng moved to California in 1988. He completed the First International Fellowship and the MFA degree at the San Francisco Art Institute between 1989 and 1991. Zheng studied installation art under the guidance of local artists David Ireland, Tom Marioni, Sam Tchakalian and Tony Labat. In 1992 he received his green card and established his residence in the San Francisco Bay Area. During this transitional period, his works, like Dual Heads (1994), commented on the divided cultural identity experienced by Asian American migrants.

Works in ink
In the later 1990s, Zheng returned to making ink paintings. Zheng arranges his paintings, like Unfolding Landscape (2015), as a series of cut and folded paper sheets, mounted at various angles, while applying diverse textures of ink and acrylic paint. His techniques include moving a scraper along the surface of just-poured paint that results in the emergence of spontaneously created dots and fractal lines within the artwork. The artist is interested in New Materialism, resonating in the writings of scholars like Karen Barad, Quentin Meillassoux and Timothy Morton.

Light and Space installations
Examples of Zheng's Light and Space installations include Liquid Space (2019), exhibited in 2019 at the Ryosoku-in temple within the Kennin-ji temple complex in Kyoto, and Wall of Skies (2015), shown at the 2016 Eleventh Shanghai Biennale. He incorporates see-through scrims, optical light films and custom-built reflective surfaces, like the mirrored floor used in Wall of Skies.

Digital media works
Zheng's first digital video work was Chimeric Landscape (2015), installed at Pallazzo Bembo in Venice in 2015. Zheng used footage of various life forms, combining snapshots of the natural world, such as splashing waves, with scientific materials, like topographical NASA images and microscopic views of molecules. In 2018 Chimeric Landscape was adapted for an exhibition Art on theMART, displayed onto Chicago’s historic building theMART.

Additional examples of Zheng’s digital media installations include State of Oscillation (2020), exhibited at the Asian Art Museum in San Francisco, and Branches Are Roots in the Sky (2017), exhibited at the Los Angeles County Museum of Art.

Selected solo exhibitions include:

 * A 10,000-Year View (2022, Hong Kong Museum of Art)
 * Zheng Chongbin: I Look for the Sky (2021, Asian Art Museum, San Francisco)
 * Liquid Space (2019, Ryosoku-in Temple, Kennin-ji, Kyoto)
 * Zheng Chongbin: Clusters of Memory (2017, Asia Society, Houston)
 * The Pacific Project: Zheng Chongbin (2016, Orange County Museum of Art, New Port)
 * Zheng Chongbin: Impulse, Matter, Form (2013, INK studio, Beijing)
 * White Ink: Fresharp Artists’ Series (2011, Chinese Culture Center of San Francisco)

Selected group exhibitions featuring Zheng’s work include:

 * Ink Dreams: Selections from the Fondation INK Collection (2021, Los Angeles County Museum of Art)
 * Art on theMART (2018, Chicago’s city public art project)
 * Ink Worlds: Contemporary Chinese Painting from the Collection of Akiko Yamazaki and Jerry Yang (2018, Cantor Arts Center, Stanford University)
 * Streams and Mountains without End: Landscape Traditions of China (2017, Metropolitan Museum of Art, New York)
 * Why Not Ask Again (2016, Eleventh Shanghai Biennale)
 * Personal Structures: Crossing Borders (2015, organised by European Cultural Centre, held at Palazzo Bembo and Palazzo Mora, Venice)
 * From a Poem to the Sunset: Daimler Art Collection (2015, Daimler Contemporary Berlin)
 * Ink: The Art of China (2012, Saatchi Gallery, London)
 * China’s Imperial Modern: The Painter’s Craft (2012, University of Alberta Museums, Edmonton)
 * Reboot (2007, Third Chengdu Biennale)

Awards

 * Recipient of the San Francisco Art Institute’s First International Fellowship in 1989.
 * Commission from Moshe Safdie Associates and Singapore’s Marina Bay Sands for a site-specific installation Rising Forest (2008-2010). This installation was displayed at Marina Bay Sands alongside works by artists Antony Gormley and Sol LeWitt.
 * Artist Excellence Exhibition Series Grant by the San Francisco Chinese Cultural Foundation (2010-2011).
 * Awarded Inaugural Artist for a Chicago-based digital art project Art on theMART in 2018.


 * Recipient of Asia Game Changer West Award from the Asia Society’s Northern California Center in 2021.