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Romance Shakespeare’s romantic narrative appears in the characters themselves and the island setting. Often, romances involve exotic and remote locations like this island in The Tempest. The environment is the home for Prospero and Marinda. It is also the setting where one of the shipwrecked characters, Ferdinand, falls in love with Miranda. However, they are part of a knight and a princess situation. Romance will use the theme of a knight trying to win the love of the princess. Ferdinand is an example of fitting such a role since he has to work for Prospero to win respect and love him to marry his daughter Miranda.

Comedy  The Tempest was initially presented as a form of tragic comedy in the First Folio by John Fletcher of Shakespeare’s plays. Another form of comedy that The Tempest creates is the concept of Greek and Latin New Comedy. Lester E Barber’s article The Tempest and New Comedy suggest that The New Comedy has to do in part with the narrative of slaves with the characters of Aerial and Caliban. Both characters are considered comedic slaves because their goal is to be free from Prospero’s hold. Here both characters differ in how they present themselves as slaves. Arguably Caliban is sometimes considered a character who is not a part of New Comedy since he is regarded as a Convent Vehicle. Lester E Barber suggests a Convent Vehicle is a slave who does vile and unintelligent things that cause them to fail miserably and be humiliate and punished. Caliban fits this through his hatred and disobedience to Prospero. Aerial as a slave carries a different approach to himself since he is a Typical Paradigm. A Typical Paradigm is a more brilliant slave that is more intelligent than other slaves, supportive of their masters, and will fix their master’s problems. Aerial is very obedient to Prospero and follows his wishes to use magic agents, the shipwrecked victims, as part of Prospero’s revenge.