User:Tyresd

Tyres Dickson born the youngest of four boys to a hard working woman in Houston Texas. From a very young age he showed a great proclivity or athletics, basketball,   football, track, gymnastics. From the quarterback and defensive back position, he led my high school football team to the playoffs for the first time in ages, elected as an All-American Blue-chip athlete, and heavily recruited throughout the nation. He was fortunate in earning a full scholarship to the University of Texas at Austin to play with the Longhorns.

Then Sunday March 22, 1998, the night before Spring Training began, He was asleep in the back seat of the car that was hit by a drunk driver. The suburban the drunk driver was driving sent the compact car he was in careening into oncoming traffic getting hit again. Laying in a hospital bed with two choice front of me, He could bemoan my fate and let my despair turn him into an embittered, antagonistic human being; or he could forgive the driver and find a new, positive direction creating music with a positive message. I’m not mad at the driver but at the fact he had to drink and drive." The accident gave me a better outlook on life and decided he would turn my focus towards making music and promoting a positive message.” Tyres Dickson

Tyres “The Judge” Dickson has had a hand in many production including instrumentation for “Atomic Dance Factory Choreography Video,” (Austin, Texas) motivational speech/performance at “Camp LT – LaDainian Tomlison,” (academic oriented football training camp run by former Longhorns) and full length production of both Dr. Marcus Nelson’s "You Can Do It if You Put Your Mind To It" (Austin School principal and motivational speaker) J The Man "Playa Balla Pimpin” (rap/hip-hop) albums. Tyres Dickson has also produced a series of underground production including Underground Day In Court, three CD set, “H-Town Bangin’,” “Ladies Day In Court” and “The Docket. Tyres “The Judge’s Court artists have been making names for themselves while gaining experience in the music industry throughout the “Underground Scene,” since 1995. It has gained a lot of momentum and now looks forward to going “Mainstream,” while maintaining the Underground Scene with new and up and coming artists.