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Jeremy Castro Baguyos (born 1968, Quezon City, Philippines) is a musician-researcher and college professor specializing in the realization of live interactive computer music.

Currently based at the University of Nebraska at Omaha, Jeremy Baguyos holds the position of Assistant Professor of Music Technology and Artist-Faculty of Double Bass. As a college professor he teaches in all areas that combine music and digital audio technology, including a unique computer music ensemble, Ensemble A.M.I. (Artificial Music Initiative). He directs research and creative activity in interactive computer music in both the College of Communication, Fine Arts, and Media and the College of Information Science and Technology.

His most notable contributions to the field are in the area of live performance combined with interactive computer technology. For the state of Nebraska, Baguyos established the state's first interactive computer music ensemble, Ensemble A.M.I. (Artificial Music Initiative), in conjunction with its first and only electronic music festival featuring interactive computer music, Virtual Music Week. For his own instrument, the double bass, he was one of the early practitioners of interactive computer music performance on the double bass. Inspired by the early electronic pioneers such as Robert Black and Bertram Turetzky, Baguyos studied computer music at the Peabody Conservatory of Johns Hopkins University. It was at Peabody that he performed with the Peabody Computer Music Consort and collaborated with other students of computer music who shared his enthusiasm for the emerging art form. The result was the creation, between 2002 and 2005, of some of the first significant repertoire for double bass and interactive electronics and probably the very first double bass repertoire to utilize the MSP extensions to the Max/MSP digital audio programming language.

He continues, today, in the academic arena, as a recitalist, lecturer, composer, researcher, and author in interactive computer music and double bass. He appears frequently at notable academic conferences such as the International Computer Music Conference and the Society for Electroacoustic Music in the United States.